Form And Content Quotes & Sayings

Content dictates form and style. — Stephen Sondheim

The use of the term art medium is, to say the least, misleading, for it is the artist that creates a work of art not the medium. It is the artist in photography that gives form to content by a distillation of ideas, thought, experience, insight and understanding. — Edward Steichen

Movie distribution may very well have migrated fully to digital form by then, making a huge dent in the need to print film and physically distribute content. — Vint Cerf

This magnificent poem [Exodus 15:1-21] has been much analyzed, dissected, scanned, and compared with an array of supposed precedent and counterpart works. It has been variously attributed and dated, and forced into a wide variety of forms and Sitze im Leben. There have been attempts to determine some parts of it as early and some parts as late, and to describe therefrom an evolution of both its form and its content. None of these attempts has been entirely successful. The best of them have amounted to no more than helpful suggestions, while the worst of them have been fiction bordering fantasy. — John I. Durham

For those who listened attentively to his strong voice, filled with anxiety and, at times, breaking with despair, Shostakovich had become a crucial symbol of intellectual integrity. For many years his music remained a safety valve that, for a few short hours, allowed listeners to expand their chests and breathe freely. At the time, his music was that truly indispensable lungful of freedom and dissidence, not only in its content, but also - which is no less important - in its musical form — Anonymous

Brown and Dilke walked with me and back from the Christmas pantomime. I had not a dispute but a disquisition, with Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously - I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason - Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half-knowledge. This pursued through volumes would perhaps take us no further than this, that with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration. — John Keats

Among the innumerable mortifications which waylay human arrogance on every side may well be reckoned our ignorance of the most common objects and effects, a defect of which we become more sensible by every attempt to supply it. Vulgar and inactive minds confound familiarity with knowledge and conceive themselves informed of the whole nature of things when they are shown their form or told their use; but the speculatist, who is not content with superficial views, harasses himself with fruitless curiosity, and still, as he inquires more, perceives only that he knows less. — Samuel Johnson

The soul is the form of the body, but not as the shape of a statue is formatio et terminatio materiae, for form does not exist apart from material. There is no whiteness without a white object. But the soul is not a form in this simple sense, and in particular, is not the shape of the material it informs. Therefore, the shape of a being does not affect the being's soul, for then something lower would inform something higher, which is impossible. — Michael Flynn

Graphic design is a visual language uniting harmony and balance, color and light, scale and tension, form and content. But it is also an idiomatic language, a language of cues and puns and symbols and allusions, of cultural references and perceptual inferences that challenge both the intellect and the eye. — Jessica Helfand

I have never separated form and content. The photo should have a meaning. But my photos are also more or less well constructed. If they had false notes, they stayed on the contact sheet. — Willy Ronis

The term comics long ago became obsolete and inaccurate. It merely defined the content of the early joke-based comical strips. Sequential Art is a more accurate description of the form. I first suggested it because I believed something needed to be done to correct the feeling of inferiority by artists and writers in this field. — Will Eisner

Discussing the character of Elizabeth Bennet in Pride and Prejudice is a matter of content (of 'what?'), whereas examining Jane Austen's techniques of characterisation is a question of form (or 'how?'). Some may find these fine distinctions scholastic, but then some find any fine distinctions scholastic. — Terry Eagleton

Part of the popularity with Louis Farrakhan has less to do with the content of his message and more to do with the form that he portrays himself - as being a free, black person who speaks what is on his mind with boldness and fearlessness. Who is willing to pay the consequences. — Cornel West

Whatever you do in life, there's content and form; only those two put together create special meaning of a great work of art or great interpretation of music or a great story that you tell. — Itay Talgam

It is not sufficient to live, there must be a destiny that does not have to wait for death. It is therefore
justifiable to say that man has an idea of a better world than this. But better does not mean different, it
means unified. This passion which lifts the mind above the commonplaces of a dispersed world, from
which it nevertheless cannot free itself, is the passion for unity. It does not result in mediocre efforts to
escape, however, but in the most obstinate demands. Religion or crime, every human endeavor in fact,
finally obeys this unreasonable desire and claims to give life a form it does not have. The same impulse,
which can lead to the adoration of the heavens or the destruction of man, also leads to creative literature,
which derives its serious content from this source. — Albert Camus

just because of its promise of unlimited possibilities technology is an empty form like the most formalistic logic and is unable to determine the content of life.that is why our time,being the most intensely technical,is also the emptiest in all human history. — Jose Ortega Y Gasset

