Gangster Movie Quotes & Sayings

See, ya are what ya are in this world. That's either one of two things: Either you're somebody, or you ain't nobody. — Frank Lucas

In just about every gangster movie there is a scene where the mob boss says, 'Hey, I'm just a businessman. — William Hageman

I think American audiences like gangster movies. It's part of the culture. — Vincent Cassel

I consciously decided not to be a 'London' actor. Those gangster movies made a lot of East End actors think they were movie stars. And I was very aware that they were going to go out of fashion. — Eddie Marsan

The most interesting of the classic movie genres to me are the indigenous ones: the Western, which was born on the Frontier, the Gangster Film, which originated in the East Coast cities, and the Musical, which was spawned by Broadway. They remind me of jazz: they allowed for endless, increasingly complex, sometimes perverse variations. When these variations were played by the masters, they reflected the changing times; they gave you fascinating insights into American culture and the American psyche. — Martin Scorsese

[On Sting] He threw a sucker punch. There's the sucker who threw the punch. Him the the Bart Simpson hair doo. — Bobby Heenan

I will here venture upon a little description of him. He stood full six feet in height, with noble shoulders, and a chest like a coffer-dam. I have seldom seen such brawn in a man. His face was deeply brown and burnt, making his white teeth dazzling by the contrast; while in the deep shadows of his eyes floated some reminiscences that did not seem to give him much joy. — Herman Melville

Tristan grabs my chin and pulls it toward him and then we're ripping off our masks and kissing, his lips so soft and yet moving fiercely against mine. I wrap a hand around the back of his head, lace my fingers through his hair, breathe him in, kiss him back. My heart blossoms. — David Estes

Another time, I was at the bar getting a drink and this geezer is stood at the bar with a ciggie in his mouth, trying his best to look rock hard. He takes a drag and points his finger in my face and drawls, 'Don't I know you?'
He was looking snake-eyed at me like a typical big screen gangster.
I stood in front of him and drawled back, 'I don't know, but they call me Richy Horsley,' and then bang, I batter him with a left hook that landed with a strange dull thud. Mr Movie Gangster was stood there leaning against the bar and staring out in to space, knocked out standing up. — Stephen Richards

America is a very divided country now. Not only are there red states and blue states, there are now red facts and blue facts. The right-wing believe in creationism. The left in evolution. — John Sayles

I know love is real because her love is visible. — Delano Johnson

Looking back, I wonder why a gangster movie kidnapped my life. The Godfather had nothing to do with me. I was a feminist, not Italian, and I went to school at Montana State. I had never set foot in New York, thought ravioli came only in a can, and wasn't blind to the fact that all the women in the film were either virgins, mothers, whores, or Diane Keaton. — Sarah Vowell

There are moments when you feel that the desire to work is fading, and the only way to bring it back is to get away from it, to put yourself in a state of frustration so you feel the need again. — Emmanuelle Beart

Out of perverseness, I jumped on the subway and went down to a sound stage on Fourth Street to watch the shooting of Kay Doubleday's big strip scene in Mad Dog Coll, a gangster film that can still, to my embarrassment, be seen occasionally on late-night TV... Kay Doubleday was in my class at Lee Strasberg's; it was in the interest of art, I told myself, to watch her prance down a ramp, singing and stripping her heart out. — Brooke Hayward

I definitely would like to do something serious. Not like a love story, but serious like maybe a gangster or a mobster. A gang or a mob movie would be great. — Jason Mewes

He wanted you to love her, forgive her, and if she had been loved on that night ... but of course you couldn't love her, you are not as large as he in heart, nor will you ever be, and that is unforgivable - so unforgivable that he was going to leave with Myrtle and you would have lost him. If you included her, Teddy would have always been with us, instead of trying to prove the might of his love that night. He made a terrible mistake, and we need to forgive him for that mistake. He loved Tilly Dunnage as strongly as you hate her, please imagine that - she said that she would marry him and i know that without exception all of you, along with your secrets and mistakes and prejudices and flaws, would have been a soothing occasion a right and true union. In fact, it was... — Rosalie Ham

One of the great things about doing animated movies is that you don't have to dress up or put on make-up. — Tina Fey

The loudest one in the room is the weakest one in the room. — Frank Lucas

Did everyone have their Wheaties this morning? 'Cause it's time to gift wrap Chubs here and carry him outside."
Everyone groaned except Maria, who flashed a simpering smile. "I'm a girl. I don't lift bodies."
"Bullshit," Flint retorted. "I've seen you bench-press your own weight."
Maria turned. "Honey, I can bench-press your weight, but that doesn't mean I'm gonna help. — Rachel Butler

We're still going to Loggerhead this afternoon, right?" Hi glanced around, then dropped his voice. "For that ... home movie thing?"
I nodded. "We might as well deal with what we can. Let's take the afternoon shuttle. I'll think of an excuse for Kit, thought I'm open to suggestions."
"Ben?" Shelton asked.
"Not today. I think the two of us need a little distance."
The bell rang. We gathered our things and headed for the door.
"Tell Kit we're cutting a music video," Hi suggested as we walked. "Something real gangster, so we need to smash-cut our dance routines. Lay down some visuals. We could offer to let him rap over the second verse."
I gave him a thumbs-up. "Foolproof. Anyone need a locker stop? — Kathy Reichs

I don't know if spirits do indeed roam the world, but even if they do, I will sense your presence everywhere. When I listen to the ocean, it will be your whispers; when I see a dazzling sunset, it will be your image in the sky. — Nicholas Sparks

I always think long term about anything. That's why I have never sold anything that I've ever purchased. And I never purchase anything that I don't think I'm going to keep for a lifetime. — Donald Sterling

I've been lucky to have some great opportunities acting with some great people since leaving Corrie, I have certainly been kept busy since leaving the street! — Suranne Jones

The problem with prime beef is that there are so many people out there selling offal. So you don't know when you're going eat a shitty gangster movie. Because everybody knows there's good stuff to be involved in. — Tom Hardy

If I wrote an autobiography, I'd have to sue the author for defamation ... — Seeley James

I love the gangster genre, but how many gangster movies are there? If I get a good gangster movie script, I'll do it. — Graham King

Why would everyone - in both the movie business and the audience - want to avoid the label "marriage"? Marriage was presumably everybody's business. People were either born into one, born outside of one, living in one, living outside of one, trying to woo someone into one, divorced from one, trying to get divorced from one, reading about one, dreaming about one, or just observing one from afar. For most people, it would be the central event - the biggest decision - of their lives. Marriage was the poor man's trip to Paris and the shopgirl's final goal. At the very least, it was a common touchstone. Unlike a fantasy film or a sci-fi adventure, a marriage story didn't have to be explained or defined. Unlike a western or a gangster plot, it didn't have to find a connection to bring a jolt of emotional recognition to an audience. Marriage was out there, free to be used and presented to people who knew what the deal was. — Jeanine Basinger

Marriage, after all, was the known, not the unknown: the dull dinner party, not the madcap masquerade. It was a set of issues and events that audiences knew all too well offscreen. Unlike the wide-open frontier of the western, offering freedom and adventure, or the lyrical musical, with its fantasy of release through singing and dancing, or the woman's film, with its placing of a marginalized social figure (the woman) at the center of the universe, or the gangster movie, with its violent excitement and obvious sexual freedom, the marriage film had to reflect what moviegoers already had experienced: marriage, in all its boredom and daily responsibilities. — Jeanine Basinger