Half Lights Quotes & Sayings

Truth is a naked and open daylight, that does not show the masques, and mummeries, and triumphs of the world, half so stately and daintily as candle-lights ... A mixture of a lie doth ever add pleasure — Francis Bacon

When your house contains such a complex of piping, flues, ducts, wires, lights, inlets, outlets, ovens, sinks, refuse disposers, hi-fi re-verberators, antennae, conduits, freezers, heaters -when it contains so many services that the hardware could stand up by itself without any assistance from the house, why have a house hold it up. When the cost of all this tackle is half of the total outlay (or more, as it often is) what is the house doing except concealing your mechanical pudenda from the stares of folks on the sidewalk? — Reyner Banham

Amory wandered slowly up the avenue and thought of the night as inevitably his
the pageantry and carnival of rich dusk and dim streets ... it seemed that he had closed the book of fading harmonies at last and stepped into the sensuous vibrant walks of life. Everywhere these countless lights, this promise of a night of streets and singing
he moved in a half-dream through the crowd as if expecting to meet Rosalind hurrying toward him with eager feet from every corner ... How the unforgettable faces of dusk would blend to her, the myriad footsteps, a thousand overtures, would blend to her footsteps; and there would be more drunkenness than wine in the softness of her eyes on his. Even his dreams now were faint violins drifting like summer sounds upon the summer air. — F Scott Fitzgerald

Money, prestige, possessions, a home with two and a half bathrooms - these aren't the guiding lights of the universe that show us our path. How can we dedicate our lives to such things when we can see the impermanence of everything above and below us, in the flicker of a dying star or the decay of a rotting log? — Ken Ilgunas

Study your subject through half-closed eyes before starting to draw - you'll find that the lights and darks are exaggerated and easier to identify. — Stan Smith

Songwriting is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed to sleep. It's always in the middle of the night, or you're half-awake or tired, when your critical faculties are switched off. So letting go is what the whole game is. Every time you try to put your finger on it, it slips away. You turn on the lights and the cockroaches run away. You can never grasp them ... — John Lennon

You can't purchase me with a bunch of stones."
"I wouldn't dream of purchasing you." Cullen laughed low in his chest and smiled, this time showing even white teeth. "You're too much trouble. I thought I'd just steal you for a bit. — Susan Scott

The weather itself, the heat and cold of summer and winter, was, we may believe, of another temper altogether. The brilliant amorous day was divided as sheerly from the night as land from water. Sunsets were redder and more intense; dawns were whiter and more auroral. Of our crepuscular half-lights and lingering twilights they knew nothing. The rain fell vehemently, or not at all. The sun blazed or there was darkness. Translating this to the spiritual regions as their wont is, the poets sang beautifully how roses fade and petals fall. — Virginia Woolf

I think the hard thing about this job [stand-up] I mean, I think this part is great but that the traveling is y'know, 'cause 'cause I'm gone a lot from home and this time I'm out for three-and-a-half weeks without going home, and that's hard, to be gone three-and-a-half weeks 'cause then I have to ask my friends, Would you mind going to the house and watering the plants, and turn some lights on and make it look like somebody's home, and make sure that the mobile over the crib isn't tangled or the baby's gonna get bored ... — Ellen DeGeneres

Every day a new picture is painted and framed, held up for half an hour, in such lights as the Great Artist chooses, and then withdrawn, and the curtain falls. And then the sun goes down, and long the afterglow gives light. — Henry David Thoreau

SNAPDRAGON 1. The dragon consists of half a pint of ignited brandy or alcohol in a dish. As soon as brandy is aflame, all lights are extinguished, and salt is freely sprinkled in dish, imparting a corpse-like pallor to every face. Candied fruits, figs, raisins, sugared almonds, etc., are thrown in, and guests snap for them with their fingers; person securing most prizes from flames will meet his true love within the year. — Mary E. Blain

Nobody's happy. What's happy? Happiness is over when the lights come on."
The older woman poured herself a glass of sangria. "Screw that," she said quietly.
"What?"
"Screw that. Wash your mouth out. Who taught you that half-assed existential drivel? — Armistead Maupin

Even by the standards with which she is familiar, Liberia is exceptional. "Three quarters of the population live below the poverty line - that's one U.S. dollar a day - half are on less than fifty cents a day. What infrastructure there was has been destroyed - roads, ports, municipal electricity, water, sanitation, schools, hospitals - all desperately lacking or nonexistent; eighty-six-percent unemployment, no street lights. . . . — Zadie Smith

