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French Film Quotes & Sayings

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Top French Film Quotes

It took my breath away, that evening. If you've ever dreamed that you walked into your best-loved book or film or TV program, then maybe you've got some idea how it felt: things coming alive around you, strange and new and utterly familiar at the same time; the catch in your heartbeat as you move through the rooms that had such a vivid untouchable life in your mind, as your feet actually touch the carpet, as you breathe the air; the odd, secret glow of warmth as these people you've been watching for so long, from so far away, open their circle and sweep you into it. — Tana French

I was a young film student around the time of the new wave in film in the 1970s; old Hollywood was naff and over. For me, as a film student, I was going to see French and Italian cinema; American cinema was 'Easy Rider' and 'Taxi Driver.' Everything was gritty. — Gillian Armstrong

Of course the French are making very credible movies and it is still one of the greatest nations in terms of world cinema but the real problem is the decay in film criticism. — Wim Wenders

My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital. — Nikki Sixx

When I make an American movie it's going to come out all over the world-it doesn't happen the same way for an Italian film or a French film. — Monica Bellucci

My favourite film is 'Le Diner de Cons,' a French movie. — Stanislas Wawrinka

Henri-Georges Clouzot's cool, clammy, twisty 1955 thriller Diabolique is an almost perfect movie about a very nearly perfect murder, a film in which the artist's methods and the killers' are ideally matched, equal in cunning and in ruthlessness. The screenplay, adapted by Clouzot and three other writers from a novel by the crack French crime-fiction team of Pierre Boileau and Thomas Narcejac, is a fantastically elaborate piece of contrivance, but the scrupulous realism of the direction makes the unnatural tale somehow feel entirely likely. — Terrence Rafferty

I think that what people abroad want from French film, inside French film becomes our worst fear, "Oh, another film about love!" — Louis Garrel

There's the soundtrack to The French Connection II'I think It's my favorite soundtrack. It hasn't been released. I actually had to go and get the film and just make a recording of it to get the music. — Jonny Greenwood

Off the southeast tip of Italy a young Austrian U-boat commander named Georg von Trapp, later to gain eternal renown when played by Christopher Plummer in the film The Sound of Music, fired two torpedoes into a large French cruiser, the Leon Gambetta. The ship sank in nine minutes, killing 684 sailors. "So that's what war looks like!" von Trapp wrote in a later memoir. He told his chief officer, "We are like highway men, sneaking up on an unsuspecting ship in such a cowardly fashion." Fighting in a trench or aboard a torpedo boat would have been better, he said. "There you hear shooting, hear your comrades fall, you hear the wounded groaning - you become filled with rage and can shoot men in self defense or fear; at an assault you can even yell! But we! Simply cold-blooded to drown a mass of men in an ambush! — Erik Larson

My way of remaining French was the financing scheme I used for Quest for Fire, with Fox funds, since it started as a 100% American production. The film was not in French and yet was French in style, reflecting my personality. — Jean-Jacques Annaud

At one A.M. we are learning over a bar, Jim and I, and I am stressing the primary importance of the wish. Not knowing what we want, not wishing for it , keeps us navigating along peripheries and tributaries formed and shaped by external influences. I said: Forget about the probable and improbable. Just a few hours ago I met Shirley Clark. She had no money at all but wanted to go to India. She is a film maker. The wish was the orientation. When an offer came to make a film about French children for UNESCO, she accepted, and it led to her being asked to make film on an Indian dancer. Her wish, for years, was the beacon. The probable and improbable are only negative concepts we have to transcend, not accept. — Anais Nin

If poor doomed Olly's a Radio 4 play, what am I?""
"You, Hugo," she kisses my earlobe, "are a sordid, low-budget French film. The sort you'd stumble across on TV at night. You know you'll regret it in the morning, but you keep watching anyway. — David Mitchell

It was 1953, and I was still at school. I'd borrowed a silent French film from the library for my 9.5mm projector. It was by Jean Epstein, and it was awful. So I rang the library and asked if they had anything else. They said they had 'Napoleon Bonaparte and the French Revolution.' — Kevin Brownlow

We have to do a film parody for Comic Relief. We can't decide which film to parody at the moment. Any ideas welcome, but not Spiderman owing to costume being too tight. — Dawn French

When I moved to Paris in the '70s, there wasn't very much going on in film in England. So when I started doing French films, there was a natural movement toward the kind of films I wanted to do. It wasn't the reason I came, but it so happened that I stepped into a time and place that actually corresponded to what I wanted. That sometimes happens in life. And it was rather beautiful. — Charlotte Rampling