The pursuit of truth, as a form of political action, is inherently disruptive, anti-authoritarian, and dangerous to those content with the way things are. — Nancy Snow

I understand all the work to be of a nonabstract nature regardless of the style, form, or explicit subject matter because all the work ... is concerned with evoking experiences that are in themselves - and their relationship to you, the viewer - the ultimate subject and content of the work. I want to equate the experience of the work with its meaning. — Roni Horn

Professor Irwin Corey had some of the best timing in the world, and that is something you can't steal. He talked nonsense, not punch-lines, per se. It was a great performance thing he did and his timing was impeccable. Pat Paulsen was a master of comedy too. The Smothers Brothers' strength was not in the content, but how it was said. We had a couple of our albums, including the Purple Onion album, translated in script form. It didn't work at all. It is no wonder that writers had a hard time writing for the Smothers Brothers, because they wrote impressions, but there was something else. — Tommy Smothers

There is no such thing as a natural fit between form and content. Seamless elegance would be tantamount to erasure. — Stacey D'Erasmo

What I like about narrative in general is when there is some incongruity between the form and content. Let's say, mixing up the gothic with a coming-of-age narrative. Telling a love story that's also a monster story. Mixing up superhero tropes with your monster tropes. I like category confusion. — Kelly Link

It is a hopeless endeavor to make the form and content of earlier architectural epochs usable for our time; in this, even the strongest artistic talent must fail. We see repeatedly how the outstanding builders fail to achieve an effect because their work does not serve the will of the age. — Ludwig Mies Van Der Rohe

She was experiencing the same odd happiness and odd sadness as then. The sadness meant: We are at the last station. The happiness meant: We are together. The sadness was form, the happiness content. Happiness filled the space of sadness. — Milan Kundera

Human life was rarely shapely, only intermittently meaningful, its clumsiness the inevitable consequence of the victory of content over form, of what and when over how and why. — Salman Rushdie

I am a strange compound of weakness and resolution! However, if I must suffer, I will endeavour to suffer in silence. There is certainly a great defect in my mind my wayward heart creates its own misery Why I am made thus I cannot tell; and, till I can form some idea of the whole of my existence, I must be content to weep and dance like a child long for a toy, and be tired of it as soon as I get it. — Mary Wollstonecraft

Tracking in elementary school was a uniquely American policy. The sorting began at a very young age, and it came in the form of magnet schools, honors classes, Advanced Placement courses, or International Baccalaureate programs. In fact, the United States was one of the few countries where schools not only divided younger children by ability, but actually taught different content to the more advanced track. In other countries, including Germany and Singapore, all kids were meant to learn the same challenging core content; the most advanced kids just went deeper into the material. — Amanda Ripley

Psychology is the science of psychic states both as to content and form, regarded from an objective standpoint, and brought in relation to the living corporeal individual. — Boris Sidis

Then you and I should bid good-bye for a little while?"
I suppose so, sir."
And how do people perform that ceremony of parting, Jane? Teach me; I'm not quite up to it."
They say, Farewell, or any other form they prefer."
Then say it."
Farewell, Mr. Rochester, for the present."
What must I say?"
The same, if you like, sir."
Farewell, Miss Eyre, for the present; is that all?"
Yes."
It seems stingy, to my notions, and dry, and unfriendly. I should like something else: a little addition to the rite. If one shook hands for instance; but no
that would not content me either. So you'll do nothing more than say Farwell, Jane?"
It is enough, sir; as much good-will may be conveyed in one hearty word as in many."
Very likely; but it is blank and cool
'Farewell. — Charlotte Bronte

