Glissando Quotes & Sayings
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Top Glissando Quotes

My name is Bis," he said, "and I was kicked off the basilica because I was spitting on the people coming in. Suck-up little Glissando thinks she knows angel dust from dirt and tattled on me. — Kim Harrison

....one of those long, romantic novels, six hundred and fifty pages of small print, translated from French or German or Hungarian or something -- because few of the English ones have the exact feeling I mean. And you read one page of it or even one phrase of it, and then you gobble up all the rest and go about in a dream for weeks afterwards, for months afterwards -- perhaps all your life, who knows? -- surrounded by those six hundred and fifty pages, the houses, the streets, the snow, the river, the roses, the girls, the sun, the ladies' dresses and the gentlemen's voices, the old, wicked, hard-hearted women and the old, sad women, the waltz music -- everything. What is not there you put in afterwards, for it is alive, this book, and it grows in your head. 'The house I was living in when I read that book,' you think, or 'This colour reminds me of that book. — Jean Rhys

Without any wind blowing, the sheer weight of a raindrop, shining in parasitic luxury on a cordate leaf, caused its tip to dip, and what looked like a globule of quicksilver performed a sudden glissando down the centre vein, and then, having shed its bright load, the relieved leaf unbent. Tip, leaf, dip, relief - the instant it all took to happen seemed to me not so much a fraction of time as a fissure in it, a missed heartbeat, which was refunded at once by a patter of rhymes: I say 'patter' intentionally, for when a gust of wind did come, the trees would briskly start to drip all together in as crude an imitation of the recent downpour as the stanza I was already muttering resembled the shock of wonder I had experienced when for a moment heart and leaf had been one. — Vladimir Nabokov

Imagine trying to live without air.
Now imagine something worse. — Amy Reed

With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling. — Vincent D'Onofrio

And she could hear a sound, rising steadily, not in steps like a scale, but in a slow glissando, and not quite a violin or a voice, but somewhere in between, rising and rising unbearably, without ever leaving the audible range, a violin-voice that was just on the edge of making sense, telling her something urgent in sibilants and vowels more primitive than words. It may have been inside the room, or out in the corridor, or only in her ears, like tinnitus. She may even have been making the noise herself. She did not care - she had to get out. — Ian McEwan

Then, with an extended, falling glissando of disgust, the whole string section, plus flutes and piccolo, surged toward the brass, leaving the music critic and his deed - an early evening frites and mayonnaise on Oude Hoogstraat - illuminated under a lonely chandelier. — Ian McEwan

How did Heaven come into all of this? Heaven was life, not death. Heaven was a woman holding your head in the crook of her arm and looking down at you. Heaven was a warm hand on your cheek and the smell of soup with garlic on the fire. — Christopher Buehlman

Spontaneous storms, and changes in color that were not tied to changes in wind speeds, and fractal borders, bounded infinities scrolling inside each other. We were looking at a mind thinking. A mind feeling.
The woodwind glissando of the whale's cry. — Kim Stanley Robinson

I have a question. Is it okay to drink while you're pregnant ... if you're planning on giving the baby up for adoption? — Chelsea Handler

JULY 20. I've just walked into the opera house. I have no programme. Strange new players are premiering a piece by a flamboyant new composer. Front and centre, three, maybe four, whales begin - a swelling string section - discordant, irresolute harmonies fill the concert hall. Then two more whales, stage right, come in, playing eight octave clarinets, counterpointing the string section. And then they, too, are counterpointed by occasional glissando slurs and passages played pizzicato by whales at the rear of the stage. But suddenly, a programme change: The orchestra members switch clothes and pull new instruments from their cases. The French horn players begin wailing on shiny, sleazy saxophones. The trumpeters spit rapid-fire bursts into an underwater echo chamber - the deep, rocky corridor of Johnstone Strait. — Erich Hoyt

The human impulse behind the isolation of class is as basic as impulses get: People like to be around other people who understand them and to whom they can talk. — Charles Murray

Today I make time to release any burdens that I carry. One by one I release them into the atmosphere, until my body is in a complete state of calm — Renae A. Sauter