But strangely, [in] the original Matt Helm books, he's just this super hardass assassin. They sort of made it into a sexy romp for the movies. The books are very, very dark. I also watched OSS 117: Cairo, Nest Of Spies, which is a French film. They just made a second one, I think, which is based on like, 100 novels. They're just fantastic. They're set in the '60s. A lot of the visual inspiration definitely came from 1960 James Bond movies and OSS 177 and also Pink Panther movies. — Adam Reed

I made a French film called 'Merry Christmas' which is a very European film. It's a World War I piece. — Diane Kruger

If somebody had started on a remake of French Kiss before I announced my own film, I would have dropped my subject. If someone else starts after me, what am I to do? — Ajay Devgan

Winston knew better than to give a heartfelt synopsis of a grainy black-and-white film that had inadvertently touched his heart and caused him to empathize with a loafer-shod French boy, Doinel, the young, unloved Parisian, running toward the sea in the last reel. Winston had wanted to chase behind him, clasp him on the shoulder ... — Paul Beatty

I consider myself a 'local' actor in France. I started out in France, I went to drama school in France and the French film community was very welcoming to me when I was a young actress. — Diane Kruger

Although the French were very friendly and helpful. On one location we were to film at the top of the Eiffel Tower but we couldn't, as it was so misty with four inches of snow on the ground. We couldn't see a thing but we finally got it done. — Lalla Ward

It never ceases to surprise me, the people I get to work with. I'm in a French film with Sandrine Bonnaire? I adore Sandrine Bonnaire. I'm doing a picture for Robert Redford? The Sundance Kid? I have to pinch myself sometimes. — Kevin Kline

It wouldn't have existed without France, and it's a French initiative. As a filmmaker, I owe everything to France - I got accepted at a French film school that takes six directors a year. Once you're in, you make films under the eye of people in the industry. You grow up in front of their eyes. — Deniz Gamze Erguven

I have found in the world of film many movies including Beyond Rangoon, The Crow, Gandhi, Doctor Zhivago, and The Big Blue, a French film, convey similar understandings. I'm sure the list is endless. These are just a few of my favorites. — Frederick Lenz

I've wanted to make a film about French youth since I went to Cannes with my first film 'Kids' in 1995 ... Scribe's screenplay is about French kids today, and the world today. Just like my films 'Kids' and 'Ken Park', this will be a movie like you have never seen before. — Larry Clark

I started to write because of my dream to become a filmmaker. I got to know about a film school in Paris and it was my goal to get there. To do that I knew I had to learn French. In order to practice I started to write journals in French. The effort I made to master what I regarded a bad thing - a language owned by the rich Moroccans - brought me the ability to write. — Abdellah Taia

Every year there's a jury at the Cannes Film Festival. Getting on the jury is very competitive in France. Not because the French love cinema, but because they love to judge. — Craig Ferguson

I did a little film called 'Nina,' a small role. I played a French girl who was a nurse to Nina Simone. Zoe Saldana plays Nina. — Alaina Huffman

I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out. — Quentin Tarantino

What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable. — Wong Kar-Wai

The average Hollywood film star's ambition is to be admired by an American, courted by an Italian, married to an Englishman and have a French boyfriend. — Katharine Hepburn

You're watching us and you don't realize how much makeup and how much lighting is involved when we look good. We have a lot of help where we are. I don't think that it's healthy for young girls to be looking at these beauty magazines and watching TV and these shows and thinking [that's the standard] there's more European attitude - you look at French film, Spanish film, they're a little more open to quirks and human nature. That we're not all symmetrical, not all the same shape we need more of that. — Natalie Dormer

I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival. — Milos Forman

I saw this French woman, this English man in Italy. It was a film [Certified Copy] I knew well, but I had already seen it, and I was familiar with it, and I had no feeling of anxiety or responsibility toward it. — Abbas Kiarostami

ALPHA-60: Your name is written "Ivan Johnson," but it is pronounced "Lemmy Caution," Secret Agent Zero Zero Three of the Outlands. You are a threat to the security of Alphaville.
CAUTION: I refuse to become what you call "normal."
...
ALPHA-60: You cannot escape. The door is locked.
CAUTION: Try to stop me, pal. — Jean-Luc Godard

I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies. — Doug Liman

Mondays I sleep. I go in at ten, do my lift, watch the game from the day before. Tuesday is off, but I go in, lift, watch film. Then I have French toast with my sister. — Ndamukong Suh

I love the French. They're the biggest film buffs and protectors of cinema in the world. They really look out for the filmmaker and the rights of the filmmaker, and they believe in final cut. — David Lynch

I saw the original that Gela Babluani wrote and directed called '13 Tzameti,' and that was very interesting. I believe it was a French film, and I was just intrigued by the awkwardness; the off-beatness of the film really just grasped me. — David Zayas

