Quotes & Sayings About Greek Sculpture

The growth of art seems to be in cycles, and often its vigorous lifetime is restricted to a century or two. The periods of distinctive drama, Greek, English, Spanish, fall within such a limit; the schools of painting and sculpture likewise; and, in poetry, the Victorian age or the school of Pope will serve as examples. — George Edward Woodberry

A woman with a voice like that should have the face of an angel, the body of a Greek sculpture, and the skills of a courtesan. Chances were, she was a haggard old crone.
The hulking workman began to gather his tools. "I hope ye and yer pa know what ye're doin'. Fop or no, no man takes well to losin' his belongings."
"Psht," the woman said airily. "It's not as if we plan on knocking him in the head and peeling his pockets."
That was something,at least, Dougal thought grimly. — Karen Hawkins

Sculpture does not reject resemblance, of which, indeed, it has need. But resemblance is not its first aim.
What it is looking for, in its periods of greatness, is the gesture, the expression, or the empty stare which
will sum up all the gestures and all the stares in the world. Its purpose is not to imitate, but to stylize and
to imprison in one significant expression the fleeting ecstasy of the body or the infinite variety of human
attitudes. Then, and only then, does it erect, on the pediments of teeming cities, the model, the type, the
motionless perfection that will cool, for one moment, the fevered brow of man. The frustrated lover of
love can finally gaze at the Greek caryatides and grasp what it is that triumphs, in the body and face of the
woman, over every degradation — Albert Camus

Antique art has come down to us in a fragmentary condition, and we have virtuously adapted our taste to this necessity. Almost all our favorite specimens of Greek sculpture, from the sixth century onward, were originally parts of compositions, and if we were faced with the complete group in which the Charioteer of Delphi was once a subsidiary figure, we might well experience a moment of revulsion. We have come to think of the fragment as more vivid, more concentrated, and more authentic. — Kenneth Clark

There are men whose manners have the same essential splendor as the simple and awful sculpture on the friezes of the Parthenon, and the remains of the earliest Greek art. — Ralph Waldo Emerson

It wasn't the many slashes and scars marring his chest that caused her sudden gasp, though she felt the pain of each one. It was the unparalleled beauty of his physique that stole her breath. Dorian's body was rendered by some ancient god of war. No Greek sculpture could compare, no artist could re-create the sleek, predatory masculinity rippling through the complex landscape of his torso. — Kerrigan Byrne