Hair On Film Quotes & Sayings

Dolor
I have known the inexorable sadness of pencils,
Neat in their boxes, dolor of pad and paper weight,
All the misery of manilla folders and mucilage,
Desolation in immaculate public places,
Lonely reception room, lavatory, switchboard,
The unalterable pathos of basin and pitcher,
Ritual of multigraph, paper-clip, comma,
Endless duplicaton of lives and objects.
And I have seen dust from the walls of institutions,
Finer than flour, alive, more dangerous than silica,
Sift, almost invisible, through long afternoons of tedium,
Dropping a fine film on nails and delicate eyebrows,
Glazing the pale hair, the duplicate gray standard faces. — Theodore Roethke

Mine would be Your Song, which is just one of his ones that I ... I was actually glad the whole song wasn't played in this film and it's just a few bars of it because it makes me cry. You know, there are some songs that just make the hairs on the back of your neck just stand up? That's one of those for me - I put it on if I want a good cry. — Ashley Jensen

I'm a dark blonde, yes. I dyed my hair blue, then black, when I was 14. I thought the colour was more flattering and matched my skin tone. I don't think I'd ever change back unless it was for a film. — Eva Green

The Runaway Five's obvious influence is The Blues Brothers. During localization, their black and white suits were made more colorful to avoid legal action from Universal Pictures or the film's producers. When I told my wife Aviva about this, she admitted she had never seen The Blues Brothers film. Having grown up on a steady diet of Saturday Night Live-spawned movies, I told her that her innocence here was blasphemous. That night, we marveled together at James Brown's hair. — Ken Baumann

I love the Cannes Film Festival. From the lavish parties and events to the red carpet attire, this star-studded week-long event is where I get a lot of inspiration for hair and fashion. — Tabatha Coffey

Julia Roberts most definitely would play me in the film of my life. Not just because of the hair but because she has all sides to her personality come through in films that I could just imagine her playing my crazy self so well. — Jess Glynne

Jesus must have had man hands. He was a carpenter, the Bible tells us. I know a few carpenters, and they have great hands, all muscled and worn, with nicks and callused pads from working wood together with hardware and sheer willpower. In my mind, Jesus isn't a slight man with fair hair and eyes who looks as if a strong breeze could knock him down, as he is sometimes depicted in art and film. I see him as sturdy, with a thick frame, powerful legs, and muscular arms. He has a shock of curly black hair and an untrimmed beard, his face tanned and lined from working in the sun. And his hands - hands that pounded nails, sawed lumber, drew in the dirt, and held the children he beckoned to him. Hands that washed his disciples' feet, broke bread for them, and poured their wine. Hands that hauled a heavy cross through the streets of Jerusalem and were later nailed to it. Those were some man hands. — Cathleen Falsani

Hollywood Rule:

RULE #1: You only need a license to do three things in the film business: blow up a building, wash someone's hair, or drive a truck. You need no license, certification, documentation, or, for that matter, any filmmaking experience to be a writer, producer, director, actor, or even a studio executive. All you need is money. — David Marder

We film 'Resurrection' in Atlanta, where humidity is a force to be reckoned with, especially for those of us who have naturally curly hair. I would love for the au naturel look of the '60s to come back. No make up, no hair products - just sun-kissed skin, freckles, and crazy curls. — Devin Kelley

I didn't fall into the category of the 'classic Bond girl.' I had short hair - and no Bond girl before me ever had. They put me in a wig at the beginning of the film, and then had my character cut her hair to pretend to be someone else. That was to explain why my hair was short. — Carey Lowell

I'm sorry about these two," Mike told the waitress. "Just so you know, I'll be embarrassed with you."
"It's just that we haven't seen each other since summmer camp," Becky said.
"And we'd formed such a bond playing wily tricks on our camp counselors," Felix said.
"Remember how you replaced Miss Pepper's shampoo with liquid Jell-O and turned her hair green?"
"It was sheer genius when you stretched cling film over all the toilet seats."
"Oh." The waitress turned to Mike, as if to address the only sane member of the group. "So, are ya'll ready to eat now, or are you waiting for your date to arrive?"
Mike played with the menu. "Actually, she's my date."
"These are my two husbands," Becky said. "We're from Utah. You know, Mormom. — Shannon Hale

The woman in the film drinks in a bar. She's in hair curlers, a chiffon headscarf tied over them like a tarp over a log pile. The hollows of the curlers, spaces for hope: something good might happen.

There was no sign of Sandro. I watched the film to keep myself awake while I waited.

