Hand Shadows Quotes & Sayings

There was something at the edge of Silas's lips that might have been a smile, and might have been regret, and might just have been a trick of the shadows.
"Good-bye, then, Silas." Bod held out his hand, as he had when he was a small boy, and Silas took it, in a cold hand the color of old ivory, and shook it gravely.
"Good-bye, Nobody Owens. — Neil Gaiman

Civilization was a dance, and the ancient Wyr were late to the ball. They donned masks and slipped with silent predatory grace into the ballroom. They watched with sharp eyes that glittered deep in the shadows behind their assumed facades, recording and learning the twist and rhythm of the dance, the social mores, when to bow and press their lips to the back of the hand, how to smile and say good evening, please and thank you and yes, I shall take more sugar with my tea.
All the while they noted the pulse that fluttered at the base of the dancers' necks, the scents of sweat and the quickened breath. — Thea Harrison

In the second half of life, our old compasses no longer work. The magnetic fields alter. The new compass that we need cannot be held in our hand, only in our heart. We read it not with our mind alone, but with our soul.

Now we yearn for wholeness. We yearn to remember the parts of ourselves that we have forgotten, to nourish those that we have starved, to express those we have silenced, and to bring into the light those we have cast into the shadows. On this quest for wholeness, we must let go of cliches of adult life, both positive and negative . . . Using the best information available , each of us must find his own way.

To varying degrees, all of us are trying to break out of . . . the "life structure" that we have built during the first part of our lives. — Mark Gerzon

Every poor lady that came to me, that touched my hand, that drew a small part of my spirit from me to her - they were only shadows. Aurora, they were shadows of you! I was only seeking you out, as you were seeking me. You were seeking me, your own affinity. And if you let them keep me from you now, I think we shall die! — Sarah Waters

Mothering had come so naturally to Maureen. It was as if another woman had been waiting inside her all along, ready to slip out. She knew how to swing her body so that a baby slept; how to soften her voice; how to curl her hand to support his head. She knew what temperature the water should be in his bath, and when he needed to nap, and how to knit him blue wool socks. He had no idea she knew these things and he had watched with awe, like a spectator from the shadows. It both deepened his love for her and lifted her apart, so that just at the moment when he thought their marriage would intensify, it seemed to lose its way, or at least set them in different places. — Rachel Joyce

The collar had restrained his winds but not killed them. They uncoiled from behind the shadows, ready to surround her, to lift her up, to carry her away with only Ariel's silk-clad arms wrapped about her to keep her from falling.
Spirare, they whispered to her like an incantation. Breathe us in.
Bertie didn't mean to, but she inhaled, and everything inside her was a spring morning, a rose opening its petals to the sun, the light coming through the wavering glass of an old, diamond-paned window.
Tendrils of wind reached for Bertie with a coaxing hand. Release him, and he will love you. — Lisa Mantchev

When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance ... — John Keats

Savannah moved gracefully, going directly across the darkened street, heading for the shadows of the square. She was very much aware of Gregori still close to her, his body protective. For a moment she thought he brushed her shoulder with his hand, the sensation was so real, but when she turned her head, he was several feet behind.
Go, ma petite, take Gary to the house.Do not allow the neighbors to see either of you.And place the safeguards carefully.
What about you?
There is no safeguard I cannot unravel. Go now. This time, there was so mistake. He was four feet away, already turning away from her, but she felt his mouth burning possessively on hers, lingering for just a moment, his tongue tracing the curve of her lip. She couldn't believe he could make her want him, burn for him, when he was going off into the night alone to fight their enemies.
The night has always been mine, Savannah.Do not waste your time worrying about me. — Christine Feehan

When I Have Fears That I May Cease To Be
When I have fears that I may cease to be
Before my pen has glean'd my teeming brain,
Before high piled books, in charact'ry,
Hold like rich garners the full-ripen'd grain;
When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love! - then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink. — John Keats

Writing is making love under a crescent moon: I see shadows of what's to come, and it's enough; I have faith in what I can't see and it's substantiated by a beginning, a climax, an ending. And if it's an epic novel in hand, I watch the sunrise amid the twigs and dewing grass; the wordplay is what matters.
Simply put, I'm in love, and any inconvenience is merely an afterthought.
The sun tips the horizon; the manuscript is complete. The author, full of profound exhaustion, lays his stylus aside. His labor of love stretches before him, beautiful, content, sleeping, until the next crescent moon stars the evening sky. — Chila Woychik

When Lillian left work in the early evening the streets were slick and shiny with rain and the lamps flared yellow giving her the melancholy feeling that always came with the rain and the dark. She'd just struggled to push up her umbrella when the farmer from Saskatchewan came out of the shadows and tipped his hat again, very politely, and said could he escort her home? She put her small hand on his broad arm and held the umbrella over both their heads (he was very tall) and he walked her all the way back to her lodging-house where the landlady, Mrs Raicevic, looked after Edmund after school. By then, Lillian had learned the farmer's name and she said, 'Edmund, this is Mr Donner,' and Pete Donner squatted right down and said, 'Hello there, Edmund, you can call me Pete.' Although he never did, preferring to call him 'Pop' almost from the day his mother married him. — Kate Atkinson

