For Her Poem Quotes & Sayings

It became a weekend of reading, of trying to see her in the fragments of the poem she'd left for me. — John Green

For there was now a wall of trees blocking any progress-
-and Inigo would not stop bleeding-
-and Westley would not start breathing-
-and Buttercup would not stop staring at him, her face lit with the hope that of all the creatures left stomping the earth, he, Fezzik, was the only one that could save her beloved and thereby stop her heart from shredding.
Fezzik at this heroic moment knew what he wanted most to do: suck his thumb forever. But since that was out of the question, he did the next best thing. He made a poem.
Fezzik's — William Goldman

I have seen the face of sorrow
She looks away in the distance
Across all these bridges
From whence I came
And those spans, trussed and arched
Hold up our lives as we go back again
To how we thought then
To how we thought we thought then
I have seen sorrow's face,
But she is ever turned away
And her words leave me blind
Her eyes make me mute
I do not understand what she says to me
I do not know if to obey
Or attempt a flood of tears
I have seen her face
She does not speak
She does not weep
She does not know me
For I am but a stone fitted in place
On the bridge where she walks

Lay of the Bridgeburners
Toc the Younger — Steven Erikson

Your gravity, your grace have turned a tide
In me, no lunar power can reverse;
But in your narcoleptic eyes I spied
A sightlessness tonight: or something worse,
A disregard that made me feel unmanned.
Meanwhile, insomniac, I catch my breath
To think I saw my future traced in sand
One afternoon "as still, as carved, as death,"
And pray for an oblivion so deep
It ends in transformation. Only dawn
Can save me, flood this haunted house of sleep
With light, and drown the thoughts that nightly warn:
Another lifetime is the least you'll need, to trace
The guarded secrets of her gravity, her grace. — Jonathan Coe

I couldn't figure out which of these ideas, if any, was at the core of the poem. But thinking about the grass and all the different ways you could se it made me think about all the ways I'd seen and mis-seen Margo. There was no shortage of ways to see her. I'd been focused on what had become of her, but now with my head trying to understand the multiplicity of grass and her smell from the blanket still in my throat, I realized that the most important question was who I was looking for. If "What is the grass?" has such a complicated answer, I thought, so, too, must "Who is Margo Roth Spiegelman?" Like a metaphor rendered incomprehensible by its ubiquity, there was room enough in what she had left me for endless imaginings, for an infinite set of Margos. — John Green

I think Miss Moore was right to cut "The Steeple-Jack" the poem seems plainer and clearer in its shortened state but she has cut too much ... The reader may feel like saying, "Let her do as she pleases with the poem; it's hers, isn't it?" No; it's much too good a poem for that, it long ago became everybody's, and we can protest just as we could if Donatello cut off David's left leg. — Randall Jarrell

Stop blaming people for not helping you. No matter how your teacher teaches you to recite a poem, you can't wear her smiling face to the platform. You've got to put that smile on your own face. — Israelmore Ayivor

If the boy who draws
lets you look over his shoulder.
If the poet
smiles
and shows you her words.
If the girl who sings for the shower only,
hums a song
in front of you.
Know that you're no longer a person
but the air
and dust
that fills their lungs.
When the world perishes,
and all things cease to exist,
you'll remain inside an ink stain,
a paint brush,
a song.

Poem N. 8 — Alaska Gold

I've learned to rely on the strength I inherited from all those who came before me-the grandmothers, sisters, aunts, and brothers who were tested with unimaginable hardships and still survived. 'I go forth alone, and stand as ten thousand,' Maya Angelou proclaimed in her poem 'Our Grandmothers.' When I move through the world, I bring all my history with me-all the people who paved the way for me are part of who I am. — Oprah Winfrey

His mind was constantly thinking about her, while he decided to recite a poem that he had written for her long ago. While he narrated, the words conjured memories like ghosts into the room. — Sulaiman Sait

Scenes from the Playroom

Now Lucy with her family of dolls
Disfigures Mother with an emery board,
While Charles, with match and rubbing alcohol,
Readies the struggling cat, for Chuck is bored.

