Four Character Quotes & Sayings

When you're doing a play that's fully produced, you have the benefit of rehearsing for four or five weeks, so you really get to live in the skin of the character for much longer than when you first start doing a character on TV. — Carrie Preston

Character, courage, industry and perseverance are the four pillars on which the whole edifice of human life can be built and failure is a word unknown to me. — Muhammad Ali Jinnah

I can't live in a world where there are only, like, four kinds of women. Or where every woman is obsessed with cake. The very least I ask is that we have one female character in the world who likes savory things! I don't have any role models who like cheese! — Caitlin Moran

On reading the first part of Anthony Powell's four-part masterpiece, 'A Dance to the Music of Time,' I was struck by one of the characters - an irritating peripheral character- who keeps showing up in the main protagonist's life. — Rebecca Pidgeon

The reputation of generosity is to be purchased pretty cheap; it does not depend so much upon a man's general expense, as it does upon his giving handsomely where it is proper to give at all. A man, for instance, who should give a servant four shillings, would pass for covetous, while he who gave him a crown, would be reckoned generous; so that the difference of those two opposite characters, turns upon one shilling. — Doug Stanhope

Character is everything, especially these days when that's what publishers are asking for. Make sure that yours have child appeal. Also don't have a huge cast of characters. One or two is best, four, the maximum. — Kirby Larson

She was about twenty-four, Rosemary guessed - her face could have been described in terms of conventional prettiness, but the effect was that it had been made first on the heroic scale with strong structure and marking, as if the features and vividness of brow and coloring, everything we associate with temperament and character had been molded with a Rodinesque intention, and then chiseled away in the direction of prettiness to a point where a single slip would have irreparably diminished its force and quality. With the mouth the sculptor had taken desperate chances - it was the cupid's bow of a magazine cover, yet it shared the distinction of the rest. — F Scott Fitzgerald

Had the news of salvation by Jesus Christ been inscribed on the face of the sun and the moon, in characters that all nations would have understood, the whole earth had known it in twenty-four hours, and all nations would have believed it; whereas, though it is now almost two thousand years since, as they tell us, Christ came upon earth, not a twentieth part of the people of the earth know anything of it, and among those who do, the wiser part do not believe it. — Thomas Paine

Once you become a professional, to get through a ballet like 'Swan Lake' - four acts as the lead, changing character - the perseverance is incredible. It takes a lot to make it through and keep the same energy throughout the entire performance. — Misty Copeland

The characters in the four-lettered word FACT consist of seventy-five percent ACT, so it is always sensible to see the character of a person solely by his ACT or deeds than his words. — Anuj

Did you know that the fundamental building blocks of life are not cells, are not DNA are not even carbon but language yeah 'cause DNA is just a four-character language and binary code is a two-character language and what these languages are saying is the very act of revealing, so you reach an X-point when language attains a level of complexity where it begins to fold in upon itself trying to understand itself and this is sentience. Did you know that the entire Library of Congress can be encoded in our DNA because all you have to do is translate a binary system into a four-character system to where you can decode the genes like you're searching a microfiche and if you were to genetically engineer the corpus of human knowledge into our DNA then we'd be able to genetically pass the entire library along from generation to generation like frickin' disease, man. — Ryan Boudinot

I was on Stargate: Atlantis for four years, playing a similar character called Ronon, who was an alien that didn't say much and grunted. I've been there and done that. Whether people have seen it or not, you want to stretch. And then, while I waited, I got The Red Road, and I'd never gotten anything like that. — Jason Momoa

The reader wants to see something happen between pages one and four hundred, and nothing happens if the characters don't change. — Terry Brooks

There was a point where I was making four movies a year. I was always on a set. I had no stories to tell. I was feeling empty. My life was just luggage and hotels and from set to set, from character to character. And one day, I said, 'And where is mine?' You know? And the moment I started to feel that fear, I stopped and I slowed down. — Penelope Cruz

