Quotes & Sayings About Great Works Of Literature

I hate to see great works of literature ghettoized, whereas others that conform to the rules, conventions, and procedures of the genre we call literary fiction get accorded greater esteem and privilege. I also have a problem with how books are marketed, with certain cover designs and typefaces. They're often stamped with an identity that has nothing to do with their effect on the reader. — Michael Chabon

The defense of the great works of Western literature can no longer be undertaken by central institutional power though it is hard to see how the normal operation of learned institutions, including recruitment can manage without them. — Harold Bloom

Great literature must spring from an upheaval in the author's soul. If that upheaval is not present then it must come from the works of any other author which happens to be handy and easily adapted. — Robert Benchley

Occasionally, noticing an exact identity of thought between what I felt but could not articulate and the clearly expressed idea of a writer, I was so carried away by emotion that, dropping the book, I would stand up and pace the room for a while to compose myself before continuing to read. In this way my mind was moulded by degrees as much by my own inborn ideas about the nature of things, developed by the exercise of reason in the healthy atmosphere of literature, as by the influence of the great thinkers whose ideas I imbibed from their works. — Gopi Krishna

Most of the great works of juvenile literature are subversive in one way or another: they express ideas and emotions not generally approved of or even recognized at the time; they make fun of honored figures and piously held beliefs; and they view social pretenses with clear-eyed directness, remarking - as in Andersen's famous tale - that the emperor has no clothes. — Alison Lurie

The Protocol. Silence. A choice made generations ago to wipe out violence, but that had also succeeded in wiping out joy, laughter, and love. It had made the Psy an emotionless, robotic race that excelled in business and technology but produced no forms of art, no great music, no works of literature. — Nalini Singh

These two sections [of Irene Nemirovsky's Suite Francaise], plus some of the author's notes, are all we have
this in itself is a tragedy and waste of war. Had this novel been finished we would be hailing it as one of the supreme works of literature. As it stands, it is like a great cathedral gutted by a bomb. The ruined shell still soars to heaven, a reminder of the human spirit triumphing despite human destructiveness. — Irene Nemirovsky

Art begins where technique ends. There can be no real art development before one's technique is firmly established. And a great deal of technical work has to be done before the great works of violin literature, the sonatas and concertos, may be approached. — Leopold Auer

The great subversive works of children's literature suggest that there are other views of human life besides those of the shopping mall and the corporation. They mock current assumptions and express the imaginative, unconventional, noncommercial view of the world in its simplest and purest form. They appeal to the imaginative, questioning, rebellious child within all of us, renew our instinctive energy, and act as a force for change. This is why such literature is worthy of our attention and will endure long after more conventional tales have been forgotten. — Alison Lurie

Reading great works of literature, discovering poetry, and listening to the best composers are all ways that we learn to love the Creator more. — Jennifer A. Marshall

She was a great and insatiable reader, surprisingly well acquainted with the classics of literature, and unexpectedly lavish in the purchase of books. Her neighbours never forgot to mention, in describing her, the awe-inspiring fact that she 'took in the English Times and the Saturday Review, and read every word of them,' but it was hinted that the bookshelves that her own capable hands had put up in her bedroom held a large proportion of works of fiction of a startlingly advanced kind, 'and,' it was generally added in tones of mystery, 'many of them French. — Edith Somerville

Few of the great works of ancient Greek literature are easy reading. — Gilbert Murray

Novels are excluded from "serious reading," so that the man who, bent on self-improvement, has been deciding to devote ninety minutes three times a week to a complete study of the works of Charles Dickens will be well advised to alter his plans. The reason is not that novels are not serious-some of the great literature of the world is in the form of prose fiction-the reason is that bad novels out not to be read, and that good novels never demand any appreciable mental application on the part of the reader. A good novel rushes you forward like a skiff down a stream, and you arrive at the end, perhaps breathless, but unexhausted. The best novels involve the least strain. Now in the cultivation of the mind one of the most important factors is precisely the feeling of strain, of difficulty, of a task which one part of you is anxious to achieve and another part of you is anxious to shirk; and that feeling cannot be got in facing a novel. — Arnold Bennett