The young ones pour more ink into the water
Through which the latest goldfish gamely swims,
Laughing, pointing at naked, neutered Father.
The toy chest is a Buchenwald of limbs.

Mother is so lovely; Father, so late.
The cook is off, yet dinner must go on
With onions as her only cause for tears
She hacks the red meat from the slippery bone,
Setting the table, where the children wait,
Her grinning babies, clean behind the ears. — R.S. Gwynn

She is dying because she said.
She is dying for the sake of the word.
It is her body, silent
and fingerless, writing this poem. — Margaret Atwood

As I said, you have mistaken me for another. London is full of drab little peahens, sir. Now, then, I'm leaving," she said in a huff.
"To change?" he asked, unable to stop from goading her.
"To write a poem for my toast," she snapped. "And you may suffer, for I will not help you with yours."
"No need, darling," Matthew drawled, his words intending to push her away.
"I doubt you know a suitable word that will rhyme with fuck. "
"Stuck," she said, turning to face him. "For two days, my lord. We are stuck with one another. Let us make the best of it."
"And how do you propose we do that?"
"By giving each other wide berth. We will not stand together, we will not talk to one another and we will most certainly not look at one another."
"No problem from this quarter."
"Good. You may be assured that it will be no difficulty for me, either."
-Matthew and Jane — Charlotte Featherstone

I just sit where I'm put, composed
of stone and wishful thinking:
that the deity who kills for pleasure
will also heal,
that in the midst of your nightmare,
the final one, a kind lion
will come with bandages in her mouth
and the soft body of a woman,
and lick you clean of fever,
and pick your soul up gently by the nape of the neck
and caress you into darkness and paradise. — Louise Penny

I thought a bit of poetry might be interesting - I even write a few lines myself. I composed a short poem for my mum's 70th birthday recently. When I recited it I saw the glint of a tear in her eye ... although I guess it wasn't the quality of the poetry was that making her cry! — Iain Dowie

My beloved is the sun
And I am the earth that thrives only in her warmth. My beloved is the rain
And I am the grass that thirsts for her quenching kiss. My beloved is the wind
And I am the wings that soar when she fills me with her gentle strength.
My beloved is the rock
Upon which rests the happiness of all my days.
- The Elements of Love, a poem by Aileron v'En Kavali of the Fey — C.L. Wilson

New clothes left Sylvia reeling with happiness. For Sylvia, a shopping list was a poem. She always shopped alone - it suited her deliberate nature and the artistic joy with which she approached all things aesthetic. — Elizabeth Winder

Tomorrow she'd look up tattoo removal. They were doing big things with lasers now. When Cal was just a little more stable, she'd break up with him, gently, and then she'd begin her project of helping everybody she could help, and after that she'd head out on a great long journey to absolutely nowhere and write a gorgeous poem cycle steeped in heavenly lavender-scented closure and also utter despair, a poem cycle you could also actually ride for its aerobic benefits, and she'd pedal that fucker straight across the face of the earth until at some point she'd coast right off the edge, whereupon she'd giggle and say, Oh, shit. — Sam Lipsyte

She read on and on, enraptured. She could not understand half, but it excited her oddly, like words in a foreign language sung to a beautiful air. She followed the poem vaguely as she followed the Latin in her missal, guessing, inventing meanings for herself, intoxicated by the mere rush of words. And yet she felt she did understand, not with her eyes or her brain, but with some faculty she did not even know she possessed. — Antonia White

Fool brother Filip led blind brother Daret
deep into the black cave.
He knew that inside it, the Queen Crab resided
but that didn't scare him away.

Said blind brother Daret to fool brother Filip,
does Queen Crab no longer reign?
I have heard she is vicious, and likes to eat fishes.
It's best we avoid her domain.

Answered fool Filip to his brother small,
have I not always kept you safe?
I know what I'm doing, for I'm older than you,
and I'll never lead you astray. — Susan Dennard

My second thoughts condemn
And wonder how I dare
To look you in the eye.
What right have I to swear
Even at one a.m.
To love you till I die?

Earth meets too many crimes
For fibs to interest her;
If I can give my word,
Forgiveness can recur
Any number of times
In Time. Which is absurd.