I admire writers such as Elmore Leonard who can nail a character in three or four lines of dialogue, so he doesn't need pages of back story or clumsy exposition. — Mark Billingham

They could never quite reconcile themselves to the idea that our lives don't follow the dramatic arc that a good author gives to a great literary character. Only in accidents of pure perfection does the world actually become a stage. (Rule of Four, 54-55) — Ian Caldwell

Two- to four-finger waves are commonly used between fast-moving vehicles, but the nicely executed single-finger wave is a thing of beauty and a joy forever. To me, it perfectly sums up the Minnesota character that I love so much. The finger wave from the steering wheel: when you get it right, you'll know you've arrived and you don't ever have to leave again if you don't want to. — Howard Mohr

I remember my first commercial. This is really great 'Degrassi' trivia: The character Toby on 'Degrassi,' played by Jake Goldsbie, he and I were in both of our first commercial ever when we were four. It was for Tiger Toys, this old Game Boy-type thing. Both of our lines were, 'Mommy, I can do it!' — Charlotte Arnold

I think the thing that made this stand out the most was just the fact that there's a lot more character to these characters. We see their back stories and we see their present situations, and that was a lot more interesting than just the regular procedural with four heads standing around a body, spelling it out for you. It's a lot more of a roller coaster ride. — Angie Harmon

My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from. — Quentin Tarantino

I got spoiled on 'Breaking Bad.' Playing the same guy for four or five seasons, you get to really explore who the character is. — Aaron Paul

This fundamental subject of Natural Selection will be treated at some length in the fourth chapter; and we shall then see how Natural Selection almost inevitably causes much Extinction of the less improved forms of life and induces what I have called Divergence of Character. In the next chapter I shall discuss the complex and little known laws of variation and of correlation of growth. In the four succeeding chapters, the most apparent and gravest difficulties on the theory will be given: namely, first, the difficulties of transitions, or in understanding how a simple being or a simple organ can be changed and perfected into a highly developed being or elaborately constructed organ; secondly the subject of Instinct, or the mental powers of animals, thirdly, Hybridism, or the infertility of species and the fertility of varieties when intercrossed; and fourthly, the imperfection of the Geological Record. In — Charles Darwin

In a 22-page comic, figuring an average of four to five panels a page and a couple of full-page shots, a writer has maybe a hundred panels at most to tell a story, so every panel he wastes conveying a.) something I already know, b.) something that's a cute gag but does nothing to reveal plot or character, or c.) something I don't need to know is a demonstration of lousy craft. — Mark Waid

Action and adventure on land and sea-you can't ask for more. But Robert Kurson raises the ante in Pirate Hunters with an array of mystery and a fleet of colorful characters spanning four centuries. This is a great summer read! — Michael Connelly

A month before the Treasure Fleet's maiden voyage, at the age of thirty-four, Zheng He commissioned an epitaph inscribed on a stone pillar over his father's grave in Yunnan province. He worshiped his father, who had died in battle. The epitaph, one of only three known testimonials from the admiral, described his father's character:

'He was content as an ordinary commoner, but he was brave and decisive in his ordinary life. There was no one in this community who did not look up to him. When he encountered the unfortunate, including widows, orphans, and others with no one to rely on, he routinely offered protection and aid. He cherished the bestowal of extraordinary favours. By nature, he was fond of doing good.'