I've always had a dislike of any form of didacticism, especially when it becomes the dominant element in writing. Character and emotional content should always be the strong elements. I think that was maybe what went wrong with my early novel, that I wanted it to be too profound, I was trying to put too much into it. I learned fairly early that one can handle only so much idea in a story. Well, or rather, I can! — Peter Taylor

One of the things I prize most about being a writer is its license - you could even say injunction - to be curious, to follow anything anywhere and see where it might take you, how it can transform you, whether in content or form. — Gregory Allen Howard

I was content to dwell on the new idea that had come to me that all things and states were just varieties of light, and that in every form, light was the emanation and manifestation of God. — Judith Merkle Riley

It is useless to dream of revolution through content, useless to dream of a revelation through form, because the medium and the real are now in a single nebula whose truth is indecipherable. — Jean Baudrillard

Aesthetics does not exist for the camera as an isolated entity. Aesthetics, in fact, is inseparable from the purpose of the photographer and the use he makes of his theme. When photography fails ... it is usually because a false separation has been imposed on form and content. — Sid Grossman

A dead language is not only one no longer spoken or written, it is unyielding language content to admire its own paralysis. Like statist language, censored and censoring. Ruthless in its policing duties, it has no desire or purpose other than maintaining the free range of its own narcotic narcissism, its own exclusivity and dominance. However moribund, it is not without effect for it actively thwarts the intellect, stalls conscience, suppresses human potential. Unreceptive to interrogation, it cannot form or tolerate new ideas, shape other thoughts, tell another story, fill baffling silences. — Toni Morrison

The alternative Kennan described as the "particularized" approach. It was "skeptical of any scheme for compressing international affairs into legalist concepts. It holds that the content is more important than the form, and will force its way through any formal structure which is placed upon it. It considers that the thirst for power is still dominant among so many peoples that it cannot be assuaged or controlled by anything but counter-force." Particularism would not reject the idea of joining with other governments to preserve world order, but to be effective such alliances would have to be based "upon real community of interest and outlook, which is to be found only among limited groups of governments, and not upon the abstract formalism of universal international law or international organization. — John Lewis Gaddis

And that is why I would propose that, in our teaching of the humanities, we should emphasize the enduring creations of the past. The schools should stay as far from contemporary works as possible. Because of the nature of the communications industry, our students have continuous access to the popular arts of their own times - its music, rhetoric, design, literature, architecture. Their knowledge of the form and content of these arts is by no means satisfactory. But their ignorance of the form and content of the art of the past is cavernous. — Neil Postman

Single parents - both women and men - can play as critical a role as the traditional two-parent family, and gay and lesbian parents can, and do, raise happy, resilient children. When it comes to family life, form is not merely as important as content. Feeling loved and supported, nurtured and safe, is far more critical than the 'package' it comes in. — Michael S. Kimmel

As far as stimulus from the visual arts specifically, there is today in most of us a visual appetite that is hungry, that is acutely undernourished. One might go so far as to say that Protestants in particular suffer from a form of visual anorexia. It is not that there is a lack of visual stimuli, but rather a lack of wholesomeness of form and content amidst the all-pervasive sensory overload. — John Walford

The novel is... the anti-form proper to modernity itself (which is to say, of capitalism and its cultural and epistemological categories, its daily life). This means... that the novel is also a vehicle of creative destruction. Its function, in some properly capitalist 'cultural revolution', is the perpetual undoing of traditional narrative paradigms and their replacement, not by new paradigms, but by something radically different. To use Deleuzian language for a moment, modernity, capitalist modernity, is the moment of passage from codes to axioms, from meaningful sequences, or indeed, if you prefer, from meaning itself, to operational categories, to functions and rules; or, in yet another language, this time more historical and philosophical, it is the transition from metaphysics to epistemologies and pragmatisms, we might even say from content to form. — Fredric Jameson

The truth of a poem is its form and its content, its music and its meaning are the same. — Muriel Rukeyser

I always wanted to do a story on the blues that not only reflected its nature and its content, but also alludes to the form itself ... In short, a story that gives you the impression of the blues. — Charles Burnett

