Half A Story Quotes & Sayings

The first Parikrma school started in a slum where there were 70,000 people living below the poverty line. Our first school was on a rooftop of a building inside the slums, a second story building, the only second story building inside the slums. And that rooftop did not have any ceiling, only half a tin sheet. That was our first school. — Shukla Bose

Born and raised in Paris, I am deeply attached to my city; we almost have half a century of love story together, where I have been truly completely faithful! The most beautiful city in the world is my city, yeepeeee! — Christian Louboutin

Mistruths are printed as fact, in some cases, and frequently only half of a story will be told. — Michael J. Jackson

You'd never be able to convince someone to give you money to do a bilingual story where you're not translating half of it - you'd drive people crazy. But in comics, you can do whatever your heart desires. — Brian K. Vaughan

It has been said that if you don't see God in the profane and the profound, you're missing half the story. That is a great Truth. — Neale Donald Walsch

I ... am always half afraid of finding a clever novel too clever
& of finding my own story & my own people all forestalled. — Jane Austen

During the game, we never sit down. Not only is there action on the field, but we also have to cover the half-time show and interview all the celebrities attending. But once it's all over, it's a pretty satisfying feeling. My team and I love delivering an exciting and all-encompassing story the next day for our viewers. We want them to see and experience all that we did. — Megan Alexander

He was my father. I own half his genes, and all of his history. Believe this: the mistakes are part of the story. I am born of a man who believed he could tell nothing but the truth, while he set down for all time the Poisonwood Bible. — Barbara Kingsolver

Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour. — Laura Osnes

The story was gradually taking shape. Pilon liked it this way. It ruined a story to have it all come out quickly. The good story lay in half-told things which must be filled in out of the hearer's own experience. — John Steinbeck

If you have half a story and you don't know the rest, you use what you have to pry the rest out of someone. — Hunter S. Thompson

I was almost a wife but lost the man. I was almost recognisable as a friend. And then I wasn't. The nights when I flicked off the bedside lamp and found myself in the heedless, lonely dark. The times I thought, with a horrified twist, that none of this was a gift. Suzanne got the redemption that followed a conviction ... I got the snuffed-out story of the bystander, a fugitive without a crime, half hoping and half terrified that no one was ever coming for me. — Emma Cline

I was on a panel with Marshall McLuhan in Canada. Someone says, 'Mr. McLuhan, I read your book, and I disagree with you.' And he says, 'Oh, you read my book? Then you only know half the story.' — James Rosenquist

I've never really had a party before." "Why did you have one now?" I say, just to keep him talking. He gives a half laugh. "I thought if I had a party, you would come. — Lauren Oliver

Those whose eyes twenty-five and more years before had seen "the glory of the coming of the Lord," saw in every present hindrance or help a dark fatalism bound to bring all things right in His own good time. The mass of those to whom slavery was a dim recollection of childhood found the world a puzzling thing: it asked little of them, and they answered with little, and yet it ridiculed their offering. Such a paradox they could not understand, and therefore sank into listless indifference, or shiftlessness, or reckless bravado. There were, however, some - such as Josie, Jim, and Ben - to whom War, Hell, and Slavery were but childhood tales, whose young appetites had been whetted to an edge by school and story and half-awakened thought. Ill could they be content, born without and beyond the World. And their weak wings beat against their barriers, - barriers of caste, of youth, of life; at last, in dangerous moments, against everything that opposed even a whim. — W.E.B. Du Bois

Later, when his desires had been satisfied, he slept in an odorous whorehouse, snoring lustily next to an insomniac tart, and dreamed. He could dream in seven languages: Italian, Spanic, Arabic, Persian, Russian, English and Portughese. He had picked up languages the way most sailors picked up diseases; languages were his gonorrhea, his syphilis, his scurvy, his ague,his plague. As soon as he fell asleep half the world started babbling in his brain, telling wondrous travelers' tales. In this half-discovered world every day brought news of fresh enchantments. The visionary, revelatory dream-poetry of the quotidian had not yet been crushed by blinkered, prosy fact. Himself a teller of tales, he had been driven out of his door by stories of wonder, and by one in particular, a story which could make his fortune or else cost him his life. — Salman Rushdie