A man bought the woman a beer. She took dainty sips in her hair curlers, in preparation for no specific occasion. Curler time seemed almost religious, a waiting that was more important than what the waiting was for. Curler time was about living the now with a belief that a future, an occasion for set hair, existed. — Rachel Kushner

I had not starred in an independent film and it's about a woman who owned a hair salon. — Jenifer Lewis

Our favorite film is Vertigo. Amy Eleni and I must watch it seventeen or eighteen times a year, and with each viewing our raptness grows looser and looser; we don't need the visuals anymore
one or the other of us can go into the kitchen halfway through and call out the dialogue while making up two cups of Horlicks. From the minute you see empty, beautiful, blond Madeleine Elster, you know she is doomed because she exists in a way that Scottie, the male lead, just doesn't. You know that Madeleine is in big trouble, because she's a vast wound in a landscape where wounds aren't allowed to stay open
people have to shut up and heal up. She's in trouble because the film works to a plan that makes trauma speak itself out, speak itself to excess until it dies; this film at the peak of its slyness, when people sweat and lick their lips excessively and pound their chests and grab their hair and twist their heads from side to side, performing this unspeakable torment. — Helen Oyeyemi

I was shooting a mini-series for Sundance/BBC, called 'Top of the Lake,' that was shot by Jane Campion, who's a beautiful native New Zealander and famous film director. The role I was playing was very intense, and they shaved half my hair off. So, I looked like this post-apocalyptic character. — Jay Ryan

It really depends, but, generally speaking, just because of the mechanics of it, voice-over is easier because there is no hair, no makeup, no wardrobe, no fittings, no line memorizing. You don't have to me woken up in Russia at 6 in the morning and go film a scene. It's just easier on the body, the family life to do voice-overs. — Kathy Najimy

Just then Antonio, his two guards, his two Pit Bulls, Sebastian, and a strange, tall Keja bloke who had long white-grey hair and a matching long beard entered.
That's Luther, Jared informed me. He's Antonio's Advisor.
Someone should tell him that he's not living in the film Lord of the Rings.
Jared coughed to hide his giggle. — Suzanne Wrightt

Arkady's smile was probably intended to be reassuring, but it was a trifle too wide; with his wild white hair sticking out from under his curly brimmed beaver hat he looked slightly manic, like Christopher Lloyd in 'Back to the Future', a film Nick had finally stopped renting after the girl at the video store started calling him 'Marty McFly'. — Bee Ridgway

Dear God, I've done so many crazy hair colors and outfits and makeup looks where I look back and it's like, What the hell was I doing? You can't be afraid to make mistakes, you have to take risks. We all have those moments we look back on and wish weren't captured on film, but we're not alone in that. — Evan Rachel Wood

The issue of the mysterious power of transmission arises here. What do you transmit to your child? Blonde hair, blue eyes, very small feet? But also a taste for cigarettes, panettone, boys with guitars? Is this foetus's life destined to be filled with suitcases packed in the middle of the night, suitcases that will always return to their point of departure some weeks later?

In other words, is this foetus destined to relive, again and again, emotions encoded in a fossilized region of its brain and thus, almost simultaneously, experience love and the end of the world, hope and lightning, a romantic comedy and a horror film? — Monica Sabolo

I am all for trying out various kinds of hair styles. I have even worn a wig earlier in a film where I essayed the part of a woman. — Riteish Deshmukh

The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl. — Helmut Newton

I saw [Chennai]. It had the usual Indian elements like autos, packed public buses, hassled traffic cops and tiny shops that sold groceries, fruits, utensils, clothes or novelty items. However, it did feel different. First, the sign in every shop was in Tamil. The Tamil font resembles those optical illusion puzzles that give you a headache if you stare at them long enough. Tamil women, all of them, wear flkowers in their hair. Tamil men don't believe in pants and wear lungis even in shopping districts. The city is filled with film posters. The heroes' pictures make you feel even your uncles can be movie stars. The heroes are fat, balding, have thick moustaches and the heroine next to them is a ravishing beauty. — Chetan Bhagat

The plane touches down on very rough ground: its wheelbarrow wheels bounce and one set of wings rises alarmingly while the other dips. Now the Masai and the plane are converging. It's a magnificent shot: the Masai run, run, run, run; because of the optics it is dreamlike. The little plane bounces, shudders, slews and finally makes lasting contact with the ground. At exactly the right moment, as the plane comes to a halt, the Masai warriors, in a highly agitated state, reach the plane, and the camera closes on the pilot, whose face as he removes his leather flying helmet and goggles, appears just above the bobbing red ochre composition of plaited hair and fat-shone bodies. It is Mel Gibson, with a grave expression, which can't quite suppress his unruly Aussieness. — Justin Cartwright

