Famous Quotes & Sayings

French Novel Quotes & Sayings

Enjoy reading and share 31 famous quotes about French Novel with everyone.

Share on Facebook Share on Twitter Share on Google+ Pinterest Share on Linkedin

Top French Novel Quotes

The revolutionaries failed to institute the novel forms of social and political organization they hankered after; Workers would not accept a ten-day week, or state-appointed priests, or rectangular departements, or the cult of the Supreme Being. — Alan Ryan

As a student in England, I studied French and English literature. I read L'Etranger and the rhythm of the novel felt familiar to me - very African. — Sefi Atta

I've always wondered why there isn't a great French novel about the German occupation. The nouveau roman authors weren't interested in telling that sort of thing. — Manuel Puig

But there is no doubt that to attempt a novel of ideas is to give oneself a handicap: the parochialism of our culture is intense. For instance, decade after decade bright young men and women emerge from their universities able to say proudly: 'Of course I know nothing about German literature.' It is the mode. The Victorians knew everything about German literature, but were able with a clear conscience not to know much about the French. — Doris Lessing

Henri-Georges Clouzot's cool, clammy, twisty 1955 thriller Diabolique is an almost perfect movie about a very nearly perfect murder, a film in which the artist's methods and the killers' are ideally matched, equal in cunning and in ruthlessness. The screenplay, adapted by Clouzot and three other writers from a novel by the crack French crime-fiction team of Pierre Boileau and Thomas Narcejac, is a fantastically elaborate piece of contrivance, but the scrupulous realism of the direction makes the unnatural tale somehow feel entirely likely. — Terrence Rafferty

Writing a novel about World War II and the French Resistance was a challenge both sobering and thrilling. — Bobbie Ann Mason

Indigestion was designed by God to impose morality on stomachs. Our entire lives explained in one French novel. — Victor Hugo

You can't have a novel without real, believable people, and once you get into either too theoretical a novel or too philosophical a novel, you get into the dangers that the French novel has discovered in the past 50 or 60 years. And you get into a sort of aridity. No, you have to have real, identifiable people to whom the reader reacts in a way as if they were real people. — Julian Barnes

It is one of the many merits of this admirable biography of Proust's mother that it invites one to return to the novel with perhaps a fuller understanding of Proust's heredity, hinterland, and upbringing ... This fascinating book is full of interesting social and cultural observation, of information about French Jewish life, the position of Jews in society and, of course, the Dreyfus case. But it is essentially a study of one of the most remarkable and fruitful of mother-son relationships. As such it is a book that every Proustian will want to read. — Allan Massie

He told me how he had first met her during the war and then lost her and won her back, and about their marriage and then about something tragic that had happened to them at St-Raphael about a year ago. This first version that he told me of Zelda . and a French naval aviator falling in love was truly a sad story and I believe it was a true story. Later he told me other versions of it as though trying them for use in a novel, but none was as sad as this first one and I always believed the first one, although any of them might have been true. They were better told each time; but they never hurt you the same way the first one did. — Ernest Hemingway,

Doctors came to see her singly and in consultation, talked much in French, German, and Latin, blamed one another, and prescribed a great variety of medicines for all the diseases known to them, but the simple idea never occurred to any of them that they could not know the disease that Natasha was suffering from, as no disease suffered by a by a live man can be known, for every living person has his own peculiarities and always has his own peculiar, personal, novel, complicated disease, unknown to medicine - not a disease of the lungs, liver, skin, heart, nerves, and so on mentioned in medical books, but a disease consisting of one of the innumerable combinations of the maladies of those organs. — Leo Tolstoy

There is never but one pleasant side to this human life. Like the globe on which we turn, our own rapid rotation is but one day, and a part of this day cannot receive light, so that the other part will not be delivered into darkness. — Jacques-Henri Bernardin De Saint-Pierre

I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language. — Jessye Norman

It seemed some pulp-novel version of a European hub, equal parts Renaissance-age Florence and modern day Paris with a heavy helping of Las Vegas and New York - at least, that was the way she thought of it. It was so far beyond description and unrelatable to any other place that she grasped desperately at straws trying to puzzle out how she'd tell the tale she'd no doubt live tonight. — Alaria Thorne

A discursive student is almost certain to fall into bad company. Ten minutes with a French novel or a German rationalist have sent a reader away with a fever for life. — Robert Aris Willmott

Another example is the modern political order. Ever since the French Revolution, people throughout the world have gradually come to see both equality and individual freedom as fundamental values. Yet the two values contradict each other. Equality can be ensured only by curtailing the freedoms of those who are better off. Guaranteeing that every individual will be free to do as he wishes inevitably short-changes equality. The entire political history of the world since 1789 can be seen as a series of attempts to reconcile this contradiction. Anyone who has read a novel by Charles Dickens knows that the liberal regimes of nineteenth-century Europe gave priority to individual freedom even if it meant throwing insolvent poor families in prison and giving orphans little choice but to join schools for pickpockets. Anyone who has read a novel by Alexander Solzhenitsyn knows how Communism's egalitarian ideal produced brutal tyrannies that tried to control every aspect of daily life. — Yuval Noah Harari