Tempus fugit. Quite.
So finish up your drink.
All flesh is grass. It is.
But who on earth can think
With heavy heart or light
Of what will come of this? — W. H. Auden

ONCE WHEN I WAS ninth grade i had to write a paper on a poem. One of the lines wasIf your eyes weren't open you wouldn't know the difference between dreaming and waking' It hadn't meant meant much to me at the time. After all there'd been a guy in the class that i liked so how could i be expected to pay attention to literary analysis? Now three year later i understand the poem perfectly. — Richelle Mead

I've always felt a vague sense of guilt that I search for plunder and inspiration in every book or poem or story I pick up. Other people's books are treasures when stories emerge in molten ingots that a writer can shape to fit his or her own talents. Magical theft has always played an important part of my own writer's imagination. — Pat Conroy

The only thing I had done is determine that I won't run away from this mourning process. When everyone else was clamoring for me to come here or go there, or do this or don't do that, I keep my own counsel. As everyone shouts their own "bad advice" as Mary Oliver calls it in her poem "The Journey," I turn to my own voice. As I proceed deeper and deeper into this journey, the clearer my own voice becomes. — Elizabeth A. Weber

The most interesting inconsistency in thought is connected with the Bower of Bliss. This passage
the twelfth canto of the second Book
is probably the best known in the whole poem and the most frequently cited as an example of Spenser's sensuous beauty. Professor de Selincourt writes: 'Those who blame Spenser for lavishing the resources of his art upon this canto, and filling it with magic beauty, have never been at the heart of the experience it shadows. It is from the ravishing loveliness of all that surrounds and leads to the Bower of Acrasia that she herself draws her almost irresistible power. When Guyon has bound Acrasia and destroyed the Bower of Bliss he has achieved his last and hardest victory. — Janet Spens

In fact he was as
lovesick as a high schooler of an especially sensitive sort who wonders if he dare share a poem with his
beloved or whether she will laugh at him. He does read her the poem and her feminine capacity for
romanticism for a moment approaches his own and they are suffused in a love trance, a state that so
ineluctably peels back the senses making them fresh again whatever ages the lovers might be. — Jim Harrison

Her long beautiful red hair wasn't what got me to stare. It was her beautiful heart that I heard beating when I thought no one was there. Her hugs wasn't what got me to stay, it was the thought of me being alone again and I was afraid. She completes me more than she knows. I admire her more than I show, they say true love is hard to find but, I don't believe that because once I saw her in my dreams, I knew she was mines. I've waited for this day for so long and she never knew it, I plan to give her the world. Lord please don't let me blow it. — N.I.

For the last four years of her life, Mother was in a nursing home called Chateins in St. Louis ... [S]ix months before she died I sent a Mother's Day card. There was a horrible, mushy poem in it. I remember feeling vaguely guilty. — William S. Burroughs

Like a pianist runs her fingers over the keys, I'll search my mind for what to say. Now, the poem may want you to write it. And then sometimes you see a situation and think, 'I'd like to write about that.' Those are two different ways of being approached by a poem, or approaching a poem. — Maya Angelou

I do know I can lie awake all night and it feels as if someone is cutting out my stomach the pain of having lost her is so awful. And I am angry that I was made to choose, that both Fen & Helen needed me to choose, to be their one & only when I didn't want a one & only. I loved that Amy Lowell poem when I first read it, how her lover was like red wine at the beginning and then became bread. But that has not happened to me. My loves remain wine to me, yet I become too quickly bread to them. It was unfair, the way I had to decide one way or another in Marseille. Perhaps I made the conventional choice, the easy way for my work, my reputation, and of course for a child. A child that does not come. — Lily King

Poem for someone who is juggling her life

This is a poem for someone
who is juggling her life.
Be still sometimes.
Be still sometimes.

It needs repeating
over and over
to catch her attention
over and over
because someone juggling her life
finds it difficult to hear.

