Grief Book Quotes & Sayings
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Top Grief Book Quotes

No one knows what to do with me now that I'm alive. There's no protocol for how to treat someone who comes back from the dead. There are so many books about grief and loss, about saying good-bye to the people you love. But there is no book about taking back that good-bye. — Amy Reed

April 11, 2004
Does anyone know where I can find a copy of the rules of thought, feeling, and behavior in these circumstances? It seems like there should be a rule book somewhere that lays out everything exactly the way one should respond to a loss like this. I'd surely like to know if I'm doing it right. Am I whining enough or too much? Am I unseemly in my occasional moments of lightheartedness? At what date and I supposed to turn off the emotion and jump back on the treadmill of normalcy? Is there a specific number of days or decades that must pass before I can do something I enjoy without feeling I've betrayed my dearest love? And when, oh when, am I ever really going to believe this has happened? Next time you're in a bookstore, as if there's a rule book.
11:54 p.m.
Jim — Jim Beaver

Gently the waves would break (Lily heard them in her sleep); tenderly the light fell (it seemed to come through her eyelids). And it all looked, Mr. Carmichael thought, shutting his book, falling asleep, much as it used to look years ago. — Virginia Woolf

The whole encounter was surreal. No one had mentioned cancer. I hadn't requested special treatment for Jacob. Yet he'd just nabbed a private meeting with an actor from his favorite movie. I would later ask Mike, the comic book store owner, what had prompted him to invite Jacob to the supper and a private meeting with Mr. Bulloch.
It was Jeremy at the door. He recognized something in Jacob. Jeremy
is a cancer survivor. — Mary Potter Kenyon

An astonishing book. In compelling language, both homely and elegant, Young Men and Fire miraculously combines a fascinating primer on fires and firefighting, a powerful, breathtakingly real reconstruction of a tragedy, and a meditation on writing, grief and human character ... Maclean's last book will stir your heart and haunt your memory. — Timothy Foote

I have written this book with the conviction that the response to injury does not have to be vengeance and that we need to distinguish between revenge and justice. A response other than revenge is possible and desirable. For that to happen, however, we need to turn the moment of injury into a moment of freedom, of choice. For Americans, that means turning 9/11 into an opportunity to reflect on America's place in the world. Grief for victims should not obscure the fact that there is no choice without a debate and no democracy without choice. — Mahmood Mamdani

I am afraid that all the grace that I have got of my comfortable and easy times and happy hours, might almost lie on a penny. But the good that I have received from my sorrows, and pains, and griefs, is altogether incalculable ... Affliction is the best bit of furniture in my house. It is the best book in a minister's library. — Charles Spurgeon

For I do not want any one to read my book carelessly. I have suffered too much grief in setting down these memories. Six years have already passed since my friend went away from me, with his sheep. If I try to describe him here, it is to make sure that I shall not forget him. To forget a friend is sad. Not every one has had a friend. And if I forget him, I may become like the grown-ups who are no longer interested in anything but figures. — Antoine De Saint-Exupery

What hope is here for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Foreshorten'd in the tract of time?
These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden's locks;
Or when a thousand moons shall wane
A man upon a stall may find,
And, passing, turn the page that tells
A grief, then changed to something else,
Sung by a long-forgotten mind.
But what of that? My darken'd ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise. — Alfred Tennyson

Most of the poems I write take 5 minutes, but the words can give a lifetime of relief. Many people that have read my book say it helped them with their grief. — Stanley Victor Paskavich

...books change lives, in big ways and small, from the simple desire to spend a few quiet hours in a comfy chair, swept away by a story, to the profound realization that the reader is not alone in the world, that there is someone else like him or her, someone who has faced the same fears, the same confusions, the same grief, the same joys. Reading is a way to live more lives, to experience more worlds, to meet people we care about and want to know more about, to understand others and develop a compassion for what they confront and endure. It is a way to learn how to knit or build a house or solve an equation, a way to be moved to laughter and wonder and to learn how to live...in all our fascination with technology we've forgotten that a simple book can make a difference. — Roxanne J. Coady

At least, he thinks, the fellow has the wit to see what this is about: not one year's grudge or two, but a fat extract from the book of grief, kept since the cardinal came down. He says, 'Life pays you out, Norris. Don't you find? — Hilary Mantel

The last thing this world needs is another self-help or feel-good faith book, seven simple steps to whatever. Just the thought makes my stomach turn. The truth is that life is far too complex to be put in a box, labeled, and have the appropriate manual attached. I wonder, have these people who seem to have all the answers ever really experienced hardship or grief, true joy, or adventure? Have they ever really lived? For those of us who venture outside the cookie cutter lives that many settle for, a superficial, plastic faith with the corresponding instruction booklet will do nothing. When we take the brave step from the comfortable mainstream into the unknown, we quickly discover that we are all just travelers on a journey trying to find our way. — Erik Mirandette

