Great Description Quotes & Sayings
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Top Great Description Quotes

It was Miss Murdstone who was arrived, and a gloomy-looking lady she was; dark, like her brother, whom she greatly resembled in face and voice; and with very heavy eyebrows, nearly meeting over her large nose, as if, being disabled by the wrongs of her sex from wearing whiskers, she had carried them to that account. She brought with her two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was. — Charles Dickens

The darkness enveloped us. All I could hear was the violin and it was as if Juliek's soul had become the bow. He was playing his life ... He played that which he would never play again. — Elie Wiesel

[H]e looked like a real bruiser as he stepped from his car, his big sunglasses giving the impression that a large bug had evolved to the point that it could wear a suit. — John Connolly

Speaking to the Heart is a great encouragement to men who want to be better husbands and fathers. It is both a practical job description of fatherhood-showing how fathers build strength in their children-and an inspiring call to family leadership. Any father who takes this book to heart and puts its wisdom into action will be known to his children as a great man. — James Stenson

Always tell us where we are. And don't just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they're great at this. — Janet Fitch

How good is Missouri quarterback Chase Daniel anyway? ... to me, Daniel's brilliance has nothing to do with the big numbers he puts up more or less every week. Howie Long once gave a great explanation of what it was like to get beat by quarterback legend Joe Montana. He said it was like getting knocked out in a pillow fight. You never felt the blow. And you were all kinds of mad afterward. That's as good as any description of Daniel ... So what does Daniel do? Something right. On every play. In chess, grandmasters will tell you that it's the most innocuous-looking moves that are deadliest. — Joe Posnanski

Great books, if long enough and full of topical description and contemporary comment, were now coming into even wider public favor. The lengthier and fuller of comment, the better. — James Purdy

The latter. She had a good run, Sook said, doing a little shrug. It was his usual response to death at Mapleshade, and it was a safe bet that he felt that way about himself. Like most twice-widowed, Korea-vet, nature-loving, gun-enthusiast, bilingual, weed-connoisseur great grandfathers of five, he'd lived a full life. — Lisa Lutz

There are moments of sincerity. Those moments float away like bubbles but he takes the trouble to dip the wand in the soap and blow them through. — Carole Radziwill

As the crowning act in the great drama of deception, Satan himself will personate Christ...Now the great deceiver will mak it appear that Christ has come...resembling the description of the Son of God givenby John in the Revelation. Revelation 1:13-15 He claims to have changed the Sabbath to Sunday, and commands all to hallow the day which he has blessed...This is the strong, almost overmastering delusion. The Great Controversy--p.624
In Satan's personation of Christ and his public stand against Christ and the law of God, we see the fulfillment of Daniel 8:25,"He will destroy many and take his stand against the Prince of princes. — Maurice Hoppe

Socrates is flying. No, he is soaring. The wings behind him beat in a calming rhythm while the cool air rushes past. His wings are all that matter, snapping at the rushing wind like the sails of some great sea vessel, the feathery appendages all he is and all he will ever want to be.
His back muscles flex with the effort that takes him high above the ground. He feels the effort, of course, but sweeping into the sky does not require much of one. The sensation is pleasurable, even exhilarating. With flight there is freedom beyond description, an ecstasy bordering on sexual.
He has only one destination, and that is to soar higher, to no longer be a prisoner of the earth. Here destinations seem irrelevant, the world below small. Flying exceeds every pleasure he knows. In the immense forever of blue sky, all that matters is flight and his ability to climb higher.
Up and up and up... — Kenneth C. Goldman

History is not a manifesto for action, a list of crimes to be avenged, a litany of positions to be reversed or a collection of rights to be wronged. History is, to paraphrase the great A.J.P. Taylor, the answer you give a child when he or she asks you: 'What happened?' It is a description of what happened. — Sidin Vadukut

Pedro Teixeira, the great Portuguese merchant-adventurer, wrote a beautiful description of a coffeehouse with windows overlooking the Tigris and the ruins of old Baghdad. That was in 1604, and he's visiting the same street that I write about in the book, named after Abu Nuwas, though it wasn't called that back then. — Annia Ciezadlo

I think the critical thing is the product or service that you're trying to raise money for. And probably the best description of that, people should say when they hear, "This is what I want to do. This is what I want to bring to the market." They should say, "Gee! That's a great idea" or "Gee! Why hasn't somebody else thought of that before? Well, that's an incredible idea!" In other words, the more a person is delighted, or astonished, or happy with your product, or service, or idea, the more happy they are to put up money for it. — Brian Tracy

