From Poems Quotes & Sayings

...I am writing these poems from inside a lion... — Shel Silverstein

To truly understand poetry one must understand themselves from within one's self. — Richard M. Knittle Jr.

[John Clare's] father was a casual farm labourer, his family never more than a few days' wages from the poorhouse. Clare himself, from early childhood, scraped a living in the fields. He was schooled capriciously, and only until the age of 12, but from his first bare contact fell wildly in love with the written word. His early poems are remarkable not only for the way in which everything he sees flares into life, but also for his ability to pour his mingled thoughts and observations on to the page as they occur, allowing you, as perhaps no other poet has done, to watch the world from inside his head. Read The Nightingale's Nest, one of the finest poems in the English language, and you will see what I mean.
("John Clare, poet of the environmental crisis 200 years ago" in The Guardian.) — George Monbiot

As it can be maintained that all the great advances have come from men under forty, so the history of the world shows that a very large proportion of the evils may be traced to the sexagenarians, nearly all the great mistakes politically and socially, all of the worst poems, most of the bad pictures, a majority of the bad novels and not a few of the bad sermons and speeches. — William Osler

Do you wonder where poetry come from? Where do we get the songs we sing and the tales we tell? Do you ever ask yourself how it is that some people can dream great, wise, beautiful dreams and pass those dreams on as poetry to the world, to be sung and retold as long as the moon will wax and wane? Have you ever wondered why some people make beautiful songs and poems and tales, and some of us do not?
It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen. — Neil Gaiman

I wish I'd been better able to resist the sense of obligation to write some of the poems I did. It's in the nature of commissioned work to be written too much from the side of your mind that knows what it's doing, which dries up the poetry. — Andrew Motion

Poems come from ordinary experiences and objects, I think. Out of memory - a dress I lent my daughter on her way back to college; a newspaper photograph of war; a breast self-exam; the tooth fairy; Calvinist parents who beat up their children; a gesture of love; seeing oneself naked over age 50 in a set of bright hotel bathroom mirrors. — Sharon Olds

For me, what I am making in the novel is a place to live. When I first switched from poetry to novels, I was asked why, and the metaphor I came up with was about poems as rooms. You can make a room perfect, but then you have to shut the door and never go back, whereas a novel is like a house - it can never be perfect, but you can make a life in it. — Nicole Krauss

I make work that is many things at once: poems that are prose, that are pictures, that are poem and picture. Actions that are images using poems that are umbrellas. My best work is both/and, in-between, occupying several dimensions simultaneously.
(from my Poetics Statement in Troubling the Line) — Jay Besemer

A crimson fire that vanquishes the stars;A pungent odor from the dusty sage;A sudden stirring of the huddled herds;A breaking of the distant table-landsThrough purple mists ascending, and the flareOf water ditches silver in the light;A swift, bright lance hurled low across the world;A sudden sickness for the hills of home. — Willa Cather

I wondered if I was just the sum of my brain scan, little dots clustered in my frontal lobe. Is that where the poems came from? The desire to destroy myself? This last depression had scared me. It had come on so quickly, not like the gradual woolgathering in my brain I had known before. — Betsy Lerner

Still now I send letters into space
Hoping that some mailman somewhere will track you down
And recognise you from the descriptions in my poems
That he will place the stack of them in your hands and tell you,
There is a girl who still writes you, she doesn't know how not to — Sarah Kay

The nature of poems
Is a matter of words and deeds
An intimate encounter of voice
In the ache of the heart
In the labor of breathing
A hesitant casting of eyes
Away from the mundane to see
That delicate and shiny thing
In the oddly prosaic rock pile
An extravagance of conceit
An abundance of grace
A prayer for words to speak — Kendall Dana Lockerman

Far from his illness The wolves ran on through the evergreen forests, The peasant river was untempted by the fashionable quays; By mourning tongues The death of the poet was kept from his poems. — W. H. Auden

