Get The Whole Story Quotes & Sayings

The whole point of fanfiction is that you get to play inside somebody else's universe. Rewrite the rules. Or bend them. The story doesn't have to end. You can stay in this world, this world you love, as long as you want, as long as you keep thinking of new stories. — Rainbow Rowell

The whole Bible is the story of men and women trying to get back to God, to overcome that sin with sacrifices, good works, sermons, prophesy, witnessing, giving all kinds of things. It never worked. — Keith Miller

I always wanted to be a photographer. While I was at school, I got a lab-monkey holiday job in the darkrooms at the 'Independent.' What they taught me there was: you need to get the whole story in one frame. — Ben Schott

I think I got spoiled and that writing a short story and getting it published, or writing a novel and getting it published, you pretty much get to do the first, second and third draft yourself without a whole lot of interference. — John Sayles

The sun stopped shining for me is all. The whole story is: I am sad. I am sad all the time and the sadness is so heavy that I can't get away from it. Not ever. — Nina LaCour

The whole point of fanfiction," she said, "is that you get to play inside somebody else's universe. Rewrite the rules. Or bend them. The story doesn't have to end when Gemma Leslie gets tired of it. You can stay in this world, this world you love, as long as you want, as long as you keep thinking of new stories - "
"Fanfiction," Levi said.
"Yes." Cath was embarrassed by how sincere she sounded, how excited she felt whenever she actually talked about this. She was so used to keeping it a secret - used to assuming people would think she was a freak and a nerd and a pervert. ... — Rainbow Rowell

Take it from somebody who has been around for a million years: When you get right down to it, food is practically the whole story every time. — Kurt Vonnegut

I had been asked: Tell us "just exactly" what happened. A story? I began: I am not learned; I am not ignorant. I have known joys. That is saying too little. I told them the whole story, and they listened, it seems to me, with interest, at least in the beginning. But the end was a surprise to all of us. "That was the beginning,"they said. "Now get down to the facts." How so? The story was over!* — Maurice Blanchot

You could pick another two people and you'd have a whole other story and that's why films about love get made and made and made - because there's a million ways to tell it and no two stories are the same. — Jim Sturgess

there is no stronger taboo today than talking about race. In many cases, just being accused of "racism" can get you fired. Yet, teachers in America know the races differ in school achievement; policemen know the races differ in crime rates; social workers know the races differ in rates of welfare dependency or getting infected with AIDS. And sports fans know that Blacks excel at boxing, basketball, and running. They all wonder why. Some blame poverty, White racism, and the legacy of slavery. Although many doubt that "White racism" really tells the whole story, few dare share their doubts. When it comes to race, do you really dare to say what you think? — Rushton

To get the whole story of Jesus, we must be regularly reading and teaching the whole book - New Testament and Old, narrative, poetry, Gospels, apocalyptic, Epistles, Wisdom Literature, prophecy - all of it! All the parts work together, in God's providence, to feed us fully on this one who comes and tells us that he is the living water and the bread of life. — Gloria Furman

This is the only time in history when I get to fight for God. This is the only part of my eternal story when I am actually in the battle. Once I die, I'll be in celebration mode in a glorified body in a whole different set of circumstances. But this is my limited window of opportunity, and I'm going to fight the good fight for all I'm worth. — Joni Eareckson Tada

Let us do our best whilst we live for another tomorrow is coming when whilst we are long gone, another group of people shall come to either suffer from our worst or enjoy and build upon our best. Let us run whole heatedly today with all alacrity for another generation shall come for the baton from our hands to either blame us or congratulate us on how we lived the dream and journeyed in life through the good and the bad times; another generation shall come to ponder over our footprints as a good or a bad lesson for them! Let us run with all necessary zeal such that when we hand over the baton, our next generation will have no reason but to soldier on with courage, enthusiasm and absolute commitment to get to the finishing line with a great accomplishment and a noble story worth pondering over and over! — Ernest Agyemang Yeboah

In some ways, Mary thought, Irma lived her whole life anxious to get things over with, as if she knew the end of her story all along, and didn't feel the middle pages worth the effort of a read. — Lori Lansens

It's hard to be the one always waiting. I mean, there's something to be said for the hero who charges off to battle, but when you get right down to it there's a whole story in who's left behind. — Jodi Picoult