Matthew's story of the resurrection emphasizes typically Matthean themes, and so on. But this is like what you get when different artists paint portraits of the same person. This painting is certainly a Rembrandt; that is indubitably a Holbein. The touch of the individual artist is unmistakable. And yet the sitter is fully recognizable. The artists have not changed the color of her hair, the shape of his nose, the particular half smile. And when we ask why such stories, so different in many ways and yet so interestingly consistent in these and other features, could have come into existence so early, all the early Christians give the obvious answer: something like this is what happened, even though it was hard to describe at the time and remains mind-boggling thereafter. — N. T. Wright

The official line is that, after the war, women couldn't wait to leave the offices and assembly lines and government agencies. But the real story was that the economy couldn't have men coming home without women going home, not unless it wanted a lot of unemployed vets. So the problem became unemployed women. "How you gonna keep us down on the farm after we've seen the world,"' she ad-libs to the old World War I tune. 'Enter the women's magazines, and cookbook publishers, and all these advertising agencies carrying on about the scourge of germs in the toilet bowl, and scuffs on the kitchen floor, and, my favorite, house B.O. Enter chicken hash that takes two and a half hours to prepare. I can just hear them sitting around the conference tables. 'That'll keep the gals out of trouble. — Ellen Feldman

As an aspiring actress, having casual one-nighters, doing drugs and travelling to foreign locales at the drop of a dime was simply part of the landscape. One which Charm wholeheartedly and enthusiastically embraced. Peaches was far too familiar with Charm's wild escapade's to do more than raise an eyebrow to her casual gutter talk. One story had involved two Egyptian police officers, half a pound of weed, and if there were such a thing, one of the minor pyramids. — Tirumalai S. Srivatsan

The first rule of life is to reveal nothing, to be exceptionally cautious in what you say, in whatever company you may find yourself. If you have a secret, you have only to whisper it to your dearest friend with the strictest injunction that it will go no further, and within half a day the story is all over town, and when you do make what would seem to be a perfectly sensible remark, you will find it reported in the most grotesque form, thus incurring no end of criticism to rebound upon you. — Elizabeth Aston

Forty dollars for one adult nonrefundable ticket. You're in luck - your bus leaves in a half hour. But there's no dogs, unless that's a service animal."
"Oh, yeah," Call said, with a quick look down at Havoc. "He's totally a service dog. He was in the service - the navy, actually."
The woman's eyebrows went up.
"He saved a man," Call said, trying out the story as he counted the cash and pushed it through the slot. "From drowning. And sharks. Well, just the one shark, but it was a pretty big one. He's got a medal and everything. — Cassandra Clare

She knew, as I knew, that you don't stop a story half done. You keep on going, through the heartbreak and pain and fear, and times there is a happy ending, and times there isn't. Don't matter. You don't cut a flower half through and then wait and watch as it slowly shrivels to death. And you don't stop a story before you reach the end. — Rebecca Hahn

There is a story in the book Night Shift, called 'The Mangler,' about a laundry machine that takes on a sort of malignant life. I worked in a laundry for about a year and a half after I got out of college. It was the only job I could find to support my wife and our first child. There was a fellow there that had no hands or forearms. He simply had hooks. This is one of the things that they don't tell you about when you become management. You have to wear a tie. It was this fellow's tie that did him in. — Stephen King

DEMON MATH
What is JUST in a world
you've ripped in two
as if there could be
a half for me
a half for you
what is FAIR when
there is nothing
left to share
what is YOURS when
your pain is mine to bear
this sad math is mine
this mad path is mine
subtract they say
don't cry
back to the desk
try
forget addition
multiply
and i reply
this is why
remainders
hate
division. — Kami Garcia

Pascal told only half the story. He said man was a thinking reed. What man is, is a thinking reed and a walking genital. — Walker Percy

Auto da Fay reveals the trickles of a creative sensibility that later became a tide, but essentially, Weldon the writer emerges only at the very end of this volume, in conjunction with her finding and marrying her husband of 30 years, Ron Weldon. In this sense, it is half a memoir, the private background story to the public future. ( ... ) The reader is forced to re-evaluate the spectacular weirdness of Weldon's fiction: having lived such a life any other kind would seem insipid. — Joanna Murray-Smith

Nothing on the face of this earth - and I do mean nothing - is half so dangerous as a children's story that happens to be real... — Barry Hughart

I tap my foot anxiously on the floor. Do I want to sit here and listen to more of his story? Or try to run? I feel like I'm in a maze where almost every end is a dead end or a trap and it's hard to figure out which path will get me to wherever I need to go. Also, my emotions are confusing, combine them with the electricity; I feel like I'm being pushed toward Alex and then pulled back. Pushed and pulled. Pretty soon I'm going to tear in half. — Jessica Sorensen

