Gombrich Art Quotes & Sayings
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Top Gombrich Art Quotes

The photographic enthusiast likes to lure us into a darkened room in order to display his slides on a silver screen. Aided by the adaptability of the eye and by the borrowed light from the intense projector bulb, he can achieve those relationships in brightness that will make us dutifully admire the wonderful autumn tints he photographed on his latest trip. As soon as we look at a print of these photographs by day, the light seems to go out of them. It is one of the miracles of art that the same does not happen there. — Ernst Gombrich

An attempt to achieve the good by force is like an attempt to provide a man with a picture gallery at the price of cutting out his eyes. — Ayn Rand

In every landscape should reside jewels of abstract art waiting to be discovered. — Melissa Brown

Walter Cassels, "Ignorance and superstition created miracles; knowledge has for ever annihilated them. — John Zande

In 'The Prophet' I really fell in love with those characters, there was an emotional connection there that I don't think I've had in a while. It made me think it would be nice to stick with the characters for a little bit and see what happens. — Michael Koryta

Love is universal migraine, A bright stain on the vision Blotting out reason. Symptoms of true love Are leanness, jealousy, Laggard dawns; Are omens and nightmares - Listening for a knock, Waiting for a sign: For a touch of her fingers In a darkened room, For a searching look. Take courage, lover! Could you endure such pain At any hand but hers? — Robert Graves

During the days of my youth, critics and art-lovers resorted freely to this term of abuse. Even some of the most renowned Old Masters were also pilloried as having manufactured insipid and sugary paintings that were offensive to good taste. — Ernst Gombrich

America is ripe for lies and lethargy. The pure mountain air is going and gone. It is a huge burden and a sadness for us all. — Ralph Steadman

Without this faculty of man and beast alike to recognize identities across the variations of difference, to make allowance for changed conditions, and to preserve the framework of a stable world, art could not exist. When we open our eyes under water we recognize objects, shapes, and colors although through an unfamiliar medium. When we first see pictures we see them in an unfamiliar medium. This is more than a mere pun. The two capacities are interrelated. Every time we meet with an unfamiliar type of transposition, there is a brief moment of shock and a period of adjustment-but it is an adjustment for which the mechanism exists in us. — E.H. Gombrich

There are views. And what we see in a view is not necessarily what is in the view, all that is in the view. We have to separate, to some extent, the perceiver from that which is perceived or we have to lose all distinction whatsoever. — Frederick Lenz

The paintings in our galleries are seen one day in bright sunshine and another day in the dim light of a rainy afternoon, yet they remain the same paintings, ever faithful, ever convincing. To a marvelous extent they carry their own light within. For their truth is not that of a perfect replica, it is the truth of art. — Ernst Gombrich

All art is image making and all image making is the creation of substitutes. — Ernst Gombrich

Just because you're damaged doesn't mean you must damage others. You have choices. We all make them every day. — Shannon Delany

Traditional photojournalists arrive with an idea of what they are going to produce or what the editor wants. I approach a subject very much as a street photographer and a wanderer, without preconceptions. I try to leave it extremely intuitive and exploratory. — Alex Webb

You learn the values that are inherent in the scene that the writer has written. You learn about who you as a character are in relation to those others who are working with you within that scene. — Angela Lansbury

Maybe if I'd studied writing instead of anthropology, I'd be more sensible. You know - pick a genre, follow the rules, stay in the box - but let's face it. Sensible people don't major in anthropology. — Mary Doria Russell

We shall never know what Rubens' children "really looked like," but this need not mean we are forever barred from examining the influence which acquired patterns or schema have on the organization of our perception. It would be interesting to examine this question in an experimental setting. but every student of art who has intensely occupied himself with a family of forms has experienced examples of such influence. In fact I vividly remember the shock I had while I was studying these formulas for chubby children: I never thought they could exist, but all of a sudden I saw such children everywhere. — E.H. Gombrich