This revelation of a softer version of manhood as the ideal in much of Asia provided another piece of the answer to the question of how Westerners came to perceive Asians as less masculine. — Alex Tizon

It is also worth noting that it was only through my urgent instigation that he printed a short poem of his own. This was in accordance with his essential unassumingness. Though not clearly conscious of it at the time, I now realize that in a young man of twnty-four his selflessness was extraordinary. The clue to his poetic genius was sympathy, not only in his detached outlook upon humanity but in all his actions and responses towards individuals. I can remember nothing in my observations of his character which showed any sign of egotism or desire for self-advancement. When contrasting the two of us, I find that - highly strung and emotional though he was - his whole personality was far more compact and coherent than mine. He readily recognized and appreciated this contrast, and I remember with affection his amused acceptance of my exclamatory enthusiasms and intolerances. Most unfairly to himself, he even likened us to Don Quixote and Sancho Panza! — Siegfried Sassoon

I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about. — Warren Leight

I know, we can barely fit them in. That is a big challenge. Treating four lead characters equally, within a 30-minute format, is definitely challenging. — Mark Duplass

I think a lot of times it just looks like Hollywood actors in Halloween costumes, you know? And I think what we're going to do with Fantastic Four is going to be very grounded and it made sense to me. When I read the script, I didn't feel like I was reading this larger-than-life, incredible superhero tale. These are all very human people that end up having to become I guess what is known as the Fantastic Four. So for me it was just a really good story and gives me an opportunity to play something different from my own skin. It's a proper character and that's my favorite stuff to do. — Miles Teller

At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same. — Colin Farrell

There are twenty-four characters in this book named Max. Let there be an end to this silly business of authors never giving their own names to characters in their novels. False modesty, faugh! — Max Shulman

In our brief national history we have shot four of our presidents, worried five of them to death, impeached one and hounded another out of office. And when all else fails, we hold an election and assassinate their character. — P. J. O'Rourke

None of the male characters are as powerful or as interesting as the four central female characters. The men work best as representations of the current stage of a particular female's psyche. The men function as catalysts, and are certainly important to the development of the story, but the relationships are not the goal. I do not see romance as being what's central to the success of PRETTY LITTLE LIARS. — Norman Buckley

Fledgeby deserved Mr. Alfred Lammle's eulogium. He was the meanest cur existing, with a single pair of legs. And instinct (a word we all clearly understand) going largely on four legs, and reason always on two, meanness on four legs never attains the perfection of meanness on two. — Charles Dickens

I just didn't want to get bored playing a character, and that's kind of the benefit of doing films; you've lived with a character for four or five months and that's it, and you walk away from that character and you feel like you told a story. — Jeffrey Dean Morgan

If Bruce Springsteen, Harlan Howard, or Tom Waits can tell a character's whole story in four minutes, maybe you don't need as many words as you think to make an impact. — Tim Leffel

I watched every single Bond movie three or four times, taking in everything I could about how the character had been portrayed in the past, then threw all that away once I started doing the role. — Daniel Craig

When you find you don't like a character, you just type four letters and he's dead. — Michael Palmer

Thus, a believer may ask four questions: What does God's law require? How can I gain godly character? How can I find God's path for me? How can I gain wisdom and discernment? — Anonymous

If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on. — Craig Johnson

Whatever you perceive, you always make a story with yourself as the main character, and that dictates your life. Then when you read 'The Four Agreements', you hear another voice beneath the story, the voice that comes from your integrity, your spirit. — Don Miguel Ruiz

I'm amazed that I can sit down, put a guitar in my hands and start playing kind of free style, and it will be four hours later and it will feel like it's been five minutes. I think that adds depth to your being, when something in your life can do that for you. Everybody should try to find something in their life that can do that for them. People find really elaborate self-destructive ways of killing time on this planet. That's why they take drugs or drink, trying to alter their state of being. If you can find something that doesn't destroy you, but deepens your character, you're really lucky. — John Rzeznik

The arts and sciences, in general, during the three or four last centuries, have had a regular course of progressive improvement. The inventions in mechanic arts, the discoveries in natural philosophy, navigation and commerce, and the advancement of civilization and humanity, have occasioned changes in the condition of the world and the human character which would have astonished the most refined nations of antiquity. A continuation of similar exertions is everyday rendering Europe more and more like one community, or single family. — John Adams

