Gone With The Wind Novel Quotes & Sayings
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Top Gone With The Wind Novel Quotes

Well this story is about books.
About books?
About accursed books, about the man who wrote them, about a character who broke out of the pages of a novel so that he could burn it, about a betrayal and a lost friendship. It's a story of love, of hatred, and of the dreams that live in the shadow of the wind (p.178) — Carlos Ruiz Zafon

Looking back on my life, I sigh. The caprice of youth goes with the wind, I've no regrets. — Roman Payne

Any debut novel is usually a case of spitting into the wind - or, just maybe, casting your bread upon the waters. Without an established audience in place, first-time authors have to hope for resonant word of mouth and a receptive reviewer or three. — Paul Di Filippo

I thought Lord of the Flies was one of the great rip-offs of our time. Complete steal from A High Wind In Jamaica. He just literally lifted the entire theme, plot, and virtually characterization from A High Wind In Jamaica, turned them into a bunch of small boys and placed it on an island. Otherwise it's precisely the same novel. — Truman Capote

...even if all they did was look at each other, it rattled her entire being because there was no thought or person or barrier between them. Not a single one. They were both thoroughly absorbed in every moment they spent together. It was terrifying. Like being swept away by a powerful wind, where your body rendered all its control to another force that could ignite as well as destroy you. — Anam Iqbal

From my own novel.
Because in the City, you know there is nothing else, it is a place without roads, without real people, without life. Just an abandoned wreck; desolate; isolated; unloved. Somewhere you go when there is no more life inside of you, when you have no choice, no . . . desire, no personality. It's a place where you go to die, and after you're dead, your body is left to rot, and get blown by the wind into nothing, and there is no heaven, no hell, just earth and dust, and insects crawling over your bleached bones . . . it's bliss. — Benjamin S. Farmer

My God, this novel makes me break out in a cold sweat! Do you know how much I've written in five months, since the end of August? Sixty-five pages! Each paragraph is good in itself and there are some pages that are perfect. I feel certain. But just because of this, it isn't getting on. It's a series of well-turned, ordered paragraphs which do not flow on from each other. I shall have to unscrew them, loosen the joints, as one does with the masts of a ship when one wants the sail to take more wind ... — Gustave Flaubert

Socrates is flying. No, he is soaring. The wings behind him beat in a calming rhythm while the cool air rushes past. His wings are all that matter, snapping at the rushing wind like the sails of some great sea vessel, the feathery appendages all he is and all he will ever want to be.
His back muscles flex with the effort that takes him high above the ground. He feels the effort, of course, but sweeping into the sky does not require much of one. The sensation is pleasurable, even exhilarating. With flight there is freedom beyond description, an ecstasy bordering on sexual.
He has only one destination, and that is to soar higher, to no longer be a prisoner of the earth. Here destinations seem irrelevant, the world below small. Flying exceeds every pleasure he knows. In the immense forever of blue sky, all that matters is flight and his ability to climb higher.
Up and up and up... — Kenneth C. Goldman

A mystery novel localizes the awesome force of the real death outside the book, winds it tightly in a plot ... — Don DeLillo

The wind stirs through the trees, it moves the leaves, and it sways the branches - and yet it is unseen. The sound of it is detected, the effect of it is noticed, and yet it itself is unseen. In a way that is similar: the Spirit stirs in the heart, it moves emotions, it sways the mind, and by doing so causes a physical response to occur that defies human logic, and transcends perception. — Calvin W. Allison

I know you would be watching over me all through this journey called life ... whenever I look next to me, I feel like you are
here ... and a part of you is within me in the form of this child ... Love is like the wind ... you may not see it ... especially in the absence of the other ... but you always feel it around ... — Santonu Kumar Dhar

