Great Tales Quotes & Sayings

Chilling Tales For Dark Nights, these people or let's say these team is trying to return the fear, the theater... Which so far is great to hear, acting in reading a story and everything one place, just awesome, — Deyth Banger

I have always enjoyed dealing with a slightly surrealistic situation and presenting it in a realistic manner. I've always liked fairy tales and myths, magical stories. I think they are somehow closer to the sense of reality one feels today than the equally stylized 'realistic' story in which a great deal of selectivity and omission has to occur in order to preserve its 'realist' style. — Stanley Kubrick

Can it be, thought I, that my sole mission on earth is to destroy the hopes of others? Ever since I began to live and act, fate has somehow associated me with the last act of other people's tragedies, as if without me no one could either die or give way to despair! I have been the inevitable character who comes in at the final act, involuntarily playing the detestable role of the hangman or the traitor. What has been fate's object in all this? Has it destined me to be the author of middle-class tragedies and family romances
or a purveyor of tales for, say, the Reader's Library? Who knows? Are there not many who begin life by aspiring to end it like Alexander the Great, or Lord Byron, and yet remain petty civil servants all their lives? — Mikhail Lermontov

Do you wonder where poetry come from? Where do we get the songs we sing and the tales we tell? Do you ever ask yourself how it is that some people can dream great, wise, beautiful dreams and pass those dreams on as poetry to the world, to be sung and retold as long as the moon will wax and wane? Have you ever wondered why some people make beautiful songs and poems and tales, and some of us do not?
It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen. — Neil Gaiman

Many of the most popular children's stories have their roots in tales invented for particular children, and this casual, often serendipitous, approach produces a stream of ideas which are later refined into great literature. With Tolkien's shorter stories and poems, I am even more aware of the presence of the author, and his children. There are elements and events that are so strikingly original that they could only arise as a result of observations and conversations ignited by two or more lively minds. — Alan Lee

I believe that the great stretches of forests in northern Europe, with their constant seasonal changes, their restricted views, their astonish biological diversity, their secret gifts and perils and the knowledge that you have to go through them to get anywhere else, created the themes and ethics of the fairy tales we know best. There are secrets, hidden identities, cunning disguises; there are rhythms of change like the changes of the seasons; there are characters, both human and animal, whose assistance can be earned or spurned; and there is
over and over again
the journey or quest, which leads first to knowledge and then to happiness. The forest is the place of trial in fairy stories, both dangerous and exciting. Coming to terms with the forest, surviving its terrors, utilising its gifts and gaining its help is the way to 'happy ever after. — Sara Maitland

The term "spirit projection" sprang to mind. Are you familiar with it? Japanese folk tales are full of this sort of thing, where the soul temporarily leaves the body and goes off a great distance to take care of some vital task and then returns to reunite with the body. — Haruki Murakami

I had spent all the years I had been in Lo-Melkhiin's body giving power to men who I thought would use it in ways that might serve me. I had given them great art and great thoughts, and they never guessed that they fed a terrible hunger in me that would require feeding until they died trying to sate it. They had done great things and made great tales, but I had been blind. All of this time, I had had access to more power than I had imagined, and I had missed it because I saw with men's eyes. I had forgotten the girls who scrubbed the floors and spun the yarn. I had forgotten the women who dyed the cloth and worked with henna. I had married three hundred girls, and as much as eaten them all before they were done cooking. — E.K. Johnston

Dr. Sacks treats each of his subjects - the amnesic fifty-year-old man who believes himself to be a young sailor in the Navy, the "disembodied" woman whose limbs have become alien to her, and of course the famous man who mistook his wife for a hat - with a deep respect for the unique individual living beneath the disorder. These tales inspire awe and empathy, allowing the reader to enter the uncanny worlds of those with autism, Alzheimer's, Tourette's syndrome, and other unfathomable neurological conditions. "One of the great clinical writers of the 20th century" (The New York Times), Dr. Sacks brings to vivid life some of the most fundamental questions about identity and the human mind. — Oliver Sacks

And the people listened, and their faces were quiet with listening. The story tellers, gathering attention into their tales, spoke in great rhythms, spoke in great words because the tales were great, and the listeners became great through them. — John Steinbeck