It was natural that the direct wielders of the royal prerogative, men who sat in the Star Chamber and the Privy Council, who knew the secrets of the State and the necessity for prompt action, should despise the merely declaratory character of a good deal of Common Law process. To them we doubtless owe those four great pillars of Chancery jurisdiction, the injunction, the decree, the sequestration, and the commission of rebellion. — Edward Jenks

The reaction on the part of the apes, limited as it was to about one subject in every three or four, has just that character of being common, yet individual, that belongs to aesthetic experiences. Some are sensitive to the sight, and the rest are not; to some of them it seems to convey something
to others it is just a thing, a toadstool or what you will. — Susanne K. Langer

Three or four million heads of households don't turn into tramps and cheats overnight, nor do they lose the habits and standards of a lifetime ... They don't drink any more than the rest of us, they don't lie any more, they're no lazier than the rest of us ... An eighth or a tenth of the earning population does not change its character which has been generations in the molding, or, if such a change actually occurs, we can scarcely charge it up to personal sin. — Harry Hopkins

In the sixties, in the middle sixties, suddenly comics became this hip thing, and college students and hippies were reading them. So I was one of them, and I started reading, basically it was the Marvel Renaissance at that point. It was all their new characters, Spiderman and the X-Men and the Fantastic Four. — Trina Robbins

An elevator pitch for an entertainment product should also consist of four components: 1. Your product name and category 2. The main character's ambition 3. The conflict he or she encounters 4. The real significance of the story Here's — Michael Hyatt

I still do live concerts all over the country - about four a month - with singing and characters and improv. It keeps me limber. I'll never lose that. And comedy is still the bread and butter. — Martin Short

With film, you read the whole script three or four times, and you really have a solid blueprint of who your character is. Whereas in television, that blueprint is constantly changing and adapting, and sometimes you have to take a risk. — Graham Phillips

The vision preached by my father a half-century ago was that his four little children would no longer live in a nation where they would judged by the color of their skin but by the content of their character. However, sadly, the tears of Trayvon Martin's mother and father remind us that, far too frequently, the color of one's skin remains a license to profile, to arrest and to even murder with no regard for the content of one's character. — Martin Luther King III

Some believers, as though from a drinking bout, go so far as to oppose themselves and alter the original text of the gospel three or four or several times over, and change its character to enable them to deny difficulties in the face of criticism. (Against Celsus 2, 27) — Bart D. Ehrman

Picasso is a character that has pursued me for a long time and I always rejected. He deserves a lot of respect because I am from Malaga, and I was born four blocks from where he was born. — Antonio Banderas

Character actors just pile up the credits because you work on a movie for, like, a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days. — Steve Buscemi

I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them. — Barbara Padilla

The last episode of Dallas was in '1991.' Unfortunately, it was a terrible episode to end the show on: it was a sort of 'It's a Wonderful Life' with Larry as the Jimmy Stewart character. In that episode, I was an ineffectual-schlep kind of brother, who got divorced three or four times and was a Las Vegas reject. — Patrick Duffy

Michael Bohn provides a rare opportunity to experience the American sporting scene in the Roaring Twenties. A constant stream of legendary characters marches across these pages. You'll meet them all: The Babe, The Four Horsemen, The Manassa Manassas Mauler, The Wheaton Iceman, Bill Tilden, Gertrude Ederle, and Grantland Rice, the sportswriter whose purple prose made them all come alive. — Peter Golenbock

We're all on a journey. The average American switches professions four times. I'm lucky to be in a business where I can change the character I am playing every couple of months. — Josh Hartnett

That my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character - I have a dream today. — Ken Follett

One day can change your life. One day can ruin your life. All life is is three or four big days that change everything. — Beverly Donofrio