Architecture, either practically considered or viewed as an art of taste, is a subject so important and comprehensive in itself, that volumes would be requisite to do it justice. Buildings of every description, from the humble cottage to the lofty temple, are objects of such constant recurrence in every habitable part of the globe, and are so strikingly indicative of the intelligence, character, and taste of the inhabitants, that they possess in themselves a great peculiar interest for the mind. — Andrew Jackson Downing

I think that his description of modern society is profound, with great insights, but it is too unilateral. He doesn't see that I define the modern world essentially as deprived of sacrificial protection, that is, more and more exposed to violence. For — Continuum

The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes. — Herman Melville

Now Europe are experiencing a wave of eroding solidarity, first of certain societies and then entire governments. At the same time, we have two giant new challenges to meet: the migration movement and terror. And then Great Britain is thinking about leaving the EU. That should suffice as a description. — Martin Schulz

Biology doesn't know in advance what the end product will be; there's no Stuffit Compressor to convert a human being into a genome. But the genome itself is very much akin to a compression scheme, a terrifically efficient description of how to build something of great complexity-perhaps more efficient than anything yet developed in the labs of computer scientists (never mind the complexities of the brain, there are trillions of cells in the rest of the body, and they are all supervised by the same 30,000-gene genome). And although there is no counterpart in nature to a program that compresses a picture into a compact description, there is a natural counterpart to the program that decompresses the compressed encoding, and that's the cell. Genome in, organism out. Through the logic of gene expression, cells are self-regulating factories that translate genomes into biological structure. — Gary F. Marcus

It's quite clear that Gore won most of the votes. I think the accurate description for them is a military plutocracy. Having lived and worked in the United States, I must add that I don't want to make too much of the distinction between the Bush regime and its predecessors. I don't see a great deal of difference. — John Pilger

But if the two countries or governments are at war, the men of science are not. That would, indeed be a civil war of the worst description: we should rather, through the instrumentality of the men of science soften the asperities of national hostility.
{Davy's remarks to Thomas Poole on accepting Napoleon's prize for the best experiment on Galvanism.} — Humphry Davy

He was in his mid-thirties, tall and pale and thin, with long, sandy hair and rimless glasses, dressed in brown polyester pants, cheap brown shoes, and a light tan shirt. He looked like someone had put a wig on a giraffe and run it through the local Target. — John Connolly

The most beautiful conception of immortality of which I know, and certainly one that by contrast shows the utter vulgarity of Christian ideas, is set forth in Pindar's second Olympian: after three or six lives in which a man has lived with strict justice and perfect integrity, he passes beyond the tower of Cronus to the fair realm that cannot be reached by land or sea, where gentle breezes from a placid ocean blow forever on the fields of asphodel. For a description, see Pindar. If the beauty of great poetry can commend a religion, here you have it. — Revilo P. Oliver

Her face was not young, but it was simple; it was not fresh, but it was mild. She had large eyes which were not bright, and a great deal of hair which was not 'dressed,' and long fine hands which were
possibly
not clean. — Henry James

Thieves! Fire! Murder! Such a thing had not happened since first he came to the Mountain! His rage passes description - the sort of rage that is only seen when rich folk that have more than they can enjoy suddenly lose something that they have long had but have never before used or wanted. His fire belched forth, the hall smoked, he shook the mountain-roots. He thrust his head in vain at the little hole, and then coiling his length together, roaring like thunder underground, he sped from his deep lair through its great door, out into the huge passages of the mountain-palace and up towards the Front Gate. — J.R.R. Tolkien

However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will? — Honore De Balzac

Great critics do not explicate a text; they describe it and then report on what they have described, if the description itself is not the criticism. — Gore Vidal

There aren't many great passages written about food, but I love one by George Millar, who worked for the SOE in the second world war and wrote a book called 'Horned Pigeon.' He had been on the run and hadn't eaten for a week, and his description of the cheese fondue he smells in the peasant kitchen of a house in eastern France is unbelievable. — Sebastian Faulks

The main challenge that television presents is that I have a tendency to say things with a great deal of precision and accuracy. Often a description of that sort, which will work in a book because people can read it slowly - they can turn the pages back and so on - doesn't really work on TV because it interrupts the flow of the moving image. — Brian Greene

What the young writer needs to develop, to achieve his goal of becoming a great artist, is not a set of aesthetic laws but artistic mastery. He cannot hope to develop mastery all at once; it involves too much. But if he pursues his goal in the proper way, he can approach it much more rapidly than he would if he went at it hit-or-miss, and the more successful he is at each stage along the way, the swifter his progress is likely to be. Invariably when the beginning writer hands in a short story to his writing teacher, the story has many things about it that mark it as amateur. But almost as invariably, when the beginning writer deals with some particular, small problem, such as description of a setting, description of a character, or brief dialogue that has some definite purpose, the quality of the work approaches the professional. Having written some small thing very well, he begins to learn confidence. — John Gardner