The story' Sanders would say "the whole tone, man, you're wrecking it."
Tone?'
The sound. You need to get a consitent sound, like slow or fast, funny or sad. All these disgressions, they just screw up your story's sound. Stick to what happened. — Tim O'Brien

Lights and darks. And suddenly i was here, where everything seems strange. And I don't know why. Like the Fox and the Crow, I don't know the whole story yet. But that's a good reason to go on, don't you think?"
"Go where?" said the Scarecrow.
"Go forward," said the girl. "See something. Learn something. Figure it out. We won't ever get the whole thing, I bet, but we'll get something. And then we'll have something to tell when we're old about what happened to us when we were young."
"Now?" said the Scarecrow. "Can you tell it now?"
"After," said the girl. "We have to have the BEFORE first, and that's life"
"And what's life?" said the scarecrow.
"Moving," said the girl. "Moving on. Shall we move on? Will you come with me? — Bruce Coville

So it is written - but so, too, it is crossed out. You can write it over again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very lucky, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again. — Catherynne M Valente

I'm here to take him into custody and deliver him to the Council. (Celena)
Well, that sucks. Bank robbery, handing out the passwords for the Dark-Hunter Web site, carjacking, mugging, cats mixing with dogs, and now this ... writing a short story. High crimes all. You get the rope and we'll hang him for it. God forbid the whole twelve subscribers of that magazine should actually read a fictional story and think it real. (Rafael) — Sherrilyn Kenyon

For a lot of folks who get sober, the process of getting and staying sober becomes their higher power, and it becomes a religion that sort of consumes a whole lot of them. I just don't think that that's necessary. I think that that can be a side note rather than the story of your life. — Jason Isbell

Here's the simplest, most jargon-free, definition of marketing you're ever likely to come across: If the circus is coming to town and you paint a sign saying "Circus Coming to the Showground Saturday," that's advertising. If you put the sign on the back of an elephant and walk it into town, that's promotion. If the elephant walks through the mayor's flower bed and the local newspaper writes a story about it, that's publicity. And if you get the mayor to laugh about it, that's public relations. If the town's citizens go to the circus, you show them the many entertainment booths, explain how much fun they'll have spending money at the booths, answer their questions and ultimately, they spend a lot at the circus, that's sales. And if you planned the whole thing, that's marketing. — Allan Dib

The sickest part of this whole story is that I tried really hard to make up for what I thought I did to her, after she started talking to me again. I loaned her money whenever she needed it, I gave her rides whenever she called and needed to get somewhere, I did my best to pretend like David wasn't in the room with us when I was at her house, I did whatever I could that I thought might show her that I loved her and cared about her, and I never meant to hurt her. It took a while before I realized that would never happen. She'd never love me like a mom is supposed to. She would never be there for me like I tried to be for her. She would never apologize for anything or admit that she was wrong. — Ashly Lorenzana

Christ, how did you ever get this screwed up! his mind demanded of
him. He knew the answer, but even that was not a full explanation.
Different segments of the organism called John Terrance Kelly knew
different parts of the whole story,
but somehow they'd never all come together, leaving the separate
fragments of what had ... once been a tough, smart, decisive and to blunder
about in confusion - and despair! There was a happy thought. — Tom Clancy

And what about the question which looms up continually within Christian discussion, about how human behavior as a whole relates to the overwhelming grace of God? This is the point at which the story of the rich young man, and the other scenes in Mark 10, seem to be saying, No: what matters isn't simply keeping a bunch of rules; what matters is character. Not just any old sort of character, either, but a particular sort: the sort Jesus was urging and modeling - the character of patience, humility, and above all generous, self-giving love. And the message of Mark at this point seems to be that you don't get that character just by trying. You get it by following Jesus. — N. T. Wright

When I am writing I don't set a certain number of pages. I do know that the further into a script I get the faster it goes. As soon as you start making decisions you start cutting off all of the other possibilities of things that could happen. So with every decision that you make you are removing a whole bunch of other possibilities of where that story can go or what that character can do. So when I get maybe 2/3's of the way through I can see very clearly where it is going to go. — Steven Zaillian