James condemns any form of Christianity that drifts into a sterile, actionless "orthodoxy." Faith, not what we do, is fundamental in establishing a relationship with God. But faith, James insists, must be given content. Genuine faith, he insists, always and inevitably produces evidence of its existence in a life of righteous living. — Douglas J. Moo

Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand. — Caridad Svich

Alienation between the content and form happens frequently in my poems because I obstinately carry on dismantling my body, an act you can also call "dismantling delusion." I think that after I dismantle my female body, I can finally dismantle established lyric poems. — Kim Hyesoon

If only he could take her, ease this endless ache ... but having lain with her once, he might want her even more afterward. In mathematics, one could take a finite figure and divide its content infinitely, with the result that even though the content was unchanged, the magnitude of its bounds went on forever. Potential infinity. It was the first time Cam had ever comprehended the concept in the form of a woman. — Lisa Kleypas

The dictum that "online you are the content you create and the content you share" takes on new shape and form and obviously power when it comes to Hangouts on Air — David Amerland

We hypostatize information into objects. Rearrangement of objects is change in the content of the information; the message has changed. This is a language which we have lost the ability to read. We ourselves are a part of this language; changes in us are changes in the content of the information. We ourselves are information-rich; information enters us, is processed and is then projected outward once more, now in an altered form. We are not aware that we are doing this, that in fact this is all we are doing — Philip K. Dick

What matters in the end in literature, what is always there, is the truly good. And
though played out forms can throw up miraculous sports like The Importance of Being Earnest or Decline and Fall
what is good is always what is new, in both form and content. What is good forgets whatever models it might have had, and is unexpected; we have to catch it on the wing. ((p. 62, Reading & Writing) — V.S. Naipaul

This is form and content and diction and tone and imagination all looking up at the exact same moment: When Molly Tanzer claps once at the front of the classroom. — Stephen Graham Jones

Poetry is the most mistaught subject in any school because we teach poetry by form and not by content. — Nikki Giovanni

Study the great brush drawings of the Chinese and Japanese ... When we try to imitate their conventions for perspective, form and texture we lose the content, because those artists were part of an ancient tradition. Our tradition changes rapidly, our schools of thought come to fruition quickly and decay again. We see differently. — John French Sloan

But the press, instead of reporting on these shared and often boundary-crossing views as an asset for the Democratic Party - after all, Democratic voters would have to unify around one of these candidates eventually - responded with disappointment and even condescension. They seemed to want newsworthy division. Soon frustrated reporters were creating conflict by turning any millimeter of difference between Hillary Clinton and Barack Obama into a mile. Since there was almost none in content, they emphasized ones of form. Clinton was entirely summed up by sex, and Obama was entirely summed up by race. Journalists sounded like sports fans who arrived for a football game and were outraged to find all the players on the same team. — Gloria Steinem

What is line? It is life. A line must live at each point along its course in such a way that the artist's presence makes itself felt above that of the model. With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul's style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies. — Jean Cocteau

The palace started as a single vaulted room and grew in proportion to my despair. It began as an exercise to keep my mind from its melancholy, then it became a dream and a necessity ... I built a temple in my head ... Its hallways were as lofty as a cathedral, and the arch of each window as supple as a bow. Its corridors were the passages of my own brain. — Lisa St. Aubin De Teran

The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality. — Paul Strand

Form and content must never apologize for each other. — Scott McCloud

The State became the master. The national element moved from the realm of form to the realm of content; it became what was most central and essential, turning the socialist element into a mere wrapping, a verbal husk, an empty shell. Thus was made manifest, with tragic clarity, a sacred law of life: Human freedom stands above everything. There is no end in the world for the sake of which it is permissible to sacrifice human freedom. — Vasily Grossman

How old was Jem when he finally learned to tell jokes? You remember how he got the form of jokes but didn't really understand the idea of content?" "What's the difference between a ... a ... a button and a sock?" she mimicked, catching Jem's breathless excitement to a T. "A ... BUFFALO! HAHAHAHAHA! — Diana Gabaldon

The best criticism, and it is uncommon, is of this sort that dissolves considerations of content into those of form. — Susan Sontag

Anarchy is not a social form, but a method of individuation. No society will concede to me more than a limited freedom and a well-being that it grants to each of its members. But I am not content with this and want more. I want all that I have the power to conquer. Every society seeks to confine me to the august limits of the permitted and the prohibited . But I do not acknowledge these limits, for nothing is forbidden and all is permitted to those who have the force and the valor.

