Gass Quotes & Sayings
Enjoy reading and share 100 famous quotes about Gass with everyone.
Top Gass Quotes

Freud thought that a psychosis was a waking dream, and that poets were daydreamers too, but I wonder if the reverse is not as often true, and that madness is a fiction lived in like a rented house — William H Gass

The responsibility of any science, any pure pursuit, is ultimately to itself, and on this point physics, philosophy, and poetry unite with Satan in their determination not to serve. Any end is higher than utility, when ends are up. — William H Gass

Language is not the lowborn, gawky servant of thought and feeling; it is need, thought, feeling, and perception itself. The shape of sentences, the song in its syllables, the rhythm of its movement, is the movement of the imagination. — William H Gass

Public libraries have succumbed to the same pressures that have overwhelmed the basic cultural functions of museums and universities, aims that should remain what they were, not because the old ways are always better but because in this case they were the right ones: the sustaining of standards, the preservation of quality, the conservation of literacy's history, the education of the heart, eye and mind. Now libraries devote far too much of their restricted space, and their limited budget, to public amusement. It is a fact of philistine life that amusement is where the money is. — William H Gass

Furthermore, the initial page, always crucial, passed every test, with its promises and divisions, its portentous opening paragraph like the great door of a church, its exotic setting and strange names, the rolling orchestration of its prose. — William H Gass

We converse as we live by repeating, by combining and recombining a few elements over and over again just as nature does when of elementary particles it builds a world. — William H Gass

Still, he should be forgiven what we all want: forgetting within the fuck. Love is a nervous habit. Haven't many said so? Snacking. Smoking. Talking. Joking. Alike as light bulbs. Drinking. Drugging. Frigging. Fucking. — William H Gass

For me, the short story is not a character sketch, a mouse trap, an epiphany, a slice of suburban life. It is the flowering of a symbol center. It is a poem grafted onto sturdier stock. — William H Gass

Some may still be impatient to die for the emperor, but the chief point in life is to die of something and never for something if it can be helped. — William H Gass

I do have a very conscious desire not to be academic. I'm antiacademic. I hate jargon. I hate that sort of pretension. I am a person who [commits] breaches of decorum - not in private life, but in my work. They are part of my mode of operation. That kind of playfulness is part of my nature in general. The paradox that, in a way, to take something very seriously, you can't always be serious about it. — William H Gass

He hated not being heard, having to shout at the insides of himself, having to live in his dreams the way he lived in one of his rented rooms, being opposed, denied, neglected, refused. Kicked out. — William H Gass

As Rilke observed, love requires a progressive shortening of the senses: I can see you for miles; I can hear you for blocks, I can smell you, maybe, for a few feet, but I can only touch on contact, taste as I devour — William H Gass

But they say that sexuality can be dangerously Dionysian. Nowhere do we need order more than at any orgy. — William H Gass

What we see and hear is what we think about. What we think about is what we feel. What we feel influences our reactions. Reactions become habits and it is our habits that determine our destiny. — Bob Gass

They are merely partaking of the evolutionary miracle found most obviously in man, but not necessarily any more useful to his survival than a raven's, or a cat's, or a chimp's is to its. — William H Gass

I don't know myself, what to do, where to go ... I lie in the crack of a book for my comfort ... it's what the world offers ... please leave me alone to dream as I fancy. — William H Gass

Lost in the corn rows, I remember feeling just another stalk, and thus this country takes me over in the way I occupy myself when I am well ... completely - to the edge of both my house and body. No one notices, when they walk by, that I am brimming in the doorways. — William H Gass

The death of God represents not only the realization that gods have never existed, but the contention that such a belief is no longer even irrationally possible: that neither reason nor the taste and temper of the times condones it. The belief lingers on, of course, but it does so like astrology or a faith in a flat earth. — William H Gass

Writing. Not writing. Twin Terrors. Putting one's mother into words ... It may have been easier to put her in her grave. — William H Gass