Get up to turn your chair away from her
a few degrees. And look at me. I may
be someone else's longed-for phantom. Pour
me some more wine; tell me the story; listen:
it's a dreary wish to want the whole world ghostless. — Elizabeth Hadaway

You know every story, every wound, every memory. Their whole life's happiness is wrapped up in you... every single second. Don't you get it? Look down the road to her wedding. I'm in a room alone with her, fixing her veil, fluffing her dress, telling her no woman has ever looked so beautiful. And my fear is she'll be thinking, "I wish my mom was here. — Jackie Harrison

Does that change things?" asked the old man. "Maybe
Anansi's just some guy from a story, made up back in Africa in
the dawn days of the world by some boy with blackfly on his leg,
pushing his crutch in the dirt, making up some goofy story
about a man made of tar. Does that change anything? People respond
to the stories. They tell them themselves. The stories
spread, and as people tell them, the stories change the tellers.
Because now the folk who never had any thought in their head
but how to run from lions and keep far enough away from rivers
that the crocodiles don't get an easy meal, now they're starting to
dream about a whole new place to live. The world may be the
same, but the wallpaper's changed. Yes? People still have the
same story, the one where they get born and they do stuff and
they die, but now the story means something different to what it
meant before. — Neil Gaiman

There was a lot of expectations and pressure on the first one, because the fanbase is pretty big, when we were shooting the movie. I think the whole cast was aware of the responsibility we had to tell Stephanie's (Meyer) story, to try to get it right and take our work seriously. — Peter Facinelli

Now we may have more preachers out there than we have drinkers. But a fellow told me a story one time about a man down in Kentuckywhere they make bourbon. And he said you can take a jigger or two jiggers and get by all right. But if you try to take the whole bottle why you have lost what you started with. So don't try to take it too quick. And don't try to do all of it at once. I don't do much promising. I tell what my goals are and then I try to wrap it up and put a blue ribbon on it and get it delivered. We say put the coonskin on the wall. — Lyndon B. Johnson

Do you remember the fairy tale about the mermaid? A witch gave her legs, she could walk, but she felt like there were red hot knives stabbing into her feet all the time. That story's about us, Maxim! We always walk over sharp knives, and that's something you can never get used to. But Hans Christian Anderson didn't tell the whole story. The witch could have done things differently: the mermaid walks, and the knives stab other people. That's the way of the Dark. — Sergei Lukyanenko

In the end I sort of though we created a companion who was so alive and dynamic and so wedded to the doctor that you'd need a whole universe to contain her in. The only way to get rid of her is to send her into a parallel world from which she can never return; otherwise she would stay with the doctor forever. — Russell T. Davies

Some people ask why we don't just wait until we have the whole story before posting. The fact is that we sometimes can't get to the end story without going through this process ... When a story is up and posted, it's amazing how many people come out of the woodwork to give us additional information ... And readers love it. — Michael Arrington

I wish we could get a real tree," Bug says. "Then at least we'd have one real tradition, since that whole Santa thing's a bust. I mean, if parents are gonna make up a cool story, at least do it realistically. Like, have the guy use FedEx or something-no way reindeer can fly with all that weight. — Sarah Ockler

Being depressed is one thing when your life can be seen by outsiders as justifiably hard, but it is a whole different shameful story when you have
everything and still feel like you can't bear to get out of bed in the morning. People can't really be sympathetic to you when they can begin to fathom what you could be so upset about. — Boyd Varty

Someday, if we won, if humanity survived, we'd be in the history books. Me and Jake and Rachel and Cassie and Tobias and Ax. They'd be household names, like generals from World War II or the Civil War. Patton and Eisenhower, Ulysses Grant and Robert E. Lee. Kids would study us in school. Bored, probably.
And then the teacher would tell the story of Marco. I'd be a part of history. What I was about to do. Some kid would laugh. Some kid would say, "Cold, man. That was really cold."
I had to do it, kid. It was a war. It's the whole point, you stupid, smug, smirking little jerk! Don't you get it?
It was the whole point. We hurt the innocent in order to stop the evil. Innocent Hork-Bajir. Innocent Taxxons. Innocent human-Controllers. How else to stop the Yeerks? How else to win?
No choice, you punk. We did what we had to do.
"Cold, man. The Marco dude? He was just cold. — Katherine Applegate