Consequently, anarchy, which is the natural liberty of the individual freed from the odious yoke of spiritual and material rulers, is not the construction of a new and suffocating society.' It is a decisive fight against all societies-christian, democratic, socialist, communist, etc., etc. Anarchism is the eternal struggle of a small minority of aristocratic outsiders against all societies which follow one another on the stage of history. — Renzo Novatore

What we call isolation in the political sphere, is called loneliness in the sphere of social intercourse.Isolation and loneliness are not the same"...."While isolation concerns only the political realm of life, loneliness concerns life as a whole. Totalitarian government, like all tyrannies, certainly could not exist without destroying the public realm of life, that is, without destroying, by isolating men, their political capacities.But totalitarian domination as a form of government is not content with this isolation and destroys private life as well. it bases its self on loneliness, on the experience of not belonging to the world at all, which is the most radical and desperate experiences of man — Hannah Arendt

Whatever I'm thinking about has got to fit into thirty-two pages, the standard picture book size. So that's something. But the structure and the form for me are almost the most important, because these will express as much as words and images will the content of the work. — Chris Raschka

Sham idealists: the quite large number of people who profess ideals as a form of premium for other-life insurance, and are content to lay up slavery and destitution for their descendants so long as they are enabled to produce personal copybooks of elevated views at the gate of heaven. — John Wyndham

My generation of young female writers discovered that we could dictate the form and content of our own fiction. — Erica Jong

Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get. — Joe Rogan

Nick commenced a monologue explaining the impossibility of such a phenomenon: the subordination of content to the aesthetics of language in Arabic literature, the dominance of panegyrics and eulogies as an art form, etc. — Rabih Alameddine

Finally, were you all like me, I would consider you so common that I would not care to associate with you. To be individual, my friends, to be different from others, is the only way to become distinguished from the common herd. Let us be glad, therefore, that we differ from one another in form and in disposition. Variety is the spice of life, and we are various enough to enjoy one another's society; so let us be content. — L. Frank Baum

The West is a civilization that has survived all the prophecies of its collapse with a singular stratagem. Just as the bourgeoisie had to deny itself as a class in order to permit the bourgeoisification of society as a whole, from the worker to the baron; just as capital had to sacrifice itself as a wage relation in order to impose itself as a social relation - becoming cultural capital and health capital in addition to finance capital; just as Christianity had to sacrifice itself as a religion in order to survive as an affective structure - as a vague injunction to humility, compassion, and weakness; so the West has sacrificed itself as a particular civilization in order to impose itself as a universal culture. The operation can be summarized like this: an entity in its death throes sacrifices itself as a content in order to survive as a form. — The Invisible Committee

Craft is when you meet up with someone else who's serious about her craft and you talk for hours about the subtle nuances and acquired wisdom of the work. Craft is when you realize you're building muscles and habits that are helping you do better whatever it is you do. Craft is when you have a deep respect for the form and shape and content of what you're doing. Craft is when you're humbled because you know that no matter how many years you get to do this, there will always be room to learn and grow. — Rob Bell

[On married love]
This love is above all fully human, a compound of sense and spirit. It is not, then, merely a question of natural instinct or emotional drive. It is also, and above all, an act of the free will, whose trust is such that it is meant not only to survive the joys and sorrows of daily life, but also to grow, so that husband and wife become in a way one heart and one soul, and together attain their human fulfillment.
It is a love which is total - that very special form of personal friendship in which husband and wife generously share everything, allowing no unreasonable exceptions and not thinking solely of their own convenience. Whoever really loves his partner loves not only for what he receives, but loves that partner for the partner's own sake, content to be able to enrich the other with the gift of himself. — Pope Paul VI