Begin. Keep on beginning. Nibble on everything.
Take a hike. Teach yourself to whistle. Lie.
The older you get the more they'll want your stories.
Make them up. Talk to stones. Short-out electric
fences. Swim with the sea turtle into the moon. Learn
how to die. Eat moonshine pie. Drink wild geranium
tea. Run naked in the rain. Everything that happens
will happen and none of us will be safe from it.
Pull up anchors. Sit close to the god of night.
Lie still in a stream and breathe water. Climb to the
top of the highest tree until you come to the branch
where the blue heron sleeps. Eat poems for breakfast.
Wear them on your forehead. Lick the mountain's
bare shoulder. Measure the color of days
around your mother's death. Put your hands over
your face and listen to what they tell you. — Ellen Kort

The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i' the slushy sand. — Robert Browning

His novel or book of poems, decent, adequate, arises not from an exercise of style or will, as the poor unfortunate believes, but as the result of an exercise of concealment. There must be many books, many lovely pines, to shield from hungry eyes the book that really matters, the wretched cave of our misfortune, the magic flower of winter! — Roberto Bolano

I think of something quite different from a snapshot. I know of a lot of poems, some very fine ones, that are like snapshots, but I'm more interested in poetry that is like an endless film, long stories, things that weave together many different strands, like a big piece of cloth, not like a photograph. — Robert Bringhurst

Poems, novels - these things belong to the nation, to the culture and the people. They've been stolen from the people and now the stolen things are being returned to their owners, but I don't think their owners should be grateful to receive them. — Joseph Brodsky

I wanted to write some words you'd remember.

Words so alert they'd leap from the paper,
crawl up your shoulder, lie by your ears,
and purr themselves to you like baby kittens,
but it was rainy, so I laid there and daydreamed about you. — C.L. Foster

True art
comes
from flying
with the madness
so close
you burn
your eyelashes. — Atticus Poetry

Stop this day and night with me and you shall possess the origin of all poems,
You shall possess the good of the earth and sun ... there are millions of suns left,
You shall no longer take things at second or third hand ... nor look through the eyes of the dead ... nor feed on the spectres in books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from yourself. — Walt Whitman

We read Robert Browning's poetry. Here we needed no guidance from the professor: the poems themselves were enough. — Carl Sandburg

Sometimes he would advise me to read poetry, and would send me in his letters quantities of verses and whole poems, which he wrote from memory. 'Read poetry,' he wrote: 'poetry makes men better.' How often, in my later life, I realized the truth of this remark of his! Read poetry: it makes men better. — Pyotr Kropotkin

My poems are like a dagger Sprouting flowers from the hilt; My poetry is like a fountain Sprinkling streams of coral water. — Jose Marti

The Mania Speaks


You clumsy bootlegger. Little daffodil.
I watered you with an ocean and you plucked one little vein?
Downed a couple bottles of pills and got yourself carted off to the ER?
I gifted you the will of gunpowder, a matchstick tongue, and all you managed
was a shredded sweater and a police warning?
You should be legend by now.
Girl in an orange jumpsuit, a headline.
I built you from the purest napalm, fed you wine and bourbon.
Preened you in the dark, hammered lullabies into your thin skull.
I painted over the walls, wrote the poems. I shook your goddamn boots.
Now you want out? Think you'll wrestle me out of you with prescriptions?
A good man's good love and some breathing exercises?
You think I can't tame that? I always come home. Always.
Ravenous. Loaded. You know better than anybody:
I'm bigger than God. — Jeanann Verlee

In the meantime, there are all my books ... "
I'd seen his books. Almost all of them had been written before his birth, which had been more than a century and a half before mine. Many of them were books of love poems. He'd tried to read to me from one of them the night before, in order to cheer me up.
It hadn't worked.
I thought it more polite to say "Thank you, John," than "Do you have any books that aren't about love? And young couples expressing that love? Because I do not need encouragement in that direction right now."
"And you have this whole castle to explore," he said, an eager light in his eyes. "The gardens are beautiful ... — Meg Cabot