And I have some poetry that I would like to recite to you in honor of the recent, um, transformations in your life." Tootie put a hand on her chest. "This is Rilke," she said. "'You, sent out beyond your recall, / go to the limits of your longing. / Embody me. / Flare up like flame / and make big shadows I can move in. — Kate DiCamillo

She sits quite still, her possessions gathered into her hand for dismounting. She is looking ahead, to where the road curves on and away, crossslanted with shadows. — William Faulkner

Kicking off the comfortable slides, she ran from him in bare feet, her arms wide like wings, ropes of hair spilling down her back wildly like a glossy cape. His heart had wings of its own, as if he were a young man again with no weights on his heart, but with the wisdom of his present age to know what a tremendous gift this moment was. He caught up with her, seized her hand. They kept running, both running from shadows but running together, throwing off a light that he reflected might keep those shadows cowering in the past where they belonged. — Joey W. Hill

How was the light today?"
"Big. Hot. Yellow-white. The sky's blue was like a drumbeat. I watched the black tree shadows revolve. When the sun went down it was like someone's hand was pulling it, very gently. It was soft-edged and orange. The land went purple, then dark blue and grey, then black. Then you opened your eyes. — Glen Duncan

Click.
The salamander flared, etching the room with searing white light and dark shadows.
Otto screamed. He fell to the floor, clutching at his throat. He sprang to his feet, goggle-eyed and gasping, and staggered, knock-kneed and wobbly-legged, the length of the room and back again. He sank down behind a desk , scattering paperwork with a wildly flailing hand.
"Aarghaarghaaaargh ... "
There was a shocked silence.
Otto stood up, adjusted his cravat, and dusted himself off. Only then did he look up at the row of shocked faces.
"Vel?" he said sternly. "Vat are you all looking at? It is just a normal reaction, zat is all. I am vorking on it. Light in all its forms is mine passion. Light is my canvas, shadows are my brush."
But strong light hurts you!" said Sacharissa. "It hurts vampires!"
"Yes. It iss a bit of a bugger, but zere you go. — Terry Pratchett

Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. He held in his hand an antique silver lamp, in which the flame burned without a chimney or globe of any kind, throwing long quivering shadows as it flickered in the draught of the open door — Bram Stoker

Raine's own right hand Colt lifted, sent flame and thunder leaping from the black shadows. — Jackson Cole

Above all, one could hold onto everything: the suffering to the quick and its whims, the sticky shadows, somber viscosity of the veil drawn taut around cities, everything could be borne, since legal outings of a few hours might take place, I told myself. Of course, I thought, no point pretending one wasn't dead. But on the other hand, rather than yield to the maneuvers of the conservation instinct, strategies that make us flee the pain within by hiding from ourselves within ourselves from whom we flee, its poppies, its hypnotic operations that the powerful currents of day-to-day life reinforce with a thousand vulgar, pressing duties which turn us from our hearts.
do everything, I thought, on the contrary, whatever you can to resist the ingenious temptations of compromises, cling to the suffering, stir up the dread, for the monsters are also the benevolent guardians of the survivor's presence within me — Helene Cixous

I am a child of Alban's earth Her ancient bones brought me to birth Her crags and islands built me strong My heart beats to her deep wild song. I am the wife with bairn on knee I am the fisherman at sea I am the piper on the strand I am the warrior, sword in hand. White Lady shield me with your fire Lord of the North my heart inspire Hag of the Isles my secrets keep Master of Shadows guard my sleep. I am the mountain, I am the sky I am the song that will not die I am the heather, I am the sea My spirit is forever free. — Juliet Marillier

They were infinite. They were the beginning and the ending; they were eternity. The king standing before them gaped as the shield of flame died out to reveal Aelin and Dorian, hand in hand, glowing like newborn gods as their magic entwined. — Sarah J. Maas

After nine nights must come ten and every desperate meeting only leaves you desperate for another. There is never enough to eat, never enough garden for your love.
So you refuse and then you discover that your house is haunted by the ghost of a leopard.
When passion comes late in life it is hard to bear.
One more night. How tempting. How innocent. I could stay tonight surely? What difference could it make, one more night? No. If I smell her skin, find the mute curves of her nakedness, she will reach in her hand and withdraw my heart like a bird's egg. I have not had time to cover my heart in barnacles to elude her. If I give in to this passion, my real life, the most solid, the best known, will disappear and I will feed on shadows again like those sad spirits whom Orpheus fled.
I wished her goodnight, touching her hand only and thankful for the dark that hid her eyes. — Jeanette Winterson

Last year's leaves exploded into rustling traitors under Haydn's boots. Branches clawed at his cloak and he ducked, swiping away pale gray webs of moss. Gorawen's fingers were wrapped around his left hand. A moonstone gleamed from his right. The dim light barely lifted the shadows as Haydn tucked the stone beside a log. Another flash of soaked moonbeams lurked on the edge of his sight. Half-covered, they'd not reveal their path to those following while marking a clear trail for his and Gorawen's return and keep their own direction sure. — Hope Ann

Rose.It was her. Not some copy, not some actress. I knew it with every beat of my frantic heart. Then terror filled her eyes.