We believe this sharing behavior extended to sex as well. A great deal of research from primatology, anthropology, anatomy, and psychology points to the same fundamental conclusion: human beings and our hominid ancestors have spent almost all of the past few million years or so in small, intimate bands in which most adults had several sexual relationships at any given time. This approach to sexuality probably persisted until the rise of agriculture and private property no more than ten thousand years ago. In addition to voluminous scientific evidence, many explorers, missionaries, and anthropologists support this view, having penned accounts rich with tales of orgiastic rituals, unflinching mate sharing, and an open sexuality unencumbered by guilt or shame. — Christopher Ryan

Certain directors and actors were constantly preoccupied by one problem, and apparently, one only. This was connected with the so-called German greeting, which was the method of hailing a friend by raising the right arm straight out with the hand extended at, or slightly above, the level of the shoulder. This greeting had very definite political implications; it was employed daily by millions; and the directors and actors saw no reason why it should not be one on the films in a simple and life-like fashion. They failed. Even when shown in the rushes the effect on the select and professional audience was simply to produce uncontrollable hilarity. The cinema can do a great deal. It can entrance, t can tell fairy tales, it can be realistic or surrealistic -- but it cannot portray a gesture that is false without underlining the most brutal way its basic falseness. The German cinema could not reproduce the German greeting; it was the greeting that was to blame, not the cinema. — Ernst Von Salomon

But at some point it becomes obvious that, ultimately, the adventure of faith is the most sensible thing to do, and in fact the only thing worth doing. As Sam says toward the end of The Two Towers, no one remembers the tales in which the characters give up and turn back. Great and heroic deeds remain undone if no one leaps into the dark to do them. That's true when it comes to faith, too. You can't play a meaningful role in the great story by playing it safe. Once you hit the road, there is no going back to life as it was before. When Jesus asks His disciples if they will leave him to, Peter says, "Lord to whom will we go?" (verse 68). It's either walk with Jesus, unsafe as it seems sometimes, or go home. — Sarah Arthur

He was a great teller of tales, and unlike our common romancers, knew how to empty heaven, hell, and purgatory, faeryland and earth, to people his stories. — W.B.Yeats

THE MIGRANT PEOPLE , scuttling for work, scrabbling to live, looked always for pleasure, dug for pleasure, manufactured pleasure, and they were hungry for amusement. Sometimes amusement lay in speech, and they climbed up their lives with jokes. And it came about in the camps along the roads, on the ditch banks beside the streams, under the sycamores, that the story teller grew into being, so that the people gathered in the low firelight to hear the gifted ones. And they listened while the tales were told, and their participation made the stories great. — John Steinbeck

It took Lucy forty hours to die and we hardly left her side ... We spent those last hours kissing her frequently and telling her how deeply we loved her. Then I began to read Leah's children's books out loud to her. She had lived a storyless childhood, so I read in the last day of her life the books she had missed. I told her about Winnie the Pooh and Yertle the Turtle, took her Where the Wild Things Are, introduced her to Peter Rabbit and Alice in Wonderland. Each of us took turns reading to her out of Grimm's Fairy Tales, and, at the very last, Leah insisted that I tell all the Great Dog Chippie stories I had told her during our year of exile from the family in Rome. — Pat Conroy

Wonder if we shall ever be put into songs or tales. We're in one, of course; but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring!" And they'll say: "Yes, that's one of my favourite stories. Frodo was very brave, wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot. — J.R.R. Tolkien

Over the last three centuries our historical reception of folk and fairy tales has been so negatively twisted by aesthetic norms, educational standards and market conditions that we can no longer distinguish folk tales from fairy tales nor recognize that the impact of these narratives stems from their imaginative grasp and symbolic depiction of social realities. Folk and fairy tales are generally confused with one another and taken as make-believe stories with no direct reference to a particular community or historical tradition. Their own specific ideology and aesthetics are rarely seen in the light of a diachronic historical development which has great bearing on our cultural self-understanding. — Jack D. Zipes