I have come more and more to the belief that we owe our arts a thousand times what we are paying them. We support our cigarette factories, soap manufacturers, beauticians, all the luxury and pleasure businesses of our over-indulged civilization, but we pay our painters an average wage ... and yet when the future digs us from the past they won't care how we smell, what we smoke, or if we bathed. All they'll know of us will be our architecture, our paintings, sculpture, poems, laws, philosophy, drama, our pottery and fabrics, the things which our hands made and our minds thought up - oh, the machines they'll dig up too, but perhaps they'll point to them as our destruction, the wheels that drove us down to death. — Vincent Price

If you have a bright idea with such significance, don't pause but push, play and display that concept, it will be recognized or be seen somehow and it will not be forsaken.
( Taken from my forthcoming book " Ency Bearis' Ameliorated Poems" ) — Ency Bearis

The "biggest" poems I ever made are based on the psychological principal of the "Johari Window:" what the self freely shares with others; what the self hides from others; what others hide from the self; and what is unknown to the self and others. — Denise Duhamel

Pablo Neruda's poems tramped through the mud [with the fieldworker] ... knocked at the doors of mansions ... sat at the table of the baker ... The shopkeeper leaned over his counter and read them to his customers and said "Do you know him? He is my brother."
The poems became books that people passed from hand to hand. The books traveled over fences ... and bridges ... and across borders ... soaring from continent to continent ... until he had passed thousands of gifts through a hole in the fence to a multitude of people in every corner of the world. — Pam Munoz Ryan

The act of song writing and recording became one and the same to me; because I essentially recorded everything I did from the day I began trying to write songs. I've always had a lot to say. I'd always written poems. — Adam Goldberg

I primarily use poetry as a purge, a self-medication device when I'm in the depths of loneliness, anxiety or in the throes of depression. When I'm lost in the darkness of mental illness, I spill forth a deluge of words and prose that are oftentimes grim, dark and depressive. And when my poems are spilled forth into one of my poetry journals, I feel a weight has been indeed been lifted from me, and my mind can rest just a bit easier. — Nicholas Trandahl

If you ever try to change my memories again, I will slap you into next spring." I took a breath, knees shaking as I felt small beside him, my white dress brushing against his black trousers. Some women get flowers or poems from their suitors. I get insults and threats. — Dawn Cook

Dylan [Thomas] I knew before and after he became famous. He was splendid, rapacious, demanding as a young man. To much has been written about him for me to add to the legend. As that legend began to grow in his lifetime I learned to separate him from his poetry, to find him in person increasingly tedious and his poems increasingly exciting, both in print and when he was reading them. — John Pudney

I knew I loved you
when 'home' went from being a place
to being a person. — Eric Micha'el Leventhal

Jane,' she said, climbing down from the chair. 'Remember last year when I built that model wind tower for you and you wrote those poems for me?'
And you said you'd never switch homework assignments with me again.'
For good reason. My teacher had a hard time believing I wrote Tra-la the joy of tulips blooming, Ha-ha the thrill of bumblebees zooming. I'm alive and I dance, I'm alive though death is always looming. When I finally convinced her that I had, she asked me if I needed to talk to the school counselor. — Jeanne Birdsall

Some people like me, some don't. I don't understand, Where the difference comes from. My heart like them all. For a simple childish reason. We all are created equal, we all are humans. — Santosh Kalwar

Garrison Keillor read several of my poems on 'The Writer's Almanac' and I've heard from listeners nationally and internationally. That's one of the great gifts of email. — Ellen Bass

You and I are from two different worlds."
"Nonsense. We have much in common. We both like books, dogs, poems, Sir Walter Scott, dogs - I could go on."
"You listed dogs twice."
"It does not matter; I still made my point."
"No, you haven't. — Karen Hawkins