"Evelyn," she gasped. "He's in here - "

A hand appeared out of the shadows and clamped over her mouth. And she vanished. — Tarun Shanker

As a relentless gatherer of moments, I find that my favorite images, although grounded in the present, are like spirits shaped by memories. They whisper of fairy tales, poetry, and other lives, as each gesture connects with another and raises yet another from the dead. Shadows flicker on film to an inner melody as I navigate, camera at hand and at the speed of light, through unimaginable worlds - desperately trying to make sense of the joy and suffering before it all disappears. — Sylvia Plachy

Richard thought a moment. "I don't know, but we have to get across the pass. We're too tired to have to spend tonight fighting shadows again. We must get to the Midlands before dark. And this time, I promise I won't let go of your hand."
Kahlan smiled and squeezed his hand.
I won't let go of yours either. — Terry Goodkind

If I may trust the flattering truth of sleep,
My dreams presage some joyful news at hand:
My bosom's lord sits lightly in his throne;
And all this day an unaccustom'd spirit
Lifts me above the ground with cheerful thoughts.
I dreamt my lady came and found me dead
Strange dream, that gives a dead man leave
to think!
And breathed such life with kisses in my lips,
That I revived, and was an emperor.
Ah me! how sweet is love itself possess'd,
When but love's shadows are so rich in joy! — William Shakespeare

She raised her hand and studied the light as it fell over her, bathing everything inside the room in shadows and light. Everything except her. — Liesel Schwarz

There was no sound, but she felt a movement, a shifting of the air in her room, the warmth of another presence.
Isabel opened her eyes. He was there, at the foot of her bed, a single candle in his hand, dressed only in shirtsleeves, waistcoat, and breeches.
"Forgive me," he whispered as he set the candle down. "I could not stay away. — Elizabeth Hoyt

Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.
So you mustn't be frightened, if a sadness rises in front of you, larger than any you have ever seen; if an anxiety, like light and cloud-shadows, moves over your hands and over everything you do. You must realize that something is happening to you, that life has not forgotten you, that it holds you in its hand and will not let you fall. — Rainer Maria Rilke

The King of Adarlan is dead," Manon said. The world stopped. "Aelin Galathynius killed him and shattered his glass castle."

Elide covered her mouth with a hand, shaking her head. Aelin... Aelin...

"She was aided," Manon went on, "by Prince Aedion Ashryver."
Elide began sobbing.

"And rumor has it Lord Ren Allsbrook is working in the North as a rebel."

Elide buried her face in her hands. Then there was a hard, iron-tipped hand on her shoulder.

A tentative touch.

"Hope," Manon said quietly. — Sarah J. Maas

In the distant reaches of his memory, he found a lesson of Yoda's, from one long solstice night, deep in the jungle near Dagobah's equator. When to the Force you truly give yourself, all you do expresses the truth of who you are, Yoda had said, leaning forward so that the knattik-root campfire painted blue shadows within the deep creases of his ancient face. Then through you the Force will flow, and guide your hand it will, until the greatest good might come of your smallest gesture. — Matthew Woodring Stover

Out of old habit, I put my hand on my collarbone, touching a cross that was no longer there.
Don't let them change me, I prayed silently.Let me keep my mind. Let me endure whatever there is to come. — Richelle Mead

Me dad planted that tree,' she said absently, pointing out through the old cracked window.
The great beech filled at least half the sky and shook shadows all over the house.
Its roots clutched the slope like a giant hand, holding the hill in place. Its trunk writhed with power, threw off veils of green dust, rose towering into the air, branched into a thousand shaded alleys, became a city for owls and squirrels. I had thought such trees to be as old as the earth, I never dreamed that a man could make them. Yet it was Granny Trill's dad who had planted this tree, had thrust in the seed with his finger. How old must he have been to leave such a mark? Think of Granny's age, and add his on top, and you were back at the beginning of the world. — Laurie Lee

She'd made her choice when he asked for her hand and she'd offered it without question. Once he touched her, she knew she was his. Afterward, he had always been there in the shadows, like a ghost who would not leave. And now the ghost had decided that he wanted her. — Sylvain Reynard

Aelin took a step forward.
One step, as if in a daze.
She loosed a shuddering breath, and a small, whimpering noise came out of her - a sob.
And then she was sprinting down the alley, flying as though the winds themselves pushed at her heels.
She flung herself on the male, crashing into him hard enough that anyone else might have gone rocking back into the stone wall.
But the male grabbed her to him, his massive arms wrapping around her tightly and lifting her up. Nesryn made to approach, but Aedion stopped her with a hand on her arm.
Aelin was laughing as she cried, and the male was just holding her, his hooded head buried in her neck. As if he were breathing her in.
"Who is that?" Nesryn asked.
Aedion smiled. "Rowan. — Sarah J. Maas

A photograph presents itself not only as a visual representation, but as evidence, more convincing than a painting because of the unimpeachable mechanical means whereby it was made. We do not trust the artist's flattering hand; but we do trust film, and shadows, and light. — John Updike