You won't always spoil her .or treat her like a princess.You won't tell her she's beautiful everyday.You won't make her smile every night and you won't always want her the way you do now.That fades.Those giddy little stomach flutters fade and you're then left with reality.There will be day's you will forget to tell her she's beautiful,even though she needs to hear it.There will be days you'll to say i love you.There will be days you'll forget a birthday or an anniversary.There will be a time when she will walk past you and you won;t want to ravish her, the way you do now.Those things fade, and when they do, what's left is what's truly worth fighting for Love isn't always beautiful, heck,it's not even close to being perfect half the time,feelings change, the spark dies down and what you're left with is something you either chose to fight for you don't When you know that even through those things are gone,you're still willing to fight for every breath ,then you know the love is real. — Bec Botefuhr

Monsoon Love is a love story with a few comic twists. The idea for this story came to me when I went into the local town of Pokhara with a friend to buy his son a birthday present. We had just arrived at the shops when a heavy down pour began, and as we had arrived on his motorbike and didn't have raincoats or umbrellas so we had to wait for the rain to stop. We were standing under a awning watching the street while we waited, and I noticed this very beautiful young woman walk past me dressed in a t-shirt and jeans with the cuffs rolled half up her legs, but the way she held her umbrella made it impossible to see her face, though with the nice body she had her face must have been just as lovely. Then I though, imagine some guy stuck working in an office, and seeing a view like that every day of the same woman, and falling in love with her despite not seeing her face. — Andrew James Pritchard

At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die.
You never stop waiting for the real story to start, because the only real story, in the end, is that you die. — Jonathan Franzen

Why if I had half a chance, I could make an entire movie using this stock footage. The story opens on these mysterious explosions. Nobody knows what's causing them, but it's upsetting all the buffalo. So, the military are called in to solve the mystery. — Ed Wood

She is learning toward me, animatedly asking questions, and he is a half step back. It happens three more times that night and many times over the next years. Usually it's the women who identify with me and ask the questions. It isn't the details of my travels that intrigue them; it's the fact that I am living a rich, fulfilling life. And I'm doing it without a man. For many women, my story awakens buried dreams or stimulates new ones. — Rita Golden Gelman

Has the finger of death to be laid on the tumult of life from time to time lest it rend us asunder? Are we so made that we have to take death in small doses daily or we could not go on with the business of living? And then what strange powers are these that penetrate our most secret ways and change our most treasured possessions without our willing it? Had Orlando, worn out by the extremity of his suffering, died for a week, and then come to life again? And if so, of what nature is death and of what nature life? Having waited well over half an hour for an answer to these questions, and none coming, let us get on with the story. — Virginia Woolf

The childhood of a spoiled prince could be framed within half a page, a moonlit dash through sleepy villages was one rhythmically emphatic sentence, falling in love could be achieved in a single word - a glance. The pages of a recently finished story seemed to vibrate in her hand with all the life they contained. — Ian McEwan

There's a Greek legend - no, it's in something Plato wrote - about how true lovers are really two halves of the same person. It says that people wander around searching for their other half, and when they find him or her, they are finally whole and perfect. The thing that gets me is that the story says that originally all people were really pairs of people, joined back to back, and that some of the pairs were man and man, some woman and woman, and others man and woman. What happened was that all of these double people went to war with the gods, and the gods, to punish them, split them all in two. That's why some lovers are heterosexual and some are homosexual, female and female, or male and male. — Nancy Garden

In all nature there seemed to be a feeling of hopelessness and pain. The earth, like a ruined woman sitting alone in a dark room and trying not to think of the past, was brooding over memories of spring and summer and apathetically waiting for the inevitable winter. Wherever one looked, on all sides, nature seemed like a dark, infinitely deep, cold pit from which neither Kirilov nor Abogin nor the red half-moon could escape ... — Anton Chekhov

Only a drummer-boy in a ballad or a story could have been so in the thick of the fight. She was taken into the confidence of passions on which she fixed just the stare she might have had for images bounding across the wall in the slide of a magic-lantern. Her little world was phantasmagoric - strange shadows dancing on a sheet. It was as if the whole performance had been given for her - a mite of a half-scared infant in a great dim theatre. She was in short introduced to life with a liberality in which the selfishness of others found its account, and there was nothing to avert the sacrifice but the modesty of her youth. — Henry James