Why is contemporary China short of works that speak directly? Because we writers cannot speak directly, or rather we can only speak in an indirect way.
Why does contemporary China lack good works that critique our current situation? Because our current situation may not be critiqued. We have not only lost the right to criticise, but the courage to do so.
Why is modern China lacking in great writers? Because all the great writers are castrated while still in the nursery. — Murong Xuecun

The Cool Stuff Theory of Literature is as follows: All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what's cool. And that works all the way from the external trappings to the level of metaphor, subtext, and the way one uses words. In other words, I happen not to think that full-plate armor and great big honking greatswords are cool. I don't like 'em. I like cloaks and rapiers. So I write stories with a lot of cloaks and rapiers in 'em, 'cause that's cool. Guys who like military hardware, who think advanced military hardware is cool, are not gonna jump all over my books, because they have other ideas about what's cool.
The novel should be understood as a structure built to accommodate the greatest possible amount of cool stuff. — Steven Brust

John Milton has, since his own lifetime, always been one of the major figures in English literature, but his reputation has changed constantly. He has been seen as a political opportunist, an advocate of 'immorality' (he wrote in favour of divorce and married three times), an over-serious classicist, and an arrogant believer in his own greatness as a poet. He was all these things. But, above all, Milton's was the last great liberal intelligence of the English Renaissance. The values expressed in all his works are the values of tolerance, freedom and self-determination, expressed by Shakespeare, Hooker and Donne. The basis of his aesthetic studies was classical, but the modernity of his intellectual interests can be seen in the fact that he went to Italy (in the late 1630s) where he met the astronomer Galileo, who had been condemned as a heretic by the Catholic church for saying the earth moved around the sun. — Ronald Carter

The Saga of Dharmapuri is one of the great works of modern Indian literature. ( ... ) Set against Vijayan's heroic and scatological Candide
originally written in Malayalam and finely translated into English by the author
the timidity of our own English talent for political satire is embarrassingly laid bare. For this is dangerous stuff, and cut close to the bone. ( ... ) Fiercest of all is Vijayan's Voltairean recoil from Indian cringing to power. — David Selbourne

I define influence simply as literary love, tempered by defense. The defenses vary from poet to poet. But the overwhelming presence of love is vital to understanding how great literature works. — Harold Bloom

I am especially indebted to a 10th grade English teacher who encouraged me to read great works of literature. — Samuel Alito

Sometimes he spent hours together in the great libraries of Paris, those catacombs of departed authors, rummaging among their hoards of dusty and obsolete works in quest of food for his unhealthy appetite. He was, in a manner, a literary ghoul, feeding in the charnel-house of decayed literature. — Washington Irving

As with all great works of literature, 'Of Mice and Men' moves with the inexorability of a huge river, and it pours itself, exhausts itself, in the sea of our unconscious. Having read it, we carry the book inside us forever. — Jay Parini

Middle grade fiction shapes the lives of future adults. It is one of the most powerful forces in literature. Those who use their intellect to create works of fiction for the middle grade audience do so with an incredible privilege and responsibility as authors. For that reason, we are glad to post our reviews of their great efforts here on Goodreads. — Edward Gordon

All great works of literature either dissolve a genre or invent one. — Charles J. Shields

Nabokov calls every great novel a fairy tale, I said. Well, I would agree. First, let me remind you that fairy tales abound with frightening witches who eat children and wicked stepmothers who poison their beautiful stepdaughters and weak fathers who leave their children behind in forests. But the magic comes from the power of good, that force which tells us we need not give in to the limitations and restrictions imposed on us by McFate, as Nabokov called it.
Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. — Azar Nafisi

For my part, I wish, with Mr. Howells, that the literature of the past might be purged of all that is ugly and barbarous in it, although I should object as much as any one to having these great works weakened or falsified. — Helen Keller

In the history of literature there are many great enduring works which were not published in the lifetimes of the authors. If the authors had not achieved self-affirmation while writing, how could they have continued to write? — Gao Xingjian