It was as if a door had opened somewhere. Or possibly a series of doors. There was a sensation as of a breeze blowing into the house and bringing with it the half-remembered
scents of childhood. There was a shift in the light which seemed to cause all the shadows in the room to fall differently. There was nothing more definite than that, and yet, as often
happens when some magic is occurring, both Drawlight and the lady had the strongest impression that nothing in the visible world could be relied upon any more. It was as if one might put out one's hand to touch any thing in the room and discover it was no longer
there. — Susanna Clarke

During the school holidays he would approach the bookcase in the pink room and stand before it, his hand alighting on this or that volume with the arbitrariness of a moth, half deciding on something before sliding it back in place and moving on, as though experimenting with the keys of a piano, all briefly opened books eager to engage his eye, each flickeringly glimpsed paragraph enticing him hurriedly with its secret, and having made his choice he would drift through the house in search of the coolest spot to read through the long summer afternoons that had a touch of eternity to them, altering the arrangement of his limbs as much for comfort as for fear that his undisturbed shadows would leave a stain on the wall. — Nadeem Aslam

I confidently walked up to the counter, and his friends moved to the side to let me through. I handed him the note. "Happy Birthday," I said. Then I smiled and walked out of the store. I did my crossing-the street trick again, lurking in the shadows and watching. I could see him turn the note over in his hand, open it and read, then turn it over again. He passed it to his friends, who passed it between them. Then I watched him make a shrugging gesture with his hands. And then they were all laughing again. My mortification was total and overpowering. I was suddenly having a very difficult time standing. I had experienced a perfect note of utter and true clarity. He was straight. — Augusten Burroughs

The English language lacks the words to mourn an absence. For the loss of a parent, grandparent, spouse, child or friend, we have all manner of words and phrases, some helpful some not. Still we are conditioned to say something, even if it is only "I'm sorry for your loss." But for an absence, for someone who was never there at all, we are wordless to capture that particular emptiness. For those who deeply want children and are denied them, those missing babies hover like silent ephemeral shadows over their lives. Who can describe the feel of a tiny hand that is never held? — Laura Bush

Question the images. Take them by the hand and don't let the sweet distancing they offer you vanquish you; do away with the distance's comfort or the soft indifference you derive from concentrating on the quality of the framing, the use of light and shadows, the successful composition. Force these images to bring you to the Mexican Southeast, to history, to the struggle, to this taking sides, to choose a faction. — Subcomandante Marcos

LORD, remind me how brief my time on earth will be. Remind me that my days are numbered - how fleeting my life is. 5 You have made my life no longer than the width of my hand. My entire lifetime is just a moment to you; at best, each of us is but a breath. Interlude 6 We are merely moving shadows, and all our busy rushing ends in nothing. We heap up wealth, not knowing who will spend it. 7 And so, Lord, where do I put my hope? My only hope is in you. — Anonymous

Toward seven o'clock every morning, I leave my study and step Out on the bright terrace; the sun already burns resplendent Between the shadows of the fig tree, makes the low wall of coarse Granite warm to the touch. Here my tools lie ready and waiting, Each one an intimate, an ally: the round basket for weeds: The zappetta, the small hoe with a short haft ... There's a rake here as well, at at times a mattock and spade, Or two watering cans filled with water warmed by the sun. With my basket and small hoe in hand, facing the sun, I Go out for my morning walk. — Hermann Hesse

His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness.
She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark. — Cassandra Clare

It wasn't until he turned that she saw him, a huge, towering man close enough to hear everything they were saying. She gasped, and Beckett laughed. "Don't scare her to death!" He pulled Candy over to the man in the shadows, smiling. "This is my security detail. Mouse, meet Candy Cox." Mouse nodded. "Hey, Candy." He stepped forward, and she noticed he was younger than she'd initially thought. His voice was high and squeaky. He made no comment about her name, and that made her like him. Beckett slapped Mouse on the arm but missed the look of pure devotion on the man's face because he'd turned back to speak to her. "If you ever see this dude around, know I sent him. He's safe." Candy held out her hand formally, like her family had ingrained in her. Mouse took it and gave her a gentle smile. "Thanks, Mouse. Nice to meet you." He nodded and stepped back, scanning the area. — Debra Anastasia

Origins and History of Consciousness
III.
It's simple to wake from sleep with a stranger,
dress, go out, drink coffee,
enter a life again. It isn't simple
to wake from sleep into the neighborhood
of one neither strange nor familiar
whom we have chosen to trust. Trusting, untrusting,
we lowered ourselves into this, let ourselves
downward hand over hand as on a rope that quivered
over the unsearched ... . We did this. Conceived
of each other, conceived each other in a darkness
which I remember as drenched in light.
I want to call this, life.
But I can't call it life until we start to move
beyond this secret circle of fire
where our bodies are giant shadows flung on a wall
where the night becomes our inner darkness, and sleeps
like a dumb beast, head on her paws, in the corner. — Adrienne Rich

The two cards slithered towards him across the green sea. Like an octopus under a rock, Le Chiffre watched him from the other side of the table. Bond reached out a steady right hand and drew the cards towards him. Would it be the lift of the heart which a nine brings, or an eight brings? He fanned the two cards under the curtain of his hand. The muscles of his jaw rippled as he clenched his teeth. His whole body stiffened in a reflex of self-defence. He had two queens, two red queens. They looked roguishly back at him from the shadows. They were the worst. They were nothing. Zero. Baccarat. 'A card,' said Bond fighting to keep hopelessness out of his voice. He felt Le Chiffre's eyes boring into his brain. — Ian Fleming