Back in my pulp-mag days, I worked from about 8:30 to noon, took an hour off for lunch, and worked again from one to three, for a work day of five and a half hours or so. I wrote 20 to 30 pages of copy in that time, doing it all first draft, so that I was able to produce a short story of 5,000-7,500 words in a single day. — Robert Silverberg

Since I'm a story-oriented critic, sometimes it's difficult to discuss issues without defining them. At the same time, I try not to give away anything that hasn't been given away in first half, in TV commercials, or that isn't obvious from the set-up of the movie. My editors are aware of this tendency of mine and read carefully for spoilers. — Stephen Hunter

We did not go about this bride thing right. I do not think women are still used to being stolen as they once were."
"Some adjustment is to be expected."
"It is more than that. She keeps asking for things that I do not have - her Earth clothes and something called a cheeseburger, which I recall from the mini shows as being a giant food that women enjoy eating half naked very slowly." Kyran thought of Eve's beautiful legs. He would very much enjoy getting her a cheeseburger — Michelle M. Pillow

While I thus cogitate in disquiet and perplexity, half submerged in dark waters of a well in an Arabian oasis, I suddenly hear a voice from the background of my memory, the voice of an old Kurdish nomad: If water stands motionless in a pool it grows stale and muddy, but when it moves and flows it becomes clear: so, too, man in his wanderings. Whereupon, as if by magic, all disquiet leaves me. I begin to look upon myself with distant eyes, as you might look at the pages of a book to read a story from them; and I begin to understand that my life could not have taken a different course. For when I ask myself, 'What is the sum total of my life?' somthing in me seems to answer, 'You have set out to exchange one world for another-to gain a new world for yourself in exchange for an old one which you never really possessed.' And I know with startling clarity that such an undertaking might indeed take an entire lifetime. — Muhammad Asad

Under the warm light cast by the reading lamp, I was plunged into a new world of images and sensations peopled by characters who seemed as real to me as my surroundings. Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story's spell or bid farewell to its characters just yet. — Carlos Ruiz Zafon

Writing stories not only involved secrecy, it also gave her all the pleasures of miniaturization. A world could be made in five pages, and one that was more pleasing than a model farm. The childhood of a spoiled prince could be framed within half a page, a moonlit dash through sleepy villages was one rhythmically emphatic sentence, falling in love could be achieved in a single word
a glance . The pages of a recently finished story seemed to vibrate in her hand with all the life they contained. Her passion for tidiness was also satisfied, for an unruly world could be made just so. — Ian McEwan

Patrul Rinpoche tells the story of an old frog who had lived all his life in a dank well. One day a frog from the sea paid him a visit. "Where do you come from?" asked the frog in the well. "From the great ocean," he replied. "How big is your ocean?" "It's gigantic." "You mean about a quarter of the size of my well here?" "Bigger." "Bigger? You mean half as big?" "No, even bigger." "Is it ... as big as this well?" "There's no comparison." "That's impossible! I've got to see this for myself." They set off together. When the frog from the well saw the ocean, it was such a shock that his head just exploded into pieces. — Sogyal Rinpoche

I would make a genuinely terrible guide. I can't remember things. I would get half way through telling a story or explaining something and I would get distracted. Oh, and I have absolutely no sense of direction at all. — Bill Bryson

I ordered another. If this was going to be a fish-story, I needed stimulants.
"On the liner going to New York I met a girl." Biffy made a sort of curious gulping noise not unlike a bulldog trying to swallow half a cutlet in a hurry so as to be ready for the other half. "Bertie, old man, I can't describe her. I simply can't describe her."
This was all to the good. — P.G. Wodehouse

The thing I was beginning to figure out about Sam and Grace, the thing about Sam not being able to function without her, was that that sort of love only worked when you were sure both people would always be around for each other. If one half of the equation left, or died, or was slightly less perfect in their love, it became the most tragic, pathetic story invented, laughable in its absurdity. Without Grace, Sam was a joke without a punch line. — Maggie Stiefvater

My life after childhood has two main stories: the story of the hustler and the story of the rapper, and the two overlap as much as they diverge. I was on the streets for more than half of my life from the time I was thirteen years old. People sometimes say that now I'm so far away from that life - now that I've got businesses and Grammys and magazine covers - that I have no right to rap about it. But how distant is the story of your own life ever going to be? The feelings I had during that part of my life were burned into me like a brand. It was life during wartime. — Jay-Z