Bad luck alone does not embitter us that badly . . . nor does the feeling that our affairs might have been better managed move us out of range of ordinary disappointment; it is when we recognize that the loss has been caused in great part by others; that it needn't have happened; that there is an enemy out there who has stolen our loaf, soured our wine, infected our book of splendid verse with filthy rhymes; then we are filled with resentment and would hang the villains from that bough we would have lounged in liquorous love beneath had the tree not been cut down by greedy and dim-witted loggers in the pay of the lumber interests. Watch out, then, watch out for us, be on your guard, look sharp, both ways, when we learn--we, in any numbers--when we find who is forcing us--wife, children, Commies, fat cats, Jews--to give up life in order to survive. It is this condition in men that makes them ideal candidates for the Party of the disappointed People. — William H Gass

One day they came and knocked the cornices from the watch repair and pasted campaign posters on the windows. Torn across, by now, by boys, they urge you still to vote for half an orange beblazoned man who as a whole one failed two years ago to win at his election. Everywhere, in this manner, the past speaks, and it mostly speaks of failure. — William H Gass

I am unlikely to trust a sentence that comes easily. — William H Gass

Some people say their life is full of darkness and I wonder why they don't just try and switch the lights on. — William H Gass

What one wants to do with stories is screw them up. — William H Gass

Still, the days were endurable and came and went like breath with only a few deep heaves to harm the pace. — William H Gass

So if hunger provokes wailing and wailing brings the breast; if the breast permits sucking and milk suggests its swallow; if swallowing issues in sleep and stomachy comfort, then need, ache, message, object, act, and satisfaction are soon associated like charms on a chain; shortly our wants begin to envision the things which well reduce them, and the organism is finally said to wish. — William H Gass

when one person gives — Susan M. Gass

Here is history seen, endured, and created at the same time ... .. If you believe only that which you know to be true, you will trouble yourself with very little belief."
On Thucydides' "History of the Peloponnesian War" in "Fifty Literary Pillars". — William H Gass

So to the wretched writer I should like to say that there's one body only whose request for your caresses is not vulgar, is not unchaste, untoward, or impolite: the body of your work itself; for you must remember that your attentions will not merely celebrate a beauty but create one; that yours is love that brings it own birth with it, just as Plato has declared, and that you should therefore give up the blue things of this world in favor of the words which say them — William H Gass

Nature punishes gluttony, not avarice or hate. — William H Gass

If someone asks me, "Why do you write?" I can reply by pointing out that it is a very dumb question. Nevertheless, there is an answer. I write because I hate. A lot. Hard. And if someone asks me the inevitable next dumb question, "Why do you write the way you do?" I must answer that I wish to make my hatred acceptable because my hatred is much of me, if not the best part. Writing is a way of making the writer acceptable to the world - every cheap, dumb, nasty thought, every despicable desire, every noble sentiment, every expensive taste. — William H Gass

We have scarcely gotten home ... when our children's sneezes greet us, skinned knees bleed after waiting all day to do so. There is the bellyache and the burned-out basement bulb, the stalled car and the incontinent cat. The windows frost, the toilets sweat, the body of our spouse is one cold shoulder and the darkness of our bedroom is soon full of the fallen shadows of our failures. — William H Gass

One may decide that the nipple most nearly resembles a newly ripened raspberry (never, be it noted, the plonk of water on a pond at the commencement of a drizzle, a simple bladder nozzle built on the suction principal gum bubble, mole, or birth ward, bumpy metal button, or the painful red eruption of a swelling), but does one care to see his breakfast fruit as a sweetened milky bowl of snipped nips? no. — William H Gass

Of course there is enough to stir our wonder anywhere; there's enough to love, anywhere, if one is strong enough, if one is diligent enough, if one is perceptive, patient, kind enough
whatever it takes. — William H Gass

The body of Our Saviour shat but Our Saviour shat not. — William H Gass

If you were a fully realized person-whatever the hell that would be-you wouldn't fool around writing books. — William H Gass

Myth murdering myth: that's war these days. — William H Gass

But the body fails us and the mirror knows, and we no longer insist that the gray hush be carried off its surface by the cloth, for we have run to fat, and wrinkles encircle the eyes and notch the neck where the skin wattles, and the flesh of the arms hangs loose like an overlarge sleeve, veins thicken like ropes and empurple the body as though they had been drawn there by a pen, freckles darken, liver spots appear, the hairah, the hair is exhausted and gray and lusterless, in weary rolls like cornered lint. — William H Gass