Because beautiful things never last. Not roses nor snow ... And not fireworks, either — Jennifer Donnelly

The whole of life did not consist in going to bed with a woman, he thought, returning to Scott and Balzac, to the English novel and the French novel. — Virginia Woolf

Isn't post-modernism really one big cover-up for the failure of the French to write a truly interesting novel ever since a sports car ate Albert Camus? — John Leonard

On the day of the races at Krasnoe Selo, Vronsky had come earlier than usual to eat beefsteak in the common messroom of the regiment. He had no need to be strict with himself, as he had very quickly been brought down to the required light weight; but still he had to avoid gaining flesh, and so he eschewed farinaceous and sweet dishes. He sat with his coat unbuttoned over a white waistcoat, resting both elbows on the table, and while waiting for the steak he had ordered he looked at a French novel that lay open on his plate. He was only looking at the book to avoid conversation with the officers coming in and out; he was thinking. — Leo Tolstoy

It is much easier for me to define what makes a novel French or Russian, but defining the characteristics of an Australian novel are difficult for me as it is all too close - I can't see the woods for the trees. — Robert Dessaix

But there was never any knowing or any certitude; the time to come always had more than one possible direction. One could not even give up hope. The wind would blow, the sand would settle, and in some as yet unforeseen manner time would bring about a change which could only be terrifying, since it would not be a continuation of the present. — Paul Bowles

DON Luigi Giussani used to quote this example from Bruce Marshall's novel To Every Man a Penny. The protagonist of the novel, the abbot Father Gaston, needs to hear the confession of a young German soldier whom the French partisans are about to sentence to death. The soldier confesses his love of women and the numerous amorous adventures he has had. The young priest explains that he has to repent to obtain forgiveness and absolution. The soldier answers, "How can I repent? It was something that I enjoyed, and if I had the chance I would do it again, even now. How can I repent?" Father Gaston, who wants to absolve the man who has been marked by destiny and who's about to die, has a stroke of inspiration and asks, "But are you sorry that you are not sorry?" The young man answers impulsively, "Yes, I am sorry that I am not sorry." In other words, he apologizes for not repenting. The door was opened just a crack, allowing absolution to come in ... . — Pope Francis

It was similar to a feeling he used to experience long ago when, after months of translating with the aid of a dictionary, he would finally read a passage from a French novel, or an Italian sonnet, and understand the words, one after another, unencumbered by his own efforts. In those moments Mr. Kapasi used to believe that all was right with the world, that all struggles were rewarded, that all of life's mistakes made sense in the end. The promise that he would hear from Mrs. Das now filled him with the same belief. — Jhumpa Lahiri

Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.' But in the six years of writing that novel, I actually learned to write, to invent things. — Hilary Mantel

Eliot was scornful of idle women readers who imagined themselves the heroines of French novels, and of self-regarding folk who saw themselves in the most admirable character in a novel, and she hoped for more nuanced engagement from her own readers. Even so, all readers make books over in their own image, and according to their own experience. — Rebecca Mead

But it was not what I wanted to do! I wanted to star in a silent movie and vamp the sheik, take a trip to the South Seas ... walk naked in the sand and surf ... write a novel about it. Be the Empress of the Galaxy, be discovered by a hero that would ravish me, and take me away on high adventure! Take a interminable motor home trip across the US and find out how the past had become the present. Journey to Europe, speak flawless French, and become the courtesan in the country chalet where all the real people came to party." She laughed again. "Mostly I did not want be confined to routine ... endless routine. — William C. Samples

A detailed
analysis of the most famous novels would show, in different perspectives each time, that the essence of
the novel lies in this perpetual alteration, always directed toward the same ends, that the artist makes in
his own experience. Far from being moral or even purely formal, this alteration aims, primarily, at unity
and thereby expresses a metaphysical need. The novel, on this level, is primarily an exercise of the
intelligence in the service of nostalgic or rebellious sensibilities. It would be possible to study
this quest for unity in the French analytical novel and in Melville, Balzac, Dostoievsky, or Tolstoy — Albert Camus

But then it came time for me to make my journey - into America. [ ... N]o coincidence that my first novel is called Americana. That became my subject, the subject that shaped my work. When I get a French translation of one of my books that says 'translated from the American', I think, 'Yes, that's exactly right. — Don DeLillo

Dear Diary:
I have a confession to make: I've become a total idiot over French pastries.
They're my new favorite food.
My new-found edible souvenir.
My new favorite sin.
Dunkin Donuts is so yesterday. — Kimberley Montpetit

...and his eyes had that splendid innocence, that opaque blue candour of the satanically fallen. ~ The French Lieutenant's Woman — John Fowles