Before the Haitian Revolution, Africans toiling in the sugar fields of Saint-Domingue spread the story of the zombi. This was a living-dead person who had been captured by white wizards. Intellect and personality fled home, but the ghost-spirit and body remained in the land of the dead, working at the will of the sorcerers-planters. Any slave could be a zombi..." - The Half Has Never Been Told: Slavery and the Making of American Capitalism — Edward E. Baptist

...his favorite books, those he'd read over and over so he knew just the lurch his heart would make when he turned the page and encountered the illustration of the despondent dragon under a half-moon or the fervor with which he flipped the final pages of another, the story so vivid he felt his relationship with that book was less an act of reading than a visit, a place he went to. — Keith Miller

The convention that there were two sides to every story eliminated the third and fourth and fifth sides. Even dividing the past two and a half million years into the "Neolithic" (the new stone age) and the "Paleolithic" (the old stone age) was reductionist. "Write this down," he said. "Dichotomies are for idiots. — Marilyn Johnson

Once fallen in true love, a person can't really fall out of it, no matter what. How much ever you try to hate your better half, you'll end up falling more instead. Some part of him will always reside in your heart. — Mehek Bassi

When I was three and a half years old, I heard my big sister tell my mum that at school that day all the kids sat on the floor and watched 'The Neverending Story.' Having never heard of the movie, I concluded that this was what school must be: sitting cross legged on the floor listening to a never-ending story. Page after page. — Caterina Scorsone

It's true that writing can give new forms to concepts that existed previously with far less clarity, but in terms of the other half of a story's story - the way a story is received and interpreted and used - the audience plays a part in that too. — Helen Oyeyemi

Boy, there are people who conquered half the world, slaughtered whole populations, wiped cultures off the face of the planet, and you know what history calls them? Heroes! Kings, presidents, champions, explorers. You think America was settled by white men because the Indians invited us her? No, we took this land because we were stronger, and that's how every page of human history is written. It's just our nature. We're a predator species, top of the food chain. Survival of the fittest is written in our blood, it's stenciled on every gene of our DNA. The strong take and the strong make, and the weak are there only to help them do it. End of story. — Jonathan Maberry

The only book I ever read cover to cover was The Pete Rose Story. I read half of The Lou Gehrig Story and then made a book report on it for four straight years. — Pete Rose

Let's go back to the train station,' she said. 'Or,
rather, let's come back to this room, to the day when we sat here together for the first time
and you recognised that I existed and gave me a gift. That was your first attempt to enter my
soul, and you weren't sure whether or not you were welcome. But, as you say in your story,
human beings were
once divided and now seek the embrace that will reunite them. That is our instinct. But it is
also our reason for putting
up with all the difficulties we meet in that search.I want you to look at me, but I want you to take care
that I don't notice. Initial desire is important because it is hidden, forbidden, not permitted.
You don't know whether you are looking at your lost half or not; she doesn't know either,
but something is drawing you together, and you must believe that it is true you are each
other's other half — Paulo Coelho

You know the story in the Bible?', Jacob asked suddenly, still reading the blank ceiling. 'The one with the king and the two women fighting over the baby?'
'Sure. King Solomon.'
'That's right. King Solomon.' he repeated. 'And he said, cut the kid in half ... but it was only a test. Just to see who would give-up their share to protect it.'
'Yeah. I remember.'
He looked back at my face. 'I'm not going to cut you in half anymore, Bella. — Stephenie Meyer

He was talking. I tried not to think of how he looked and instead of what he was telling me. Once I accomplished that, my brain couldn't get past the 'running' part.
"I don't run." I walked the mile run at school. True story.
I abhorred any kind of physical exercise. I wasn't good at it. I was skinny, but I was soft; had absolutely no muscle mass at all. That's the way I liked it. Who was he to try to change that, change me? I wouldn't let him. No way, no how.
One half of his mouth lifted. He seemed to be enjoying this a little too much. "You do now. You have to be fit, you have to be strong, Taryn, if you're to stand any chance of surviving this. Come on, we'll start with stretching."
He forced me to twist my body into unimaginable positions. I even had to touch my toes. The agony. Luke took pleasure from my pain; even laughing as I moaned and groaned through it all.
Then, the worst came about. He. Made. Me. Run. — Lindy Zart

Just for a minute," she said. He's not half bad, she thought, as far as princes go. "Just to watch the sunset," he agreed. He's not half bad, she thought, as far as enemies go. "Just to see the stars," she conceded. This isn't half bad, she thought, as far as wars go. "Just one day," he said. "You promised." And just to take another look at one small photograph hanging on the wall, she thought. Lennox Gates, what is your Siren story? — Kami Garcia

