Gipfelhaus Quotes & Sayings

As if on cue, a line of silhouettes emerged from behind a desert scrub - shapes that moved like cats. They wandered through the landscape of corpses, touching each with a gentle nudge. They grew closer, and it became clear that Chuluum was leading the other cats on their sorrowful homage, giving the fallen librarians the honor they deserved. — Rahma Krambo

Tragedy is something that happens to a lot of people - it's a tragedy if you react with handwringing. — Kylie Tennant

The rehearsal of Grandfather's arguments came with wondrous facility to Slava. — Boris Fishman

I can get a tune out of most things with strings, but I'm not really sure I'm what could be called a musician. I find it fascinating working with people who can play other instruments and sing. — Withered Hand

One problem with the discipline of marketing is that everyone knows enough about it to make suggestions, but most don't know enough to offer good advice. — Eric M. Jackson

I'm almost weeping when I'm painting my daughter. I've been thinking she won't be little for much longer. — Chantal Joffe

I hope I'll be able to come home, someday. But there are things I need to do first. I just want you to know I love you and Mom, and I'm not doing any of this to hurt you." "We love you, too, Jake, and if it's drugs, or whatever it is, we don't care. We'll get you right again. Like I said, you're confused." "No, Dad. I'm peculiar. — Ransom Riggs

You can always spot a well informed man - his views are the same as yours. — Ilka Chase

Exhibitionists have no friends, no friends at all. — Quentin Crisp

Well the themes for me were and remain sex and love and grief and death - the things that make us and undo us, create and destroy, how we breed and disappear and the emotional context that surrounds these events. — Thomas Lynch

Choose your companions from the best; Who draws a bucket with the rest soon topples down the hill. — William Butler Yeats

Hungry ears are sharp ones. — Jane Smiley

I always think that the writer is doing the vast majority of the director's work, in a sense. If you're a writer who is also going to direct, you're doing all your preparation: You're already visualizing everything, you're imagining how the lines are going to be read, you see the blocking in your head, and you know the rhythm and the pacing. — Harold Ramis