Be still sometimes.
Be still sometimes.
Let it all fall sometimes. — Rose Cook

The words of the true poems give you more than poems, they give you to form for yourself poems, religions, politics, war, peace, behavior, histories, essays, daily life, & everything else, they balance the ranks, colors, races, creeds, and the sexes, they do not seek beauty, they are sought, forever touching them or close upon them follows beauty, longing, fain, love-sick.
They prepare for death, yet they are not the finish, but rather the outset, they bring none of his or her terminus or to be content & full, whom they take they take into space to behold the birth of the stars, to learn one of the meanings, to launch off with absolute faith, to sweep through the ceaseless rings & never be quiet again. — Walt Whitman

They say that Grandma Moses had several canvases going at the same time. Maybe it was a way for her to catch up with the time she missed while raising children and tending the farm. Like Grandma, I tend to have more than one poem or fiction going at a time. For me, it's just the way I think. — Marge Simon

Whoso List to Hunt
Whoso list to hunt, I know where is an hind,
But as for me, helas! I may no more.
The vain travail hath worried me so sore,
I am of them that furthest come behind.
Yet may I by no means, my worried mind
Draw from the deer; but as she fleeth afore
Fainting I follow. I leave off therefore,
Since in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I, may spend his time in vain;
And graven in diamonds in letters plain
There is written, her fair neck round about,
"Noli me tangere, for Caesar's I am,
And wild to hold, though I seem tame."
Sir Thomas Wyatt — Thomas Wyatt

[Short Talk on Sylvia Plath] Did you see her mother on television? She said plain, burned things. She said I thought it an excellent poem but it hurt me. She did not say jungle fear. She did not say jungle hatred wild jungle weeping chop it back chop it. She said self-government she said end of the road. She did not say humming in the middle of the air what you came for chop. — Anne Carson

If Amy had one ounce of romance in her soul, she would be sighing with gratification. Instead, she said acerbically, "All that's missing is the love poem."
Jermyn deposited her in a chair by the table. "I'll order a pen and ink for you. — Christina Dodd

What's that poem again?" Will, who had been twirling his empty teacup around his fingers, stood up straight and declaimed:
"Each spake words of high disdain,
And insult to his heart's best brother - "
"Oh, by the Angel, Will, do be quiet," said Charlotte, standing up. "I must go and write a letter to Aloysius Starkweather that drips remorse and pleading. I don't need you distracting me." And, gathering up her skirts, she hurried from the room.
"No appreciation for the arts," Will murmured, setting his teacup down. — Cassandra Clare

Those lips that Love's own hand did make
Breathed forth the sound that said, 'I hate'
To me that languished for her sake,
But, when she saw my woeful state,
Straight in her heart did mercy come,
Chiding that tongue that ever sweet
Was used in giving gentle doom,
And taught it thus anew to greet:
'I hate,' she altered with an end
That followed it as gentle day
Doth follow night, who like a fiend
From Heaven to Hell is flown away.
'I hate' from hate away she threw
And saved my life, saying 'not you'. — William Shakespeare

I get it, Will," I finally whisper.
"I get it. In the first line, when you said that death was the only thing inevitable in life ... you emphasized the word death. But when you said it again at the end of the poem, you didn't emphasize the word death, you emphasized the word life. You put the emphasis on life at the end. I get it, Will. You're right. She's not trying to prepare us for her death. She's trying to prepare us for her life. For what she has left of it. — Colleen Hoover

I stop writing the poem to fold the clothes. No matter who lives or who dies, I'm still a woman. I'll always have plenty to do. I bring the arms of his shirt together. Nothing can stop our tenderness. I'll get back to the poem. I'll get back to being a woman. But for now there's a shirt, a giant shirt in my hands, and somewhere a small girl standing next to her mother watching to see how it's done. — Tess Gallagher

Pasquale considered his friend's face. It had such an open quality, was such a clearly American face, like Dee's face, like Michael Deane's face. He believed he could spot an American anywhere by that quality - that openness, that stubborn belief in possibility, a quality that, in his estimation, even the youngest Italians lacked. Perhaps it was the difference in age between the countries - America with its expansive youth, building all those drive-in movie theaters and cowboy restaurants; Italians living in endless contraction, in the artifacts of generations, in the bones of empires. This reminded him of Alvis Bender's contention that stories were like nations - Italy a great epic poem, Britain a thick novel, America a brash motion picture in Technicolor - and he remembered, too, Dee Moray saying she'd spent years "waiting for her movie to start," and that she'd almost missed out on her life waiting for it. — Jess Walter

