Gevasol Quotes & Sayings

The city of Granada, so gloriously provided with architectural reminders of its Islamic heritage, was particularly anxious to show that it was a more ancient and distinguished Christian centre than Toledo or Santiago de Compostela, and it also wanted to outface the upstart royal capital Madrid. These aims were much assisted by the 'discovery' from 1588 onwards of a series of forged early Christian relics (plomos, or lead books) hidden in the minaret of the former main Granadan mosque and in various nearby caves. — Diarmaid MacCulloch

The member of a culture ... purposely avoids the relationship of intimacy; he wants the object somehow depicted and fictionalized ... He is embarrassed when this is taken out of its context of proper sentiments and presented bare, for he feels that this is a reintrusion of that world which his whole conscious effort has sought to banish. Forms and conventions are the ladder of ascent. And hence the speechlessness of the man of culture when he beholds the barbarian tearing aside some veil which is half adornment, half concealment. — Richard M. Weaver

Our heart knows what our mind has forgotten - it knows the sacred that is within all that exists, and through a depth of feeling we can once again experience this connection, this belonging. — Llewellyn Vaughan-Lee

If man were infinitely malleable, there would have been nor revolutions; there would have been no change because a culture would have succeeded in making man submit to its patterns without resistance. But man, being only relatively malleable, has always reacted with protest against conditions which made the disequilibrium between the social order and his human needs too drastic or unbearable. The attempt to reduce this disequilibrium and the need to establish a more acceptable and desirable solution is at the very core of the dynamism of the evolution of man in history. Man's protest arose not only because of material suffering; specifically human needs ... are an equally strong motivation for revolution and the dynamics of change. — Erich Fromm

I have little taste for fashionable dissipations, cards, and dancing; the theatre and tea parties are my aversion, and I look with little envy on those who find their enjoyment in such transitory delights, if delights they may be called. — Dorothea Dix

All my life I have been haunted by the obsession that to desire a thing or to love a thing intensely is to place yourself in a vulnerable position, to be a possible, if not a probable, loser of what you most want. Let's leave it like that. — Tennessee Williams

You sit in your chair and ignore it, Moldenke. You remain. Evolution continues, Moldenke remains. You remind me of pi, Moldenke -- ever constant. Do something! Sitting there, gassing the paper weeks away, caring not. — David Ohle

Stops at the end of the road collected Clyde Lidgards like dams collected silt. — C.J. Box

Watching a tree grow will likely drive you crazy. It's a boring process if you stand there, impatiently tapping your foot, waiting for it to do something. But if you step away and come back later, you'll be surprised to see something beautiful emerge. The fact is the plant is doing something: it's growing. Just not as quickly as you might like. Our culture has conditioned us to expect instant results and overnight success; this impatience runs so rampant that we dress it up in terms like "efficiency" and "productivity." But really what's happening is we are conditioning ourselves to get what we want now, all the time. This mindset robs us of the lessons that waiting can teach us, causing us to miss out on the slow but important stuff of life. — Jeff Goins

I've long believed one of the mainsprings of our own liberty has been the widespread ownership of property among our people and the expectation that anyone's child, even from the humblest of families, could grow up to own a business or corporation. — Ronald Reagan

Each time you fail, you have eliminated another wrong option. — Thomas A. Edison

The point of theatre is transformation: to make an extraordinary event out of ordinary material right in front of an audience's eyes. Where the germ of the idea came from is pretty much irrelevant. What matters to every theatre maker I know is speaking clearly to the audience 'right now.' — Lee Hall

Hunting Bears is a complex song. A bear, as you know is another term for a chubby chaser. The guitar line is actually the sound of a fat man's thighs rubbing together as he approaches another lardy male for a night of sexual deviance. — Thom Yorke