Matthew, Mark, Luke, and John are a bunch of practical jokers who meet somewhere and decide to have a contest. They invent a character, agree on a few basic facts, and then each one's free to take it and run with it. At the end, they'll see who's done the best job. The four stories are picked up by some friends who act as critics: Matthew is fairly realistic, but insists on that Messiah business too much: Mark isn't bad, just a little sloppy: Luke is elegant, no denying that; and John takes the philosophy a little too far. Actually, though, the books have an appeal, they circulate, and when the four realize what's happening, it's too late, Paul has already met Jesus on the road to Damascus, Pliny begins his investigation ordered by the worried emperor, and a legion of apocryphal writers pretends also to know plenty ... It all goes to Peter's head; he takes himself seriously. John threatens to tell the truth, Peter and Paul have him chained up on the island of Patmos. — Umberto Eco

The four cornerstones of character on which the structure of this nation was built are: Initiative, Imagination, Individuality and Independence. — Eddie Rickenbacker

In my dreams, I entered a world where success was based on ethics and proper dealings, not bribes and scams. My vision of sucess including marrying Sophia, having joyful children, unassuming friends, and warmhearted neighbors. I aspired for an environment where I would be valued for my good character, not the strength of my aggression. I wanted to leave West Beirut, the four square miles of a lesser world. — Sam Wazan

For the first time I was beginning to discern a God whom I actually wanted to live for. I was beginning to discover the motivation of Paul when he proclaimed, "Christ's love compels us" (2 Cor. 5: 14). All my life I'd tried to be good to avoid hell, or the ugly-stick flogging, or my stepmother's beatings with a two-by-four. But while most people would undoubtedly be better at behaving well with these frightful motivations than I ever was, no one could ever be transformed by these sorts of motivations. Threatening motivations address behavior, but they can never transform our identity. They motivate people to change as a means of protecting themselves, but for this reason they can never move us beyond ourselves to become someone fundamentally different from who we currently are. And threatening motivations can certainly never transform us into people with an other-oriented, self-sacrificial, loving character. Only a motivation that is anchored in love can do this. — Gregory A. Boyd

Anne Boleyn isn't a sympathetic character, but I like that she isn't a people pleaser. She's ambitious and manipulative, but she's honest. I'm biased, but I don't think a woman who has said 'no' to the King of England for six years would jump into bed with four of his best friends. She was a slick political mind. — Lydia Leonard

One Archeology and Decipherment
Two History: Heroes, Kings, and Ensi's
Three Society: The Sumerian City
Four Religion: Theology, Rite, and Myth
Five Literature: The Sumerian Belles-Lettres
Six Education: The Sumerian School
Seven Character: Drives, Motives, and Values
Eight The Legacy of Sumer
APPENDIXES
A. The Origin and Development of the Cuneiform System of Writing
B. The Sumerian Language
C. Votive Inscriptions
D. Sample Date-Formulas
E. Sumerian King List
F. Letters
G. Dit lla's (court decisions)
H. Lipit-Ishtar Law Code
1. Farmers' Almanac
SELECTED BIBLIOGRAPHY — Samuel Noah Kramer

'Friday Night Lights' was kind of like my college years because I did four seasons of that. It was my first series. It was the most time I had with one character, and kind of growing and evolving with the character over that long of a span of time, it just allows you to sort of learn in a completely different way that I had never experienced. — Jesse Plemons

I think what people watch television for is the emotional continuity, from episode to episode, and feeling that the experience that they had, four episodes ago, has actually been building to an episode that comes later, and knowing that the characters are growing, as a result of that, and making mistakes, is really, really important to the way people connect to television. — Alex Kurtzman

We have a slate of four films. From Karen Young - the USA bestselling author - we have Blood Bayou. Again, we're relying on the story to tell itself and the characters tell it and not (relying on) shock value. It's a suspenseful drama ... The best way I can describe it is Pelican Brief meets Time to Kill. — Drew Waters

For four years doing that same character all the time kind of bothered me. Butit opened up a lot of doors. — Lloyd Bridges