I remember when I was a kid at school having to learn a poem of sorts about a fellow named Pig-something - a sculptor he would have been, no doubt - who made a statue of a girl, and what should happen one morning but that the bally thing suddenly came to life. A pretty nasty shock for the chap, of course, but the point I'm working round to is that there were a couple of lines that went, if I remember correctly: She starts. She moves. She seems to feel The stir of life along her keel. And what I'm driving at is that you couldn't get a better description of what happened to Gussie as I spoke these heartening words. His brow cleared, his eyes brightened, he lost that fishy look, and he gazed at the slug, which was still on the long, long trail with something approaching bonhomie. A marked improvement. — P.G. Wodehouse

The title of the poem is: Heimweh (Homesick). The pervasive feeling expressed is of utter desolation, of wrenching pain felt by a person, who longs for every stone, bench, house - everything that was home. She felt that this poem put into words her own extreme longing for what used to be home. Then the letter continues: Nettchen, how long will this go on? How do you bear it? I have been here less than three months and I imagine that I will surely go out of my mind. Especially, in these unspeakably bright and white nights that overflow with longing. Sing sometimes, late at night, when you are alone: Poljushka4. Perhaps you will understand my frame of mind. — Pearl Fichman

A rural Venus, Selah rises from the
gold foliage of the Sixhiboux River, sweeps
petals of water from her skin. At once,
clouds begin to sob for such beauty.
Clothing drops like leaves.
"No one makes poetry,my Mme.
Butterfly, my Carmen, in Whylah,"
I whisper. She smiles: "We'll shape it with
our souls."
Desire illuminates the dark manuscript
of our skin with beetles and butterflies.
After the lightning and rain has ceased,
after the lightning and rain of lovemaking
has ceased, Selah will dive again into the
sunflower-open river. — George Elliott Clarke

You sit at the edge of the world,
I am in a crater that's no more.
Words without letters
Standing in the shadow of the door.
The moon shines down on a sleeping lizard,
Little fish rain from the sky.
Outside the window there are soldiers,
steeling themselves to die.
(Refrain)
Kafka sits in a chair by the shore,
Thinking for the pendulum that moves the world, it seems.
When your heart is closed,
The shadow of the unmoving Sphinx,
Becomes a knife that pierces your dreams.
The drowning girl's fingers
Search for the entrance stone, and more.
Lifting the hem of her azure dress,
She gazes
at Kafka on the shore — Haruki Murakami

To what or whom does Lizzie Harris direct the imperative title of her startling first book, Stop Wanting? To the reader, the narrator, to desire itself, or to lack? This is a work of complexly, ambiguously layered narratives and identities. The opening poem asserts I want to say what happened / but am suspicious of stories. These lines become an ars poetica for the whole of this painful and exceptional collection in which the unspeakable is stubbornly confronted by a searing eloquence. This is a commanding debut. — Lynn Emanuel

There's a line in The Barretts of Wimpole Street - you know, the play - where Elizabeth Barrett is trying to work out the meaning of one of Robert Browning's poems, and she shows it to him, and he reads it and he tells her when he wrote that poem, only God and Robert Browning knew what it meant, and now only God knows. And that's how I feel about studying English. Who knows what the writer was thinking, and why should it matter? I'd rather just read for enjoyment. — Susanna Kearsley

Do you know who W.H. Auden was, Mr. Iscariot? W.H. Auden was a poet who once said, "God may reduce you on Judgement Day to tears of shame reciting by heart the poems you would have written had your life been good" ... She was my poem, Mr. Iscariot. Her and the kids. But mostly her. You cashed in for silver, Mr. Iscariot. But me? Me ... I threw away gold. That's a fact. That's a natural fact. — Stephen Adly Guirgis