The most important aspect of writing the pieces that make up this eighth book was yielding to my obsessive side, letting my own "complicated grief" in on the process. You can imagine how tempting it is to try to fight the part of you that loops and loops, caught up in tangled sorrow from which it seems there's no escape. — Laura Mullen

He took her like He took my mother. To torment me! To kill me and keep me alive to live dead! She did this, she let that bastard do this and your stupid loving GOD allowed it!!" ~Solomon Gorge~ — Lucian Bane

I looked at the woman crying over the doll and felt something else. I was sick of people acting against their own interests. Mooing about how to refinance the slaughterhouse. Putting skylights in the killing pen and pretending the bolt in the brain was a pathway to a better field. I paid my bill. Save your fucking pennies for a gun and a history book, I thought. — Vanessa Veselka

Gail Godwin has written a book about the heaviest matters of loss, grief, and loneliness with a touch so light that I was as often deeply amused by it as I was deeply moved. — Frederick Buechner

In the library
I search for a good book.
We have many books,
says Mrs. Rose, the librarian,
and ALL of them are good.
Of course she says that. It's her job.
But do I want to read about
Trucks
Trains and
Transport?
Or even
Horses
Houses and
Hyenas?
In the fiction corner
there are pink boks
full of princesses
and girls who want to be princesses
and black books
about bad boys
and brave boys
and brawny boys.
Where is the book
about a girl
whose poems don't rhyme
and whose Granny is fading?
Pearl, says Mrs. Rose, the bell has rung.
I go back to class
empty-handed
empty headed
empty-hearted. — Sally Murphy

One bold message in the Book of Job is that you can say anything to God. Throw at him your grief, your anger, your doubt, your bitterness, your betrayal, your disappointment - he can absorb them all. As often as not, spiritual giants of the Bible are shown contending with God. They prefer to go away limping, like Jacob, rather than to shut God out. In this respect, the Bible prefigures a tenet of modern psychology: you can't really deny your feelings or make them disappear, so you might as well express them. God can deal with every human response save one. He cannot abide the response I fall back on instinctively: an attempt to ignore him or treat him as though he does not exist. That response never once occurred to Job. — Philip Yancey

Diggy wished he could cut sentences out of his head the way he could cut them out of a book, then cut them in half and word by word and letter by letter until they were bits of nothing that drifted from the scissors' edges, gravity not even interested enough to pull them down. — Rebecca Petruck

I am the mother of three children whose birth mother died of cancer when they were young. When I met them, they were ages twelve, ten, and eight, all grieving in very different ways. I have seen first hand the pain and confusion that accompanies childhood loss. But I have also seen the healing that can take place when children begin to understand who Jesus is and how much He loves them. By using our family's personal experience as a foundation, I hope this book will be a refuge for grieving children to express their sorrow, to feel understood in all their pain, and to come to know that God is their ultimate source of comfort, healing, hope, and joy here on earth, as well as in heaven. — Kathleen Fucci

Emily Kendal Frey's The Grief Performance is a book that condenses a journey of finding and re-finding loss into beautiful packages. The packages are the poems and they sit shiny and new on every page of this fabulous and generous book. I want to go into the world that these poems create, just so that I can be given these terrifying presents again and again. I know you will, too. See you there. — Dorothea Lasky

I used to think that happiness, like God, was an idea weaker people were sold on, to manage the grief of a world with so much suffering. It is just easier, I thought, to decide that you are doing something wrong and you just need to buy the right thing, read the right book, find the right guru, or pray more to be happy than to accept that life is a great long heartbreak. Happiness is not what I imagined that mirage to be: an unending ecstasy or state of perpetual excitement. Not a high or a mirage, it is just being okay. My happiness is the absence of fear that there won't be enough
enough money, enough power, enough security, enough of a cushion of these things to protect me from the everyday heartbreaks of being human. Heartbreak doesn't kill you. It changes you. — Melissa Febos

I'm thinking of that Florida lady again, the one who wanted a book about the lighter side of a child's death, and I know: all she wanted was permission to remember her child with pleasure instead of grief. To remember that he was dead, but to remember him without pain: he's dead but of course she still loves him, and that love isn't morbid or bloodstained or unsightly, it doesn't need to be shoved away. — Elizabeth McCracken