There are only shades of gray. Black and white are nothing more than lofty ideals in our minds, the standards by which we try to judge things, and map out our place in the world in relevance to them. Good and evil, in their purest form, are as intangible and forever beyond our ability to hold in our hand as any Fae illusion. We can only aim at them, aspire to them, and hope not to get so lost in the shadows that we can no longer aim for the light. — Karen Marie Moning

Toulouse then felt a cool touch on his right hand as something wound around his wrist. It was the Lucefate snake, slowly coiling around him, winding tightly, but not enough to leave more than a slight impression afterwards. Toulouse flinched at first, yet forced himself to remain still and calm. It was Nature's first commandment to humans: remain still and calm until you understand, until you have seen, heard, smelled, tasted, and felt all that was needed before acting. — Mary-Jean Harris

Above us, the wind blew and the branching shadows rearranged themselves on our skin. Gus squeezed my hand. It is a good life, Hazel Grace. — John Green

She longed to hold my hand in the light, not only in the shadows. — Brittainy C. Cherry

A streak of green fire blasted out of the back of the shed, passed a foot over the heads of the mob, and burned a charred rosette in the woodwork over the door.
Then came a voice that was a honeyed purr of sheer deadly menance.
"This is Lord Mountjoy Quickfang Winterforth IV, the hottest dragon in the city. It could burn your head clean off."
Captain Vimes limped forward from the shadows. A small and extremely frightened golden dragon was clamped firmly under one arm. His other hand held it by the tail. The rioters watched it, hypnotized.
"Now I know what you're thinking," Vimes went on, softly. "You're wondering, after all this excitement, has it got enough flame left? And, y'know, I ain't so sure myself ... "
He leaned forward, sighting between the dragon's ears, and his voice buzzed like a knife blade: "What you've got to ask yourself is: Am I feeling lucky? — Terry Pratchett

Death lurks in the shadows, just out of view.

Now and then I see his reaching hand, uncertain of the blurry image that passes before my eyes, but conscious of the crippling influence of his touch.

Some say Death rears an ugly head, so hideous a view the beholder can scarcely gasp their last breath. Others call him beautiful, a sweet relief to look upon. But these are rumors babbled by the unknowing. For Death is like the gorgon, Medusa, who when perceived, turns the body to stone.

Those who know Death take the knowledge of his shadowed face with them to wherever it is he leads our dearly departed by the hand. All who are left behind must wait their turn to glance into the eyes of the one who will close our mouths forever. — Richelle E. Goodrich

But the boy protected Yorda from the shadows-that-walk-alone. He took her hand, defended her, swung his thin arm, and fought with his tiny frame, driving them back. If the shades dragged her into their realm, she would once again become a prisoner, and the boy would turn to stone, a sad adornment in the castle. Yorda knew this. But the boy did not
even as he did not know that Yorda was the property of the queen of the castle
and he protected her. — Miyuki Miyabe

Oh, Myr," he chokes out. "I hate having to ask this of you ... "
He glances towards the car again, and I crouch down in the shadows, hoping it's too dark for him to see whether the window is open or closed. The woman pats his arm, cradling her hand against his elbow.
"You know I'd do anything for you and Hil," she says. I like her voice. It's throaty and rich.
"You'd do anything?" my father repeats numbly. "Even now? After -?"
"Even now," the woman says firmly. — Margaret Peterson Haddix

He lifted a hand and turned and went on. He had divested himself of the little cloaked godlet and his other amulets in a place where they would not be found in his lifetime and he'd taken for talisman the simple human heart within him. Walking down the little street for the last time he felt everything fall away from him. Until there was nothing left of him to shed. It was all gone. No trail, no track. The spoor petered out down there on Front Street where things he'd been lay like paper shadows, a few here, they thin out. After that nothing. A few rumors. Idle word on the wind. Old news years in traveling that you could not put stock in. — Cormac McCarthy

God speaks to each of us as he makes us,
then walks with us silently out of the night.
These are the words we dimly hear:
You, sent out beyond your recall,
go to the limits of your longing.
Embody me.
Flare up like a flame
and make big shadows I can move in.
Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.
Don't let yourself lose me.
Nearby is the country they call life.
You will know it by its seriousness.
Give me your hand. — Rainer Maria Rilke

The curtains were half drawn, the floor was swept
And strewn with rushes, rosemary and may
Lay thick upon the bed on which I lay,
Where through the lattice ivy-shadows crept.
He leaned above me, thinking that I slept
And could not hear him; but I heard him say,
'Poor child, poor child': and as he turned away
Came a deep silence, and I knew he wept.
He did not touch the shroud, or raise the fold
That hid my face, or take my hand in his,
Or ruffle the smooth pillows for my head:
He did not love me living; but once dead
He pitied me; and very sweet it is
To know he still is warm though I am cold. — Christina Rossetti