Did Ethan Smith's View of the Hebrews furnish structural material for Joseph Smith's Book of Mormon? It has been pointed out in these pages that there are many things in the former book that might well have suggested many major things in the other.Not a few things merely, one or two, or half dozen, but many; and it is this fact of many things of similarity and the cumulative force of them that makes them so serious a menace to Joseph Smith's story of the Book of Mormon's origin — B. H. Roberts

And there lay the essential differences between reading and rereading, acts that Henry and I were preforming simultaneously. The former had more velocity; the latter had more depth. The former shut out the world in order to focus on the story; the latter dragged in the world in order to assess the story. The former was more fun; the latter was more cynical. But what was remarkable about the latter was that it contained the former: even while, as with the upper half of a set of bifocals, I saw the book through the complicating lens of adulthood, I also saw it through the memory of the first time I'd read it, when it had seemed as swift and pure as the Winding Arrow, the river that divides Calormen from Archenland. — Anne Fadiman

Real life is all beginnings. Days, weeks, children, journeys, marriages, inventions. Even a murder is the beginning of a criminal. Perhaps even a spree. Everything is prologue. Every story has a stutter. It just keeps starting and starting until you decide to shut the camera off. Half the time you don't even realise that what you're choosing for breakfast is the beginning of a story that won't pan out till you're sixty and staring at the pastry that made you a widower. No, love, in real life you can get all the way to death and never have finished one single story. Or never even get one so much as half-begun. — Catherynne M Valente

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches. — Tatiana Maslany

In my opinion, visual effects are great when it compliments a good story, and action is great when it compliments a good story, but just to have them for the sake of having them, it gets a little boring, especially if you're talking a TV series. At least with a movie that's an hour and a half to two hours, you see it and you're impressed, and then you're out. With a series, if it's only that, week after week after week, there's nothing there to bring you back. You have to get invested in the characters and care about them and want to follow them. — Drew Roy

In a world of full of manipulation, half-truths and lies, the conspiracy theory is often a safer bet than the official story. — Gary Hopkins

The cousin said that Gypsy [Rose Lee] took a full fifteen minutes to peel off a single glove, and that she was so damn good at it he gladly would've given her fifteen more. So this story got me thinking, who was Gypsy Rose Lee? Who could possibly take the simple act of peeling off a glove and make it so riveting that one might be compelled to watch this for a full half-hour? So I began researching, and I came across a series of articles from the year 1940 about Gypsy in Life magazine. — Karen Abbott

Emily just knew that the grocery store clerk's cousin had slipped on a bath mat and fallen out a second-story open window only to be saved because the woman landed on a discarded mattress.
But what interested Emily most about the incident was how the cousin had subsequently met a man in physical therapy who introduced her to his half brother who she ended up marrying and then running over with her car a year later after a heated argument. And that man, it was discovered, had been the one to dump the mattress in her yard.
He'd saved her so that she could later cripple him.
Emily found that not ironic but intriguing.
Because everything, she believed, was connected. — Holly Goldberg Sloan

Viola had a harrowing story about riding a bicycle west out of the burnt-out ruins of a Connecticut suburb, aged fifteen, harboring vague notions of California but set upon by passersby long before she got there, grievously harmed, joining up with other half feral teenagers in a marauding gang and then slipping away from them, walking alone for a hundred miles, whispering French to herself because all the horror in her life had transpired in English and she thought switching languages might save her, wandering into a town through which the Symphony passed five years later. — Emily St. John Mandel

I wrote 'Ain't It Cool? Hollywood's Redheaded Stepchild Speaks Out,' because in doing hundreds and hundreds of interviews over the past six and a half years, I was tired of the story being half told or a third told or erroneously told. — Harry Knowles

A Mixed-breed Apple
A little mixed-breed apple,
half red, half yellow, tells this story.
A lover and beloved get separated.
Their being apart was one thing,
but they have opposite responses.
The lover feels pain and grows pale.
The beloved flushes and feels proud.
I am a thorn next to my master's rose.
We seem to be two, but we are not. — Rumi