Julia doesn't like James Gillen, but that's not the point, not out here. In the Court, back in the Court any eye you catch could be Love peal-of-bells-firework-burst Love, all among the sweet spray of the music and the rainbowing prisms of the lights, this could be the one huge mystery every book and film and song is sizzling with; could be your one-and-only shoulder to lean your head on, fingers woven with yours and lips gentle on your hair and Our Song pouring out of every speaker. This could be the one heart that will open to your touch and offer up its never-spoken secrets, that has spaces perfectly shaped to hold all of yours. — Tana French

Austrian U-boat commander named Georg von Trapp, later to gain eternal renown when played by Christopher Plummer in the film The Sound of Music, fired two torpedoes into a large French cruiser, the Leon Gambetta. The ship sank in nine minutes, killing 684 sailors. "So that's what war looks like!" von Trapp wrote in a later memoir. He told his chief officer, "We are like highway men, sneaking up on an unsuspecting ship in such a cowardly fashion. — Erik Larson

I was really into old musicals. When I was seven or eight, my mum and dad would be like, 'How does she know who Ginger Rogers is?' Then, one weekend, Josephine Baker popped up in a French film called 'Zouzou,' and I was so stunned because she looked like me. — Cush Jumbo

France has not only built a bureaucratic barrier against American culture, it has constructed a notorious intellectual case against it as well. The French spend hundreds of millions of dollars subsidizing film production, extend interest-free loans to designated filmmakers, and have placed quotas not only on imports but on television time. — Tyler Cowen

Many French directors, having now realised there was no more real criticism, that the standards of the past have gone, are very offended about the quality of film criticism. — Wim Wenders

This is a universal, unique movie, it has potential to cross barriers. But we never thought about that on set, when we were doing the film. We knew that in making a silent movie, we were doing something a little bit under the wire, a bit interdit. It's a pastiche, but for the French taste, you would have thought. — Jean Dujardin

African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too. — Elvis Mitchell

I think there's a time and place to watch an independent film, or catch up on a French action film on your laptop, or Netflix it, or download it, or watch it on-demand. But I think we also have to maintain the sacredness of the movie theatre as church - especially with event screenings. — Robert Englund

My film is in French. It's not something folkloric. It's who we are. There's this tension about immigrants coming in. Will they learn French? Will they adapt? In this film, I'm on the reverse side because Monsieur Lazhar comes from a society where French is also the second language. — Philippe Falardeau

The events inspired characters that truly existed, as well as fictitious people I had to invent. Sometimes the harsh reality was too much, too absurd. This was the case with the story of the cat who roamed from one trench to another and in the film ended up being imprisoned. In reality, the tom cat was accused of spying and was arrested by the French army, and then shot according to regulations. — Christian Carion

My film is actually very critical of the level of French we're using back home. To have an immigrant from an ancient French colony come and do that is a little critical of our education system back home. Balzac is definitely over their heads. It's meant to be funny also because it would be also probably too much for kids in France, but kids in France would know who Balzac is. But, back home at that age, I guarantee you they don't know who he is. — Philippe Falardeau

I did do a film that I refer to as 'The Unpronounceable' by a guy named Yvan Attal with Charlotte Gainsbourg. I had a bit part in there. That was quite fun, doing scenes in French. — Johnny Depp

There is a book to be written, for instance, on small errors in subtitles. In the Fred Astaire musical Royal Wedding, for instance, the English girl he falls for, played by Sarah Churchill (daughter of Sir Winston), is engaged to an American, whom we never see but who's called Hal - like Falstaff's prince, like a good high Englishman. That English H, though, was completely inaudible to the French translator who did the subtitles, and so throughout the film the absent lover is referred to in the subtitles as Al - Al like a stagehand, Al like my grandfather. If you have the habit of print addiction, so that you are listening and reading at the same time, this guy Al keeps forcing his way into the movie. "But what shall I say to Hal - that I have never loved him?" Patricia says to Fred. Down below it says, "Et Al - qu'est-ce que je vais lui dire? — Adam Gopnik

It's the opening of Manderlay in Cannes, and I'm sitting next to this guy who's writing for a tiny fictitious French paper called On the Sunny Side, and he's writing a review on the film, and he's obviously bored. Then he tells me about all the cars he owns, and how rich he is, and all these things. So, at a certain point, he says, "So what do you do?" Then I take out this very strange hammer we have in the Danish building business, and I say, "I kill." And then I kill him. It is as stupid as it sounds. — Lars Von Trier

I just dreamed about living in Paris and being French. I always loved the visual arts, film and theatre, and I hoped to be involved in creating beautiful products and images. — Maureen Chiquet

The French have got to understand that a film is so expensive that it can no longer afford to be regional or even national in scope. — Jean-Jacques Annaud

I think the French have come to grips with their past, and that was true up until about - until the '70s. And then there were things like the film "The Sorrow And The Pity." — Robert O. Paxton