Someone who accepts that in the world as currently divided war can become inevitable, and even just, might reply that the photographs supply no evidence, none at all, for renouncing war - except to those form whom the notions of valor and sacrifice have been emptied of meaning and credibility. The destructiveness of war - short of total destruction, which is not war but suicide - is not in itself an argument against waging war unless one thinks (as few people actually do think) that violence is always unjustifiable, that force is always and in all circumstances wrong - wrong because, as Simone Weil affirms in her sublime essay on war, "The Iliad, or The Poem of Force" (1940), violence turns anybody subjected to it into a thing. No, retort those who in a given situation see no alternative to armed struggle, violence can exalt someone subjected to it into a martyr or hero. — Susan Sontag

My love has eyes blue as the sky.
Her warm, bright smile makes me want to try
To give her the world,
And when she's curled
Up in my arms where I can feel her touch,
I realize again that I love her so much.
My world has turned from black to white.
Kissing in starlight, basking in sunlight, dancing at midnight.'
~John's poem for Belle — Julia Quinn

The other Miller was different. Quieter. Sad, maybe, but at peace. He'd read a poem many years before called "The Death-Self," and he hadn't understood the term until now. A knot at the middle of his psyche was untying. All the energy he'd put into holding things together - Ceres, his marriage, his career, himself - was coming free. He'd shot and killed more men in the past day than in his whole career as a cop. He'd started - only started - to realize that he'd actually fallen in love with the object of his search after he knew for certain that he'd lost her. He'd seen unequivocally that the chaos he'd dedicated his life to holding at bay was stronger and wider and more powerful than he would ever be. No compromise he could make would be enough. His death-self was unfolding in him, and the dark blooming took no effort. It was a relief, a relaxation, a long, slow exhale after decades of holding it in. — James S.A. Corey

With lines that show an unyielding dedication to craft, these poems are not afraid of meaning or the meaningful. More and more every day, the thinking American asks how she is to believe in love when there is war all about her, and in each of her deeply felt lyrics, Elyse Fenton confronts this question with the kind of tenderness one lover reserves for another. If every poem is indeed a love poem,Clamor is indeed a debut worth reading and about which we must make noise. — Jericho Brown

Shaw ... has a woman ever asked you to write a poem for her?"
"Good God, no," Gideon replied with a snicker. "Shaws don't write poetry. They pay others to write it for them and then take the credit for it. — Lisa Kleypas

Sing a song of suspense in which the players die.
Four and twenty ravens in an Edgar Allan Pie.
When the pie was broken, the ravens couldn't sing.
Their throats had been sliced open by Stephen, the new King.
The King was in his writing house, stifling a laugh
While his queen was in a tizzy of her bloody Lovecraft.
When the dead maid got the garden for her rank as royal whore,
King's shovel made it double and he married nevermore. — Jessica McHugh

This poem inspired me to write my eBook.

The Miller's Daughter by Alfred Lord Tennyson

It is the miller's daughter,
And she is grown so dear, so dear,
That I would be the jewel
That trembles in her ear;
For hid in ringlets day and night
I'd touch her neck so warm and white. — Ellen Read

THE MOON was but a chin of gold
A night or two ago,
And now she turns her perfect face
Upon the world below.
Her forehead is of amplest blond;
Her cheek like beryl stone;
Her eye unto the summer dew
The likest I have known.
Her lips of amber never part;
But what must be the smile
Upon her friend she could bestow
Were such her silver will!
And what a privilege to be
But the remotest star!
For certainly her way might pass
Beside your twinkling door.
Her bonnet is the firmament,
The universe her shoe,
The stars the trinkets at her belt,
Her dimities of blue. — Emily Dickinson

Special thanks to Martha Sharpe and everyone at Anansi; to Mandy Barber, for the use of her stunning visual art; to Karen Mac Cormack, for her advice during the early stages of this project; and to David Bromige (weaver of radhats), for his enthusiasm which encouraged me to develop this piece into a book-length poem. — Darren Wershler-Henry