Forgiveness. The ability to forgive oneself. Stop here for a few breaths and think about this because it is the key to making art, and very possibly the key to finding any semblance of happiness in life. Every time I have set out to translate the book (or story, or hopelessly long essay) that exists in such brilliant detail on the big screen of my limbic system onto a piece of paper (which, let's face it, was once a towering tree crowned with leaves and a home to birds). I grieve for my own lack of talent and intelligence. Every. Single. Time. Were I smarter, more gifted, I could pin down a closer facsimile of the wonders I see. I believe, more than anything, that this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness, therefore, is key. I can't write the book I want to write, but I can and will write the book I am capable of writing. Again and again throughout the course of my life I will forgive myself. — Ann Patchett

As crime writers, we put these characters, year after year, book after book, through the most horrendous trauma, dealing with grief and death and loss and violence. We can't pretend that these things don't affect these characters; they have to. If they don't, then you're essentially writing cartoons. — Mark Billingham

And the candle by the light of which she had been reading that book filled with anxieties, deceptions, grief and evil, flared up brighter than ever, lit up for her all that had once been darkness, sputtered, grew dim and went out for ever. — Leo Tolstoy

A picture's worth a thousand words. But a single word can make you think of over a thousand pictures in your mind, over a thousand moments, a thousand memories. — Rebecca McNutt

There is much asked and only so much I think I can or should answer, and so, in this post I would like to give a few thoughts on what seemed to be the overwhelming question: "WHY?"
And here is the best answer I can give: Because.
Because sometimes, life is damned unfair.
Because sometimes, we lose people we love and it hurts deeply.
Because sometimes, as the writer, you have to put your characters in harm's way and be willing to go there if it is the right thing for your book, even if it grieves you to do it.
Because sometimes there aren't really answers to our questions except for what we discover, the meaning we assign them over time.
Because acceptance is yet another of life's "here's a side of hurt" lessons and it is never truly acceptance unless it has cost us something to arrive there.
Why, you ask? Because, I answer.
Inadequate yet true. — Libba Bray

When love dies, the heart's ashes do not leave on the wind - they rest on the mantelpiece of the soul, darkening the sunrise we once saw to be beautiful. — A.M. Hudson

Book-club night stopped abruptly when Caleb died. For almost a year and a half, as if by some type of tacit agreement, they all knew they couldn't be in the same room at the same time. It was as if their collective grief would multiply, rebounding endlessly within any closed space like an image in a house of mirrors, until the pain would overcome them all. — Francis Guenette

That evening I sat across from Jeremy Bulloch and Jacob at the dinner table. I watched as Jeremy, who seemed to speak Jacob's silent language fluently, drummed his fingers up and down on the edge of the table, as if playing a piano. A delighted Jacob mimicked the actor's actions. My throat filled with tears. I met Ben's eyes across the table, where he sat straight with pride next to his son. He was enjoying the show just as much as I was. Jacob was in his element, interacting with an actor from his favorite movie. The other men at the table were part of the set: Mike, the owner of the comic book store, who had made the entire thing possible, and the Mandalorin Mercs, new friends of the little boy who had
become one of their own, a comrade in distress. — Mary Potter Kenyon

I was sprawled out in my usual position on the couch, half asleep but entirely drunk, torturing myself by tearing memories out of my mind at random like matches from a book, striking them one at a time and drowsily setting myself on fire. — Jonathan Tropper

Edgar, do you actually think that how long a person grieves is a measure of how much they loved someone? There's no rule book that says how to do this." She laughed, bitterly. "Wouldn't that be great? No decisions to make. Everything laid right out for us. But there's no such thing. You want facts, don't you? Rules. Proof. You're like your father that way. Just because a thing can't be logged, charted, and summarized doesn't mean it isn't real. Half the time we walk around in love with the idea of a thing instead of the reality of it. But sometimes things don't turn out that way. You have to pay attentin to what's real, what's in the world. Not some imaginary alternative, as if it's a choice we could make. — David Wroblewski

One of the things you never really see in a romance book is a woman who has self-esteem issues. I mean, I'm sure they're out there, but they're few and far between. Like they can have eating disorders, post-traumatic stress from sexual assault or mental abuse. They can be sold into sex trafficking and they can carry epic amounts of grief. We have female characters who have suffered every loss imaginable and ones who are scarred physically and mentality, but where in the hell are the average women? Ones who look in the mirror and cringe a little? Like, why are all those others acceptable to women, but reading or knowing another woman who has a low self-esteem is, like, worse than all that drama llama? — J. Lynn

This book, conceived in sorrow, composed in grief, and constructed at the brink of despair, contains my mind's best thoughts, and my soul's triumph over the powers of darkness. — Isaac Mayer Wise