A lot of people don't think about it, but the Bible has every horror element that you can imagine. It's got the devil, the Antichrist, Lucifer, and Satan - which are four different characters. It's got the end of the world. You've got zombies, giants, demon possession, a lot of murder. — Marilyn Manson

We now possess four principles of morality: 1) a philosophical: do good for its own sake, out of respect for the law; 2) a religious: do good because it is God's will, out of love of God; 3) a human: do good because it will promote your happiness, out of self-love; 4) a political: do good because it will promote the welfare of the society of which you are a part, out of love of society having regard to yourself. But is this not all one single principle, only viewed from different sides? — Georg C. Lichtenberg

So what do you think?' He asked, holding up the book.
'I think Salinger is a closet paedophile,' I replied placidly and was surprised and comforted by this minuscule, acidic, bitter Sylvia Plath like mocking, sniping tone that had crept into my voice. 'The main character Seymour is a fully grown man and a pervert who befriends young girls with his storytelling and swimming, just to get close enough to groom them in preparation for the inevitable sexual assault he lusts after. You might have noticed for example in A Perfect Day For Bananafish he grabs the young girls-'
'Sybil.'
'He grabs Sybil's ankles while lying on the beach and again when he pushes her in the water,' I continued. 'He goes too far when he kisses the bottom of her foot which makes even a four-year-old yell out in fear, knowing a line had been crossed. Frustrated Seymour walks away and goes back to his hotel where he kills himself in shame. — J.D. Gallagher

This last establishment will probably be within a mile of Charlottesville, and four from Monticello, if the system should be adopted at all by our legislature who meet within a week from this time. my hopes however are kept in check by the ordinary character of our state legislatures, the members ... — Thomas Jefferson

Green Arrow was a very complicated character to take on because he has archaic weaponry. Catwoman, I think is more of a simple archetype to grasp, so it will be about nuance. But I think you need three or four issues before you say, 'Ah ha! Now I really know how to write this character!' You're carrying them around with you. — Ann Nocenti

I'm in four different films this year, and I have four different accents. I sound different in every film. You have to love a character to play it well, and change in my work is what I want. — Robert Carlyle

We find a giant like Picasso shifting in his own lifetime from style to style, partly as a reflection of the shifting character of the last four decades in Western society, and partly like a man dialing a ship's radio on the ocean, trying vainly to find the wave length on which he can talk to his fellow men. But the artists, and the rest of us too, remain spiritually isolated and at sea, and so we cover up our loneliness by chattering with other people about the things we do have language for - the world series, business affairs, the latest news reports. Our deeper emotional experiences are pushed further away, and we tend, thus, to become emptier and lonelier. — Rollo May

The privilege, and the challenges, of taking on Black Widow have never been lost on me. I worked on the first 'Spiderman' game as well as 'Fantastic Four,' and I had always wanted to be able to tell more of a character-driven comic book story than was possible to fit into a game narrative. — Margaret Stohl

The tweets are getting shorter, but the songs are still 4 minutes long. You're coming up with 140-character zingers, and the song is still 4 minutes long ... I realized about a year ago that I couldn't have a complete thought anymore. And I was a tweetaholic. I had four million twitter followers, and I was always writing on it. And I stopped using twitter as an outlet and I started using twitter as the instrument to riff on, and it started to make my mind smaller and smaller and smaller. And I couldn't write a song. — John Mayer

I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character. — Martin Luther King Jr.