The other chief love- and how similar it was to science, and how different- was reading. As soon as she realized the figures on the page meant something- could be strung together as words, and then sentences, and then paragraphs- she was covetous of the whole system. It seemed a new universe to her. And it was. Everything opened up. Some stories were meant to inform, and others were meant to entertain. And then other stories were separate from those- this the young teacher did not tell her, it was something Angelene figured out on her own, the first year, when a man visited and read them a poem out of a tome of poems- that seemed crafted to relay some secret, and even more than that, some secret about herself. Angelene was mesmerized. What was available for her to know? What secrets did the world hold? Which secrets would be revealed to her through the soil, and which through words? — Amanda Coplin

Christ, it's embarrassing--I start thinking about this goddam poem I sent her when we first started goin' around together. 'Rose my color is. and white, Pretty mouth and green my eyes.' Christ, it's embarrassing--it used to remind me of her. She doesn't have green eyes--she has eyes like goddam sea shells, for Chrissake. — J.D. Salinger

Archibald MacLeish affirmed that 'A poem should be equal to / not true'. As a defiant statement of poetry's gift for telling truth but telling it slant, this is both cogent and corrective. Yet there are times when a deeper need enters, when we want the poem to be not only pleasurably right but compellingly wise, not only a surprising variation played upon the world, but a retuning of the world itself. We want the surprise to be transitive, like the impatient thump which unexpectedly restores the picture to the television set, or the electric shock which sets the fibrillating heart back to its proper rhythm. We want what the woman wanted in the prison queue in Leningrad, standing there blue with cold and whispering for fear, enduring the terror of Stalin's regime and asking the poet Anna Akhmatova if she could describe it all, if her art could be equal to it. — Seamus Heaney

What do you think of when you think of mourning?' Jenny asks.
The question snaps me back to attention. I answer without really thinking. "I guess 'Funeral Blues' by W.H. Auden. I think it was Auden. I suppose that's not very original.'
'I don't know it.'
'It's a poem.'
'I gathered.'
'I'm just clarifying. It's not a blues album.'
Jenny ignores my swipe at her intelligence.
'Does your response need to be original? Isn't that what poetry is for, for the poet to express something so personal that it ultimately is universal?'
I shrug. Who is Jenny, even new Jenny, to say what poetry is for? Who am I for that matter?
'Why do you thin of that poem in particular?'
"Stop all the clocks, cut off the telephone, / Prevent the dog from barking with a juicy bone, / Silence the pianos and with muffled drum / Bring out the coffin, let the mourners come.'
I learned the poem in college and it stuck. — Steven Rowley

That's one of those questions that would just love to have a pat answer. You know, poetry's job is to make us feel good. Poetry exists to allow us to express our innermost feelings. There isn't one role for poetry in society. There are many roles for poetry. I wrote a poem to seduce my wife. I wrote a poem when I asked her to marry me. Poetry got me laid. Poetry got me married. — Sam Hamill

loved a man for years who said her eyes looked like the ocean, because she always wanted to be somebody's poem, somebody's simile, somebody's lackluster metaphor. — Trista Mateer

When the spent sun throws up its rays on cloud
And goes down burning into the gulf below,
No voice in nature is heard to cry aloud
At what has happened. Birds, at least must know
It is the change to darkness in the sky.
Murmuring something quiet in her breast,
One bird begins to close a faded eye;
Or overtaken too far from his nest,
Hurrying low above the grove, some waif
Swoops just in time to his remembered tree.
At most he thinks or twitters softly, 'Safe!
Now let the night be dark for all of me.
Let the night be too dark for me to see
Into the future. Let what will be, be. — Robert Frost

It didn't help when he told David that his mother would always be with him, even if he couldn't see her. An unseen mother couldn't go for long walks with you on summer evenings, drawing the names of trees and flowers from her seemingly infinite knowledge of nature; or help you with your homework, the familiar scent of her in your nostrils as she leaned in to correct a misspelling or puzzle over the meaning of an unfamiliar poem; or read with you on cold Sunday afternoons when the fire — David Nicholls

O Earth, lie heavily upon her eyes;
Seal her sweet eyes weary of watching Earth;
Lie close around her; leave no room for mirth
With its harsh laughter, nor for sound of sighs.
She hath no questions, she hath no replies. — Jeffrey Eugenides

