Hair Woman Face Quotes & Sayings

Sophie got herself to the mirror, and found that she had to hobble. The face in the mirror was quite calm, because it was what she expected to see. It was the face of a gaunt old woman, withered and brownish, surrounded by wispy white hair. Her own eyes, yellow and watery, stared out at her, looking rather tragic.
"Don't worry, old thing," Sophie said to the face. "You look quite healthy. Besides, this is much more like you really are. — Diana Wynne Jones

They laughed together then until the woman's features turned somber. "Thank you for not lying about what you thought of my appearance. You might have a face to turn my hair white, but your honesty is handsome. — Grace Draven

She tried to break from his hold, and he tightened his grip. "You're safe. I killed the rogues."
The woman stilled and searched his face, the wildness still heavy in her blue eyes. "You're a wolf."
He smiled and nodded. "And you're a tiger."
"A white tiger."
To match her white-blond hair. "And a beautiful one. — Lia Davis

The photograph showed a young couple smiling at the camera. The man didn't look much older than seventeen or eighteen, with light-coloured hair and delicate, aristocratic features. The woman may have been a bit younger, one or two years at the most. She had pale skin and a finely chiselled face framed by
short black hair. She looked drunk with happiness. The man had his arm round her waist, and she seemed to be whispering something to him in a teasing way. The image conveyed a warmth that drew a smile from me, as if I had recognized two old friends in those strangers. — Carlos Ruiz Zafon

Just like hair frames our face, brows frame our eyes. I see so much potential in harmonized beauty whenever I see a woman who's not filling in her brows, and I just want to go in with my brow pencil and just be like, 'Filling in eyebrows, OK, done - look in the mirror and be inspired.' That's one of my pet peeves, but beauty is subjective. — Michelle Phan

Pleasure eased the edges of Tiern-Cope's face, and with his mouth curved in a smile he resembled his brother more than ever. But the eyes gave him away. They were cold, a lifeless, icy blue. He grasped the woman's hips, and this woman who had Olivia's copper hair and even her features, cried out in a low, guttural moan of pleasure incapable of containment. "I am coming," he said. He opened his eyes again, looking at her, and she wanted to weep from the heartbreak.
His hips came up, and he gasped and said, "My heart. My love. I'm coming."
She slid away, down and away, and into the safety of Sebastian's embrace. His arms enfolded her, warm and tight. Hurry, she thought. — Carolyn Jewel

The young woman at his side surveyed Tess in one quick, lethal glance. Tess could almost hear her brain clicking away on the sort of points system that some women used: Taller - 1 point for her. Hippy - 1 point against. Big breasts, long hair - 2 points for. Hair, unstyled, worn in a braid down her back - 2 points against. Older than me - 3 points against. Face, okay. Clothes, not stylish, not embarrassing. Tess wasn't sure of her final score, but apparently it was just a little too high. The woman gave her a terrifyingly fake smile, one that suggested she had little experience with real ones, and held out her hand. — Laura Lippman

When he came in sight of the prisoner he stopped short. The man sat with his hands bound behind him, securely strapped into a seat and guarded by two Yellow Squad troopers, a big fellow and a thin woman who made Mark think of a snake, all sinuous muscle and unblinking beady eyes. The prisoner looked a striking forty or so years of age, and wore a torn brown silk tunic and trousers. Loose strands of dark hair escaped from a gold ring on the back of his head and fell about his face. He did not struggle, but sat calmly, waiting, with a cold patience that quite matched the snake-woman's. Bharaputra. The Bharaputra, Baron Bharaputra, Vasa Luigi himself. The man hadn't changed a hair in the eight years since Mark had last glimpsed him. Vasa — Lois McMaster Bujold

For the first time in her life, Alba wanted to be beautiful. She regretted that the splendid women in her family had not bequeathed their attributes to her, that the only one who had, Rosa the Beautiful, had given her only the algae tones in her hair, which seemed more like a hairdresser's mistake then anything else. Miguel understood the source of her anxiety. He led her by the hand to the huge Venetian mirror that adorned one wall of their secret room, shook the dust from the cracked glass, and lit all the candles they had and arranged them around her. She stared at herself in the thousand pieces of the mirror. In the candlelight her skin was the unreal color of wax statues. Miguel began to caress her and she saw her face transformed in the kaleidoscope of the mirror, and she finally believed that she was the most beautiful woman in the universe because she was able to see herself with Miguel's eyes. — Isabel Allende

Women are sewers just like we are, the once pure boys recognize with a start; it's raw sewage that produces fertilization; once you understand that you can be fond of yourself and members of the Opposite Sex, but you can never quite see them again as ice cream bars. I, the author, don't really mind this, for I love all girls and love to hug and kiss them and cheer them up when they cry, and have them perform all the same services for me; and a woman's saliva is certainly a miracle, think of all those enzymes and germs; and if I took and wrote the chemicals down on a sheet of paper, all COOOHs and sighs, it would look pretty, just like a face all pretty, like the dear round moon-face of her who loves you or the creamy-freckled skin and blue eyes and heavenly hair of that Irish beauty back in college, so don't think I'm complaining. — William T. Vollmann

The woman who later became his wife was sleeping in his bed, her face buried in the pillows and her feet crossed on top of each other like a child's. He watched her sleep and struggled to see her as she was, but what he saw instead were her muscles and bones. He saw right through the skin to where her femur connected to her tibia by way of the ligaments, to the hair web of nerves and the delicate forest of her lungs, to the abstract heart pumping blood through her arteries. It terrified him how easily these systems could fail her. — Nicole Krauss