My mother might find a thin gold chain at the back of a drawer, wadded into an impossibly tight knot, and give it to me to untangle. It would have a shiny, sweaty smell, and excite me: Gold chains linked you to the great fairy tales and myths, to Arabia, and India; to the great weight of the world, but lighter than a feather. — Anne Lamott

It is a world of magic and mystery, of deep darkness and flickering starlight. It is a world where terrible things happen and wonderful things too. It is a world where goodness is pitted against evil, love against hate, order against chaos, in a great struggle where often it is hard to be sure who belongs to which side because appearances are endlessly deceptive. Yet for all its confusion and wildness, it is a world where the battle goes ultimately to the good, who live happily ever after, and where in the long run everybody, good and evil alike, becomes known by his true name ... That is the fairy tale of the Gospel with, of course, one crucial difference from all other fairy tales, which is that the claim made for it is that it is true, that it not only happened once upon a time but has kept on happening ever since and is happening still. — Frederick Buechner

Next time I go to a movie and see a picture of a little ordinary girl become a great star ... I'll believe it. And whenever I hear my wife read fairy tales to my little boy, I'll listen. I know now that dreams do come true. — Jackie Robinson

A gang of unpredictable ruffians by day who turned to enthralling storytellers after dark. I would sometimes join them, and listen for a great part of the night to some of the finest fairy tales and most romantic legends it has ever been my fortune to hear. — Russell S. Bonds

Didn't you have any sadistic nannies who told you these tales to keep you quiet and well behaved at night? Heavens, what's to become of the Empire if governesses have lost their touch for scaring the wits out of their girls? — Libba Bray

I had always been a great talker and teller of tales.
'You should put a lock on that tongue of yours. It's long enough and sharp enough to slit your own throat,' our guardian warned me, the night before I left home to go to the royal court at Versailles ... I just laughed. 'Don't you know a woman's tongue is her sword? You wouldn't want me to let my only weapon rust, would you? — Kate Forsyth

To me God's voice and inspiration is stronger, of greater importance and authority than that of any fairy or any other spirit like creature from above or below earth. My Spirit Tales are stories based on truth and inspired by His writings.
Stories about YHWH and His great wonderful acts are definitely not fairytales but Spirit Tales. — Sipporah Joseph

Books by Roald Dahl The BFG Boy: Tales of Childhood Charlie and the Chocolate Factory Charlie and the Great Glass Elevator Danny the Champion of the World Dirty Beasts The Enormous Crocodile Esio Trot Fantastic Mr. Fox George's Marvelous Medicine The Giraffe and the Pelly and Me Going Solo James and the Giant Peach The Magic Finger Matilda The Minpins The Missing Golden Ticket and Other Splendiferous Secrets Roald Dahl's Revolting Rhymes Skin and Other Stories The Twits The Umbrella Man and Other Stories The Vicar of Nibbleswicke The Witches The Wonderful Story of Henry Sugar and Six More — Roald Dahl

It was quiet; so quiet. Didn't these people know how to grieve for a good man? Didn't they know how to weep, and scream with rage, and curse the powers of darkness in their sorrow? Didn't they know how to hold one another, and dry one another's tears, and tell tales of the things he had done, and of what he had been, to see him safe on his way? Where were the great fires, and the toasts in strong ale, and the scent of burning juniper? — Juliet Marillier

I wanted the chance to look again at very famous stories and see what made them work well, whether there were any ways in which they could be improved. Because the great thing about fairy tales and folk tales is that there is no authentic text. — Philip Pullman

This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn't find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? All you gave us here was daisies and fairy tales and you acted like that was enough. How were we supposed to resist evil when you didn't even tell us about it? — Richard Kadrey

Space opera, as every reader doubtless knows, is a pejorative term often applied to a story that has an element of adventure. Over the decades, brilliant and talented new writers appear, receiving great acclaim, and each and every one of them can be expected to write at least one article stating flatly that the day of space opera is over and done, thank goodness, and that henceforth these crude tales of interplanetary nonsense will be replaced by whatever type of story that writer happens to favor - closet dramas, psychological dramas, sex dramas, etc., but by God important dramas, containing nothing but Big Thinks. Ten years late, the writer in question may or may not still be around, but the space opera can be found right where it always was, sturdily driving its dark trade in heroes. — Leigh Brackett