I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time. — Colleen Hoover

It was an itinerary for an alternate life. If things had gone according to my wife's vision, yesterday she would have hovered near me as I read this poem, watching me expectantly, the hope emanating from her like a fever: *Please get this. Please get me.* — Gillian Flynn

At sunset, on the river ban, Krishna
Loved her for the last time and left ...
That night in her husband's arms, Radha felt
So dead that he asked, What is wrong,
Do you mind my kisses, love? And she said,
Not not at all, but thought, What is
It to the corpse if the maggots nip? — Kamala Suraiyya Das

After she had gone through most of the songs she knew, she sang an old one that she said she had written herself. I'd love to cook a stew for you But I have no pot. I'd love to knit a scarf for you But I have no wool. I'd love to write a poem for you But I have no pen. "It's called 'I Have Nothing,'" Midori announced. It was a truly terrible song, both words and music. I listened to this musical mess with thoughts of how the house would blow apart in the explosion if the gas station caught fire. Tired of singing, Midori put her guitar down and slumped against my shoulder like a cat in the sun. "How did you like my song?" she asked. I answered cautiously, "It was unique and original and very expressive of your personality." "Thanks," she said. "The theme is that I have nothing." "Yeah, I kinda thought so. — Haruki Murakami

So I'm reading some poem by Louise . . . something, I forget her last name, but it's about Hades and the underworld, and I don't even notice that Paige has come up to my table until she says, 'Doesn't everyone want love?' And I'm thinking, wow, that's a pretty deep question, but then again Paige is really smart, and this is my chance to finally show her that I'm not just a dumb jock. So I say, 'I heard this theory once that love means your subconscious is attracted to someone else's subconscious.'"

"Very deep," Cade said.

"Exactly. And I'm feeling proud of myself for that one, until she points to the book and says, 'Oh, that wasn't a question. I was just quoting a line from the poem. — Julie James

Khairani Barokka is a writer, spoken-word poet, visual artist and performer whose work has a strong vein of activism, particularly around disability, but also how this intersects with, for example, issues of gender - she's campaigned for reproductive rights in her native Indonesian, and is currently studying for a PhD in disability and visual cultures at Goldsmiths. She's written a feminist, environmentalist, anti-colonialist narrative poem, with tactile artwork and a Braille translation. How could I not publish that? — Deborah Smith

And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't. — Jennifer Donnelly

A short poem from my new book, The Lost Journal of my Second Trip to Pergatory,
Thorny Crowns
Of course the gold one was for special occasions, weddings, etc,
silver for family reunions, office-casual type affairs.
Bronze was a everyday choice; during yard work its burnished surface shone in sunlight.
There were various colors and holiday appropriate ones.
I could never find the hatboxes they were stored in.
But the wooden one was reserved for the long suffering caused by family.
Stevie's funeral, my hospital trips and sister's rebellion rated real wood.
One tip filed extra sharp produced a fine and dramatic line of blood droplets on her brow. — Michelle Hartman

Hem, you know I don't think that owner's wife where you live likes me. She wouldn't let me wait upstairs for you.'
'I'll tell her,' I said.
'Don't bother. I can always wait here. It's very pleasant in the sun now, isn't it?'
'It's fall now,' I said. 'I don't think you dress warmly enough.'
'It's only cool in the evening,' Evan said. 'I'll wear my coat.'
'Do you know where it is?'
'No. But it's somewhere safe.'
'How do you know?'
'Because I left the poem in it. — Ernest Hemingway,

Waldo nodded and waved goodbye pathetically, like a young father going off to war.
As soon as the door was closed and he was gone, Jeanne squelched her own apprehensions, opened the paper and read the poem Waldo had written for her:

One taste of Jeanne and out I flew
Wildly, madly, in no direction
But hers, and yet so straight and true
I fly towards her with no protection
It feels so strange to move this way
Though I should land, desire it seems
Moves in strange circles and so I stay
Disoriented beyond my wildest dreams. — Donald Jeffries