Like an ability or a muscle, hearing your inner wisdom is strengthened by doing it. — Robert Gass

In the spring I'd shit with the door open, watching the blackbirds — William H Gass

What else is soul but a listener? — William H Gass

We have a name for the Second Coming but none for a second coming. — William H Gass

We must take our sentences seriously, which means we must understand them philosophically, and the odd thing is that the few who do, who take them with utter sober seriousness, the utter sober seriousness of right-wing parsons and political saviors, the owners of Pomeranians, are the liars who want to be believed, the novelists and poets, who know that the creatures they imagine have no other being than the sounding syllables which the reader will speak into his own weary and distracted head. There are no magic words. To say the words is magical enough. — William H Gass

Words, so much more readily remembered, gradually replace our past with their own. Our birth pangs become pages. Our battles, our triumphs, our trophies, our stubbed toes, will survive only in their descriptions; because it is the gravestone we visit, when we visit, not the grave. It is against the stone we stand our plastic flowers. Who wishes to bid good morrow to a box of rot and bones? We say a name, and only a faint simulacrum of its object forms itself (if any at all does)- forms itself in that grayless gray area of consciousness where we put imaginary maps and once heard music; where we hunt for lost articles and diagram desire. — William H Gass

We were late among the living, and by the time God got to us ice was already slipping from the poles as if from an imperfectly decorated cake. — William H Gass

Happiness is just a priest who reads us words of consolation while we walk up the steps to the hangman. — William H Gass

He could have set fire to it, the garden was dry enough, and burned it clean - privet, vines, and weeds; but he waited in his rooms through the winter instead, weeping and dreaming. — William H Gass

The world of conceptualized ideas is quite wonderful, even when it's - like Aristotle's Physics - an outmoded book. The physics is not true. But the reasoning is dazzling. — William H Gass

For the speedy reader paragraphs become a country the eye flies over looking for landmarks, reference points, airports, restrooms, passages of sex. — William H Gass

The true alchemists do not change lead into gold; they change the world into words. — William H Gass

The alcoholic trance is not just a haze, as though the eyes were also unshaven. It is not a mere buzzing in the ears, a dizzinessor disturbance of balance. One arrives in the garden again, at nursery time, when the gentle animals are fed and in all the world there are only toys. — William H Gass

The ladies egged him on; in Eve's name, they dared him; so he made love with discreet verbs and light nouns, delicate conjunctions. They begged; they defied him to define ... define everything. They could not be scandalized - impossible, they said. Indecent prepositions such as in, on, up, merely made them smile, and the roundest exclamation broke upon them like a bubble's kiss, a butterfly's. Smooth and creamy adjectives enabled them to lick their lips upon the crudest story. How charmingly you speak, Reverend Furber, how much you've seen of this wicked world, and how alive you are to it, they said. — William H Gass

As Borges has taught us, all the books in the library are contemporary. Great poems are like granaries: they are always ready to enlarge their store. — William H Gass

Surely it's better to live in the country, to live on a prairie by a drawing of rivers, in Iowa or Illinois or Indiana, say, than in any city, in any stinking fog of human beings, in any blooming orchard of machines. It ought to be. — William H Gass

Joseph thought he knew the plants that had sought out the twitterers, and those that had risen for the wren, or a fern that turned, not to the sun, but toward the chatter of the chickadee, so quick were the petals of its song, so sharp so plentiful so light, so showy in their symmetry, so suddenly in shade. — William H Gass

If there is anything in writing that comes easy for me it's making up metaphors. They just appear. I can't move two lines without all kinds of images. Then the problem is how to make the best of them. In its geological character, language is almost invariably metaphorical. That's how meanings tend to change. Words become metaphors for other things, then slowly disappear into the new image. I have a hunch, too, that the core of creativity is located in metaphor, in model making, really. A novel is a large metaphor for the world. — William Gass

I get very tense working, so I often have to get up and wander around the house. It is very bad on my stomach. I have to be mad to be working well anyway, and then I am mad about the way things are going on the page in addition. My ulcer flourishes and I have to chew lots of pills. When my work is going well, I am usually sort of sick. — William H Gass