For instance, in one play the palace of Lord Hosokawa, in which was preserved the celebrated painting of Dharuma by Sesson, suddenly takes fire through the negligence of the samurai in charge. Resolved at all hazards to rescue the precious painting, he rushes into the burning building and seizes the kakemono, only to find all means of exit cut off by the flames. Thinking only of the picture, he slashes open his body with his sword, wraps his torn sleeve about the Sesson and plunges it into the gaping wound. The fire is at last extinguished. Among the smoking embers is found a half- consumed corpse, within which reposes the treasure uninjured by the fire. Horrible as such tales are, they illustrate the great value that we set upon a masterpiece, as well as the devotion of a trusted samurai. — Okakura Kakuzo

He declares his privacy is temporary and justified, and promises to explain before the wedding. That is all that anyone knows for certain, but Mrs MacNab will tell you a great deal more than even she is certain of. You know how the tales grow like grass on such a patch of ignorance as that. — G.K. Chesterton

He draws a line under his conclusions. Says, 'Gregory, what should I do about the great worm?'
'Send a commission against it, sir,' the boy says. 'It must be put down.'
He gives his son a long look. 'You do know it's Arthur Cobbler's tales?'
Gregory gives him a long look back. 'Yes, I do know.' He sounds regretful. 'But it makes people so happy when I believe them. — Hilary Mantel

The great subversive works of children's literature suggest that there are other views of human life besides those of the shopping mall and the corporation. They mock current assumptions and express the imaginative, unconventional, noncommercial view of the world in its simplest and purest form. They appeal to the imaginative, questioning, rebellious child within all of us, renew our instinctive energy, and act as a force for change. This is why such literature is worthy of our attention and will endure long after more conventional tales have been forgotten. — Alison Lurie

Old books, yes! They are the true comforters; and principally because they are old and familiar. Many excellent new tales and poems and dramas are added yearly to the catalogues, and and some of these in time will stand beside the great companions under discussion; but only Time (and you and I and all other lovers of good books) will bring about their survival. — Vincent Starrett

UNMARKED is both gorgeous and hideous. A frightening and disturbing tale spun with great beauty. Absolutely riveting. — Jonathan Maberry

I am not a great believer in fairy tales. Every woman should fight hard for her own happy endings. Although occasionally it is nice to wake up as a princess. — Donatella Versace

It is part," Rollo writes home to the elder Dr. Groast in Lancashire, in elaborate revenge for childhood tales of Jenny Greenteeth waiting out in the fens to drown him, "part of an old and clandestine drama for which the human body serves only as a set of very allusive, often cryptic programme-notes- it's as if the body we can measure is a scrap of this programme found outside in the street, near a magnificent stone theatre we cannot enter. The convolutions of language denied us! the great Stage, even darker than Mr Tyrone Guthrie's accustomed murk ... Gilt and mirroring, red velvet, tier on tier of box seats all in shadows too, as somewhere down in that deep proscenium, deeper than geometries we know of, the voices utter secrets we are never told ... — Thomas Pynchon

Do you know why teachers use me? Because I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember. The great religions are all metaphor. We appreciate things like Daniel and the lion's den, and the Tower of Babel. People remember these metaphors because they are so vivid you can't get free of them and that's what kids like in school. They read about rocket ships and encounters in space, tales of dinosaurs. All my life I've been running through the fields and picking up bright objects. I turn one over and say, Yeah, there's a story. And that's what kids like. Today, my stories are in a thousand anthologies. And I'm in good company. The other writers are quite often dead people who wrote in metaphors: Edgar Allan Poe, Herman Melville, Washington Irving, Nathaniel Hawthorne. All these people wrote for children. They may have pretended not to, but they did. — Ray Bradbury

I looked through the Gideon Bible in my motel room for tales of great destruction. The sun was risen upon the Earth when Lot entered into Zo-ar, I read. Then the Lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of Heaven; and He overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which grew upon the ground.
So it goes.
Those were vile people in both those cities, as is well known. The World was better off without them.
And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human.
So she was turned to a pillar of salt. So it goes. — Kurt Vonnegut

