Gideon Ravenor Quotes & Sayings

To send our troops, our ships, our planes to this war is ridiculous. — John Hewson

When I was a kid in Woking, every week you went to the football dance, and every week the top kids would be wearing something different. You were constantly trying to catch up with them - which you could never do because, by the time you'd saved up enough to buy the item, they'd moved on to something else. That's the whole Mod thing, I suppose. — Paul Weller

He enchanted.
He simply enchanted.
Stopping in his tracks when he saw my expression, he studied me a long moment before walking over to me and placing a kiss on my cheek. The act was an excuse to whisper in my ear. "You have to stop looking at me like that if we're going to make it through the day without losing our clothes."
I turned to kiss him back. "I have no intention of making it through the day with you fully clothed. — Darynda Jones

We do not yet have the solutions to these questions, but the awareness that we live in an endangered world is present in more and more life situations. — Ulrich Beck

C++ is my favorite garbage collected language because it generates so little garbage — Bjarne Stroustrup

It was quiet and smooth -a gazelle trapped in the body of a wart hog. — Jonathan Evison

Let us go on and see little Susan, said Margaret, drawing her companion up a grassy road-way, leading under the shadow of a forest glade. With all my heart, though I have not an idea who little Susan may be. But I have a kindness for all Susans, for simple Susan's sake. — Elizabeth Gaskell

To get my sound in the studio, I double guitar tracks, and when it gets to the lead parts, the rhythm drops out, just like it's live. I'm very conscious of that. — Dimebag Darrell

There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word-tension-has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end-is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be? — John Jeremiah Sullivan