There, conspicuous in the light of the conflagration, lay the dead body of a woman - the white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles - the work of a shell.
The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries - something between the chattering of an ape and the gobbling of a turkey - a startling, soulless, unholy sound, the language of a devil. The child was a deaf mute.
Then he stood motionless, with quivering lips, looking down upon the wreck. — Ambrose Bierce

Tugging at his collar to loosen it, he pushed at the half-open door and entered the room.
Miss Hathaway stood near the doorway, waiting with tightly leashed impatience, while Merripen remained a dark presence in the corner. As Cam approached and looked into her upturned face, the panic dissolved in a curious rush of heat. Her blue eyes were smudged with faint lavender shadows, and her soft-looking lips were pressed into a tight seam. Her hair had been pulled back and pinned, dark and shining against her head.
That scraped-back hair, the modest restrictive clothing, advertised her as a woman of inhibitions. A proper spinster. But nothing could have concealed her radiant will. She was ... delicious. He wanted to unwrap her like a long-awaited gift. He wanted her vulnerable and naked beneath him, that soft mouth swollen from hard, deep kisses, her pale body flushed with desire. — Lisa Kleypas

Almost ten years past now that Edeyn had watched him ride away from Fal Moran, and been gone when he returned, yet he still could recall her face more clearly than that of any woman who had shared his bed since. He was no longer a boy, to think that she loved him just because she had chosen to become his first lover, yet there was an old saying among Malkieri men. Your carneira wears part of your soul as a ribbon in her hair forever. Custom strong as law made it so. — Robert Jordan

Staring at the floor, she didn't even look up as the final contestant entered.
Not until she heard a deep, rich baritone that filled the hall with the most beautiful sound she had ever heard.
Her heart pounding, she looked up to see Stryder holding his mother's lute.
Only it wasn't a love song he sang.
More like a limerick, it was a song about a woman who fancied herself a goose.
And a man who gobbled her up.
Laughter and applause rang out as soon as he strummed the last note.
Breathe, breathe.
It was the only thing Rowena could think. And even that couldn't get her to take a breath as Stryder approached her.
He smoothed her hair and straightened her feathered crown. "Methinks my goose has molted."
Rowena laughed as more tears streaked down her face. — Kinley MacGregor

God, she was beautiful - my first image of the Orient - a woman such as only the desert poet knew how to praise: her face was the sun, her hair the protecting shadow, her eyes fountains of cool water, her body the most slender of palm-trees and her smile a mirage. — Amin Maalouf

and fair hair combed off her face and arranged in a large bun at the back of her neck; a style which at the moment happened to be fashionable although that was not her reason for wearing it so. She was a woman who always kept to her own style. — Agatha Christie

She was yawning, and he saw the red interior of her mouth as if it had been a snake's. She had stretched one arm so high above her coiled-up cable of hair that he could see its satin delicacy above the sunburn; her face was flushed with sleep, and her eyelids hung heavy over their pupils.The brim-fulness of her nature breathed from her.It was a moment when a woman's soul is more incarnate than at any other time; when the most spiritual beauty bespeaks itself flesh; and sex takes the outside place in the presentation. — Thomas Hardy

She [Mrs. Hines] stood before the door as if she were barring them from the house
a dumpy, fat little woman with a round face like dirty and unovened dough, and a tight screw of scant hair. — William Faulkner

He had never seen a woman look like that, he thought, fascinated despite his worry for Henry. She had tied back her outrageous hair and wrapped her head carefully in a cloth like a Negro slave woman. With her face so exposed, the delicate bones made stark, the intentness of her expression
with those yellow eyes darting like a hawk's from one thing to another
was the most unwomanly thing he had ever seen. It was the look of a general marshaling his troops for battle, and seeing it, he felt the ball of snakes in his belly relax a little.
She knows what she's doing, he thought.
She looked at him then, and he straightened his shoulders, instinctively awaiting orders
to his utter amazement. — Diana Gabaldon

Warmly and impulsively he put his arms round her and covered her knees and hands with kisses. Then when she muttered something and shuddered with the thought of the past, he stroked her hair, and looking into her face, realised that this unhappy, sinful woman was the one creature near and dear to him, whom no one could replace. When he went out of the house and got into the carriage he wanted to return home alive. — Anton Chekhov

They all turned to the dark-haired woman standing quietly to the side and slightly behind Aunt Charlotte. She was, in a word, gorgeous. Everything about her was perfection, from her shiny hair to her milky-white skin. Her face was heart-shaped, her lips full and pink, and her eyelashes were so long that Honoria thought they must
touch her brows if she opened her eyes too wide.
"Well," Honoria murmured to Iris, "at least no one will be looking at us. — Julia Quinn

Bless those people, for they are a part of my faith's firmness. Bless the stories my foster mother read to me, the stories of mine she later listened to, her thin blond hair hanging down a single sheet. The house, old and shingled, with niches and culverts I loved to crawl in, where the rain pinged on a leaky roof and out in the puddled yard a beautiful German shepherd, who licked my face and offered me his paw, barked and played in the water. Bless the night there, the hallway light they left on for me, burning a soft yellow wedge that I turned into a wing, a woman, an entire army of angels who, I learned to imagine, knew just how to sing me to sleep. — Lauren Slater