I wish I were the lily's leaf To fade upon that bosom warm, Content to wither, pale and brief, The trophy of thy paler form. — Elizabeth Barrett Browning

There are people who have renounced all possessions but have a bigger ego than some millionaires. If you take away one kind of identification the ego will quickly find another. It ultimately doesn't mind what it identifies with as long as it has an identity. Anticonsumerism or antiprivate ownership would be another thought form, another mental position, that can replace identification with posessions. Through it you could make yourself right and others wrong. As we shall see later, making yourself right and others wrong is one of the principal egoic mind patterns, one of the main forms of unconsciousness. In other words, the content of the ego may change; the mind structure that keeps it alive does not. — Eckhart Tolle

High-class kitsch may well be "perfect" in its form and and composition: the academic painters were often masters of their craft. Thus, the accusation that a work of kitsch is based not on lack of for or aesthetic merit but on the presence of a particularly provocative emotional content. (The best art, by contrast, eschews emotional content altogether.) — Robert C. Solomon

Art brings a message into a room. It should make us perceive in a new way - either through color, form or narrative content - something we had not perceived before ... and perhaps reveal something to you about yourself. — Gloria Vanderbilt

If you observe a content which then disappears for a short time into the unconscious, it is not altered when it comes up again, but if you forget something for a long time, it does not return in the same form; it autonomously evolves or regresses in the other sphere, and therefore one can speak of unconscious as being a sphere, or entity in itself. — Marie-Louise Von Franz

I have always thought that art is not a category, not a realm covering innumerable concepts and derivative phenomena, but that, on the contrary, it is something concentrated, strictly limited. It is a principle that is present in every work of art, a force applied to it and a truth worked out in it. And I have never seen art as form but rather as a hidden, secret part of content ... A literary creation can appeal to us in all sorts of ways - by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art ... You can call it an idea, a statement about life, so all-embracing that it can't be split up into separate words; and if there is so much as a particle of it in any work that includes other things as well, it outweighs all the other ingredients in significance and turns out to be the essence, the heart and soul of the work. — Boris Pasternak

A little girl's fantasies are one thing, and literature is another; just as numbers require rules to give them human meaning, words, too, demand a form to turn them into literature. — Benjamin Moser

From the first time I held an iPhone, the space has evolved quickly, and people have shifted from reading content on their desktops to smartphones and iPads, even long-form stuff. — Matt Mullenweg

So the professor takes the student's point seriously, and responds with a concise but adequate argument in defence of the disputed equation. The professor tries hard to show no sign of being irritated by criticism from so lowly a source. Most of the questions from the floor will have the form of criticisms which, if valid, would diminish or destroy the professor's life's work. But bringing vigorous and diverse criticism to bear on accepted truths is one of the very purposes of the seminar. Everyone takes it for granted that the truth is not obvious, and that the obvious need not be true; that ideas are to be accepted or rejected according to their content and not their origin; that the greatest minds can easily make mistakes; and that the most trivial-seeming objection may be the key to a great new discovery. — David Deutsch

The camera only facilitates the taking. The photographer must do the giving in order to transform and transcend ordinary reality. The problem is to transform without deforming. He must gain intensity in form and content by bringing a subjective order into an objective chaos. — Ernst Haas

Conscious In psychodynamics, the adjective "conscious" takes the form of a noun and becomes "the conscious." Animals and even plants may be said to have a type of conscious. In fact, all matter has an internal and external manifestation. The internal manifestation is a rudimentary conscious. It is not really internal because this term is a spatial reference similar to in and out. In contrast, consciousness itself (consciousness without content) transcends space and time. For this reason, the conscious is not an object that can be detected and dissected in the same way that the brain can be detected and dissected. It is a manifestation of reality that is unrelated to physical matter and energy. Any system that has some kind of rudimentary, connected, and organized processing is conscious on some level. We may even say that subatomic systems, such as ones making up an atom, are rudimentarily conscious. — John G. Shobris