The other chief love- and how similar it was to science, and how different- was reading. As soon as she realized the figures on the page meant something- could be strung together as words, and then sentences, and then paragraphs- she was covetous of the whole system. It seemed a new universe to her. And it was. Everything opened up. Some stories were meant to inform, and others were meant to entertain. And then other stories were separate from those- this the young teacher did not tell her, it was something Angelene figured out on her own, the first year, when a man visited and read them a poem out of a tome of poems- that seemed crafted to relay some secret, and even more than that, some secret about herself. Angelene was mesmerized. What was available for her to know? What secrets did the world hold? Which secrets would be revealed to her through the soil, and which through words? — Amanda Coplin

The nobility of Teresa Leo's poems is that they are not disposed to hide from the dark-rather, they display a mind that tends toward obsession and brooding, that works against fatality like fingers at a knot. The firm, attentive mind on display and the lucid unfolding of the poems are the life instinct seeking and finding its way through again and again. Love and beauty are the argument, but they don't win easily. Bloom in Reverse works through elegy toward survival with moving persistence, both driven and compelling. — Tony Hoagland

Be not so set upon poetry, as to be always poring on the passionate and measured pages. Let not what should be sauce, rather than food for you, engross all your application. Beware of a boundless and sickly appetite for the reading of poems which the nation now swarms withal; and let not the Circaen cup intoxicate you. But especially preserve the chastity of your soul from the dangers you may incur, by a conversation with muses no better than harlots. — Cotton Mather

So when the soul of the poet has come to ripeness of thought, she detaches and sends away from it its poems or songs, - a fearless, sleepless, deathless progeny, which is not exposed to the accidents of the weary kingdom of time: a fearless, vivacious offspring, clad with wings (such was the virtue of the soul out of which they came), which carry them fast and far, and infix them irrecoverably into the hearts of men. These wings are the beauty of the poet's soul. — Ralph Waldo Emerson

So what rhyming poems do is they take all these nearby sound curves and remind you that they first existed that way in your brain. Before they meant something specific, they had a shape and a way of being said. And now, yes, gloom and broom are floating fifty miles away from each other in you mind because they refer to different notions, but they're cheek-by-jowl as far as your tongue is concerned. And that's what a poem does. Poems match sounds up the way you matched them when you were a tiny kid, using that detachable front phoneme. — Nicholson Baker

You have everything within you to do great things in this world. Maybe, you are inspired to sing a song, write a book or poems, create art in various forms. Or you may decide to find a cure for disease, end world hunger, prevent abuse, or take a stand politically. The question is how to begin the process of fulfilling your vision. Start where you are and use the resources you have to build from there. Inspiration is what motivates you to achieve your remarkable ideas. Also it takes time and dedication to excel to the next level. — Amaka Imani Nkosazana

I've made two short films, both of which my father deemed "interesting but beside the point," and am so paralyzed as a writer that I've started translating poems from languages I don't speak, some kind of Surrealist exercise meant to inspire me but also prevent me from thinking the perverse, looping thoughts that come unbidden: I am hideous. — Lena Dunham

Love implies great freedom - not to do what you like. But love comes only when the mind is very quiet, disinterested, not self-centered. These are not ideals. If you have no love, do what you will - go after all the gods on earth, do all the social activities, try to reform the poor, the politics, write books, write poems - you are a dead human being. And without love your problems will increase, multiply endlessly. And with love, do what you will, there is no risk; there is no conflict. Then love is the essence of virtue. And a mind that is not in a state of love is not a religious mind at all. And it is only the religious mind that is freed from problems, and that knows the beauty of love and truth. — Jiddu Krishnamurti

With a combination of proper lighting and climate control he managed to achieve a different ecological niche in each gallery. In the African section, where the imbrications of Augustine, Mafouz and Okri lay decomposing, he grew sorghum and Dioscorea yams. In the Chinese gallery where the Tao Te Ching and countless Confucian annotations moldered, he grew rice, crab apples and barley. Over the poems of Neruda and Borges himself, he grew potatoes. Each plant in this new Eden he lovingly tainted with the virus of civilization