Utter objectivity ... is not only impossible when judging literature, it's not exactly desirable. Fiction involves trace elements of magic; it works for reasons we can explain and also for reasons we can't. If novels or short-story collections could be weighed strictly in terms of their components (fully developed characters, check; original voice, check; solidly crafted structure, check; serious theme, check) they might satisfy, but they would fail to enchant. A great work of fiction involves a certain frisson that occurs when its various components cohere and then ignite.
(Source: "Letter from the Pulitzer Fiction Jury: What Really Happened This Year" in The New Yorker.) — Michael Cunningham

We shouldn't teach great books; we should teach a love of reading. Knowing the contents of a few works of literature is a trivial achievement. Being inclined to go on reading is a great achievement. — B.F. Skinner

The highest form of morality is not to feel at home in ones own home. Most great works of the imagination were meant to make you feel like a stranger in your own home. The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed too immutable. I told my students I wanted them in their readings to consider in what ways these works unsettled them, made them a little uneasy, made them look around and consider the world, like Alice in Wonderland, through different eyes. — Azar Nafisi

By and large the literature of a democracy will never exhibit the order, regularity, skill, and art characteristic of aristocratic literature; formal qualities will be neglected or actually despised. The style will often be strange, incorrect, overburdened, and loose, and almost always strong and bold. Writers will be more anxious to work quickly than to perfect details. Short works will be commoner than long books, wit than erudition, imagination than depth. There will be a rude and untutored vigor of thought with great variety and singular fecundity. Authors will strive to astonish more than to please, and to stir passions rather than to charm taste. — Alexis De Tocqueville

[Giordano] Bruno died, despised and suffering, after eight years of agony. From that moment, his works have attracted interest, and he has long been recognized as an important figure in the development of modern thought. Nevertheless, few are familiar with the many and often bewildering pages of his writings. His Italian works have their place in the history of Italian literature. The Latin works in prose and verse are much more bulky and diffuse, but the few who grapple with them are rewarded by passages of great beauty and eloquence. — Dorothea Singer

Our enjoyment of the great works of literature depends more upon the depth of our sympathy than upon our understanding. — Helen Keller

The American classicist Edith Hamilton once described the great works of literature, the strong fortresses of the spirit which men have built through the ages. — Edith Hamilton

One day I was handed a few volumes of new literature unlike anything I had ever read before and so captivating as to make me utterly forget my hopeless state. They were the earlier works of Mark Twain and to them might have been due the miraculous recovery which followed. Twenty-five years later, when I met Mr. Clemens and we formed a friendship between us, I told him of the experience and was amazed to see that great man of laughter burst into tears. — Nikola Tesla

Great artistic works are often based on solving several psychological problems simultaneously. In literature this is often accomplished by splitting apart the conflict and assigning each aspect to a different character. Marjie Rynearson, for instance, wrote an award-winning play, Jenny, about the meeting and reconciliation of two women: the mother of a murder victim and the mother of the murderer. Within the dialogue between the two characters she sought to resolve two sets of problems: the rage and grief of the victim's mother, and the horror, guilt, and grief of the murderer's mother. She worked on the play for several years, and only when it was finished did she realize that through it she was struggling to resolve her feelings about the suicide of her best friend. Rynearson had simultaneously been, in effect, both the friend of the victim and the friend of the perpetrator of the killing. The power of the work lay in its simultaneous resolution of conflicting problems. — Linda Austin

There's a real question as to what beauty is and why it's important to us. Many pseudo-philosophers try to answer these questions and tell us they're not really answerable. I draw on art and literature, and music in particular, because music is a wonderful example of something that's in this world but not of this world. Great works of music speak to us from another realm even though they speak to us in ordinary physical sounds. — Roger Scruton

The great works of art and literature have a lot to say on how to tackle the concrete challenges of living, like how to escape the chains of public opinion, how to cope with grief or how to build loving friendships. Instead of organizing classes around academic concepts - 19th-century French literature - more could be organized around the concrete challenges students will face in the first decade after graduation. — David Brooks

A three-year-old with insomnia is very similar to a heroin addict going through withdrawal. There is nothing that calms them. They can't focus. You can't tell them enough stories. They don't understand why they are still awake four hours past their bedtime. This is commonly understood by all parents of three-year-olds and has inspired great works of literature, such as Go the F-ck to Sleep. — Jim Gaffigan