What is photojournalism? Occasionally, a very unique photo, in which form is precise and rich enough and content has enough resonance, is sufficient in itself. But that's rarely the case. The elements of a subject that speak to us are often scattered and can't be captured in one photo; we don't have the right to force them together, and to stage them would be cheating ... which brings us to the need for photojournalism. — Henri

There must always be a fringe of the experimental in literature
poems bizarre in form and curious in content, stories that overreach for what has not hitherto been put in story form, criticism that mingles a search for new truth with bravado. We should neither scoff at this trial margin nor take it too seriously. Without it, literature becomes inert and complacent. But the everyday person's reading is not, ought not to be, in the margin. He asks for a less experimental diet, and his choice is sound. If authors and publishers would give him more heed they would do wisely. They are afraid of the swarming populace who clamor for vulgar sensation (and will pay only what it is worth), and they are afraid of petulant literati who insist upon sophisticated sensation (and desire complimentary copies). The stout middle class, as in politics and industry, has far less influence than its good sense and its good taste and its ready purse deserve. — Henry Seidel Canby

As with Isaiah's vision in the Temple, and many other scenes both biblical and modern, Peter's change from fisherman to shepherd comes through his facing of his own sin and his receiving of forgiveness, as Jesus with his three-times-repeated question goes back to Peter's triple denial and then offers him forgiveness precisely in the form of a transformed and newly commissioned life. Those who don't want to face that searching question and answer may remain content to help the world with its fishing. Those who find the risen Jesus going to the roots of their rebellion, denial, and sin and offering them love and forgiveness may well also find themselves sent off to be shepherds instead. Let those with ears listen. — N. T. Wright

I work in several different groups of pictures which act on and with each other - ranging from several abstracted manners to a form for the surreal. I have been called a preacher - but, in reality, I'm more generally philosophical. I have never made an abstracted photograph without content. An educated background in Zen influences all of my photographs. It has been said that my work resembles, more closely than any photographer, Le Douanier Rousseau - working in a fairly isolated area and feeding mostly on myself - I feel that I am a primitive photographer. — Ralph Eugene Meatyard

Life no argument. - We have arranged for ourselves a world in which we can live - by positing bodies, lines, planes, causes and effects, motion and rest, form and content; without these articles of faith nobody now could endure life. But that does not prove them. Life is no argument. The conditions of life might include error. — Friedrich Nietzsche

Certain jobs [films] are for the business really, because they get an audience, they get a global audience. Certain jobs are as an artist. If I can keep moving forward and strike some form of balance between them two, then I'm going to feel content. — Jack O'Connell

All art is relationships, all art. Design is relationships. Design in a relationship between form and content ... Your glasses are round. Your collar is diagonal. These are relationships. Your mouth is an oval. Your nose is a triangle - this is what design is. — Paul Rand

Here is a piece of metal which has been melted until it has become shapeless. It represents nothing. Nor does it have design, of any intentional sort. It is merely amorphous. One might say, it is mere content, deprived of form." Childan nodded. "Yet," Paul said, "I have for several days now inspected it, and for no logical reason I feel a certain emotional fondness. Why is that? I may ask. I do not even now project into this blob, as in psychological German tests, my own psyche. I still see no shapes or forms. But it somehow partakes of Tao. You see?" He motioned Childan over. "It is balanced. The forces within this piece are stabilized. At rest. So to speak, this object has made its peace with the universe. It has separated from it and hence has managed to come to homeostasis. — Philip K. Dick

But most Canadians, like most Americans, have a shockingly poor grasp of their own history. Dates, people, the large and small nuances of events have all been reduced to the form and content of Classic Comics. This isn't a complaint. It's an acknowledgment that people are busy with other things and generally glance at the past only on holidays. Given our hectic schedules, the least I can do is to provide a little historical background so no one will feel left out when our story gets complicated. — Thomas King