I created my own space, which was called the cave. It was a live/work space in downtown Los Angeles on 7th and Spring. When I lived there it was quite derelict. I got this massive space and half of it was my bedroom and the other half of it was the back room - no [natural] light, all fluorescent lights. — Kesh

In a scheduled world, you are told you have half an hour to peruse an exhibit at the museum; in a programmed world, you are strapped into the ride at Disneyland and conveyed through the experience at a predetermined pace. However richly conceived, the ride's complexity is limited because its features are built-in, appearing and unfolding in sync with the motions of your cart. The skeleton dangles, the pirate waves, and the holographic ship emerges from the cloud of smoke. In the programmed life, the lights go on and off at a specified time, the coffee pot activates, the daylight-balanced bulb in the programmable clock radio fades up. Active participation is optional, for these events will go on without us and at their own pace. — Douglas Rushkoff

Beauty and power was commonplace to the dragons as mud and manure to a stable boy. — Susan Scott

One scrawny straggler, inching its way toward me like a tiger focused on prey. I must have looked incredibly savory, for it ignored the beaming lights blinding its searing red eyes and headed right toward me. For a half-starved beast, it was incredibly fast, its body looking bony and malnourished. — Alexia Purdy

I'm half of my father. Half of my hero. And I am half of my mother. Half soft sighs and half sharp edges. And if they can be Carmindor and Amara--then somewhere in my blood and bones I can be too. I'm the lost princess. I'm the villain of my story, and the hero. Part of my mom and part of my dad. I am a fact of the universe. The Possible and the Impossible. I am not no one. I am my parents' daughter, and then I realize--I realize that in this universe they're alive too. They're alive through me. Fashioning my hands into a pistol, I point it at the ceiling, lifting my chin, raising my eyes against the blinding stage lights, and I ignite the stars. — Ashley Poston

Her people, the Half-Lights, were the by-blows of the full-blood Magicians and humans. As such, they were outcasts from both kingdoms. Their magic was too unpredictable for the magicians, and too magic - period - for the humans. — Susan Scott

Harp of the North, farewell! The hills grow dark,
On purple peaks a deeper shade descending;
In twilight copse the glow-worm lights her spark,
The deer, half seen, are to the covert wending.
Resume thy wizard elm! the fountain lending,
And the wild breeze, thy wilder minstrelsy;
Thy numbers sweet with nature's vespers blending,
With distant echo from the fold and lea,
And herd-boy's evening pipe, and hum of housing bee. — Walter Scott

Silas nods toward the green crosswalk sign and lightly places his hand on the small of my back to urge me forward. The touch sends shivers up my spine and the woozy feeling takes over. Walk, Rosie, walk. Don't be stupid.
Silas points several blocks away as we arrive on the opposite curb. "I can give you a ride home, if you don't mind waiting for a few hours. I've got to go see the power company getting my lights turned back on."
"I, um ... " Sit with Silas for a few hours in the power company office? And then for another half hour on the ride home? I want to. I really, really want to. But what will we talk about? How long will it take me to start giggling like a moron? I can lure a Fenris - sway my hips, giggle lustily, bat my eyelashes - but I have no idea how not to look like a bumbling idiot in front of Silas Reynolds. — Jackson Pearce

They'd dueled in the lamplight of her kitchen that night, savaging each other with accusations that could never be recalled. Now, he couldn't remember half of what they'd said, only the colors and lights and seething tide of fear all around them. He could still taste the acrid burn of unfairness. — Lauren Gilley

While in general I avoid the use of torture - torture locates the opponent and mobilizes resistance - the threat of torture is useful to induce in the subject the appropriate feeling of helplessness and gratitude to the interrogator for withholding it. And torture can be employed to advantage as a penalty when the subject is far enough along with the treatment to accept punishment as deserved. To this end I devised several forms of disciplinary procedure. One was known as the Switchboard. Electric drills that can be turned on at any time are clamped against the subject's teeth; and he is instructed to operate an arbitrary switchboard, to put certain connections in certain sockets in response to bells and lights. Every time he makes a mistake the drills are turned on for twenty seconds. The signals are gradually speeded up beyond his reaction time. Half an hour on the Switchboard and the subject breaks down like an overloaded thinking machine. — William S. Burroughs