Live. And Live Well. BREATHE. Breathe in and Breathe deeply. Be PRESENT. Do not be past. Do not be future. Be now. On a crystal clear, breezy 70 degree day, roll down the windows and FEEL the wind against your skin. Feel the warmth of the sun. If you run, then allow those first few breaths on a cool Autumn day to FREEZE your lungs and do not just be alarmed, be ALIVE. Get knee-deep in a novel and LOSE track of time. If you bike, pedal HARD — Kyle Lake

The films of The Caine Mutiny and Marjorie Morningstar always seemed to me mere thin skims of the story lines, and I never did see a meager Hollywood caper called Youngblood Hawke, vaguely based on my 800-page novel. So it was that I opted for television, with its much broader time limits, for The Winds of War. — Herman Wouk

A memory came to me. One time, in middle school, a famous author came to talk to our class and give a writing workshop. One of the things she told us about writing a novel was that the story should be about what the main character wants. Dorothy wants to go home to Kansas. George Milton wants a farm of his own. Amelia Sedley wants to marry her darling George and live happily ever after. The end of the story, according to the famous author, is when the character either gests what he wants or realizes he's never going to get it. Or sometimes, she said, like Scarlett O'Hara in Gone With the Wind, realizes she doesn't actually want what she thought she wanted all along.
pg. 324 of Bewitching — Alex Flinn

The thoughts from a finite mind can at times be very similar to the clouds that move about over the surface of the earth. Both can cover a lot of ground, and can either disperse or increase in formation. Likewise - both are heavily influenced by the surrounding climate. Furthermore - a hard wind increases a fire's spread, thunder proceeds a lightning strike, and when atmospheric water vapor accumulates, it produces clouds. Then, after an abundance of water has been condensed, the clouds will at some point release moisture; the rain/precipitation amount will range from the degree of abundance condensed.
Similarly: an abundance of thoughts can also accumulate - eventually resulting in an overflow of emotion. The overflow can either be positive or negative - the determining factor relying on the characterization of the thoughts - whether they be positive or negative. — Calvin W. Allison

Starting a novel is opening a door on a misty landscape; you can still see very little but you can smell the earth and feel the wind blowing. — Iris Murdoch

Let's put it this way: if you are a novelist, I think you start out with a 20 word idea, and you work at it and you wind up with a 200,000 word novel. We, picture-book people, or at least I, start out with 200,000 words and I reduce it to 20. — Eric Carle

Before I begin a novel I have a strong sense of at least one central character and how the story begins, and a more vague sense of where things may wind up, but at some point, if the novel is any good at all, the story and characters take on lives of their own and take over the book, and the writer has to be open to that. — Steve Erickson

Every spirit passing through the world fingers the tangible and mars the mutable and finally has come to look and not to buy. So shoes are worn and hassocks are sat upon and finally everything is left where it was and the spirit passes on, just as the wind in the orchard picks up the leaves from the ground as if there were no other pleasure in the world but brown leaves, as if it would deck, clothe, flesh itself in flourishes of dusty brown apple leaves and then drops them all in a heap at the side of the house and goes on. — Marilynne Robinson

Irma, she said. But I had started to walk away. I heard her say some more things but by then I had yanked my skirt up and was running down the road away from her and begging the wind to obliterate her voice. She wanted to live with me. She missed me. She wanted me to come back home. She wanted to run away. She was yelling all this stuff and I wanted so badly for her to shut up. She was quiet for a second and I stopped running and turned around once to look at her. She was a thimble-sized girl on the road, a speck of a living thing. Her white-blond hair flew around her head like a small fire and it was all I could see because everything else about her blended in with the countryside.
He offered you a what? she yelled.
An espresso! I yelled back. It was like yelling at a shorting wire or a burning bush.
What is it? she said.
Coffee! I yelled.
Irma, can I come and live
I turned around again and began to run. — Miriam Toews

It's like a nesting doll of imagination! It's like a painting of a painting! It's like the wind catching a chill from the wind, or a wave taking a dip in the ocean. It's like reading a novel that merely describes another novel. It's like music tapping its foot to a tune and saying 'Oh! I love this song! — Michelle Cuevas