- from the short story "Resurrection — Victor Fernando R. Ocampo

It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there. — William Carlos Williams

And look, my brother, we learned to talk
very quietly and simply.
We understand each other now - there is no need for anything more.
And I say tomorrow we will become still simpler;
we'll find those words that take on the same weight in all hearts, on all lips so that we can call figs figs, and a trough a trough, so that others will smile and say: 'We're making you a hundred poems an hour'. This is what we want too.
Because we do not sing to separate ourselves from people, my brother,
we sing to bring people together. — Yiannis Ritsos

In America they have to know just what you are
novelist, poet, playwright ... Well, I've been all of them ... I think poems and novels and stories spring from the same seed. It's not like, say, playing polo and knitting. — Robert Penn Warren

What we all need most urgently now: to realize that transience is not separation - for we, transient as we are, have it in common with those who have passed from us, and they and we exist together in one being where separation is just as unthinkable. Could we otherwise understand such poems if they had been nothing but the utterance of someone who was going to be dead in the future? Don't such poems continually address inside of us, in addition to what is found there now, also something unlimited and unrecognizable? I do not think that the spirit can make itself anywhere so small that it would concern only our temporal existence and our here and now: where it surges toward us there we are the dead and the living all at once. — Rainer Maria Rilke

I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me. — Matthew Zapruder

I have been in recent years the author of a bestiary and director of some atlas projects; I've written criticism, editorials, reports from a few front lines, letters, a great many political essays ... , more personal stuff, essays for artists' books, and more ... Nonfiction is the whole realm from investigative journalism to prose poems, from manifestos to love letters, from dictionaries to packing lists. — Rebecca Solnit

These solar poems sound very monotheistic, with the high god in his heaven; here we can see whence our traditional concepts of God come. These numinous notions are repeated in the Bible and are clearly related to, if not derived from, Babylonian, Canaanite, Egyptian and other sources, not arising as a result of unique "divine revelation" to the "chosen people. — D.M. Murdock

I'm interested in connecting with readers and strangers through poetry. I want to create real intimacy with my poems. Whether I do that through pulling from my personal life or using my fantasy life - or say history, whether that history is personal history or our collective histories - what's important is that an experience is created. An experience that will hopefully matter to people and feel real. I want my poems to move people and make them want to live their lives, however complicated and impossible those lives may be. I think a poem can speak to the life you currently live but also to the lives you've lived before, the ones to come and also those you've yet to imagine. What else can do that? Not sex or money or other people. — Alex Dimitrov

Poetry had great powers over me from my childhood, and today the poems live in my memory which I read at the age of 7 or 8 years and which drove me to desperate attempts at imitation. — Bayard Taylor

When you would be looking somewhere maybe standing near a window and looking outside, I will come slowly towards you. And first I will inhale your sublime fragrance that emanates from your soft and tender body. Then slowly inching towards you I would hug you from behind and take you in my arms. — Avijeet Das

Poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives. — Audre Lorde

After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures. — Jack Prelutsky

She couldn't quite see herself in it. When they were done, I read the Shakespeare sonnet that begins "Fear no more the heat o' the Sun," partly because it was appropriate to the occasion and one of the most beautiful poems in the language, but also because I hoped it might hide from my loved ones the fact that I myself had nothing to say, that while part of me was here with them on this beloved shore, another part was wandering, as it had been for months, in a barren, uninhabited landscape not unlike the one in my dream. I realized I'd felt like this for a while. Though life had gone on since my mother's death - Kate had gotten married, I'd finally published another book and gone on tour with it - some sort of internal-pause button had been pushed, allowing another part of me, one I'd specifically kept sequestered to deal with my mother, to fall silent. Since her death, Barbara and I had gone through all her things and settled her affairs, but we'd barely spoken of her. — Richard Russo

