Quotes & Sayings About Hamlet's Character

Sarah took a deep breath and set off along the passageway again. A clump of lichen on the gatepost opened its eyes and watched her go. The eyes, on tendrils, had an anxious look, and when she had gone some distance away the clump, swiveling its eyes toward each other, commenced to gossip among itself. Most of it disapproved of the direction she had taken. You could tell that from the way the eyes looked meaningfully into each other. Lichen knows about directions. — A.C.H. Smith

We enter upon a stage which we did not design and we find ourselves part of an action that was not of our making. Each of us being a main character in his own drama plays subordinate parts in the dramas of others, and each drama constrains the others. In my drama, perhaps, I am Hamlet or Iago or at least the swineherd who may yet become a prince, but to you I am only A Gentleman or at best Second Murderer, while you are my Polonius or my Gravedigger, but your own hero. Each of our dramas exerts constraints on each other's, making the whole different from the parts, but still dramatic. — Alasdair MacIntyre

I don't expect Christians to see God as a metaphor, but that's what he is. Perhaps it might be clearer to call him a character in fiction, and a very interesting one too: one of the greatest and most complex villains of all - savage, petty, boastful and jealous, and yet capable of moments of tenderness and extremes of arbitrary affection - for David, for example. But he's not real, any more than Hamlet or Mr Pickwick are real. They are real in the context of their stories, but you won't find them in the phone book. — Philip Pullman

The playbill, which is said to have announced the tragedy of Hamlet, the character of the Prince of Denmark being left out. — Walter Scott

What I love in a woman is not what she is in and for herself, but the side of herself she turns towards me, what she is for me. I love her as character in our common love story. what wuld Hamlet be without the castle at Elsinore, without Ophelia, without all the concrete situations he goes through, what would he be without the text of his part? What would be left but an empty, dumb, illusory essence? — Milan Kundera

And these few precepts in thy memory
Look thou character. Give thy thoughts no tongue,
Nor any unproportioned thought his act.
Be thou familiar but by no means vulgar.
Those friends thou hast, and their adoption tried,
Grapple them unto thy soul with hoops of steel,
But do not dull thy palm with entertainment
Of each new-hatched, unfledged comrade. — William Shakespeare

Perhaps because my background is theatrical, I have a great affinity with the classics. Hamlet has always been a character of great interest to me and a character I would really love to play. Or a character in a Tennessee Williams play, maybe Tom in 'The Glass Menagerie.' — Adhir Kalyan

Hamlet 's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so. — Samuel Taylor Coleridge

Everybody has a gameplan until he gets hit — Mike Tyson

Everything was perfect and, for the first time in a long time, I was really happy. However, if there's a universal truth in life, it is that things never stay perfect for long. Sooner or later, the shit always hits the fan, right? — Rye Hart

Whoever dreamed up Scrabble had an exaggerated idea of how many 7-letter words have five i's. — Robert Breault

I shake his hand, and feel the jolt of electricity again from him. He laughs and raises his hand to show me the joy-buzzer in his palm. — Andrew Shaffer

You go into any doughnut shop and look at three cops having coffee, I guarantee I look like one of them. — Dean Norris

I was doing Hamlet in the off-season, and I had a specific idea in my mind about what I wanted that character to look like, and because it's going to lead into the next year, I knew that it was going to have to be established somewhere in the show. — Michael Shanks

The trap in Hamlet is he's the most passive of Shakespeare's characters. He's not a Richard III, not out there taking a lot of action. It's a lot of asides and soliloquies where he's wrapped in angst, and that's not a very interesting character. — Kurt Sutter

This city has many public squares, in which are situated the markets and other places for buying and selling. — Hernan Cortes

The qualities of character can be arranged in triads, in each of which the first and last qualities will be extremes and vices, and the middle quality a virtue or an excellence. So between cowardice and rashness is courage; between stinginess and extravagance is liberality; between sloth and greed is ambition; between humility and pride is modesty; between secrecy and loquacity, honesty; between moroseness and buffoonery, good humor; between quarrelsomeness and flattery, friendship; between Hamlet's indecisiveness and Quixote's impulsiveness is self-control.49 "Right," then, in ethics or conduct, is not different from "right" in mathematics or engineering; it means correct, fit, what works best to the best result. The — Will Durant

