Habistat Quotes & Sayings

What if we are designed as sensitive antennas, receptors to receive love, a longing we often mistake as a need to be impressive? What if some of the most successful people in the world got that way because their success was fueled by a misappropriated need for love? — Donald Miller

Don't lose heart. Every disappointment is an awakening. — Lailah Gifty Akita

Then he said if I ever want to see how something works, just look at it broken. — Chris Crutcher

I'm like the luckiest girl in the world. I've gotten to be a princess, I've gotten to work with the Muppets. A lot of my childhood dreams about who I wanted to be when I was a grown-up, I at least get to play them in movies. — Amy Adams

Other people want a career or success because they think that will help them find their personal life somewhere. I've done it the other way around. What I have is what everybody else is looking for. I know I've got it made. I know I'm a very lucky man. That came first. Then the music and the career just kind of took care of themselves. — John Fogerty

The Only Thing I Know For Sure Is That I Know Nothing At All, For Sure — Socrates

I won't argue with you, but still it's secretly turning me into a hateful person. I figure that the best revenge, though, is to leave people to their own devices, and they will make their own lives hell. — Dee Dee Ramone

Men are willing to keep their evil characters if they can but get rid fo their evil reputations. They are scrupulously studious of appearances. — F.W. Boreham

We're all sinners. Everybody you meet all over the world is a sinner. — Billy Graham

In Korea is what I do is I watch the playback of each take with all of the actors and spend a lot of time discussing each take. Also, I use the process we call auto-assembly because I storyboard my entire film right at the beginning, even before pre-production ever begins, so my vision is already laid out on the storyboard for everybody to share. It enables the on-set assembly person, as we call them, to cut together each take into a sequence. This enables a director to review the take within the context of the sequence of the scene. — Park Chan-wook