One of my ambitions has been to go back to what those great authors were doing then ... to bridge that sensibility of old Victorian Gothic tales and reconstruct them in a modern way. — Carlos Ruiz Zafon

I believe that we need good tale-tellers now, as much as we did when the oral tradition was the only way that they were passed on; that the active transmission of stories plays a vital role in the development of the brain. The quality of the stories that surround us as we grow up is vitally important to our well-being, in the same way as the quality of food and our environment. The most beautiful aspect of this shared story-telling - and we have great examples of this in Tales from the Perilous Realm - is that the collaboration and engagement between teller and audience means that they are embarking on a journey together, which can lead to the most unexpected and wondrous of places. — Alan Lee

Legends of the Silver Stallion had been told for years now, whenever mountain stockmen met round the campfires or on the winding hill tracks. Songs were sung about him to the cattle and both songs and tales had become even stranger since his supposed death when he vanished through the wind and the night over a great cliff. Tales kept cropping up of a ghost horse seen, or imagined, roaming over the mountains at night, of stockmen waking in a hut at midnight, hearing the tremendous stallion's cry which could only be Thowra's — Elyne Mitchell

So was I,' said Frodo, 'and so I am. We're going on a bit too fast. You and I, Sam, are still stuck in the worst places of the story, and it is all too likely that some will say at this point: "Shut the book now, dad; we don't want to read any more."' 'Maybe,' said Sam, 'but I wouldn't be one to say that. Things done and over and made into part of the great tales are different. Why, even Gollum might be good in a tale, better than he is to have by you, anyway. And he used to like tales himself once, by his own account. I wonder if he thinks he's the hero or the villain? — J.R.R. Tolkien

I don't have any great first job tales: I've never worked on a tramp steamer or in a coal mine or anything like that. I think the inspiration for my writing came largely from my father and the joy that life in books represented to me. — Mary Gordon

I was a great reader of fairy tales. I tried to read the entire fairy tale section of the library. — Beverly Cleary

One of the great things about tales is how fast time may pass when not much of note is happening. Real life is never that way, and it is probably a good thing. — Stephen King

The glass display cases had shown rock-throwers crafted by the Australian aborigines - like giant wooden shoehorns, they'd looked, but smoothed and carved and ornamented with the most painstaking care. In the 40,000 years since anatomically modern humans had migrated to Australia from Asia, nobody had invented the bow-and-arrow. It really made you appreciate how non-obvious was the idea of Progress. Why would you even think of Invention as something important, if all your history's heroic tales were of great warriors and defenders instead of Thomas Edison? How could anyone possibly have suspected, while carving a rock-thrower with painstaking care, that someday human beings would invent rocket ships and nuclear energy? — Eliezer Yudkowsky

No, no, no, no! Come, let's away to prison: We two alone will sing like birds i' the cage: When thou dost ask me blessing, I'll kneel down, And ask of thee forgiveness: so we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news; and we'll talk with them too, Who loses and who wins; who's in, who's out; And take upon's the mystery of things, As if we were God's spies: and we'll wear out, In a wall'd prison, packs and sects of great ones, That ebb and flow by the moon. — William Shakespeare

The ruach blows wherever it pleases. You hear its sound, but cannot tell from where it comes or where it goes. God is He, He is Ruach (Spirit) and Ruach is speaking to our ruach (spirit) revealing great mysteries, knowledge, wisdom, understanding and joy. — Sipporah Joseph

Religions are the great fairy tales of conscience. — George Santayana

I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for
so that at day's end a family may eat together in a peaceful house? — Ursula K. Le Guin

We poor tellers of tales have our moments too, it seems. Like great generals sitting upon horses upon the tops of hills and throwing troops into the arena, we throw the little soldier words into our battles. — Sherwood Anderson

I've always been a mythology lover, and so I took a great deal of inspiration from the tales of various dark gods and popular versions of Hell from the Greeks and the Norse stories. — Michael Boatman

Inevitably they find their way into the forest. It is there that they lose and find themselves. It is there that they gain a sense of what is to be done. The forest is always large, immense, great and mysterious. No one ever gains power over the forest, but the forest posses the power to change lives and alter destinies. — Jack D. Zipes

Once upon a time there was a great queen who, having given birth to twin daughters, invited twelve fairies who lived nearby to come and bestow gifts upon them, as was the custom in those days. Indeed, it was a very useful custom, for the power of the fairies generally compensated for the deficiencies of nature. Sometimes, however, they also spoiled what nature had done its best to make perfect, as we shall soon see.