Vedanta is the teaching of the Upanishads, a collection of dialogues, stories, and poems, some of which go back to at least 800 B.C. Sophisticated Hindus do not think of God as a special and separate super-person who rules the world from above, like a monarch. Their God is "underneath" rather than "above" everything, and he (or it) plays the world from inside. One might say that if religion is the opium of the people, the Hindus have the inside dope. What is more, no Hindu can realize that he is God in disguise without seeing at the same time that this is true of everyone and everything else. In the Vedanta philosophy, nothing exists except God. There seem to be other things than God, but only because he is dreaming them up and making them his disguises to play hide-and-seek with himself. — Alan W. Watts

In poems, equally as in philosophic disquisitions, genius produces the strongest impressions of novelty while it rescues the most admitted truths from the impotence caused by the very circumstance of their universal admission. — Samuel Taylor Coleridge

I write poems from dreams pretty frequently. It's limiting to think the poem has to come from a sensical lyric "I" stating things clearly or dramatically. This whole course is trying to say there are millions of ways to approach writing a poem. — Matthea Harvey

We scoffed at the kids who weren't like us, the ones who already talked about careers, or bliddy mortgages and pensions. Kids wanting to be old before they were young. Kids wanting to be dead before they'd lived. They were digging their own graves, building the walls of their own damn jails. Us, we hung to our youth. We were footloose, fancy free. We said we'd never grow boring and old. We plundered charity shops for vintage clothes. We bought battered Levis and gorgeous faded velvet stuff from Attica in High Bridge. We wore coloured boots, hemp scarves from Gaia. We read Baudelaire and Byron. We read our poems to each other. We wrote songs and posted them on YouTube. We formed bands. We talked of the amazing journeys we'd take together once school was done. Sometimes we paired off, made couples that lasted for a little while, but the group was us. We hung together. We could say anything to each other. We loved each other. — David Almond

a billion brains may coax undeath
from fancied fact and spaceful time--
no heart can leap, no soul can breathe
but by the sizeless truth of a dream
whose sleep is the sky and the earth and the sea
For love are in you am in i are in we — E. E. Cummings

Besides the actual reading in class of many poems, I would suggest you do two things: first, while teaching everything you can and keeping free of it, teach that poetry is a mode of discourse that differs from logical exposition. — A.R. Ammons

I judge wisely ... as if nothin ever surprise me,
Loungin, between two pillars of ivory.
I'm lively, my dome piece is like buildin stones in Greece.
My poems are deep, from ancient thrones I speak. — Killah Priest

Shoulder the sky,'" said Nan smiling. "Do you know A. E. Housman's poems? I think it helps a lot to find that other people have troubles, and understand what it feels like to be unhappy. Poets seem to know a lot about unhappiness. Here's something that has helped me." She hesitated for a moment and then quoted the lines: "The troubles of our proud and angry dust Are from eternity, and shall not fail. Bear them we can, and if we can we must. Shoulder the sky, my lad, and drink your ale." "'Shoulder — D.E. Stevenson

She walked
through her life
heavy
from the
mighty wings
upon her back. — Atticus Poetry

i am not a jealous person,
but when i am with you,
the thought of someone else
pulling your attention away from me
kills me a little inside
each time. — AVA.

You never forget the books you loved as a kid. You never forget the poems you memorized, the first book you read until the cover fell off, the book you read hidden from your mother. What an honor to hold hands with a child's imagination in this way. — Meg Medina

If I knew where poems came from, I'd go there. — Michael Langley

For the novelist or poet, for the scientist or artist, the question is not where do ideas come from, the question is how they come. The how is the mystery. The how is fragile. — E.L. Konigsburg

Dwayne's real mother was a spinster school teacher who wrote sentimental poetry and claimed to be descended from Richard the Lion-Hearted, who was a king. His real father was an itinerant typesetter, who seduced his mother by setting her poems in type. He didn't sneak them into a newspaper or anything. It was enough for her that they were set in type. — Kurt Vonnegut