It is the beginning of the 'demonetization' of the notes. The process is hastened by its panic-like character. It may be possible once, twice, perhaps even three or four times, to allay the fears of the public; but eventually the affair must run its course and then there is no longer any going back. Once the depreciation is proceeding so rapidly that sellers have to reckon with considerable losses even if they buy again as quickly as is possible, then the position of the currency is hopeless. — Ludwig Von Mises

My deepest personal reason for staying in Paris is that whatever I have as a character, good or bad, is based on the fact that since the age of four I have never run away from anything however painful or dangerous when I thought it was my duty to take a stand
the American Ambassador to France upon being asked to evacuate Paris by the State Department on the eve of Nazi occupation of Paris in 1940 — William C. Bullitt

There are four on whose pots the Holy One, blessed he, knocked, only to find them filled with piss, and these are they: Adam, Cain, the wicked Balaam, and Hezekiah.
Again, an abrupt transposition from the divine to the domestic, from upper to lowly spheres, occurs in the midrash. The homely image of the Holy One knocking on pots apparently derives from the practice of tapping on a clay or earthen pot to hear its ring in order to decide if it is worthy of holding wine. In current Hebrew usage, the expression 'to assess or gauge someone's pot' still denotes taking in the measure of a person's character. From Adam's answer to God, we learn that he turned out to be a pisspot. — Shuli Barzilai

Venerate four characters: the sanguine who has checked volatility and the rage for pleasure; the choleric who has subdued passion and pride; the phlegmatic emerged from indolence; and the melancholy who has dismissed avarice, suspicion and asperity. — Johann Kaspar Lavater

Why the Albanians had created the institution of the guest, exalting it above all other human relations, even those of kinship. "Perhaps the answer lies in the democratic character of this institution," he said, setting himself to think his way through the matter. "Any ordinary man, on any day, can be raised to the lofty station of a guest. The path to that temporary deification is open to anybody at any time.[ ... ] Given that anyone at all can grasp the sceptre of the guest," he went on, "and since that sceptre, for every Albanian, surpasses even the king's sceptre, may we not assume that in the Albanian's life of danger and want, that to be a guest if only for four hours or twenty-four hours, is a kind of respite, a moment of oblivion, a truce, a reprieve, and - why not? - an escape from everyday life into some divine reality? — Ismail Kadare

the character of a life isn't set in three or four big moments of life, but in ten thousand little, virtually unnoticed moments. — Paul David Tripp

One character I always thought I could play is the Thing from 'Fantastic Four.' Another character I've always loved as a fan is Colossus. If there was a way to make that happen that worked, I would love to be Colossus. — Terry Crews

Peter was a gentle, red-haired bear of a man. Standing at six-four in his socks, he moved everywhere with a slight and nautical sway, but even though he was broad across the chest there was something centered and reassuring about him, like an old ship's mast cut from a single timber. — Graham Joyce

But here I am at this moment, a thirty-four-year-old geek, and against my will and against my reason (although, okay, not against my character), I still want that fucking Cinderella story for myself.
More than an amazing, no-one-else-on-the-planet-knows-this secret.
More than anything else.
I want that happily-ever-after ending I imagined, as a teen, I'd get someday. That daydream I held on to as my prize for surviving those sucky years of adolescence.
Dammit, I deserve that ending.
It's just that, if I'm truly honest with myself, I can no longer tell if it's Sam, specifically, I want or if it's the nearly two-decade-old fantasy featuring him as the heroic lead.
So, at the last second, I cop out. — Marilyn Brant

I like that kind of stuff. I like doing speeches. I've been lucky because I've had a lot of characters, over the years, who will have three or four page speeches. — Donal Logue

There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in. — Terry Pratchett

That is who Barack Obama is - a person of admirable character - and that is who he has remained for me over these last four years. I have not agreed with his every decision, but never once have I seen him break his cool, lose his composure, or abandon his insightful perspective - even during the most serious and/or absurd national disasters. — Elizabeth Gilbert

I was shocked and astonished when a daring little girl
a cousin I think
having waited under a group of trees in the avenue, where she knew [my grandfather] would pass near four o'clock on the way to his dinner, said to him, 'If I were you and you were a little girl, I would give you a doll. — W.B.Yeats

Actors are different. Some actors play themselves very successfully, but I come from the theater. Having done Shakespeare, we sometimes did three or four characters in the same play. — Stellan Skarsgard