I wanted to tell him a story, but I didn't. It's a story about a Jew riding in a streetcar, in Germany during the Third Reich, reading Goebbels' paper, the Volkische Beobachter. A non-Jewish acquaintance sits down next to him and says, "Why do you read the Beobachter?" "Look," says the Jew, "I work in a factory all day. When I get home, my wife nags me, the children are sick, and there's no money for food. What should I do on my way home, read the Jewish newspaper? Pogrom in Romania' 'Jews Murdered in Poland.' 'New Laws against Jews.' No, sir, a half-hour a day, on the streetcar, I read the Beobachter. 'Jews the World Capitalists,' 'Jews Control Russia,' 'Jews Rule in England.' That's me they're talking about. A half-hour a day I'm somebody. Leave me alone, friend. — Milton Sanford Mayer

With God's help, I've not had a drink in nine and a half years. That's my whole story right there. And because of that, I'm doing this. I'm making records, I'm touring. I was so involved in just getting brain damaged, I wasn't doing anything. I had great ideas, many notebooks filled with notes, some of them I can read and some of them I just can't read, but I really didn't do anything constructive, it was all just good ideas. Now I'm trying to lead a constructive life a day at a time. — Ringo Starr

He was clearly in love with Amber too, and this time it wasn't the usual water off the back of the duck. Instead, the duck, wounded by a hunter and bewildered because half its head had been shot way, and was still tottering about on its webby feet by the side of the pond. From the one side it looked like a duck usually looks. From the other, it was a different story. — Ali Smith

Once a photographer is convinced that the camera can lie and that, strictly speaking, the vast majority of photographs are camera lies, inasmuch as they tell only part of a story or tell it in distorted form, half the battle is won. Once he has conceded that photography is not a naturalistic medium of rendition and that striving for naturalism in a photograph is futile, he can turn his attention to using a camera to make more effective pictures. — Andreas Feininger

The Story Girl was written in 1910 and published in 1911. It was the last book I wrote in my old home by the gable window where I had spent so many happy hours of creation. It is my own favourite among my books, the one that gave me the greatest pleasure to write, the one whose characters and landscape seem to me most real. All the children in the book are purely imaginary. The old "King Orchard" was a compound of our old orchard in Cavendish and the orchard at Park Corner. "Peg Bowen" was suggested by a half-witted, gypsy-like personage who roamed at large for many years over the Island and was the terror of my childhood. — L.M. Montgomery

I hide myself in my words. There's a cipher, and one half is in my writing and the other half is in me, and if you have them both then you'll understand everything. Strangers think it's just a story, but you'll know what's real. You'll know who I really am. — Leah Raeder

Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.' — Tom Hooper

Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a couple of sumptuous meals, and a tour or two, that they have discovered everything there is to know about this seemingly genteel, elegant city. But like any great seductress, Charleston presents a careful veneer of half-truths and outright fabrications, and it lets you, the intended conquest, fill in many of the blanks. Seduction, after all, is not true love, nor is it a gentle act. She whispers stories spun from sugar about pirates and patriots and rebels, about plantations and traditions and manners and yes, even ghosts; but the entire time she is guarded about the real story. Few tourists ever hear the truth, because at the dark heart of Charleston is a winding tale of violence, tragedy and, most of all, sin. — James Caskey

My problem with the wedding industry started when I studied in college and liked to have the television on in the background, and 'A Wedding Story' on TLC always came on, and I'd get irritated that the story of two people making a lifelong commitment to each other could be encapsulated in a half-hour show about the party they throw. — Jessica Valenti

I had a financial page to write in the Mail on Sunday where I'd give tips on shares. I worked there for two and a half years. Nothing compares to the burst of energy felt on a newsroom floor when a big story breaks. — Adam Faith

Lying in bed, half-covered by the blankets, I would drowsily ask why he had come to my door that night long ago. It had become a ritual for us, as it does for all lovers: where, when, why? remember ... I understand even old people rehearse their private religion of how they first loved, most guarded of secrets. And he would answer, sleep blurring his words, "Because I had to." The question and the answer were always the same. Why? Because I had to. — Margaret George

In a dark layer of Esme's memory there was a kiss. Vividly she recalled Mihai in the snow, naked and fanged. That kiss had conjured ancient passions a god had tried to erase, and Esme remembered the pressure of it and even knew the flavor of that black river. But it belonged to someone else. Tom's kiss, by contrast, wasn't passionate.Esme didn't even have time to close her eyes and tilt her face up to meet it, and it landed crooked and only half on her lips. It was clumsy and it ended quickly. And it was hers. — Laini Taylor

In Hollywood if you're good looking, tall, have okay teeth and nice skin, the odds of being successful are great. If you're short and fat, it's a different story. But as long as you look like a leading man type, half your job is done already. — John Corbett