That this woman talking to him had large, melting brown eyes and long brown hair the color of a doe's, on a face meant for an artist's canvas, all attached to a nifty little compact body that could tempt the gods meant nothing. She was insane. — Jill Shalvis

A tall, fragile woman with pale blond hair and a face of such beauty that it seemed veiled by distance, as if the artist had been merely able to suggest it, not to make it quite real ... she was Kay Ludlow, the movie star who, once seen, could never be forgotten; the star who had retired and vanished five years ago, to be replaced by girls of indistinguishable names and interchangeable faces ... she felt that the glass cafeteria was a cleaner use for Kay Ludlow's beauty than a role in a picture glorifying the commonplace for possessing no glory. — Ayn Rand

She straddles me, ass to my face, reverse cowgirl, tangled hair swinging. And son of a bitch, the woman can ride. — Karen Marie Moning

One picture puzzle piece
Lyin' on the sidewalk,
One picture puzzle piece
Soakin' in the rain.
It might be a button of blue
On the coat of the woman
Who lived in a shoe.
It might be a magical bean,
Or a fold in the red
Velvet robe of a queen.
It might be the one little bite
Of the apple her stepmother
Gave to Snow White.
It might be the veil of a bride
Or a bottle with some evil genie inside.
It might be a small tuft of hair
On the big bouncy belly
Of Bobo the Bear.
It might be a bit of the cloak
Of the Witch of the West
As she melted to smoke.
It might be a shadowy trace
Of a tear that runs down an angel's face.
Nothing has more possibilities
Than one old wet picture puzzle piece. — Shel Silverstein

Summer sticks to her skirt sumptuously, in the shiny gray fabric hanging loosely from her curves. Her chestnut eyes, apparently hidden from strangers; her simple but graceful face, unpainted by Madison Avenue; and her straight black hair, parted down the middle without ego, all suggest a minimalist - almost pastoral - beauty that is oddly discordant with her fashionable attire, comfortable indifference to the crowds, and quasi-attentive perusal of the Time magazine unfolded over her hand. — Zack Love

Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become. — Shirley A. Martin

Finally, still kneeling, he looked up at the woman.
Sturm caught his breath as the woman removed the hood of her cloak and drew the veil from her face. For the first time,human eyes looked upon the face of Alhana Starbreeze.
Muralasa, the elves called her-Princess of the Night. Her hair, black and soft as the night wind, was held in place by a net as fine as cobweb, twinkling with tiny jewels like stars. Her skin was the pale hue of the silver moon, her eyes the deep, dark purple of the night sky and her lips the color of the red moon's shadows.
The knight's first thought was to give thanks to Paladine that he was already on his knees. His second was that death would be a paltry price to pay to serve her, and his third that he musk say something, but he seemed to have forgotten the words of any known language. — Margaret Weis

All these young mothers chauffeuring their volcanic three-year-olds through the grocery store. The child's name always sounds vaguely presidental, and he or she tends to act accordingly. "Mommy hears what you're saying about treats," the woman will say, "But right now she needs you to let go of her hair and put the chocolate-covered Life Savers back where they came from."
"No!" screams McKinley or Madison, Kennedy or Lincoln or beet-faced baby Reagan. Looking on, I always want to intervene. "Listen," I'd like to say, "I'm not a parent myself, but I think the best solution at this point is to slap that child across the face. It won't stop its crying, but at least now it'll be doing it for a good reason. — David Sedaris

With her mother's remarks about his uncle in mind she looked at him with fresh interest and was forced to acknowledge that he too was actually a bit of a hunk. His hair was short, very dark and curly, and he had the sort of craggy face which might no longer be fashionable in the age of the New Man and the sarong but which would certainly appeal to any woman whose favourite fantasy involved caves and clubs and a bit of chest-pounding. — Aline Templeton

It was early in my career, and I had been seeing Mary, a shy, lonely, and physically collapsed young woman, for about three months in weekly psychotherapy, dealing with the ravages of her terrible history of early abuse. One day I opened the door to my waiting room and saw her standing there provocatively, dressed in a miniskirt, her hair dyed flaming red, with a cup of coffee in one hand and a snarl on her face. "You must be Dr. van der Kolk," she said. "My name is Jane, and I came to warn you not to believe any the lies that Mary has been telling you. Can I come in and tell you about her?" I was stunned but fortunately kept myself from confronting "Jane" and instead heard her out. Over the course of our session I met not only Jane but also a hurt little girl and an angry male adolescent. That was the beginning of a long and productive treatment. — Bessel A. Van Der Kolk

But he'd no sooner stepped into a bathroom and unzipped than a creak had him glancing up. Above him, the ceiling panel lifted and two curious brown eyes peered down at him. Indignation left him stunned, just for a second. Then the panel groaned warningly, and even he knew what that meant. Before he could react, a shrieking, laughing female landed on him, hitting him square in the chest. Instinctively, he caught her, then tightened his tenuous hold. "What the - " "Oh, my!" the wriggling mass of woman exclaimed, pushing hair from her face. She blinked up at him. "Oh, my. — Jill Shalvis

The rake himself lived up to Amy's expectations, however, when he came out to greet his guests. Tall, dark, handsome, and dressed with devastating informality in an open-necked shirt, sleeves rolled up to expose his arms like a laborer. No one could fair to be aware of a lithe body beneath the slight amount of clothing, and there was a wicked gleam in his eye even if he was supposed to have been tamed by matrimony.
Amy found it difficult to believe that the very ordinary woman by his side had achieved such a miracle. Lady Templemore was short and her gown was a simple green muslin. Her face was close to plain and her brown hair was gathered into a simple knot at the back.
But then she smiled at her guests and was beautiful. When she turned to her husband with a comment, she was dazzling, and the look in his eye showed he was tamed indeed, if devotion so heated could be called tame at all. — Jo Beverley

