Genre Constraints Quotes & Sayings

...I've never understood the logic that says a work doesn't need to be judged on the quality of its writing or characters simply because its genre. On the other hand, I've also never understood the logic of excusing a work from the need to tell a story worth telling about people worth knowing simply because the author writes pretty language or has some insights to offer. — Glen Hirshberg

You've written plenty of romantic tales," he said, taking the book from her hands and gently closing it. "Didn't you know I would come? — Kelly O'Connor McNees

I've nothing to say of the sun and world - I see only the torments of man. — Justin Bryant

The main reason why clinicians may not diagnose personality disorders is that they think that doing so supports therapeutic pessimism. Recent research has shown this is not true; most patients get better, either with time or with treatment, that the prognosis is actually better than in many patients with severe mood and anxiety disorders. — Joel Paris

Any effort that has self-glorification as its final endpoint is bound to end in disaster. — Robert M. Pirsig

People like eccentrics. Therefore they will leave me alone, saying that I am a mad clown. — Vaslav Nijinsky

Television and cable have become the new independent films, in a sense, for writers and actors to gravitate towards. That's why I like short films, too; I love doing readings, audio books, working with young filmmakers; anything that keeps you from getting blase about yourself or in a rut. — Campbell Scott

At this point, a few words on this term 'horror' are perhaps called for. Some amateurs of this kind of literature engage in endless hairsplitting disputes, centered around this word and its close companion 'terror', as to which' stories may so be categorized and which may not, and whether or not descriptions such as weird or fantasy or macabre are preferable. The designation 'horror', with its connotations of revulsion, satisfies me no more than it does the purists but I believe that it is the only term which embraces all the stories in this collection and which succinctly suggests to the majority of readers what is in store for them. Horror then, in this instance, covers tales of the Supernatural and of physical terror, of ghosts and necromancy and of inhuman violence and all the dark corners and crevices of human belief and behavior that lie in between. ("An Age In Horror" - introduction) — Michel Parry

She understood the genre constraints, the decencies were supposed to be observing. The morally cosy vision allows the embrace of monstrosity only as a reaction to suffering or as an act of rage against the Almighty. Vampire interviewee Louis is in despair at his brother's death when he accepts Lestat's offer. Frankenstein's creature is driven to violence by the violence done to him. Even Lucifer's rebellion emerges from the agony of injured price. The message is clear: By all means become an abomination - but only while unhinged by grief or wrath. — Glen Duncan