A half-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow and red, the North Lights swept in bars?-
Then you've a hunch was the music meant ... hunger and night and the stars. — Robert W. Service

It's not that I'm being shy. It's just that
well, for one, I don't even remember the event. It's a blank: a white slate, a black hole. I have vague images, half-impressions: of being, or having been
or, more precisely, being about to be
hit; blue light; railings; lights of other colours; being held above some kind of tray or bed. But who's to say that these are genuine memories? Who's to say my traumatized mind didn't just make them up, or pull them out from somewhere else, some other slot, and stick them there to plug the gap
the crater
that the accident had blown? Minds are versatile and wily things. Real chancers. — Tom McCarthy

A year earlier my parents had moved us out of the city to a split-level on Long Island, their idea of the American dream, which meant it as now an hour-and-a-half commute via the 7:06 Hicksville to Penn Station every morning. (Dark City Lights) — Jonathan Santlofer

It was Ernie Haller, who had photographed Bette Davis in Jezebel and Vivien Leigh in Gone with the Wind, who was solely responsible for the visuals in Mildred Pierce, said Crawford. "Ernie was at the rehearsals. And so was Mr. [Anton] de Grot, who did the sets. I recall seeing Ernie's copy of the script and it was filled with notations and diagrams. I asked him if these were for special lights and he said, 'No, they're for special shadows.' Now, that threw me. I was a little apprehensive. I was used to the look of Metro, where everything, including the war pictures, was filmed in blazing white lights. Even if a person was dying there was no darkness. But when I saw the rushes of Mildred Pierce I realized what Ernie was doing. The shadows and half-lights, the way the sets were lit, together with the unusual angles of the camera, added considerably to the psychology of my character and to the mood and psychology of the film. And that, my dear, is film noir." "Mildred — Shaun Considine

LIFE IN ALEXANDRA was exhilarating and precarious. Its atmosphere was alive, its spirit adventurous, its people resourceful. Although the township did boast some handsome buildings, it could fairly be described as a slum, living testimony to the neglect of the authorities. The roads were unpaved and dirty, and filled with hungry, undernourished children scampering around half-naked. The air was thick with the smoke from coal fires in tin braziers and stoves. A single water tap served several houses. Pools of stinking, stagnant water full of maggots collected by the side of the road. Alexandra was known as "Dark City" for its complete absence of electricity. Walking home at night was perilous, for there were no lights, the silence pierced by yells, laughter, and occasional gunfire. So different from the darkness of the Transkei, which seemed to envelop one in a welcome embrace. — Nelson Mandela

In Paris the swaying lanterns are lit in the streets; lights shine through water, fuzzy, diffuse. Saint-Just sits by an insufficient fire, in a poor light. He is a Spartan after all, and Spartans don't need home comforts. He has begun his report, his list of accusations; if Robespierre saw it now, he would tear it up, but in a few days' time it will be the very thing he needs. Sometimes he stops, half-glances over his shoulder. He feels someone has come into the room behind him; but when he allows himself to look, there is nothing to see. It is my destiny, he feels, forming in the shadows of the room. It is the guardian angel I had, long ago when I was a child. It is Camille Desmoulins, looking over my shoulder, laughing at my grammar. He pauses for a moment. He thinks, there are no living ghosts. He takes hold of himself. Bends his head over his task. His pen scratches. His strange letterforms incise the paper. His handwriting is minute. He gets a lot of words to the page. — Hilary Mantel

After driving 30-minutes East of Seattle, I expect to see a great bowling alley. But, as we pull into the parking lot, all I see are pot holes, a horse and Amish buggy, and no cars to speak of- broken down or otherwise. Even the building is in shambles, needs painted and looks a bit haunted. The old road sign reading- Flicker Lanes- is half-burnt out. Seeing the building's interior lights on, I'm reassured that the place is open- but then again, maybe they've been left on by mistake. "There's LOTS of NICE bowling alleys in SEATTLE," I said. "Why did we come ALL THIS WAY to go BOWLING?"
"I take it that you've never BEEN here before."
"I don't think ANYONE HAS. I don't even KNOW what PLANET we're on."
"I don't know what PLANET you're on either... but the rest of us are on your ANUS."
I half-smile, marveling at his wittiness. — Giorge Leedy