I can describe an axe entering a human skull in great explicit detail and no one will blink twice at it. I provide a similar description, just as detailed, of a penis entering a vagina, and I get letters about it and people swearing off. To my mind this is kind of frustrating, it's madness. Ultimately, in the history of [the] world, penises entering vaginas have given a lot of people a lot of pleasure; axes entering skulls, well, not so much. — George R R Martin

Famous revolutionary,' you say, and the laughter pumps out of your chest like blood, great almost painful spurts of it splashing up the building faces toward the marquee moon. — Garth Risk Hallberg

Later, Dodd wrote a description of Hitler in his diary. "He is romantic-minded and half-informed about great historical events and men in Germany." He had a "semi-criminal" record. "He has definitely said on a number of occasions that a people survives by fighting and dies as a consequence of peaceful policies. His influence is and has been wholly belligerent. — Erik Larson

Earle had friendly written all over him the way that a plague rat had "Hug Me" emblazoned on its fur. — John Connolly

Zachariah, Zachariah,' whispers Rachel, casting a practised eye over the back of his head and down the length of him, from the shoulder blades where his wings once grew, epochs ago, in some other guise: angel - guardian, avenging - or great vagrant bird - Daurian Jackdaw, Chimney Swift, Pacific Loon! — Emma Richler

I felt that it was not a historical work, but that, under the guise of physical warfare, it described the duel that perpetually went on in the hearts of mankind, and that physical warfare was brought in merely to make the description of the internal duel more alluring. This preliminary intuition became more confirmed on a closer study of religion and the Gita. A study of the Mahabharata gave it added confirmation. I do not regard the Mahabharata as a historical work in the accepted sense. The Adiparva contains powerful evidence in support of my opinion. By ascribing to the chief actors superhuman or subhuman origins, the great Vyasa made short work the history of kings and their peoples. The persons therein described may be historical, but the author of the Mahabharata has used them merely to drive home his religious theme. — Mahatma Gandhi

Evidently one cannot look for long at the Last Supper without ceasing to study it as a composition, and beginning to speak of it as a drama. It is the most literary of all great pictures, one of the few of which the effect may largely be conveyed - can even be enhanced - by description. — Kenneth Clark

It is a great delusion to suppose that flesh-meat of any kind is essential to health. Considerably more than three parts of the work in the world is done by men who never taste anything but vegetable, farinaceous food, and that of the simplest kind. There are more strength-producing properties in wholemeal flour, peas, beans, lentils, oatmeal, roots, and other vegetables of the same class, than there are beef or mutton, poultry or fish, or animal food of any description whatever. — Catherine Booth

The shaman is a very peculiar figure. He is critical to the functioning of the psychological and social life of his community, but in a way he is always peripheral to it. He lives at the edge of the village. He is only called upon in matters of great social crisis. He is feared and respected. And this might be a description of these hallucinogenic substances. — Terence McKenna

What is more, as J. R. R. Tolkien reminds us in his great essay on Beowulf, there is a danger that attends rational and scientific description: "a plain pure fairy story dragon" can be ruined at the hands of a logical analysis. The interpreter, "unless he is careful, and speaks in parables, will kill what he is studying by vivisection, and he will be left with a formal or mechanical allegory, and, what is more, probably with one that will not work. For myth is alive at once and all its parts, and dies before it can be dissected. — Gregory Alan Thornbury

Sometimes great, banned works defy the censor's description and impose themselves on the world - 'Ulysses,' 'Lolita,' the 'Arabian Nights.' — Salman Rushdie

You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same. — Chuck Close

The desert at night was black and a strange madder-tinted silver; the sky was black, and the great contorted cliffs, and the vast expanses of sand that stretched out in all directions. But the red moon cast a pale crimson-tinged luminescence over everything, and far above the stars were glittering points of silver. — Rachel Neumeier

You learnt a great deal, Louisa, and so did your brother. Ologies of all kinds from morning to night. If there is any Ology left, of any description, that has not been worn to rags in this house, all I can say is, I hope I shall never hear its name — Charles Dickens

I'm used to doing things my way, and Aidan is set in his medieval ways."
"What's medieval?" Joshua wanted to know.
"Ask Aidan. He's good with answers," she replied resentfully.
"Medieval refers to the days of knight and ladies, Joshua. Alexandria thinks I would have made a great knight. They were men who served their homeland with honor and always recued and took care of their fair maidens." Aidan drained the contents of a third glass of ruby liquid. "A fitting description, and quite a compliment. Thank you, Alexandria."
Stefan coughed behind his hand, and Marie hastily turned to look out the window.
Alexandria found a reluctant smile curving her soft mouth. "That's not all I could call you, but for now, we'll leave it at medieval. — Christine Feehan