I could take a walk with my wife and try
to explain the ghosts I can't stop speaking to.
Or I could read all those books piling up
about the beginning of the end of understanding ...
Meanwhile, it's such a beautiful morning,
the changing colors, the hypnotic light.
I could sit by the window watching the leaves,
which seem to know exactly how to fall
from one moment to the next. Or I could lose
everything and have to begin over again. — Philip Schultz

Prose Poems from my book SPAN
OBSERVATION
So, we may not be able to explain the world. Not exactly. But we can accept it, and love it. We can turn our faces to the light and examine the minutest details simply for the sake of it. We can live lives of joy and purpose. We are all part of one whole. Take comfort in this. Almost every one of us is capable of holding a cup to another's lips without our hands shaking. — Jay Woodman

I write a book of poems and then the characters won't go away so I write a play from that. — Grace Cavalieri

Dreams are debris from bad day. Dreams are poems by bad poets that never got written. — Tadeusz Konwicki

Most Like an Arch This Marriage
Most like an arch - an entrance which upholds
and shores the stone-crush up the air like lace.
Mass made idea, and idea held in place.
A lock in time. Inside half-heaven unfolds.
Most like an arch - two weaknesses that lean
into a strength. Two fallings become firm.
Two joined abeyances become a term
naming the fact that teaches fact to mean.
Not quite that? Not much less. World as it is, what's strong and separate falters. All I do
at piling stone on stone apart from you
is roofless around nothing. Till we kiss
I am no more than upright and unset.
It is by falling in and in we make
the all-bearing point, for one another's sake,
in faultless failing, raised by our own weight. — John Ciardi

Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new film, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. — Jim Jarmusch

And the truth is that I'm not, Ed, is what I wanted to tell you. I'm not arty like everyone says who doesn't know me, I don't paint, I can't draw, I play no instrument, I can't sing. I'm not in plays, I wanted to say, I don't write poems. I can't dance except tipsy at dances. I'm not athletic, I'm not a goth or a cheerleader, I'm not treasurer or co-captain. I'm not gay and out and proud, I'm not that kid from Sri Lanka, not a triplet, a prep, a drunk, a genius, a hippie, a Christian, a slut, not even one of those super-Jewish girls with a yarmulke gang wishing everyone a happy Sukkoth. I'm not anything, this is what I realized ... I like movies, everyone knows I do
I love them
but I will never be in charge of one because my ideas are stupid and wrong in my head. There's nothing different about that, nothing fascinating, interesting, worth looking at. — Daniel Handler

Edwards's stark presentation of the immanent consciousness of Separation enters the structure of her poems. Each word is a cipher, through its sensible sign another sign hidden. The recipient of a letter, or combination of letter and poem from Emily Dickinson, was forced much like Edwards' listening congregation, through shock and through subtraction of the ordinary, to a new way of perceiving. Subject and object were fused at that moment, into the immediate feeling of understanding. This re-ordering of the forward process of reading is what makes her poetry and the prose of her letters among the most original writing of her century. — Susan Howe

After the fierce midsummer all ablaze
Has burned itself to ashes, and expires
In the intensity of its own fires,
There come the mellow, mild, St. Martin days
Crowned with the calm of peace, but sad with haze.
So after Love has led us, till he tires
Of his own throes, and torments, and desires,
Comes large-eyed friendship: with a restful gaze,
He beckons us to follow, and across
Cool verdant vales we wander free from care.
Is it a touch of frost lies in the air?
Why are we haunted with a sense of loss?
We do not wish the pain back, or the heat;
And yet, and yet, these days are incomplete. — Ella Wheeler Wilcox

Young writers should be encouraged to write, and discouraged from thinking they are writers. If they arrive at college with literary ambitions, they should be told that everything they have done since their first childhood poems, printed in the school paper, has been preparation for entering a long, long apprenticeship. — Wallace Stegner

There was a young lady of Niger
Who smiled as she rode on a tiger;
They returned from a ride
With the Lady inside
And the smile on the face of the tiger. — Holly Black