("Green Serpent") — Marie-Catherine D'Aulnoy

At nineteen, one lives in the utter idolatry, therefore the extreme superstition, of sex. Monstrously exaggerated tales about sexual feats, which we listen to greedily, determine our expectations. The disappointments are correspondingly great. — Gregor Von Rezzori

No one embodied the spirit of the frontier more than Daniel Boone, who faced and defeated countless natural and man-made dangers to literally hand cut the trail west through the wilderness. He marched with then colonel George Washington in the French and Indian War, established one of the most important trading posts in the West, served three terms in the Virginia Assembly, and fought in the Revolution. His exploits made him world famous; he served as the model for James Fenimore Cooper's Leatherstocking Tales and numerous other pioneer stories. He was so well known and respected that even Lord Byron, in his epic poem Don Juan, wrote, "Of the great names which in our faces stare, The General Boon, back-woodsman of Kentucky, Was happiest amongst mortals anywhere ... " And yet he was accused of treason - betraying his country - the most foul of all crimes at the time. What really happened to bring him to that courtroom? And was the verdict reached there correct? — Bill O'Reilly

The reason why time plays a great part in so many of my tales is that this element looms up in my mind as the most profoundly dramatic and grimly terrible thing in the universe. — H.P. Lovecraft

Although Branwen had no patience for dry lists of names and dates, she had always loved the thrilling tales of the old wars that were told and retold around the hearth in the Great Hall of Garth Milain. — Allan Frewin Jones

No thank you, O Smaug the Tremendous!" he replied. "I did not come for presents. I only wished to have a look at you and see if you were truly as great as tales say. I did not believe them. — J.R.R. Tolkien

Dear Prince, I must leave you, but I will never forget you, and next spring I will bring you back two beautiful jewels in place of those you have given away. The ruby shall be redder than a red rose, and the sapphire shall be as blue as the great sea. — Oscar Wilde

Once upon a time, when I was a child reading fairy tales, I'd ached to have my own adventures. Not that I'd wanted to be some dippy heroine languishing in a tower, awaiting rescue. No, I'd wanted to be the knight, charging into battle against overwhelming odds, or the plucky country lass who gets taken on as an apprentice to a great wizard. As I got older, I'd found out the hard way that adventures are rarely anything like the books say. Half the time you are scared out of your mind, and the rest you're bored and your feet hurt. I was beginning to believe that maybe I wasn't the adventurous type. — Karen Chance

You think fairy tales are only for girls? Here's a hint - ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy - all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know - this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtships. They want to know immediately. — David Levithan

Over and over and with the least provocation, they pulled from their stock of stories tales about the old folks, their grands and great-grands; their fathers and mothers. Dangerous confrontations, clever manoeuvres. Testimonies to endurance, wit, skill and strength. Tales of luck and outrage. But why were there no stories to tell of themselves? About their own lives they shut up. Had nothing to say, pass on. As though past heroism was enough of a future to live by. As though, rather than children, they wanted duplicates. — Toni Morrison

Because now there's time enough not to hurry, to light the lamp and open the window to the moon and take a moment to dream of a great and broken city, because when the day starts its business I'll have to stop, these are night-time tales that vanish in the sunlight like vampire dust — Jeet Thayil

There is the great lesson of 'Beauty and the Beast,' that a thing must be loved before it is lovable. — G.K. Chesterton

Yes sir, the fish was left in place of the crystal ball. It's been bagged and tagged for analysis.
Great. Now we have another red herring on our hands. — A.F. Stewart

What works about fairy tales is that they endure, and the great thing about fairy tales is that you can explore big, epic things that you can't really explore in other situations. — Gary Ross

Nabokov calls every great novel a fairy tale, I said. Well, I would agree. First, let me remind you that fairy tales abound with frightening witches who eat children and wicked stepmothers who poison their beautiful stepdaughters and weak fathers who leave their children behind in forests. But the magic comes from the power of good, that force which tells us we need not give in to the limitations and restrictions imposed on us by McFate, as Nabokov called it.
Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. — Azar Nafisi