I didn't think you were interested in her looks," taunted Tyndal, feeling cocky. "I thought you lusted for her mind?" "Well, if the mind happens to have . . . a couple of heavy thoughts like that associated with it, all the better!" Rondal blushed. "She's — Terry Mancour

Each religion is a brave guess at the authorship of Hamlet. Yet, as far as the play goes does it make any difference whether Shakespeare or Bacon wrote it? Would it make any difference to the actors if their parts happened out of nothingness, if they found themselves acting on the stage because of some gross and unpardonable accident? Would it make any difference if the playwright gave them the lines or whether they composed them themselves, so long as the lines were properly spoken? Would it make any difference to the characters if A Midsummer Night's Dream was really a dream? — Lewis Mumford

Mr Bott sits down and gestures gracefully to the board. "As you are clearly both fascinated by this text, would you like to explain the significance of Laertes in Hamlet?" He looks at Alexa. "Please go first, Miss Roberts."
"Well ... " Alexa says hesitantly. "He's Ophelia's brother, right?"
"I didn't ask for his family tree, Alexa. I want to know his literary significance as a fictional character."
Alexa looks uncomfortable. "Well then, his literary significance is in being Ophelia's brother, isn't it? So she has someone to hang out with."
"How very kind of Shakespeare to give fictional Ophelia a fictional playmate so that she doesn't get fictionally bored. Your analytical skills astound me, Alexa. Perhaps I should send you to Set Seven with Mrs White and you can spend the rest of the lesson studying Thomas the Tank Engine. I believe he has lots of buddies too. — Holly Smale

Up until relatively recently, creating original characters from scratch wasn't a major part of an author's job description. When Virgil wrote The Aeneid, he didn't invent Aeneas; Aeneas was a minor character in Homer's Odyssey whose unauthorized further adventures Virgil decided to chronicle. Shakespeare didn't invent Hamlet and King Lear; he plucked them from historical and literary sources. Writers weren't the originators of the stories they told; they were just the temporary curators of them. Real creation was something the gods did.
All that has changed. Today the way we think of creativity is dominated by Romantic notions of individual genius and originality, and late-capitalist concepts of intellectual property, under which artists are businesspeople whose creations are the commodities they have for sale. — Lev Grossman

Romeo is the most misunderstood character in literature, I think. He's hardcore to play because he's displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens. — Alan Cumming

Words are Hamlet's constant companions, his weapons, and his defenses ...
And yet, words also serve as Hamlet's prison. He analyzes and examines every nuance of his situation until he has exhausted every angle. They cause him to be indecisive. He dallies in his own wit, intoxicated by the mix of words he can concoct; he frustrates his own burning desire to be more like his father, the Hyperion. When he says that Claudius is " ... no more like my father than I to Hercules" he recognizes his enslavement to words, his inability to thrust home his sword of truth. No mythic character is Hamlet. He is stuck, unable to avenge his father's death because words control him. — Carla Lynn Stockton

Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince. — Brand Blanshard

I'm a choir girl gone horribly, desperately wrong. — Florence Welch

I had an idea and I wanted just to make it work. And I am never, ever secure on the set that what I am doing is going to translate to the screen. It never changes. — Antonio Banderas

How many serious family quarrels, marriages out of spite, and alterations of wills, might have been prevented by a gentle dose of blue pill!-What awful instances of chronic dyspepsia in the characters of Hamlet and Othello! Banish dyspepsia and spirituous liquors from society, and you have no crime, or at least so little that you would not consider it worth mentioning. — Charles Kingsley

There's always got to be a struggle. What else is there? That's what life is made of. I don't know anything else. If there is, tell me about it. — Van Morrison

I think sportsmanship is knowing that it is a game, that we are only as a good as our opponents, and whether you win or lose, to always give 100 percent. — Sue Wicks