Our bodies are garbage heaps: we collect experience, and from the decomposition of the thrown-out eggshells, spinach leaves, coffee grinds, and old steak bones out of our minds, come nitrogen, heat, and very fertile soil. Out of this fertile soil bloom our poems and stories. But this does not come all at once. It takes time. Continue to turn over and over the organic details of your life until some of them fall through the garbage of discursive thoughts to the solid ground of black soil. — Natalie Goldberg

I see poetry as a path toward new understanding and transformation, and so I've looked at specific poems I love, and at poetry's gestures in the broadest sense, in an effort to feel and learn what they offer from the inside. — Jane Hirshfield

We dance, we dance. You hold the thread of my soul. You spin, you spin. And you unravel the part from the whole. We laugh, we laugh. I'm so far from where I began. I fall, I fall. And I forget that I am.-from Golden Tongue:The Poems of Steven Slaughter — Maggie Stiefvater

The most dazzling aspect of 'Possession' is Ms. Byatt's canny invention of letters, poems and diaries from the 19th century. — Jay Parini

A good poem is a tautology. It expands one word by adding a number which clarify it, thus making a new word which has never before been spoken. The seedword is always so ordinary that hardly anyone perceives it. Classical odes grow from and or because, romantic lyrics from but and if. Immature verses expand a personal pronoun ad nauseam, the greatest works bring glory to a common verb. Good poems, therefore, are always close to banality, over which, however, they tower like precipices. — Alasdair Gray

I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination. — Billy Collins

Break out to go out:

The birds dare to break the egg shell
It does so in order to get out of that Hell
When it finally succeeds, it'll then fly
To its comfort zone it'll say bye
Are you being confined in a small space
How long will you remain at that place?
Before you can explore more territories,
Break away from the former glories.
Yesterday's excellence is today's average
You must strive to be better age after age
Never accept the available mediocrity
As the only preferable opportunity
Decide to grow from below to hero
And make it a point to vacate level zero
Reach out and arise with power
God's blessings on you, will shower
Agree to grow, never attempt to be slow
Be not afraid. Never doubt. You'll flow
The grace of God will be your guide
Taking you along, side by side. — Israelmore Ayivor

Poems in a way are spells against death. They are milestones, to see where you were then from where you are now. To perpetuate your feelings, to establish them. If you have in any way touched the central heart of mankind's feelings, you'll survive. — Richard Eberhart

I want to be clear about this. If you wrote from experience, you'd get maybe one book, maybe three poems. Writers write from empathy. — Nikki Giovanni

I have learned so much from working with other poets, travelling and reading with them, spending days discussing poems in progress. There is the sense that we are all, as writers, part of something which is more powerful than any of us. — Helen Dunmore

Have you ever been lucky enough to figure out where your dreams come from? I have. I've written many poems about a place that I have only been to in my dreams. This beautiful place is called Korea. — Ronald J. Chapman

As we joined the line of people getting off at the last stop before Sofia, I looked once more at the little boy, whom I felt I would never forget, though maybe it wasn't exactly him I would remember, I thought, but the use I would make of him. I had my notes, I knew I would write a poem about him, and then it would be the poem I remembered, which would be both true and false at once, the image I made replacing the real image. Making poems was a way of loving things, I had always thought, of preserving them, of living moments twice; or more than that, it was a way of living more fully, of bestowing on experience a richer meaning. But that wasn't what it felt like when I looked back at the boy, wanting a last glimpse of him; it felt like a loss. Whatever I could make of him would diminish him, and I wondered whether I wasn't really turning my back on things in making them into poems, whether instead of preserving the world I was taking refuge from it. — Garth Greenwell

I grew up around poets and novelists and my dad wrote poems about everything - from a cat sleeping in a window to a car wreck he passed on the highway. I learned not to censor myself: that was one of things I learned in my apprenticeship, my creative-writing apprenticeship with my dad. — Lucinda Williams