Girl With A Pearl Earring Quotes & Sayings

She pulled off Virginia Woolf's To the Lighthouse and settled down in a comfortable leather chair by the fire to read. — Lucinda Riley

I really don't write much anymore, and I'm not uncomfortable with that. I've tried writing and the sentences come out fine, but I write a few pages and I don't want to go on. — Lawrence Block

But to find a lingering unread missive from someone no longer living, and someone whose life had been so deeply entwined with one's own, raised the possibility that the past could never be a fully settled matter. It meant that your own past could be altered without your action or consent, that the story of your self that you continually told back to yourself could be revised by force, making you into another person who you would, perhaps, prefer not to become. — Dexter Palmer

I never say never, because I don't want to be one of those guys. — Bob Seger

Research from Denis Dutton, Brian Boyd, V.S. Ramachandran, William Hirstein and E.O. Wilson, among many others, is clear on the subject: we are enticed by forms, shapes, rhythms and movements that are useful to our existence. We find Vermeer's "The Girl with the Pearl Earring," beautiful, for example, because her face is symmetrical, a clue to her strong immune system2. As the neuroscientist Eric Kandel suggests in The Age of Insight, we are fascinated by Gustav Klimt's Judith because "at a base level, the aesthetics of the image's luminous gold surface, the soft rendering of the body, and the overall harmonious combination of colors could activate the pleasure circuits, triggering the release of dopamine. If Judith's smooth skin and exposed breast trigger the release of endorphins, oxytocin, and vasopressin, one might feel sexual excitement. — Anonymous

I wanted to get a guitar [when I was 13] so I could play punk songs because kid taught me power chords at summer camp. He was like, "You could play all punk songs if you just learn this chord and just move it around on the guitar". — Ezra Furman

Software is a reflection of our own mind. And as our software improves it will not only take on the patterns of our minds more closely, but it will also pick up the energy of our minds; in other words, I think that software is alive. — Frederick Lenz

He's often wished that he could capture the full essence of each woman's laugh on canvas, but he settles instead, on watching how, when a woman chuckles, her head moves slightly to the left or right so that the light grazes it at a new angle and creates a new pattern of highlight and shadow. It's this subtle shifting that he finds astounding - how everything and nothing can be written on a face through its lines, through the way skin around the eyes crinkle or how the shifting of a mouth belies joy or sarcasm or simple placation. He wonders what Vermeer might have said to that girl with the pearl earring, what words could have stirred in her that wanton expression, because even amateurs understand that faces allow an entry point and that negative space is the key to any good painting: what isn't included is sometimes more important than what is. — Adam Gallari

It's a good thing you and your pills weren't around a few hundred years ago or there never would have been a Vermeer or a Caravaggio. You'd have drugged "Girl with a Pearl Earring" and "The Taking of Christ" right the hell out of them. — Jennifer Donnelly

Our learning ought to be our lives' amendment, and the fruits of our private study ought to appear in our public behavior. — Thomas Nashe

Such compression of large amounts of information into a few exformation-rich macrostates with small quantities of nominal information are not only intelligent: they are very beautiful: yes, even sexy. Seing a jumble of confused data and shreds of rote learning compressed into a concise, clear message can be a real turn-on. — Tor Norretranders