Scapegrace: Back then, I was full of ideas, I was going to renovate the whole front of the pub,, and extend out to the west, maybe get in a music system a little dancefloor. In the end, I decided not to. Too expensive, you know. And, like, nobody wanted to dance so.
Skulduggery: Vaurien, if you're trying to kill us, there are quicker ways than telling us your life story
Valkryie: Less painful too. — Derek Landy

This was a really amazing part of your adventure, Hamlet. You're sure that, should you ever one day write a book about this story or perhaps a stage production, you'd DEFINITELY include this scene. Why, you'd have to be literally crazy to write a story where you journey to England, get attacked by pirates - actual pirates! - but then just sum up that whole adventure in a single sentence. Hah! That'd be the worst. Who puts a pirate-attack scene in their story and doesn't show it to the audience? Hopefully nobody, that's who! Even from a purely structural viewpoint, you've got to give the audience something awesome to make up for all the introspection you've been doing; that just seems pretty obvious is all. — Ryan North

I'm in the storytelling business, and so you're always drawn to the unusual. And early on, I discovered that's the easiest way to tell stories. If you come up through a newspaper as I did, your whole goal is to get a story on the front page, and you only get something on the front page if it's unusual — Malcolm Gladwell

Storytelling, you know, has a real function. The process of the storytelling is itself a healing process, partly because you have someone there who is taking the time to tell you a story that has great meaning to them. They're taking the time to do this because your life could use some help, but they don't want to come over and just give advice. They want to give it to you in a form that becomes inseparable from your whole self. That's what stories do. Stories differ from advice in that, once you get them, they become a fabric of your whole soul. That is why they heal you."

~Alice Walker, in an interview about her work in Common Boundary, 1990 — Alice Walker

This isn't some kind of inspirational story. Some scrappy, ragtag underdog tale, some pugilistic match where we're the goodhearted gladiator who brings down the oppressive regime that put him in the arena. They get to have that narrative. We are the ones who enslaved whole worlds full of alien inhabitants. We are the ones who built something called a Death Star under the leadership of a decrepit old goblin who believed in the 'dark side' of some ancient, insane religion. — Chuck Wendig

I think the real target of al-Qaeda is Saudi Arabia by the way. They hate us and we're a vehicle to get at Saudi Arabia. I think Osama bin Laden really wants to topple that regime and have his people move in, but that's a whole other story. — Frank Carlucci

Here's the story: 25 years ago, I had my lips injected with silicone. Stupid thing to do at 24. I saw 'Beaches.' Remember that movie 'Beaches'? I did it with my best girlfriend, so she and I go and we get our lips done. Fine. I have it like that for my whole career, right? So then cut to a couple of years ago, I have a doctor remove as much as they possibly can because it got to the point where they were yucky. You know, they get hard. It's gross. They are now whatever that was after they took out as much of the silicone as they could. — Lisa Rinna

I know this is like the longest story ever, but I really just wanted you to know the other side. (And besides, Bendomolena's been on my lap this whole time and once Bendomolena decides to sit on you,get comfortable, because you're not going anywhere for awhile.) Anyway, James is coming over in fifteen minutes so we can go with Victoria and Jonah to see New Nostalgia, and I still have to figure out what I'm wearing.
Like the Beatles said, "O-bla-di, o-bla-da, life goes on."
And it does.
Rock on. — Robin Benway

Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines. — Tricia Helfer

In between bites of banana, Mr. Remora would tell stories, and the children would write the stories down in notebooks, and every so often there would be a test. The stories were very short, and there were a whole lot of them on every conceivable subject. "One day I went to the store to purchase a carton of milk," Mr. Remora would say, chewing on a banana. "When I got home, I poured the milk into a glass and drank it. Then I watched television. The end." Or: "One afternoon a man named Edward got into a green truck and drove to a farm. The farm had geese and cows. The end." Mr. Ramora would tell story after story, and eat banana after banana, and it would get more and more difficult for Violet to pay attention. — Lemony Snicket

Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along. — Jessica Lange

With the story of your life, you dont get to write the whole book, just your character. — Olivia Munn