They remain dead, the people I try to resuscitate by straining to hear what they say. But the illusion is not pointless, or not quite, even if the reader knows all this better than I do. One thing a book tries to do, beneath the disguise of words and causes and clothes and grief, is show the skeleton and the skeleton dust to come. The author too, like those of whom he speaks, is dead. — Jean Genet

God gifted a Zoo; with a paralyzed care taker. — Durgesh Satpathy

I read this book once that said we meet the people we need to meet when we're ready for them. Maybe that's why we met. To try and help each other figure out who we are now. — Holly Jacobs

My grief is that the publishing world, the book writing world is an extraordinary shoddy, dirty, dingy world. — V.S. Naipaul

There are no obstacles which our Savior's love cannot overcome. The High Places of victory and union with Christ can be reached by learning to accept, day by day, the actual conditions and tests permitted by God, by laying down of our own will and accepting His. The lessons of accepting and triumphing over evil, of becoming acquainted with grief, and pain, and of finding them transformed into something incomparably precious; these are the lessons of the allegory in this book. — Hannah Hurnard

It surprised him that his grief was sharper than in the past few days. He had forgotten that grief does not decline in a straight line or along a slow curve like a graph in a child's math book. Instead, it was almost as if his body contained a big pile of garden rubbish full both of heavy lumps of dirt and of sharp thorny brush that would stab him when he least expected it. — Helen Simonson

Long Distance II
Though my mother was already two years dead
Dad kept her slippers warming by the gas,
put hot water bottles her side of the bed
and still went to renew her transport pass.
You couldn't just drop in. You had to phone.
He'd put you off an hour to give him time
to clear away her things and look alone
as though his still raw love were such a crime.
He couldn't risk my blight of disbelief
though sure that very soon he'd hear her key
scrape in the rusted lock and end his grief.
He knew she'd just popped out to get the tea.
I believe life ends with death, and that is all.
You haven't both gone shopping; just the same,
in my new black leather phone book there's your name
and the disconnected number I still call. — Tony Harrison

When we put his kippah into the museum, everyone was talking about how much money it was worth and the embroidery by some famous artist and how it was a national relic, and all this -- but I was just thinking of Shabbat, and seders, and -- and it didn't mean any of those things to me. It meant lighting candles. It meant he'd hid the afikomen in the palace for me and joking with his advisors as he waited around for me to find it so he could give me a new book. National treasure? I--' She blinked away new tears, but this time the look on her face was one of indignation. — Shira Glassman

When I thought I felt better, grief shot its silver tip arrow at my heart to remind me that it was still there."
Excerpt From: Holster, S.G. "Thirty Seconds to Die." iBooks.
This material may be protected by copyright.
Check out this book on the iBooks Store — S.G. Holster

grief does not decline in a straight line or along a slow curve like a graph in a child's math book. — Helen Simonson

Jesmyn Ward returns to the world of her first two books, but here in the mode of non-fiction. A clear-eyed witness to the harrowing stories of 'men we reaped,' she quickens the dead and brings them, vividly alive again. An eloquent, grief-steeped account. — Nicholas Delbanco

A lot of people who read my novel 'Smog City' ask me why I never killed off either of the two main characters. To be honest, it's because I've given them life. Not literally of course, but since I spent so much time developing and creating my characters, they've ended up with complex personalities, in fact they're almost sentient in a way, and to write them off as dead would be like killing a close friend to me. — Rebecca McNutt

In books and movies whenever someone dies there is always an underlying subtext, some kind of grand cosmic lesson to be gleaned from the experience. Popular culture perpetuates the fallacy that whenever someone or something is taken away, someone or something else is always out there waiting in the wings to take its place by the last turn of the page or that final post-credits scene. The reader closes the book with a satisfied smile, the audience leaves the theater filled to the brim with warm fuzzy feelings. But that's entertainment for you, and the world would be a far less wonderful place without their happy endings. However, in the real world what once was, no longer is, and survivors are more often than not left with no other choice but to move on, cosmic lessons learned or not. — Kingfisher Pink

Sleep with Seth Mortensen? Good grief. It was the most preposterous thing I'd ever heard. It was appalling. If I absorbed his life force, there was no telling how long it'd be until his next book came out. — Richelle Mead

I want a book that acknowledges that life goes on, but death goes on too, that a person who is dead is a long, long story. You move on from it, , but the death will never disappear from view. — Elizabeth McCracken

I was perpetually grief-stricken when I finished a book, and would slide down from my sitting position on the bed, put my cheek on the pillow and sigh for a long time. It seemed there would never be another book. It was all over, the book was dead. It lay in its bent cover by my hand. What was the use? Why bother dragging the weight of my small body down to dinner? Why move? Why breathe? The book had left me, and there was no reason to go on. — Marya Hornbacher