[As] authorities "over" us are removed, as we wobble out on our own, the question of whether to be or not to be arises with real relevance for the first time, since the burden of being is felt most fully by the self-determining self. — William H Gass

Words [are] more beautiful than a found fall leaf. — William H Gass

And how would he learn his history now? Imagine growing up in a world where only generals and geniuses, empires and companies, had histories, not your own town or grandfather, house or Samantha - none of the things you'd loved. — William H Gass

Ah, but what is form but a bum wipe anyhow? — William H Gass

What we need, of course, is a language which will allow us to distinguish the normal or routine fuck from the glorious, the rare, or the lousy one - a fack from a fick, a fick from a fock - but we have more names for parts of horses than we have for kinds of kisses, and our earthy words are all ... well ... 'dirty'. It says something dirty about us, no doubt, because in a society which had a mind for the body and other similarly vital things, there would be a word for coming down, or going up, words for nibbles on the bias, earlobe loving, and every variety of tongue track. After all, how many kinds of birds do we distinguish? We have a name for the Second Coming but none for a second coming. In fact our entire vocabulary for states of consciousness is critically impoverished. — William H Gass

Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown are widely distributed, but there are no joyful swatches of either, or any of exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright thin quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling. — William H Gass

Literature is composed of quarter truths, and the quarters are often spent on penny candy. — William H Gass

A philosopher/mathematician named Bertrand Russell who lived and died in the same century as Gass once wrote: "Language serves not only to express thought but to make possible thoughts which could not exist without it." Here is the essence of mankind's creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatazoa attacking an ovum. — Dan Simmons

Knowing has two poles, and they are always poles apart: carnal knowing, the laying on of hands, the hanging of the fact by head or heels, the measurement of mass and motion, the calibration of brutal blows, the counting of supplies; and spiritual knowing, invisibly felt by the inside self, who is but a fought-over field of distraction, a stage where we recite the monotonous monologue that is our life, a knowing governed by internal tides, by intimations, motives, resolutions, by temptations, secrecy, shame, and pride. — William H Gass

Reduction is precisely what a work of art opposes. Easy answers ... annotations, arrows ... an oudine of its design ... very seriously mislead. — William H Gass

A cause is a lie with a fan club. — William H Gass

The censor pretends he is protecting tender hearts, shielding children from sex and violence, keeping the righteous in the right path, guarding against temptation, preserving virtue. How? by burning books, tearing out tongues, stretching necks, stoning women; through torture and imprisonment; by threats of violence against the victim's friends and family; by force-feeding his own people a philosophy not only false and wicked now but false and wicked the day it was first announced by some imaginary lord and used to purchase or preserve his privileges and hoodwink the world. — William H Gass

When book and reader's furrowed brow meet, it isn't always the book that's stupid. — William H Gass

Excellence is inconveniently difficult. — William H Gass

Look: if a bird were to rub its beak on a limb, you'd hear it - sure - and if a piece of water were to move an unaccustomed way, you'd feel it - that's right - and if a fox were to steal a hen, you'd see-you'd see it - even in the middle of the night; but, heaven help you, if a friend a friend - god - were to slit your throat with his - his love - hoh, you'd bleed a week to notice it. — William H Gass

I was struck by the way in which meanings are historically attached to words: it is so accidental, so remote, so twisted. A word is like a schoolgirl's room
a complete mess
so the great thing is to make out a way of seeing it all as ordered, as right, as inferred and following. — William H Gass

It art can only succeed through the cooperating imagination and intelligence of its consumers, who fill out, for themselves, the artist's world and make it round, and whose own special genius partly determine the ultimate glory of it. — William H Gass

So it's true: Being without Being is blue. — William H Gass

Seldom was blue for blue's sake present till Pollock hurled pigment at his canvas like pies. — William H Gass

But if your language is intended to be the medium of an art if you, its user, are an artist and not a reporter, a persuader, a raconteur; if you aren't writing principally to get praise or pay, but wish to avoid the busy avenues of entertainment, to traffic in the tragic maybe, dig down to the deeply serious; then (although there are a few exceptional and contrary cases) you will understand right away how blessed you are by the language you were born with, the language you began to amster in the moment you also started to learn about life, to read the lines on faces, the light in the window which meant milk, the door which deprived you of mother, the half-songs sung by that someone who lonaed you the breast you suckled - the breast you claimed as more than kin. — William H Gass

