Gastendiekhes Quotes & Sayings

Cartwright grooved the chisel's tooth into the base of the skull, where the spine would fuse, and lifted the hammer. The chisel jumped in his hand and half the skull turned to silt. It cascaded down the rock wall with the faintest sigh. The {nine-fingered} boy let out a string of oaths so profane, so unparalleled, that surely they'd been inspired by a hell so near.

Cartwright was glad to have a hammer in hand. — Matthew Neill Null

Davos enjoyed a good story as well as any man, but Stannis had not named him Hand for his enjoyment, he felt. His first duty was to help his king rule, and for that he must needs understand the words the ravens brought. The best way to learn a thing was to do it, he had found; sails or scrolls, it made no matter. — George R R Martin

As the lead actor, you naturally get involved with a show. — Melina Kanakaredes

Mr Elliot was rational, discreet, polished, but he was not open. There was never any burst of feeling, any warmth of indignation or delight, at the evil or good of others. This, to Anne, was a decided imperfection. Her early impressions were incurable. She prized the frank, the open-hearted, the eager character beyond all others. — Jane Austen

Let the corporations do as they please
pillage the environment, falsify their advertising, rig the securities markets
and it is none of the federal government's business to interfere with the will of heaven. — Lewis H. Lapham

In the beginning, I was so inspired by the music. I had the option to make something modern with classic undertones, but I wanted to make something that was exactly like that old sound. — Leon Bridges

Only about one per cent of my paintings show family members. Do they help me deal with problems? It's likely that these problems can only be depicted. But photographs, private ones and others, keep appearing that fascinate me so much that I want to paint them. And sometimes the real meaning these images have for me only becomes apparent later. — Gerhard Richter

Many of the poets writing today are hung up on language and symbolism. If the poem does not have depth of meaning or fit a certain academic styles and standards, then it is not poetry. Poetry should relate to the man on the street who has to work for a living. Until poetry connects with the working man, it's not going to sell; it's not going to be of value. — Harley King