Geistiger Quotes & Sayings

A lot of times, I feel like people come up to me because they think I'm like my character in 'Easy A', or because they've seen me in interviews, but really what they're a fan of is a movie or a character. — Emma Stone

There's the physical life and the voice, but at some point you abandon all of that, you know what the spirit of the person is and you let it descend and just get on with it. — Stephen Frears

He was pointing at the moon, but I was looking at his hand. — Richard Siken

Women who marry early are often overly enamored of the kind of man who looks great in wedding pictures and passes the maid of honor his telephone number. — Anna Quindlen

She had stepped into the thin strip of earth that they claimed as their own. Bound by the last building on Brewster and a brick wall, they reigned in that unlit alley like dwarfed warrior kings. Born with the appendages of power, circumcised by the guillotine, and baptized with the steam from a million non reflective mirrors, these young men wouldn't be called upon to thrust a bayonet into an Asian farmer, target a torpedo, scatter their iron seed from a B-52 into the wound of the earth, point a finger to move a nation, or stick a pole into the moon
and they knew it. They only had that three-hundred-foot alley to serve them as stateroom, armored tank, and executioner's chamber. — Gloria Naylor

A good part of the trick to being a first-rate scientist is in asking the right questions or asking them in ways that make it possible to find answers. — Anne Roe

Before I tell you about your father," Fireheart began, "I want you to remember that ThunderClan is proud of you. You'll both make fine warriors. What I'm going to say now won't make any difference to that. — Erin Hunter

Both renunciation of action and the performance of action lead to Nirvana (Liberation); but these performance of action is superior to renunciation of action. The action of today becomes the destiny of tomorrow. — Chinmayananda Saraswati

She can't afford to commit more troops,' Holly whispered. 'The gate is her priority, and she needs to have as many Berserkers watching her back as possible. We are secondary at this point.'
'That will be her undoing,' Artemis gasped, already suffering under the weight of the flak jacket. 'Artemis Fowl will never be secondary.'
'I thought you were Artemis Fowl the Second?' said Holly. — Eoin Colfer

First, my frame of reference for the Britten opera shifted. I'd always thought of Britten's approach in Death in Venice as another exploration of the plight of the individual whose aspirations are at odds with those of the surrounding community: his last opera returning to the themes of Peter Grimes. As I read and listened and thought, however, Billy Budd came to seem a more appropriate foil for Death in Venice. — Philip Kitcher