You say I have the most wicked face of any woman. You say my hair is like the serpent locks of Medusa, that my eyes have the cruel cunning of Borgia, that my mouth is the mouth of the sinister scheming Delilah, that my hands are like the talons of a Circe or the blood-bathing Elizabeth Bathory. And then you ask me of my soul - you wish to know if it is reflected in my face. — Theda Bara

She flashed it at him. "May we do some more?" "We can do whatever you want," he agreed, sweeping her hair from her flushed face, any excuse to touch her, to capture the exhilarating energy bursting through her forgotten armor, to absorb a small yet astounding piece of a woman unlike any other. A small moment with her was worth a million moments with anyone else, and he would steal them as often as possible. — B.C. Burgess

Celaena peered in the mirror - and stopped dead.
The somewhat shorter hair was the least of the changes.
She was now flushed with color, her eyes bright and clear, and though she'd regained the weight she'd lost during that winter, her face was leaner. A woman - a woman was smiling back at her, beautiful for every scar and imperfection and mark of survival, beautiful for the fact that the smile was real, and she felt it kindle the long-slumbering joy in her heart. — Sarah J. Maas

It was a woman
as pale and luminescent as a ghost, with swirling white hair. Ezra startled, dropping his pencil into the water. Her face snapped toward him. Her eyes were too large, clear green, and had horizontal, slit-shaped pupils, reminiscent of an octopus. — Elizabeth Fama

It was September, and there was a crackly feeling to the air. I was saying something that was making her laugh, and I couldn't stop looking at her. It was a little bit chilly, and her cheeks were pink, and her dark hair was flowing around her face. All I wanted for the rest of my life was to keep making her laugh like that. Sometimes our arms brushed against each other as we walked, and it was like I could feel the touch for minutes after it happened. — Carolyn Parkhurst

The maid came in to light up and soon it would be time to go upstairs and change for dinner. I thought this woman one of the most fascinating I had ever seen. She had a long thin face, dead white, or powdered dead white. Her hair was black and lively under her cap, her eyes so small that the first time I saw her I thought she was blind. But wide open, they were the most astonishing blue, cornflower blue, no, more like sparks of blue fire. Then she would drop her eyelids and her face would go dead and lifeless again. I never tired of watching this transformation. — Jean Rhys

A woman of about sixty answered the door. She had blue-white hair and a look on her face you don't see too often any more, the look of a woman who hasn't been disappointed: 'Yes, — Ross Macdonald

Sidney: The woman took a seat to reorganize, and Lucy cataloged an almost perfectly symmetrical face with cheekbones that could part hair. The woman's pale face hid underneath the lip-gloss and mascara that ran interference, distracting onlookers from a sagging spirit. She was dressed in a baggie sweater and jeans that made her look like a casual starlet waiting for the paparazzi to snap her photo. — Ann Garvin

She was beautiful. In fact she was possibly the most beautiful woman I had ever seen. She was tall, with dark black hair, light skin, and big brown eyes. Her face was beautiful, not fake beautiful like a model or an actress, because she was obviously a real person, but rather Helen of Troy, launch-a-thousand-ships kind of good-looking. — Larry Correia

You, it's about bedroom eyes. Fuckin' great hair. Long legs. A tight, sweet pussy that gets so fuckin' wet, swear to Christ, every time I have it, don't know whether to bury my face or my dick in it. Your perfume on my sheets. The way you look at me when I tuck you in bed, like I gave you diamonds, something precious, something you wanna keep safe, something you want forever. Woman like you could get diamonds just crookin' her finger, so a woman like you shouldn't find a man tuckin' you in bed precious. But you do. It's also about you tellin' me you won't take it there with me but, I kiss you, you ignite. Some men like a game. Others like a challenge." His smile got wider. "You found a man who likes a challenge. — Kristen Ashley

His Malina was a mystery, a lovely and welcome mystery. He couldn't resist smoothing his palm over her silky hair. Stroking her like that, over and over again filled him with peace. Concerns about his mill and Steafan and all that Wilhelm might expect from him floated away on a cloud of contentment. Until he felt warm wetness on his skin where her face nestled. "Are ye weeping?" "No," she said, but her voice caught on a sob. "There," he said, "now we have both told a lie to the other. We are even." Whatever had her distraught, her heart wasn't so heavy that she couldn't give a small chuckle. "Maybe I'm crying just a little," she said. "It's fine, though. Don't worry. Get some sleep." "I canna. My da told me a good husband doesna lay his head down for the night if his household isna in order and his wife isna content." "He sounds like a very responsible man. Like father, like son." No one had given him as much to feel proud over as this woman. — Jessi Gage

He pulled the knitting away from her, throwing it in the grass, then sank down on his knees in front of her, wrapping his arms around her waist and burying his head in her lap. He was shaking, she realized, and the tears were pouring down her face, onto him, as she stroked his long, silken hair and cried.
She didn't care what it sounded like - the hiccupping noises, the choking sobs.
Her own body was shaking, racked by the final release, and he sat back on his heels and pulled her out of the chair, into his arms, holding her so tightly that a weaker woman might break, whispering to her in Japanese, sweet, loving words, letting her cry.
She was a strong woman, and her tears, so long denied, only made her stronger.
His heart was pounding against hers, his hands firm and tender, pushing the hair away from her tear-drenched face. When he kissed her she couldn't breathe, and she didn't care. — Anne Stuart