Works of art are meant to be lived with and loved, and if we try to understand them, we should try to understand them as we try to understand anyone - in order to know them better, not in order to know something else. — William H Gass

Of course, in philosophy, you settle one bill only by neglecting another, a strategy which must eventually fail since all of them fall due at the same time. — William H Gass

Yes, words were superior; they maintained a superior control; they touched without your touching; they were at once the bait, the hook, the line, the pole, and the water in between. — William H Gass

Robert Gass and 'On Wings of Song' bring about magical transformation and inspire people with extraordinary, uplifting, and spiritual music. — Deepak Chopra

As a teacher, it's a great help to be teaching philosophical systems you don't believe. You can actually do a better job of presenting them if you leave your beliefs at the door. — William H Gass

Sing of disappointments more repeated than the batter of the sea, of lives embittered by resentments so ubiquitous the ocean's salt seems thinly shaken, of letdowns local as the sofa where I copped my freshman's feel, of failures as frequent as first love, first nights, last stands; do not warble of arms or adventurous deeds or shepherds playing on their private fifes, or of civil war or monarchies at swords; consider rather the slightly squinkered clerk, the soul which has become as shabby and soiled in its seat as worn-out underwear, a life lit like a lonely room and run like a laddered stocking. — William H Gass

Gass once wrote: "Language serves not only to express thought but to make possible thoughts which could not exist without it." Here is the essence of mankind's creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatozoa attacking an ovum. It might be argued that the Siamese twin infants of word/idea are the only contribution the human species can, will, or should make to the raveling cosmos. — Dan Simmons

The speeding reader guts a book the way the skillful clean fish. The gills are gone, the tail, the scales, the fins; then the fillet slides away swifly as though fed to a seal. — William H Gass

In general, I would think that at present prose writers are much in advance of the poets. In the old days, I read more poetry than prose, but now it is in prose where you find things being put together well, where there is great ambition, and equal talent. Poets have gotten so careless, it is a disgrace. You can't pick up a page. All the words slide off. — William H Gass

If there were genders to genres, fiction would be unquestionably feminine. — William H Gass

Honey, you are a baby in this world and don't know how to howl yet. — William H Gass

Every day he thought would last forever, and the night forever, and the dawn drag eternally another long and empty day to light forever; yet they sped away, the day, the night ... — William H Gass

It's not the word made flesh we want in writing, in poetry and fiction, but the flesh made word — William H Gass

I should like to suggest that at least on the face of it a stroke by stroke story of a copulation is exactly as absurd as a chew by chew account of the consumption of a chicken's wing. — William H Gass

How do we know, then, when a code's been cracked?when we are right?when do we know if we have even received a message? Why, naturally, when, upon one set of substitutions, sense emerges like the outline under a rubbing; when a single tentative construal leads to several; when all the sullen letters of the code cry TEAM! after YEA! has been, by several hands, uncovered. — William H Gass

We were late among the living. — William H Gass

I write because I hate. A lot. Hard. — William H Gass

Nipples may be said to resemble the ripest of raspberries or perhaps even a thimble, but "why take the trouble when the trouble taken is so evident," though Gass himself is willing to do it and make it look effortless. Maybe they really look like "the lightly chewed ends of large pencil erasers," and for someone who spends his days at his desk that image can prove surprisingly effective. — William H Gass

I usually have poor to absent relations with editors because they have a habit of desiring changes and I resist changes. — William H Gass

Prospects: a prickly word, a sour betrayer. It was supposed to fill your thoughts with gold, or with clear air and great and lovely distances. Well, the metal came quickly enough to mind, but beards followed shortly, dirt and the deceptions of the desert, biscuits like powdered pumice, tin spoons, stinking mules, clattering cups, stinking water, deceiving air.
...
Prospects. They made him think dirt. They made him think rags, snakes, picks, and the murder of companions. — William H Gass

Time cannot do to ordinary things what we timelessly do to one another. — William H Gass