I think I should be in a film called 'Space Shrews'. Where I go to space. With a load of shrews. And nothing really happens. We just get out and have a lolly and then come back. But it'll be a musical the ship will be built out of my own hair. — Noel Fielding

An actress in a film starts every day with an hour and a half in front of a mirror, with hair and make-up and costumes. — Debra Winger

I use the Philip Kingsley range of shampoos, and they've got a great elasticiser, which is fantastic. I wrap my hair in cling film and put that on. — Cate Blanchett

I'm just happy to be a film where for once I don't have to worry about my hair, because my managers are always complaining about my hair looking depressing in my movies. Which is true. I mean, it's true. — Emily Mortimer

It is tricky because I do wear a lot of vintage on the red carpet, and usually when I'm getting ready, I'll say, 'We need to make sure that I don't look like I'm in a Scorsese film today.' Sometimes I do something a little bit more modern with my hair. You have to mix it up. — Christina Hendricks

They took 3-D digital photographs of my entire body. I had to pose stark naked, assuming a kind of Spider-Man position. After a minute, one of the technicians pointed to my genitals and said, Um, we're not getting enough data there ... It wasn't what you think. It turns out that the fancy digital camera doesn't pick up dark areas too well, and they were having trouble because of the hair down there. I actually had to spray on this highlighter stuff. (On having digital photos taken for the invisible man role in the film Hollow Man) — Kevin Bacon

Julia doesn't like James Gillen, but that's not the point, not out here. In the Court, back in the Court any eye you catch could be Love peal-of-bells-firework-burst Love, all among the sweet spray of the music and the rainbowing prisms of the lights, this could be the one huge mystery every book and film and song is sizzling with; could be your one-and-only shoulder to lean your head on, fingers woven with yours and lips gentle on your hair and Our Song pouring out of every speaker. This could be the one heart that will open to your touch and offer up its never-spoken secrets, that has spaces perfectly shaped to hold all of yours. — Tana French

I'm being photographed, worrying about my hair - and yet here I am, I've directed a feature film, why do I care about the way I look? Who cares? Does Tim Burton care? Does Joel Coen? — Nicole Holofcener

Songs are pretty easy. They are small, they are modular, they are about as big as a bagel. They are easy to build. Films are overwhelming in their magnitude and scope. By comparison, a lot of film directors wish they were writing songs because you can do it while getting your hair cut. — Tom Waits

When I first came out, I was a film student, and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. — M.I.A.

His heart slammed against his ribs, and joy flooded him, followed almost instantly by distress. Even from fifteen yards away he could see that she wore no makeup, and lines of fatigue were etched on her face. Her hair was restrained with a clip at the nape of her neck, and for the first time since he'd known her, she looked almost plain. Where was the Daisy who loved to primp and fuzz with her perfumes and powder? The Daisy who took such joy in dabbing herself with apricot scented lotion and raspberry red lipstick? Where was the daisy who used up all the hot water taking her showers and left a sticky film of hair spray on the bathroom door? Dry mouthed, he drank in the sight of her, and something broke apart inside him. This was Daisy as he'd made her. This was Daisy with her love light extinguished. — Susan Elizabeth Phillips

Most of today's film actresses are typical of a mass-production age: living dolls who look as if they came off an assembly line and whose uniformity of appearance is frequently a triumph of modern science, thanks to which they can be equipped with identical noses, breasts, teeth, eyelashes, and hair. — Helen Lawrenson

I'd love to go back to Broadway; I'd love to do animation; I'd love to do hair and make-up campaigns because I love hair and makeup - and, I'd love to do film. I mean, there are a lot of doors I'd love to open up! — Brooke Elliott

If he closed his eyes he could dwell in the circuit of air that had once held her, he could hold his breath and be inside her again, within the close and burning borders of her- she stood here, washed her hair in this sink, wrote upon this wall, ate roasted chicken at this table. There was no place he could enter where she had not also been, her echoes hanging in the air like pages hung to dry. No place that did not suppurate in her absence, which was not ringed with the light of her old selves, like film burned with a cigarette. — Catherynne M Valente

They all nodded. A favorite game in quarry had been based on a highly successful film series with lasers, robots, and a princess who wore her hair like a pair of stereo headphones. (It had been agreed without a word being said that if anyone was going to play the part of any stupid princesses, it wasn't going to be Pepper.) But the game normally ended in a fight to be the one who was allowed to to wear the coal scuttle and blow up planets. — Terry Pratchett