The summer had turned, the summer had gone; the autumn had dropped upon Bly and had blown out half our lights. The place, with its gray sky and withered garlands, its bared spaces and scattered dead leaves, was like a theater after the performance
all strewn with crumpled playbills. — Henry James

and she smiles at me, my best friend, with her long, tangled blond hair and thick eyelashes and her smile that lights up any room. My other half. The girl who took my hand all those years ago and didn't let go until she had to. — Kristin Hannah

Darling
I love these velvet nights. I've never been able to decide whether the night was a bitter enemie or a "grand patron"
or whether I love you most in the eternal classic half-lights where it blends with day or in the full religious fan-fare of mid-night or perhaps in the lux of noon. Anyway, I love you most and you 'phoned me just because you phoned me tonight
I walked on those telephone wires for two hours after holding your love like a parasol to balance me. My dear
— Zelda Fitzgerald

Today, the majority of poor renting families in America spend over half of their income on housing, and at least one in four dedicates over 70 percent to paying the rent and keeping the lights on. — Matthew Desmond

It never occurred to me that half of the population of Vermont wasn't experiencing pretty much what I put myself through every night- bone-crackling cold that made my joints ache, cold so relentless I felt it in my dreams: ice floes, lost expeditions, the lights of search planes swinging over whitecaps as I floundered alone Arctic Seas. — Donna Tartt

A model shoot was going on at half-court. Lots of those umbrella lights and tall, bony women-cum-children and tripods and people huffing and fluffing about. Myron waited for someone to mistake him for a model. And waited. — Harlan Coben

I believe Triumvirate Holdings wants to control all the ancient Oracles. And I Believe the most ancient Oracle of all, the Grove of Dodona, is right here at Camp Half-Blood"

I WAS A DREAMATIC GOD.

I thought my last statement was a great line, I expected gasps, perhaps some organ music in the background. Maybe the lights would go out just before I could say more. Moments later I would be found dead with a knife in my back. That would be exciting!

Wait. I'm a mortal. Murder would kill me. Never mind — Rick Riordan

He never should have left the island. He'd been there with Diana and Penny. He could have tossed Penny off a cliff and been fine on the island. Decent food, a beautiful mansion, electricity, and a soft bed with Diana in it.
What had he been thinking, leaving the island?
He missed Diana busting him. He missed her snarky voice. He missed her eye rolls and that skeptical look she had where she'd half close her eyes and look at him like he was too dumb to merit her full attention. He'd have killed, or at least injured, anyone else who treated him like that. But she wasn't anyone else.
He missed her hair. Her neck. Her breasts.
She understood him. She loved him, in her own way. And if he had listened to her, he'd still be on the island. Somehow he would have found some fuel to keep the lights on there. Probably. And the food would have run out and then they'd have starved, but hey, this was the FAYZ, where all you could really hope to do was delay the pain. — Michael Grant

It was nearly eight before he returned to the office. This was the hour when he found London most lovable; the working day over, her pub windows were warm and jewel-like, her streets thrummed with life, and the indefatigable permanence of her aged buildings, softened by the street lights, became strangely reassuring. We have seen plenty like you, they seemed to murmur soothingly, as he limped along Oxford Street carrying a boxed-up camp bed. Seven and a half million hearts were beating in close proximity in this heaving old city, and many, after all, would be aching far worse than his. Walking wearily past closing shops, while the heavens turned indigo above him, Strike found solace in vastness and anonymity. — Robert Galbraith

a dream half-waking, broken and uneasy, of the small gods of small places; gods of hills and woods and streams and crossways; the gods who still haunt their broken shrines, waiting in the dusk beyond the lights of the busy Christian churches, and the dogged rituals of the greater gods of Rome. — Mary Stewart

Oh, and Juliet," he said. I turned back. Half of his face was thrown in deep shadow, while the whites of his teeth gleamed in the distant lights from the salon. "I'll be working in the laboratory late tonight. I've a good start on the new specimens. Don't be alarmed if you're awoken. The animals - they scream, you know. An unfortunate effect of vivisection. It keeps the whole household up."
For a breath, the world seemed to freeze. And then the clouds rolled again, the wind howled again. I realized that he had charmed me, just like he charmed everyone. I'd thought I was so clever. I thought I could see past his manipulations. But I'd heard only what I wanted to.
He'd never said the accusations were untrue. Just unfair. — Megan Shepherd