Again, this week as I walked on Broadway, in front of giant photographs of voluptuous supermodels at a Victoria Secret mega-store, who was rebuilding the sidewalks? With sweaty headbands, ripped-up jeans, and dust on their brown faces? Their muscled hands quivered as they worked the jack-hammers and lugged the concrete chunks into dump trucks. Two men from Guanajuato. Undocumented workers. They both shook my hand vigorously, as if they were relieved I wasn't an INS officer.
I imagined how much money Victoria Secret was making off these poor bastards. I wondered why passersby didn't see what was in front of their faces. We use these workers. We profit from them. In the shadows, they work to the bone, for pennies. And it's so easy to blame them for everything and nothing simply because they are powerless, and dark-skinned,and speak with funny accents. Illegal is illegal. It is a phrase, shallow and cruel, that should prompt any decent American to burn with anger. — Sergio Troncoso

Vadim swallowed, felt his throat too tight to move, then, still staring at the bottle, smelling the desert and Dan, and himself, his hand reached to his side, opened the holster of the pistol. Took out the mag, took the bullet from the chamber, clicked the mag in place again, rolled the bullet between his fingers.
He looked at Dan, sideways, saw the man stare at him, all eyes, dark eyes, and the way the pale desert moon made his face a place of shadows.
He reached for Dan's hand, opened the fingers and placed the bullet into the palm.
"This is the bullet you'll use to kill me if I walk away again." Because if I walk away again, I'll be in so much pain I'm better off dead anyway. — Aleksandr Voinov

The glories of our blood and state
Are shadows, not substantial things;
There is no armor against Fate.
Death lays his icy hand on kings ... — James Shirley

But at some point in her passage, the trees began to change. They stretched taller, and the soft, pale bark darkened, roughened. She put her hand to a tree and touched the lichen growing dark green upon brown, and it felt like old cork, dry and crumbling. Here the sun mellowed, took on the cast of late afternoon, and the shadows seemed to fall a bit longer; the forest had sunk into a deeper silence, magnifying what sounds did arise. The sudden, quick crash of a fox bounding through the brush was as loud as the slam of a great wooden door. — Malinda Lo

Puck rolled his eyes. Holding out his hand, he gave me an encouraging smile. "Come on, Princess. Don't want to get separated in here." I clasped his hand, and he curled his fingers around mine. "Let's go, then. Rusty can bring up the read. That way, if we're jumped from behind, we won't lose anything important."
I felt Ironhorse's indignant snort as we entered the tunnel, and I pressed closer to Puck as the shadows closed in on us like grasping fingers.
- Puck, Meghan Chase, and Ironhorse, page 152. — Julie Kagawa

There was a long silence. Magnus broke it. "I have to hand it to you," he said. "I never thought Jace and Clary would be topped by anyone else in terms of insane, self-destructive decisions, but you all are giving them a run for their money. — Cassandra Clare

Back in the shadows, in the darkest part of the garden beside the hedge, the skinny choreographer was making out with the younger member of the writer couple. I saw a hand slip inside a shirt and looked the other way. — Herman Koch

Then it's a deal, we're friends."
[ ... ]
"Can we just make one conditional rule here? That if we get into a situation where we know - absolutely - that we're going to die, we can have - "
She pulled her hand away. "Don't say it!"
He did. "Sex."
She glared her disbelief. "You are such and asshole!"
"I am," Ian agreed. I'm afraid that accepting me for who I am comes with the territory when talking friendship."
"Stay in the shadows, asshole," she said, then turned to stalk up the lawn toward the deck.
"Thank you," he said as he headed for the shrubs. "I appreciate our open-minded acceptance of my asshole-ishness."
And he wasn't sure, but he could've sword that he heard Phoebe laugh. — Suzanne Brockmann

It's easier to see the places where things end. Endings are clear, endings are dramatic, endings are obvious events. A pair of panties, not yours, found, a slap of a hand across a face, a ring returned. Something that was, and isn't now.

Beginnings are hidden in the shadows of time, are gradual, are two half-glances in a dark bar. Tiny things that no one even notices, but that hold everything. — Kat Howard

Something like panic struck at Hurlow. Moffat's calm confession of fear withdrew the prop upon which he had leaned. Down there, among the motionless shadows, lurked invisible things, things that were nameless, shapeless and malignant; things which could see without being seen. One of the long lost terrors of childhood returned to him, and like a child he put his hand into Moffat's. — A.M. Burrage

We've turned off all the lights
in the living room
to make hand shadows.
We've got this
big flashlight
aimed at the wall.
I make the silhouette of my hand
into a duck.
Robin makes his into a rabbit.
Now my duck kisses his rabbit
And-POOF!- it turns into
a turkey.
And for some reason
this strikes us
as hysterically funny.
But you probably had to be there. — Sonya Sones

His fingers brushed the outline of the bronze disc hanging beneath his tunic. Haydn jerked his
hand away, gritting his teeth as he tried to block the memories. The clashing of steel. The screams and cries of battle. They fled, replaced by flames. Shadows. Pleading and tears. — Hope Ann

He runs his hand over his face, and suddenly the cocky joker is gone, and I can see all of his shadows. — Tarryn Fisher