Great deeds give choice of many tales. Choose a slight tale, enrich it large, and then let wise men listen. — Pindar

And finally, I've always drawn a great deal of moral comfort from Humpty Dumpty. The part I like the best? 'All the king's horses and all the king's men couldn't put Humpty Dumpty back together again.' That's because there is no Humpty Dumpty, and there is no God. None, not one, no God, never was. — George Carlin

Great novels are above all great fairy tales ... literature does not tell the truth but makes it up. — Vladimir Nabokov

It's my belief that all of the greatest tales ever told have been told in saloons. It was in such smoky, heathen-filled den of iniquity that I first heard the tale of the Bone Feud. As with all great tales, it was at its core one hundred percent true. In fact, much of it has long been a matter of historical record. But tales grow in the telling, and I therefore must apologize in advance for any inaccuracies, and beg your indulgence for any romanticized embellishments. I have decided to present the story here, just as it was told to me. I find it entirely too rich and too entertaining to alter, simply to curry favor with pedants and historians. — Wynne McLaughlin

When I was a kid, there were these great comic books called 'Tales From The Crypt' and 'The Vault of Horror.' They were gruesome. I discovered them in the barbershop and thought they were fabulous. — R.L. Stine

His conversation was full of imagination, and very often in limitation of ther Persian, and Arabic writers, he invented tales of wonderful fancy and passion. At other times he repeated my fsvorite poems or drew me out into arguments, wich he suported with great ingenuity. — Mary Wollstonecraft Shelley

Dr. Kunkel's teacher, Dr. Jung, believed that archetypes are blueprints of the basic human qualities we all share. The archetypes themselves are undefinable natural patterns or forces that shape life in all ages and places. They cannot be known directly, but archetypal themes and images appear in myth, fairy tales, dreams, and fantasies. We tend to think of ourselves as unique individuals, and to a great extent we are. But just as there are shared patterns that shape our physical existence, such as having two arms and legs, two eyes, ten fingers and toes, so there are underlying patterns that shape our psychic existence. — Robert A. Johnson

There's a great power of imagination about these little creatures, and a creative fancy and belief that is very curious to watch ... I am sure that horrid matter-of-fact child-rearers ... do away with the child's most beautiful privilege. I am determined that Anny shall have a very extensive and instructive store of learning in Tom Thumbs, Jack-the-Giant-Killers, etc. — William Makepeace Thackeray

It's a fine wake I'll be wanting, with the best if everything, and beautiful women shedding tears and their clothes in their distress, and brave men lamenting and telling fine tales of me in my great days. — Neil Gaiman

Out of this city marched armies that seemed to be great, and afterwards were when glory had magnified them.
As the years went by, an occasional soldier returned, and with a foreign trace to his speech, told tales of what had happened to him in places called Ituzaingo or Ayacucho.
These things, now, are as if they had never been.
Martin Fierro — Jorge Luis Borges

Even when a prohibition in a fairy-story is guessed to be derived from some taboo once practised long ago, it has probably been preserved in the later stages of the tale's history because of the great mythical significance of prohibition. A sense of significance may indeed have lain behind some of the taboos themselves. Thou shalt not - or else thou shalt depart beggared into endless regret. The gentlest 'nursery-tales' know it. Even Peter Rabbit was forbidden a garden, lost his blue coat, and took sick. The Locked Door stands as an eternal Temptation. — J.R.R. Tolkien

I'm Jewish, I can say it. We're storytellers. We were the moneylenders ... Therefore we tell great tales to get what we need. I love Jewish men. They make the best husbands. — Patti Stanger

Because the great thing about fairy tales and folk tales is that there is no authentic text. It's not like the text of Paradise Lost or James Joyce's Ulysses, and you have to adhere to that exact text. — Philip Pullman

When most people return from Europe, they tell tales of all the sites they saw, the shopping, the entertainment, etc. Jews, on the other hand, return and say I had this slice of cake in Austria, let me tell you, I don't know how they make it! It was great! — Jackie Mason