Tonight the sun has died like an Emperor ... great scarlet arcs of silk ... saffron ... green ... crimson ... and the blaze of Venus to remind one of the absolute and the infinite ... and along the lower rim of beauty lay the hard harsh line of the hills ... — John Coldstream

The color palette is confined to that of a Gustave Dore' engraving, greys and blacks, and subtle shadings of these rendered in harrowing crosshatches and highlighted with sudden glaring areas of nothingness, like splotches of vitiligo sent to haunt the dead with memories of what real light did to the eyes. — Kevin Hearne

Description which is given by the prophet Isaiah of the king of Babylon, when he went down to hell, and all the kings whom he had destroyed, and whose countries he had ravaged, were lying on their beds of fire; and as they saw their great conqueror enter, instead of trembling, they hissed out, Art thou also become weak as we? art thou become like unto us? How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations! — Charles Haddon Spurgeon

I open with a clock striking, to beget an awful attention in the audience - it also marks the time, which is four o clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere. — Richard Brinsley Sheridan

Words, when well chosen, have so great a force in them, that a description often gives us more lively ideas than the sight of things themselves. — Joseph Addison

A thousand stories had painted cities in his mind, the great cities of kings and queens, of thrones and powers and legends, and Caemlyn fit into those mind-deep pictures and water fits into a jug. — Robert Jordan

At the English Revolution, when William of Orange came to the throne, the introduction of French wines into the country was prohibited, and this gave a great impetus to the manufacture of cyder and care in the production of cyder of the best description. — Sabine Baring-Gould

Bertrand Russell would not have wished to be called a saint of any description; but he was a great and good man. — A.J. Ayer

The stark evening sun at the far edge of the town had just unzipped the sky and finally gone down. — Jack Bunbury

A dirty exterior is a great enemy to beauty of all descriptions. — Mary Martha Sherwood

Many earnest young writers with a flow of adjectives and a passion for detail have attempted to describe the quiet of a great city at night, when a few million people within it are sleeping, or ought to be. They work in the clang of a distant owl car, and the roar of an occasional "L" train, and the hollow echo of the footsteps of the late passer-by. They go elaborately into description, and are strong on the brooding hush, but the thing has never been done satisfactorily. — Edna Ferber

Imagine a man who doesn't believe in anything, hope for anything, doesn't love anyone. This is a description of a dead or paralyzed soul. This happens from great grief, or from an unhappy upbringing when parents make from their children's souls paralytics. — Simon Soloveychik

It's a gift to joyfully recognize and accept our own smallness and ordinariness. Then you are free with nothing to live up to, nothing to prove, and nothing to protect. Such freedom is my best description of Christian maturity, because once you know that your "I" is great and one with God, you can ironically be quite content with a small and ordinary "I." No grandstanding is necessary. Any question of your own importance or dignity has already been resolved once and for all and forever. — Richard Rohr

The description of the New Jerusalem in chapters 21 and 22 is quite clear that some categories of people are "outside": the dogs, the fornicators, those who speak and make lies. But then, just when we have in our minds a picture of two nice, tidy categories, the insiders and the outsiders, we find that the river of the water of life flows out of the city; that growing on either bank is the tree of life, not a single tree but a great many; and that "the leaves of the tree are for the healing of the nations." There is a great mystery here, and all our speaking about God's eventual future must make room for it. This is not at all to cast doubt on the reality of final judgment for those who have resolutely worshipped and served the idols that dehumanize us and deface God's world. It is to say that God is always the God of surprises. But — N. T. Wright

Lisp has jokingly been called "the most intelligent way to misuse a computer". I think that description is a great compliment because it transmits the full flavor of liberation: it has assisted a number of our most gifted fellow humans in thinking previously impossible thoughts. — Edsger Dijkstra

So many misconceptions surround the notion of heroism. Far too many categorize a hero as a champion on the battlefield, a commander of legions, a master of rare talent or ability. Granted, there have been heroes who fit those descriptions. But many men of great evil as well. Heed me. A hero sacrifices for the greater good. A hero is true to his or her conscience. In short, heroism means doing the right thing regardless of the consequences. Although any person could fit that description, very few do. Choose this day to be one of them.
(Beyonders - A World Without Heroes) — Brandon Mull

Even revolution, particularly
revolution, which claims to be materialist, is only a limitless metaphysical crusade. But can totality claim
to be unity? That is the question which this book must answer. So far we can only say that the purpose of
this analysis is not to give, for the hundredth time, a description of the revolutionary phenomenon, nor
once more to examine the historic or economic causes of great revolutions. Its purpose is to discover in
certain revolutionary data the logical sequence, the explanations, and the invariable themes of
metaphysical rebellion. — Albert Camus