Have we reached the point where my intervention will not get me shouted at for being a meddling tomcat who doesn't respect the boundaries of others?" Tybalt stepped out of the shadows behind the Candela, tightening his hand around her throat. "I ask to be polite, you realize. There's no way I'm walking away. — Seanan McGuire

I'll park somewhere dark." She fisted his T-shirt, not even ashamed of her desperation. "Out of the way - "
"Tempting ... so ... fucking ... tempting."
He gently peeled her hand away, slammed the door, and got in the driver's side. Then he turned to her, the harsh planes of his face in the shadows creating a savage expression the stuck her tongue to the roof of her mouth.
"I need you in a bed tonight, Jillian. I need more than a fuck. I need to make love to you until neither one of us can move, because after tonight, I don't want there to be even the slightest doubt that you're mine. — Larissa Ione

Lorn passed a hand over her eyes, then staggered back a step and reeled into the alley's shadows behind her. She slid down one wall into a sagging crouch. — Steven Erikson

Eve returned to her lip-gloss application. "Biology. Ms Whittier," she said, not bothering to look at Luke.
"Cool. Me too. Can I borrow that?" He reached around her and plucked her lip glaze out of her fingers. She still held the wand.
He held out his hand for it.
"What? No," Eve said.
"Come on, it's my first day. I want to make a good impression. And clearly biology can't be understood without lipstick," Luke joked.
"Funny." Eve grabbed the lip glaze back. "This stuff is really good for you."
Luke raised his eyebrows. They disappeared into his floppy blond hair. He didn't have expressive dark brows like Mal.
"It has green tea antioxidants," Eve continued. "And macadamia extract and aloe vera for healing."
"Oh. That's different then," Luke said. "Carry on. — Amy Meredith

So you mustn't be frightened, dear Mr. Kappus, if a sadness rises in front of you, larger than any you have ever seen; if an anxiety - like light and cloud-shadows, moves over your hands and everything you do. You must realize that something is happening to you, that life has not forgotten you, that it holds you in the palm of its hand and will not let you fall. — Rainer Maria Rilke

There, then, is the role of the amateur: to look the world back to grace. There, too, is the necessity of his work: His tribe must be in short supply; his job has gone begging. The world looks as if it has been left in the custody of a pack of trolls. Indeed, the whole distinction between art and trash, between food and garbage, depends on the presence or absence of the loving eye. Turn a statue over to a boor, and his boredom will break it to bits - witness the ruined monuments of antiquity. On the other hand, turn a shack over to a lover; for all its poverty, its lights and shadows warm a little and its numbed surfaces prickle with feeling. — Robert Farrar Capon

Unsettled heart. The fetishism of secrecy. These people understood - as I did - the back alleys of the soul, whispers and shadows, money slipping from hand to hand, the password, the code, the second self, all the hidden consolations that lifted — Donna Tartt

Hope is not dependent on peace in the land, justice in the world, and success in the business. Hope is willing to leave unanswered questions unanswered and unknown futures unknown. Hope makes you see God's guiding hand not only in the gentle and pleasant moments but also in the shadows of disappointment and darkness. No one can truly say with certainty where he or she will be ten or twenty years from now. You do not know if you will be free or in captivity, if you will be honored or despised, if you will have many friends or few, if you will be liked or rejected. But when you hold lightly these dreams and fears, you can be open to receive every day as a new day and to live your life as a unique expression of God's love for humankind. There is an old expression that says, "As long as there is life there is hope." As Christians we also say, "As long as there is hope there is life. — Henri J.M. Nouwen

Then she did something so unexpected Nico would later think he dreamed it. She walked up to Nico, who was standing to one side in the shadows, as usual. She grabbed his hand and pulled him gently into the firelight. 'We had one home,' she said. 'Now we have two.' She gave Nico a big hug and the crowd roared with approval. For once, Nico didn't feel like pulling away. He buried his face in Reyna's shoulder and blinked the tears out of his eyes. — Rick Riordan

I must exist in shadows, while you live under exquisitely blue skies, and yet I don't hate you for the freedom that you take for granted-although I do envy you.
I don't hate you because, after all, you are human, too, and therefore have limitations of your own. Perhaps you are homely, slow-witted or too smart for your own good, deaf or mute or blind, by nature given to despair or to self-hatred, or perhaps you are unusually fearful of Death himself. We all have burdens. On the other hand, if you are better-looking and smarter than I am, blessed with five sharp senses, even more optimistic than I am, with plenty of self-esteem, and if you also share my refusal to be humbled by the Reaper ... well, then I could almost hate you if I didn't know that, like all of us in this imperfect world, you also have a haunted heart and a mind troubled by grief, by loss, by longing. — Dean Koontz

As Miriam released my hand I felt that she and Midwife Bell had returned to a more primitive world, where men never intruded and even their role in conception was unknown. Here the chain of life was mother to daughter, daughter to mother. Fathers and sons belonged in the shadows with the dogs and livestock, like the retriever growling at Midwife Bell's unfamiliar car from the window of my neighbours' living room. — J.G. Ballard