Change is the essence of life; change is the great challenge, the great constant. Change is the ultimate teller of tales. — Sarah Ban Breathnach

The Hawk hired fifty harpers and jesters and taught them new songs. Songs about the puny fairy fool who had been chased away from Dalkeith-Upon-the-Sea by the legendary
Hawk. And being such a legend in his own time, his tales were ceded great truth and staying power. The players
were delighted with the epic grandeur of such a wild tale. When they had rehearsed to perfection the ditties and
refrains portraying the defeat of the fool, the Hawk sent them into the counties of Scotland and England. Grimm
accompanied the group of players traveling to Edinburgh to help spread the tale himself, while Hawk spent late hours by the candle scribbling, crossing out and perfecting his command for when the fool came. Sometimes, in the wee hours of the morning, he would reach for his set of sharp awls and blades and begin carving toy soldiers and dolls, one by one. — Karen Marie Moning

My great-great grandfather and I were the best of friends, although we never met — Raji Singh

In mythos and fairy tales, deities and other great spirits test the hearts of humans by showing up in various forms that disguise their divinity. They show up in robes, rags, silver sashes, or with muddy feet. They show up with skin dark as old wood, or in scales made of rose petal, as a frail child, as a lime-yellow old woman, as a man who cannot speak, or as an animal who can. The great powers are testing to see if humans have yet learned to recognize the greatness of soul in all its varying forms. — Clarissa Pinkola Estes

Don't the great tales never end? — J.R.R. Tolkien

They follow their hearts. I know it sounds like madness, Arlen, but deep down, men want to fight, like they did in tales of old. They want to protect their women and children as men should. But they can't, because the great wards are lost, so they knot themselves like caged hares, sitting terrified through the night. But sometimes, especially when you see loved ones die, the tension breaks you and you just snap. — Peter V. Brett

And the wind will whip your tousled hair, The sun, the rain, the sweet despair, Great tales of love and strife. And somewhere on your path to glory You will write your story of a life. — Harry Chapin

Do you wonder where poetry comes from? Where we get the songs we sing and the tales we tell? Do you ever ask yourself how it is that some people can dream great, wise, beautiful dreams and pass those dreams on as poetry to the world, to be sung and retold as long as the sun rises and sets, as long as the moon will wax and wane? Have you ever wondered why some people make beautiful songs and poems and tales, and some of us do not? It — Neil Gaiman

All great novels are great fairy tales. — Vladimir Nabokov

In the opera, there was only one great love for the characters. In... tales there was only one love as well - yes, even after death. Everything I had read or sung or felt said this was always the case. If you ignored this great truth, if you gave up on it of being too hard to hold on to, or let it slip away to have mere things, no real meaning could be left in life. — Lenore Hart

I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic, to the level of romantic fairy-story - the larger founded on the lesser in contact with the earth, the lesser drawing splendour from the vast backcloths - which I could dedicate simply to: to England; to my country ... I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama. — J.R.R. Tolkien

And those characters [in a fairy tale] dwell in a moral world, whose laws are as clear as the law of gravity. That too is a great advantage of the folk tale. It is not a failure of imagination to see the sky blue. It is a failure rather to be weary of its being blue- and not to notice how blue it is. And appreciation of the subtler colors of the sky will come later. In the folk tale, good is good and evil is evil, and the former will triumph and later will fail. This is not the result of the imaginative quest. It is rather its principle and foundation. It is what will enable the child later on to understand Macbeth, or Don Quixote, or David Copperfield. — Anthony Esolen

The animals hated Moses because he told tales and did no work, but some of them believed in Sugarcandy Mountain, and the pigs had to argue very hard to persuade them that there was no such place. Their most faithful disciples were the two cart-horses, Boxer and Clover. These two had great difficulty in thinking anything out for themselves, but having once accepted the pigs as their teachers, they absorbed everything that they were told, and passed it on to the other animals by simple arguments. They were unfailing in their attendance at the secret meetings in the barn, and led the singing of "Beasts of England," with which the meetings always ended. — George Orwell

The happily ever after thing. It's great when she marries the prince or whatever and they say that. But they just don't show the part where there's a revolution and they drag her to the guillotine. — Mark D. Diehl