He tightened his grip on her hand and pulled her toward him in the darkness. He knew exactly how she'd respond, her other hand coming up to push him away, her hand touching the bare, hot skin of his chest so that she drew back in surprise, long enough for him to wrap her tightly against his chest, trapping her hand between them. He knew she'd try to jerk her head away when he slid his hand into her hair and tilted her face back for his kiss. And he knew she'd open her mouth for him.
What he hadn't guessed was what it would feel like. [ ... ]
He hadn't known a mouth could feel like that. That a woman, an argumentative, reluctant woman could feel so hot in his arms, so incredibly right that his monumental self control could start to slip. — Anne Stuart

Light is a particle and a wave. This is hard to understand, how a thing can be two things at once. But a woman is also both a particle and a wave. She's a wave when you see her reach down to pull a shell from the sea, and you feel her beauty pass through you like electrical current. She's a particle when her hair brushes your face, and her hands push into yours — Ken Kalfus

The woman turned and went slowly into the house. As she passed the doors she turned and looked back. Grave and thoughtful was her glance, as she looked on the king with cool pity in here eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings. — J.R.R. Tolkien

The Human was extremely tall. On its head it had yellowish hair coiled like a rope. It had no hair on its face. And yet his grandmother had been very categorical about that. Humans have hair on their faces. Its called a beard. Its one of the many things that distinguish them from elves. The little elf concentrated, trying to remember, then it came to him.
"You must be a female man," he concluded triumphantly.
"The word is woman, fool," said the human.
"Oh, sorry, sorry, woman-fool, I be more careful, I call right name, woman-fool" ... — Silvana De Mari

Then she did see it there - just a face, peering through the curtains, hanging in midair like a mask. A head-scarf concealed the hair and the glassy eyes stared inhumanly, but it wasn't a mask, it couldn't be. The skin had been powdered dead-white and two hectic spots of rouge centered on the cheekbones. It wasn't a mask. It was the face of a crazy old woman. Mary started to scream, and then the curtains parted further and a hand appeared, holding a butcher's knife. It was the knife that, a moment later, cut off her scream.
And her head. — Robert Bloch

Tell your daughters how you love your body.
Tell them how they must love theirs.

Tell them to be proud of every bit of themselves -
from their tiger stripes to the soft flesh of their thighs,
whether there is a little of them or a lot,
whether freckles cover their face or not,
whether their curves are plentiful or slim,
whether their hair is thick, curly, straight, long or short.

Tell them how they inherited
their ancestors, souls in their smiles,
that their eyes carry countries
that breathed life into history,
that the swing of their hips
does not determine their destiny.

Tell them never to listen when bodies are critiqued.
Tell them every woman's body is beautiful
because every woman's soul is unique. — Nikita Gill

My love," he said with great patience, "you're hair is a rat's nest. Your eyes are swollen from weeping, your nose is red, your clothing is tattered, and you face is streaked with mud. You are still beyond passing fair, but not enough to tempt my immortal soul." He wiped a patch of mud from her delicate cheekbone. "I love you because you have a fierce heart, a brave soul, a tender touch, and woman's grace. I love you for a thousand reasons that I cant even begin to understand, when I didn't want to love you at all. I love your mind and your heart and soul, and yes, I love your pretty face as well. — Anne Stuart

She was a tall and slender woman, possibly in her early thirties. Her skin had the extraordinary fineness of grain, and the translucence you see in small children and fashion models. In her fine long hands, delicacy of wrists, floating texture of dark hair, and in the mobility of the long narrow sensitive structuring of her face there was the look of something almost too well made, too highly bred, too finely drawn for all the natural crudities of human existence. Her eyes were large and very dark and tilted and set widely. She wore dark Bermuda shorts and sandals and a crisp blue and white blouse, no jewelry of any kind, a sparing touch of lipstick. — John D. MacDonald

He was skinny with soft hair, and his thick, murky eyes watched as the stranger played one more song in the heavy room. From face to face, he looked on as the man played and the woman wept. The different notes handled her eyes. Such sadness. — Markus Zusak

I scurry out to the three-way mirror. With an extra-large sweatshirt over the top, you can hardly tell that they are Effert's jeans. Still no Mom. I adjust the mirror so I can see reflections of reflections, miles and miles of me and my new jeans. I hook my hair behind my ears. I should have washed it. My face is dirty. I lean into the mirror. Eyes after eyes after eyes stare back at me. Am I in there somewhere? A thousand eyes blink. No makeup. Dark circles. I pull the side flaps of the mirror in closer, folding myself into the looking glass and blocking out the rest of the store. My face becomes a Picasso sketch, my body slicing into dissecting cubes. I saw a movie once where a woman was burned over eighty percent of her body and they had to wash all the dead skin off. They wrapped her in bandages, kept her drugged, and waited for skin grafts. They actually sewed her into a new skin. — Laurie Halse Anderson

The smoky shadow of a young woman with long hair fell to the ground as Bertha had done, straightened up, and looked at him . . . and Harry, his arms shaking madly now, looked back into the ghostly face of his mother. "Your father's coming. . . ." she said quietly. "Hold on for your father. . . . It will be all right. . . . Hold on. . . ." And he came . . . first his head, then his body . . . tall and untidy-haired like Harry, the smoky, shadowy form of James Potter blossomed from the end of Voldemort's wand, fell to the ground, and straightened like his wife. He walked — J.K. Rowling