In ordinary times we get along surprisingly well, on the whole, without ever discovering what our faith really is.If, now and again, this remote and academic problem is so unmannerly as to thrust its way into our minds, there are plenty of things we can do to drive the intruder away. We can get the car out or go to a party or to the cinema or read a detective story or have a row with a district council or write a letter to the papers about the habits of the nightjar or Shakespeare's use of nautical metaphor. Thus we build up a defense mechanism against self-questioning because, to tell the truth, we are very much afraid of ourselves. — Dorothy L. Sayers

That file full of letters meant I met with a Special Needs teacher in the hallway to get something called Individualized Attention, and let me tell you, working in the hallway with a teacher is like being the street person of a school. People pass you by, and they act like they don't see you, but three steps away they've got a whole story in their heads about why you're out there instead of in the nice cozy classroom where you belong, Stupid? Unlucky? Unloved? — Esme Raji Codell

The inflections of community are important because they get at the very meanings of marriage. Marriage is a gift God gives the church. He does not simply give it to the married people of the church, but to the whole church, just as marriage is designed not only for the benefit of the married couple. It is designed to tell a story to the entire church, a story about God's own love and fidelity to us — Lauren F. Winner

The characters are telling you the story. I'm not telling you the story, they're going to do it. If I do it right, you will get the whole story. — George V. Higgins

The way - the only way - to "find" your story is to tell it. Nobody in the whole world has ever before told the story you are about to tell. You yourself have never told it to anyone, not even to yourself. You may have lots of intuitions about what the story is going to be, and you may even have a sort of summary overview of it. These are good and useful things to have; they are fine places to start. They are not enough. Until you actually tell the story, the whole story, it will be nothing but smoke. Moreover, you probably will not tell the story exactly right the first time you try. You'll make wrong turns, use the wrong key, or use the right key in the wrong door. After all, you have nobody to guide you. If you are like most people, you will have to tell this story more than once - maybe even several times - before you really get it down. — Stephen Koch

An illustrator in my own mind - and this is not a truth of any kind - is someone who so falls in love with writing that he wishes he had written it, and the closest he can get to is illustrating it. And the next thing you learn, you have to find something unique in this book, which perhaps even the author was not entirely aware of. And that's what you hold on to, and that's what you add to the pictures: a whole Other Story that you believe in, that you think is there. — Maurice Sendak

David is called a man after God's heart. This can be a little confusing when you get into his story, because he's guilty of adultery and murder and cover-up. He's a train wreck as a husband, and he's worse as a dad. But his heart belongs to God. His whole life is immersed in the presence and story of God. What lights him up is to serve God and love God, and when he mess up - and he does - he repents and wants to get right with God again. — John Ortberg

The key difference between a geek and a critic is that a
critic digs deep and tries to get behind the surface of things,
for better or worse, while a geek is interested in his own hedonism,
the thrill of discovery.A geek is expansive and associative
and doesn't necessarily care what a film or a scene 'means'. It's
the difference between the encyclopaedia and the scholar. A
critic likes an interesting association, a nice phrase; the geek
admires the beau geste, a pulpy story and its codes of honour
taken seriously.
Tarantino rather combines those two roles. He is encyclopaedic
but also interpretive. He is a human Rolodex of
credits. His films are like stuffed overnight bags breaking at the
seams. The Handel of filmmakers, he takes the whole of
cinema as his resource. But he also provides new meanings,
new interpretations of old moments by the way he recontextualizes
them. — D.K. Holm

You write down a paragraph or two describing several different subjects creating a kind of story ingredients-list, I suppose, and then cut the sentences into four or five-word sections; mix em up and reconnect them. You can get some pretty interesting idea combinations like this. You can use them as is or, if you have a craven need to not lose control, bounce off these ideas and write whole new sections. — David Bowie

I don't have writer's block, really. I do have times when I can't get the lead, and that is the only part of the story which I have serious trouble with. I don't write a word of the article until I have the lead. It just sets the whole tone - the whole point of view. — Nora Ephron

Who doesn't want to be loved? That's the whole point. So, when you can get that from someone across the globe, for just telling a story, that's a special thing. — Charles Halford

The whole idea of a festival to me is that filmmakers get to interact. You see someone strolling, you get to meet them and tell them you like their work, you admire their story. — Seymour Cassel