3. Thus the highest form of generalship is to balk the enemy's plans; [Perhaps the word "balk" falls short of expressing the full force of the Chinese word, which implies not an attitude of defense, whereby one might be content to foil the enemy's stratagems one after another, but an active policy of counter-attack. Ho Shih puts this very clearly in his note: "When the enemy has made a plan of attack against us, we must anticipate him by delivering our own attack first."] the next best is to prevent the junction of the enemy's forces; [Isolating him from his allies. We must not forget that Sun Tzu, in speaking of hostilities, always has in mind the numerous states or principalities into which the China of his day was split up.] the next in order is to attack the enemy's army in the field; [When he is already at full strength.] and the worst policy of all is to besiege walled cities. 4. The rule is, not to besiege walled cities if it can possibly be avoided. — Sun Tzu

The short space of threescore years can never content the imagination of man; nor can the imperfect joys of this world satisfy his heart. Man alone, of all created beings, displays a natural contempt of existence, and yet a boundless desire to exist; he scorns life, but he dreads annihilation. These different feelings incessantly urged his soul to the contemplation of a future state, and religion directs his musings thither. Religion, then, is simply another form of hope; and it is no less natural to the human heart than hope itself. — Alexis De Tocqueville

It is as if Protestantism by clinging to the Scripture wished to preserve the last faint echoes of God's Word in a world that has fallen silent, a world where only things speak dumbly, a world delivered over to the silence and ruthlessness of the Absolute, - and in his fear of God the Protestant has realized that it is his own goal before which he cowers. For in excluding all other values, in casting himself in the last resort on an autonomous religious experience, he has assumed a final abstraction of a logical rigour that urges him unambiguously to strip all sensory trappings from his faith, to empty it of all content but the naked Absolute, retaining nothing but the pure form, the pure, empty and neutral form of a 'religion in itself', a 'mysticism in itself'. — Hermann Broch

Think of the many different relations of form and content. E.g., the many pairs of trousers and what's in them. — Mason Cooley

The religion of this 'I', the poetry of this 'I', and the philosophy of the same 'I' that from Poggio and Felelfo to Byron and Goethe produced a number of works astonishing for their profundity and brilliance have finally exhausted its content; and in the poetry of Decadence we see the rapid falling away of the empty shell of this 'I'. We remarked previously about the exaggeration without the exaggerated object, and about the precious style without the subject of this preciosity, which characterize this poetry - this is so in regard to its form; in regard to its content Decadence is above all hopeless egoism. The world, as an object of love, of interest, even as the object of indignation or contempt, has disappeared from this "poetry"; the world has disappeared, not only as an object exciting some reaction in this vapid 'I', but also as a spectator and possible judge of this 'I'; it is not even present.

("On Symbolists And Decadence") — Vasily Rozanov

Helpfiles are traditionally outnumbered by no-help files, which superficially resemble a helpfile in form but not in content because they don't actually tell you anything you don't already know, or they answer every question except the one you're asking, or you open them and a giant animated paper clip leaps out and cheerfully asks where you want to go today. And wikis are worse. — Charles Stross

He is best of all who of himself conceiveth all things; Good again is he too who can adopt a good suggestion; But whoso neither of himself conceiveth nor hearing from another Layeth it to heart; - he is a useless man. [Sidenote: V] But to return from this digression. Now of the Chief Good (i.e. of Happiness) men seem to form their notions from the different modes of life, as we might naturally expect: the many and most low conceive it to be pleasure, and hence they are content with the life of sensual enjoyment. For there are three lines of life which stand out prominently to view: that just mentioned, and the life in society, and, thirdly, the life of contemplation. — Aristotle.

Even this artistic life, which we know is not real life, appears to me to be so alive and so vital that it would be a form ingratitude not to be content with it. — Vincent Van Gogh

and in that she's not merely pretty. It wouldn't be an overstatement to call her, as Dr. D once did, "a boldly sapient creature of divine enchantment." Form, I think, is dialectically related to content. And in fact it's perhaps her not-mere-prettiness, her intellect and sense of style and kindness and competency and good joke timing and infectious joy for life, etc., that have, to my mind (and, believe me, many others'), elevated her from the more crowded and clamorous ranks of the pretty to the rarified stratum of the beautiful. Something about her suggests the endless unfolding of possibilities. Ana — Alena Graedon

We have become indifferent to content, and react, not even to form, but to technique, to technical efficiency itself. — Czeslaw Milosz