Everything within takes place after Jack died and before my mom and I drowned in a burning ferry in the cool tannin-tinted Guaviare River, in east-central Colombia, with forty-two locals we hadn't yet met. It was a clear and eyeblue day, that day, as was the first day of this story, a few years ago in January, on Chicago's North Side, in the opulent shadow of Wrigley and with the wind coming low and searching off the jagged half-frozen lake. — Dave Eggers

My editor and I remain very disciplined. It's just sometimes when you're making a film, you get into the cutting room and you see a scene that's slowing you down in a certain section, but if you remove that scene then, emotionally or story-wise, another scene a half-hour later won't have the same impact. You just get stuck with it. — Alexander Payne

A short story is a short prose narrative, requiring from a half hour, to one or two hours in its perusal ... having conceived, with deliberate care, a certain unique or single effect to be wrought out ... — Edgar Allan Poe

Anyone who believes he has caught him in a fantastic lie is apt to find out that the fantastic story is the truth. And some unimportant statement, like just having bought an evening paper a half-hour ago, is the lie."

--On Orson Welles — Bernard Herrmann

When I read the actual story-how Gatsby loves Daisy so much but can't ever be with her no matter how hard he tries-I feel like ripping the book in half and calling up Fitzgerald and telling him his book is all wrong, even though I know Fitzgerald is probably deceased. Especially when Gatsby is shot dead in his swimming pool the first time he goes for a swim all summer, Daisy doesn't even go to his funeral, Nick and Jordan part ways, and Daisy ends up sticking with racist Tom, whose need for sex basically murders an innocent woman, you can tell Fitzgerald never took the time to look up at clouds during sunset, because there's no silver lining at the end of that book, let me tell you. — Matthew Quick

I knew I was going to fall out of the tree. Girls as athletically challenged as I was should never climb trees. At the very least, I was going to snag my underwear on a branch and be stuck wearing only a tank top high up in the tree. I shuddered in horror. I was NOT that kind of girl. I had a decent rear-end, but I don't think anyone's butt looks good climbing trees. At the very worst, I would impale myself on a sharp branch like a pig on a spit. Knowing me, both would happen, and I would soon be pantiless and impaled. I could just see the story in the local newspaper: "Local Woman Found Dead and Half Naked in Tree. — Amy Harmon

I was attracted to 'Half of a Yellow Sun' because of the story. — Chiwetel Ejiofor

I guess it's a sequel to our story From the journey 'tween heaven and hell With half the time thinking of what might have been and half thinkin' just as well. I guess only time will tell. — Harry Chapin

It's a lot to ask, but I need you to listen to a story that I've never told anyone,' Varg answered.
'Why would listening be a lot to ask?' Milea inquired.
Varg paused. 'Because the story I am about to tell you may make you see me as a monster. — Brittany Comeaux

Pirate Hunters is a fantastic book, an utterly engrossing and satisfying read. It tells the story of the hunt for the rare wreck of a pirate ship, which had been captained by one of the most remarkable pirates in history. This is a real-life Treasure Island, complete with swashbuckling, half-crazy treasure hunters and vivid Caribbean settings-a story for the ages. — Douglas Preston

I'm curious by individuals that embrace half a story so they can justify how incomplete they feel about their own self worth. — Dane Cook

I remember, May 1944: I was 15-and-a-half, and I was thrown into a haunted universe where the story of the human adventure seemed to swing irrevocably between horror and malediction. — Elie Wiesel

Jane Austen is thus a mistress of much deeper emotion than appears upon the surface. She stimulates us to supply what is not there. What she offers is, apparently, a trifle, yet is composed of something that expands in the reader's mind and endows with the most enduring form of life scenes which are outwardly trivial. Always the stress is laid upon character... The turns and twists of the dialogue keep us on the tenterhooks of suspense. Our attention is half upon the present moment, half upon the future...Here, indeed, in this unfinished and in the main inferior story, are all the elements of Jane Austen's greatness. — Virginia Woolf

What's really important is storytelling. None of it matters if it doesn't support the story. I thought The Avengers was an appalling film. They'd shoot from some odd angle and I'd think, why is the camera there? Oh, I see, because they spent half a million on the set and they have to show it off. It took me completely out of the movie. I was driven bonkers by that illogical form of storytelling. — Wally Pfister

I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in half, cut the edges to make a little eight-page booklet, break it up into squares and put in little stick men with little speech bubbles, and I'd have a spy story, a space story and a football story. — Ian Rankin