The two women sat by the fire, tilting their glasses and drinking in small peaceful sips. The lamplight shone upon the tidy room and the polished table, lighting topaz in the dandelion wine, spilling pools of crimson through the flanks of the bottle of plum gin. It shone on the contented drinkers, and threw their large, close-at-hand shadows upon the wall. When Mrs Leak smoothed her apron the shadow solemnified the gesture as though she were moulding an universe. Laura's nose and chin were defined as sharply as the peaks peaks on a holly leaf. — Sylvia Townsend Warner

Miles watched the evening shadows flowing up along the backbone of the Dendarii range, high and massive in the distance. How small those mountains looked from space! Little wrinkles on the skin of a globe he could cover with his hand, all their crushing mass made invisible. Which was illusory, distance or nearness? Distance, Miles decided. Distance was a damned lie. Had his father known this? Miles suspected so. — Lois McMaster Bujold

Just then, a telltale scent reached Trez's nose and rocketed through his blood, the impact wrenching his head and his body around ...
Whereupon he lost all thought. All breath. And all of his soul.
Selena stood at the head of the bloodred-carpeted steps, her lovely hand resting on the gold-leafed balustrade, her body held stiffly, as if she weren't sure about her shoes, or her dress, or maybe even her hair.
There was absolutely nothing to worry about.
Unless she had a problem with being an H-bomb. — J.R. Ward

What people had had shed and left
a pair of shoes, a shooting cap, some faded skirts and coats in wardrobes
those alone kept the human shape and in the emptiness indicated how once they were filled and animated; how once hands were busy with hooks and buttons; how once the looking-glass had held a face; had held a world hollowed out in which a figure turned, a hand flashed, the door opened, in came children rushing and tumbling; and went out again. Now, day after day, light turned, like a flower reflected in water, its sharp image on the wall opposite. Only the shadows of the trees, flourishing in the wind, made obeisance on the wall, and for a moment darkened the pool in which light reflected itself; or birds, flying, made a soft spot flutter slowly across the bedroom floor. — Virginia Woolf

There is some delight in ale and wine
And some in girls with ankles fine
But my delight, yes always mine
Is to dance with Jak O' the Shadows
We will toss the dice however they fall
And snuggle the girls be they short or tall
Then follow Lord Mat whenever he calls
To dance with Jak O' the Shadows. — Robert Jordan

Pbbtlt.
"It smells like ham, Glo said. It must be Hatchet"
Hatchet moved out of the shadows. "My intent was to capture and torture for information, but you have made my job easy. I now know the clue and can give this information to my master."
"He's not going to believe you," Glo said. "You fart."
Hatchet stood tall with one hand on his sword. "Everyone doth fart."
"Not like you," Glo said. "You're a ham farter."
Hatchet pressed his lips together. "Tis a manly fart. — Janet Evanovich

I am the love, the pain, the intensity
I am the remnants of a banished plea;
I am the trivialized doors of a jubilant home
I am the shadows of an abandoned dome;
I am the instinct, the bizarre sound
I am the fate of a trampled mound;
I am the words half-heard when half-said
I am the memories of a longing thread;
I am the anarchist in disdain,
I am the bewilderment of an orphan pain;
I am your hand, I am the bar
I am the bellicosity of our resilient scar;
I am the love, the pain, the intensity
I am the predicament of the silent sea. — Ashfaq Saraf

Everywhere I looked, I could see only shades of gray. Black and white were nothing more than lofty ideals in our minds, the standards by which we tried to judge things and map out our place in the world in relevance to them. Good and evil, in their purest form, were as intangible and forever beyond our ability to hold in our hand as any Fae illusion. We could only aim at them, aspire to them, and hope not to get so lost in the shadows that we could no longer see the light. — Karen Marie Moning

Puck laughed, shaking his head at the prince's expression. "Looks like you just got scolded by a gremlin, Your Magesty," he chuckled and crossed his arms. "Ah, can't say I'm not gonna miss you two. We had some fun times, right, princeling? Sadest past is, I won't ever hear ice-boy complain that I'm corrupting you again. But, I guess all good things mus come to an end." He sighe'd, gave Kierran a friendly arm punch and raised his hand. "See ya'round kid. Try not to let those Slim Shadys suck out all your fun. Ethan Chase?" Puck winked at me. "I'm sure I'll see you again, whether you like it or not."
"Yeah," I deadpanned. "So looking forward to it." Puck laughed again. "Don't you forget it. Until the next adventure kiddos." Sticking his hands into his pockets, the Great Prankster sauntered off, whistling until he reached the edge of the trees and vanished into the shadows. — Julie Kagawa

She stepped forward into the shadows with him and took his hand. "What do you want from us, Rogan?"
He shuddered with the force of his expelled breath and intertwined his fingers with hers. "I'm not sure." He brought their hands to his lips and rested them there, not kissing or licking or being seductive, just touching. "I think I want it all. I've barely kissed you, but I already know it won't be enough. Even sex won't be enough. You're deep in my system. — Natalie J. Damschroder

Even the most solid of things, and the most real, the best-loved and the well-known, are only hand shadows on the wall. Empty space and points of light. — Jeanette Winterson

Hope is willing to leave unanswered questions unanswered and unknown futures unknown. Hope makes you see God's guiding hand not only in the gentle and pleasant moments but also in the shadows of disappointment and darkness. — Henri Nouwen