Did you see it?" asked Yarvi.
"I had that questionable privilege."
"What do you think?"
"She is wretched. She is all pride and anger. She has too much confidence and too little. She does not know herself." The figure pushed back her hood. A black-skinned old woman with a face lean as famine and hair shaved to gray fuzz. She picked her nose with one long forefinger, carefully examined the results, then flicked them away "The girl is stupid as a stump. Worse. Most stumps have the dignity to rot quietly without causing offense."
"I'm right here," Thorn managed to hiss from her hands and knees.
"Just where the drunk boy put you." The woman flashed a smile at Brand that seemed to have too many teeth. "I like him, though: he is pretty and desperate. My favorite combination. — Joe Abercrombie

Ig knew her, of course. It was the same woman who had served him and Merrin drinks on their last night together. Her face was framed by two wings of lank black hair that curled under her long, pointed chin, so she looked like the female version of the wizard who was always giving Harry Potter such a hard time in the movies. Professor Snail or something. Ig had been waiting to read the books with the children he and Merrin planned to have together. — Joe Hill

Men came in and dragged us apart. It took us five minutes to bring Nora to. She sat up holding her cheek and looked around the room until she saw Morelli, nippers on one wrist, standing between two detectives. Morelli's face was a mess: the coppers had worked him over a little just for the fun of it. Nora glared at me. "You damned fool," she said, "you didn't have to knock me cold. I knew you'd take him, but I wanted to see it."
One of the coppers laughed. "Jesus," he said admiringly, "there's a woman with hair on her chest. — Dashiell Hammett

For Nature, if she once endows man or woman with romance, gives them so rich a store of it as shall last them, life through, unto the end. In sickness or health, in poverty or riches, through middle age and old age, through loss of hair and loss of teeth, under wrinkled face and gouty limbs, under crow's-feet and double chins, under all the least romantic and most sordid malaisances of life, romance endures to the end. Its price is altogether above rubies; it can never be taken away from those that have it, and those that have it not, can never acquire it for money, nor by the most utter toil - no, nor ever arrive at the very faintest comprehension of it. — John Meade Falkner

I always thought it would be a simple matter to lie wi' a woman, he said softly. And yet ... I want to fall on my face at your feet and worship you"-he dropped the towel and reached out, taking me by the shoulders-"and still I want to force ye to your knees before me, and hold ye there wi' me hands tangled in your hair, and your mouth at my service ... and I want both things at the same time, Sassenach. — Diana Gabaldon

Imagine a morning in late November. A coming of winter morning more than twenty years ago. Consider the kitchen of a spreading old house in a country town. A great black stove is its main feature; but there is also a big round table and a fireplace with two rocking chairs placed in front of it. Just today the fireplace commenced its seasonal roar. A woman with shorn white hair is standing at the kitchen window. She is wearing tennis shoes and a shapeless gray sweater over a summery calico dress. She is small and sprightly, like a bantam hen; but, due to a long youthful illness, her shoulders are pitifully hunched. Her face is remarkable - not unlike Lincoln's, craggy like that, and tinted by sun and wind; but it is delicate, too, finely boned, and her eyes are sherry-colored and timid. "Oh my," she exclaims, her breath smoking the windowpane, "it's fruitcake weather! — Truman Capote

EDGAR
A serving-man, proud in heart and mind; that curled
my hair; wore gloves in my cap; served the lust of
my mistress' heart, and did the act of darkness with
her; swore as many oaths as I spake words, and
broke them in the sweet face of heaven: one that
slept in the contriving of lust, and waked to do it:
wine loved I deeply, dice dearly: and in woman
out-paramoured the Turk: false of heart, light of
ear, bloody of hand; hog in sloth, fox in stealth,
wolf in greediness, dog in madness, lion in prey.
Let not the creaking of shoes nor the rustling of
silks betray thy poor heart to woman: keep thy foot
out of brothels, thy hand out of plackets, thy pen
from lenders' books, and defy the foul fiend.
Still through the hawthorn blows the cold wind:
Says suum, mun, ha, no, nonny.
Dolphin my boy, my boy, sessa! let him trot by.
Storm still. — William Shakespeare

A bedraggled woman stood on his doorstep in the pouring rain, and his first impulse was to slam the door in her face.
But she had clearly come as far as she could; her pale face was twisted in pain, and she shivered convulsively beneath a denim jacket that was as soaking wet as the rest of her. Long black strands of hair hung down in twisted ribbons like seaweed in the vanishing daylight, reminding him of a sea creature he'd once dated briefly in his more adventurous youth. — Deborah Blake

Color prejudice is so strong that if a woman has yellow hair, even if she has the face of an iguana, men turn to look at her in the street. — Isabel Allende

The face that greeted me, however, was far from welcoming, it was a miniature stick insect of a woman with wiry white hair and enormous glasses that emphasized her heavily wrinkled face. She blinked twice and looked me up and down. By the look on her face, she wasn't that impressed with what she saw. "Who is it, Ethel?"
She responded, "It's some homeless woman. She looks like she needs money and a good wash."
And I thought I'd already reached the lowest point of my day. — Suzanne Kelman