When you get something like MTV, it's like regular television. You get it, and at first it's novel and brand new and then you watch every channel, every show. And then you become a little more selective and more selective, until ultimately ... you wind up with a radio. — David Lee Roth

Well, this is a story about books."
About books?"
About accursed books, about a man who wrote them, about a character who broke out of the pages of anovel so that he could burn it, about a betrayal and a lost friendship. It's a story of love, of hatred, and of the dreams that live in the shadow of the wind."
You talk like the jacket blurb of a Victorian novel, Daniel."
That's probably because I work in a bookshop and I've seen too many. But this is a true story. — Carlos Ruiz Zafon

It is a strange thing, looking at the sea. When it is calm, or with only gentle ripples, it gives an impression of being soft and kind. But often, on such a calm, the wind suddenly blows, thrusting the water back into angry waves. At such times, in a certain sense, one feels sorry for the sea. Never of itself offensive to others, it is all too often attacked by wind and rain, the rain falling densely upon it, shaming the beauty of its calm face with a million bouncing bubbles. Were the wind to stop blowing, the ocean, surely, would never afflict the land with any calamity, nor would any human beings suffer. — Tan Kok Seng

Prototypes of inventions that use novel combinations of resonance, magnetism, states of matter, certain geometries or inward swirling motion to unlock the secrets of universal energy have already been built. They provide proof of new or rediscovered principles. In many variations of these inventions, a small input triggers a disproportionately large output of useable power."
"These energy converters don't violate any laws of physics if they simply tap into a previously unrecognized source of power - background space. A flow of energy from that source can continue day and night, whether or not the sun shines or the wind blows. — Jeane Manning

I often said that writers are of two types.
There is the architect, which is one type. The architect, as if designing a building, lays out the entire novel at a time. He knows how many rooms there will be or what a roof will be made of or how high it will be, or where the plumbing will run and where the electrical outlets will be in its room. All that before he drives the first nail. Everything is there in the blueprint.
And then there's the gardener who digs the hole in the ground, puts in the seed and waters it with his blood and sees what comes up. The gardener knows certain things. He's not completely ignorant. He knows whether he planted an oak tree, or corn, or a cauliflower. He has some idea of the shape but a lot of it depends on the wind and the weather and how much blood he gives it and so forth.
No one is purely an architect or a gardener in terms of a writer, but many writers tend to one side or the other. I'm very much more a gardener. — George R R Martin

You can catch a scent in the wind - an idea, or a concept - and follow it. You can delve into your subconscious and see what happens, in a way you just can't when you're writing a novel. — Lynn Coady

Fiction is very greedy. It will take all you know and then some. The first novel I tried to write, I was struck by this - the appetite of the blank page for ever more information, ever more data. An empty book is a greedy thing. You are right: You wind up using everything you know, and often more than once. — John Updike

A swirl of dust and dirt picked up from the shadows that fell over everything in this grungy corner of the world. The dancing movement was hypnotizing. The sand and grit had rested long enough to have drifted into obscurity. But fate had different plans, and this gust of wind had lifted them and turned their obscure and unknown existence into a chaotic tempest of action that could not be ignored. — Lexie Syrah

To standing in the bow wind with no charted course."
Clay Mitchell, "Half-Past Eternity" book II "Eterna". — Clay Mitchell

Just about everything significant in my life happened after I passed forty. I was a housewife and mother, but yearned to be a writer. I worked at my writing whenever I could snatch a moment, and I assembled several manuscripts. I was just about forty when my first novel, East Wind, West Wind, was published. Then a few months later came The Good Earth. My career was launched at last, and it has given me the richest possible satisfaction — Pearl S. Buck

But there was never any knowing or any certitude; the time to come always had more than one possible direction. One could not even give up hope. The wind would blow, the sand would settle, and in some as yet unforeseen manner time would bring about a change which could only be terrifying, since it would not be a continuation of the present. — Paul Bowles