Celaena stood in the tomb, and knew she was dreaming. She often visited the tomb in her dreams - to slay the ridderak again, to be trapped inside Elena's sarcophagus, to face a featureless young woman with golden hair and a crown far too heavy for her to bear - but tonight... tonight, it was just her and Elena, and the tomb was filled with moonlight, not a sign to be seen of the ridderak's corpse. — Sarah J. Maas

Jace?" She offered him the glass.
"I am a man," he told her. "And men do not consume pink beverages. Get the gone, woman and bring me something brown."
"Brown?" Isabelle made a face.
"Brown is a manly colour," said Jace and yanked on a stray lock of Isabelle's hair with his free hand. "In fact, look-Alec is wearing it."
Alec looked mournfully down at his sweater. "It was black," he said. "But then it faded."
"You could dress it up with a sequined headband," Magnus suggested. — Cassandra Clare

I continued to stare at the empty seat because my sensation of a vibrant presence there was unrelieved. And in my staring I perceived that the fabric of the seat, the inner webbing of swirling fibers, had composed a pattern in the image of a face - an old woman's face with an expression of avid malignance - floating amidst wild shocks of twisting hair. — Thomas Ligotti

The woman with hair of flames knelt over me. She might have been pretty if not for the anger in every corner of her face. Emerald eyes glowed with almost seeping venom as her nostrils flared.
- Lord Tristan Dracanburh, Ethandun — Alexandra May

It's hard to see. There are only the shadows of things. She feels along the fridge to the wall and the phone, touching first her uncle's keys, then her dead aunt's, a woman Devon can feel judging her from the grave even though she's only borrowing something, not stealing it. She has never stolen anything in her life, and she never will. She steps into the cool, still air of the closed garage and she sees Sick's face. The way he looked at her as she let him in, the only one. His hair hung down and his lips were parted and as he moved inside her his eyes seemed to shine with a sweet sadness, the kind that only comes when you know something good can never, ever last. But you keep going anyway. All you can do is keep going and never quit. — Andre Dubus III

The morning sun on her white hair and pale face made her seem almost translucent. She'd been a beautiful woman in her day, with wide eyes, high cheekbones, and a long, thin nose. Sometimes you could still catch sight of that beauty, and it was like looking through enchanted glass. — Sarah Addison Allen

I was thinking there was something I wanted to try. And he took my face in his hands again.
I couldn't breathe.
He hesitated - not in the normal way, the human way.
Not the way a man might hesitate before he kissed a woman, to gauge her reaction, to see how he would be received. Perhaps he would hesitate to prolong the moment, that ideal moment of anticipation, sometimes better than the kiss itself.
Edward hesitated to test himself, to see if this was safe, to make sure he was still in control of his need.
And then his cold, marble lips pressed very softly against mine.
What neither of us was prepared for was my response.
Blood boiled under my skin, burned in my lips. My breath came in a wild gasp. My fingers knotted in his hair, clutching him to me. My lips parted as I breathed in his heady scent. — Stephenie Meyer

For the first time I got a good look at the woman who, despite avowed intentions, had saved my life. I was surprised first to see that she was old. Her hair was silver, tied back behind her head in a no-nonsense bun. Her face was lined with wrinkles. On her head she wore a hat with a very wide brim, a kind of hat I'd never seen before. She also wore tight-fitting black pants and black leather boots and a brown leather jacket. A patch on her shoulder read PENNSYLVANIA STATE POLICE TROOPER. On the front of her jacket was a nameplate that read CAXTON. — David Wellington

My gaze slid across every face and stopped abruptly when I saw an Angelic faced woman who appeared to be in her early 20s. She had waist length hair as black as night.
And eyes that were emerald green with a gold tint to them. When her gaze met mine, she screamed and fell to her knees her gaze never leaving mine. I didn't realize that I too was on my knees until Mark bend down asking if I was alright. I didn't answer him, because I didn't know for all I knew I was in heaven looking into an Angel's eyes.

- Matthew Michaelson — Katerina Chenevert

Yet, it had been Dimitri's gentleness and thoughtfulness mixed with that deadliness that made him so wonderful. The same hands that wielded stakes with such precision would carefully brush the hair out of my face. The eyes that could astutely spot any danger in the area would regard me wonderingly and worshipfully, like I was the most beautiful and amazing woman in the world. — Richelle Mead

But she wasn't a little girl, she was a beautiful woman, tall and lovely, with tresses of black hair that curved like cupped hands around her face. — Justin Cronin

His hand at my face slid into my hair and his face got close before he said, "I know this. Those assholes are assholes because they did what they did and because they did it to a good woman. Learned some things in my life, Duchess. One of the most important - you find a good woman, you take care of her." "Please." "This happens between us, Duchess, I'd take care of you." "Don't." "Die doin' it," he vowed. — Kristen Ashley

You have that look on your face," Alessandro said, smiling as he tucked a damp lock of her blonde hair behind her ear. "What look?" Bree asked, resting a hand on his flushed chest, propping herself up on one elbow. She could feel the racing
heart beneath. "The look of a woman who's been rather well fucked, darling," he grinned smugly. She punched his chest lightly. "Ego much?" "I see nothing wrong with taking pride in a job well done," he pointed out. "Oh of course," Bree said, laughing and dropped her head on his chest. — E. Jamie

I never allow mediocrity on the golf course. Yet I allowed it to dominate my personal life. Don't you find that odd?" Myron made a noncommittal motion with his head. He could feel Linda's unhappiness radiating off her like a breaking fever. She looked up now and smiled at him. The smile was intoxicating, nearly breaking his heart. He found himself wanting to lean over and hold Linda Coldren. He felt this almost uncontrollable urge to press her against him and feel the sheen of her hair in his face. He tried to remember the last time he had held such a thought for any woman but Jessica; no answer came to him. "Tell me about you," Linda suddenly said. The change of subject caught him off guard. He sort of shook his head. "Boring stuff." "Oh, I doubt that," she said, almost playfully. "Come on now. It'll distract me." Myron — Harlan Coben

Five members of the heretical sect of Quakers have been arrested," he says, smiling blandly, "and more arrests are anticipated." Two of the Quakers appear onscreen, a man and a woman. They look terrified, but they're trying to preserve some dignity in front of the camera. The man has a large dark mark on his forehead; the woman's veil has been torn off, and her hair falls in strands over her face. Both of them are about fifty. — Margaret Atwood

Genevieve Windham was not pretty, she was exquisite. Pretty in present English parlance meant blond hair and blue eyes, regular features, and a willingness to spend significant sums at the modiste of the hour. Unless a woman was emaciated or obese, her figure mattered little, there being corsets, padding, and other devices available to augment the Creator's handiwork. Failing those artifices, one resorted to the good offices of the portraitist, who could at least render a lady's likeness pretty even if the lady herself were not. Lady Jenny left pretty sitting on its arse in the mud several leagues back. Her eyes were a luminous, emerald green, not blue. Her hair was gold, not blond. Her figure surpassed the willowy lines preferred by Polite Society and veered off into the realms of sirens, houris, and dreams a grown man didn't admit aloud lest he imperil his dignity. The itching over Elijah's body faded in the face of the itch he felt to sketch her. She — Grace Burrowes

I looked at her; I saw a slipshod permanet crumpling her hair into a shapeless mass of curls; I saw a brown overcoat, pitifully threadbare and a bit too shot; I saw a face both unobtrusively attractive and attractively unobtrusive; I sensed in this young woman tranquillity, simplicity and modesty, and I felt that these were qualities I needed; moreover, it seemed to me that we were very much akin: all I had to do was to go up and start talking to her and she would smile as if a long-lost brother had suddenly appeared before her. — Milan Kundera

As I looked down at him, as I saw his yellow hair pressed against my coat, I had a vision of him from long ago, that tall, stately gentleman in the swirling black cape, with his head thrown back, his rich, flawless voice singing the lilting air of the opera from which we'd only just come, his walking stick tapping the cobblestones in time with the music, his large, sparkling eye catching the young woman who stood by, enrapt, so that a smile spread over his face as the song died on his lips; and for one moment, that one moment when his eye met hers, all evil seemed obliterated in that flush of pleasure, that passion for merely being alive. — Anne Rice

A thin, polished woman walks in. She sticks out immediately in her expensive looking navy dress, shiny bag and shoes that probably cost more than I make in a month. My breath leaves me when I see that her arm is draped around a younger version of herself. That hair, it's pulled back way too tight now, but I'd run my hands through it a thousand times before. That face, now in layer of makeup that makes her look older than I remember, I'd held it in my calloused hands and kissed those lips goodbye over a year ago. She said she'd never see me again and I learned to accept that. She destroyed me, and I'd moved on.
No. Not her. She's not from here anymore. I don't know who that person is anymore. — Jolene Perry

Anita Kleinman was a slight woman in her seventies. Her hair was thinning and white with a touch of pink, and was swept back from her face in unbroken waves. She wore a full-length Chinese silk gown covered with bright gold dragons on a blue background. Her fingers were tipped with long red nails and heavy with gold rings. She held out her arms in an expression of welcome and perhaps to show me the full extent of her dragons. — Frederick Weisel

As they approached a puddle, he laid his hand against the small of her back to steer her around it, and her stomach flipped over.
Stupid, traitorous stomach, performing acrobatics for the likes of Dom Manton. Why couldn't it do that with Edwin? He, at least, wanted to marry her.
But sadly, Edwin didn't have smoldering eyes the exotic color of the finest jade. Or hair cropped unfashionably short, which only emphasized the carved masculine lines of his face. Or a body that looked so amazing in blue superfine it made a grown woman want to weep.
She would not weep over Dom's body, curse it! — Sabrina Jeffries

He was an Afghan Hound name Kabul. Since him I have had other Afghan Hounds ... Perhaps I am looking for his ghost. He is the only one that I sometimes think about. Often, if he comes in to my mind when I am working, it alters what I do. The nose on the face I am drawing gets longer and sharper. The hair of the woman I am sketching gets longer and fluffy, resting against her cheeks like his ears rested against his head. — Pablo Picasso

He reached out a hand, and when she didnt move he curved fingers around her forearm slowly, as if afraid she'd dart away. He drew her toward him and his eyes slid shut as he inhaled. "Cinnamon and wild spice" One hand reached up and curled into her hair. "There was a woman last night, at the game." She froze in his arms. "Blonde hair, lithe, willing." Eyes caressed her face. "But the eyes were wrong, the color, the shape. Her scent." "Did you -" She swallowed. "Did you kiss her?" She couldnt ask if he'd done more. "No, I couldnt." His thumb ran over her bottom lip. "Her lips were completely wrong. How could I?" Her breath caught as his eyes held hers. "Oh." And something inside her, some devil, prompted her to add, "And mine?" "Perfect." He pulled her the rest of the way toward him and her lips met his. — Anne Mallory