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Fonts For Sad Quotes & Sayings

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Top Fonts For Sad Quotes

Fonts For Sad Quotes By Edna St. Vincent Millay

Who's that knocking on my grave and will not let me sleep, a year has one — Edna St. Vincent Millay

Fonts For Sad Quotes By Charles Dickens

Where is she? Living or dead, where is she? If, as he folds the handkerchief and carefully puts it up, it were able with an enchanted power to bring before him the place where she found it and the night-landscape near the cottage where it covered the little child, would he descry her there? On the waste where the brick-kilns are burning with a pale blue flare, where the straw-roofs of the wretched huts in which the bricks are made are being scattered by the wind, where the clay and water are hard frozen and the mill in which the gaunt blind horse goes round all day looks like an instrument of human torture - traversing this deserted, blighted spot there is a lonely figure with the sad world to itself, pelted by the snow and driven by the wind, and cast out, it would seem, from all companionship. It is the figure of a woman, too; but it is miserably dressed, and no such clothes ever came through the hall and out at the great door of the Dedlock mansion. — Charles Dickens

Fonts For Sad Quotes By Rachel Morgan

You guys dated, didn't you?"
"Are you insane? Not even if the continuation of our kind depended on it would I be tempted to do something so awful. — Rachel Morgan

Fonts For Sad Quotes By Mandy Patinkin

Actually, the language in Shakespeare is wonderfully musical. You need to hear the music to connect with the words. — Mandy Patinkin

Fonts For Sad Quotes By Paul Goodman

The irony is that in our decades, the combination of rationalism, asceticism, and individualism (the so-called Protestant Ethic) has produced precisely the system of boondoggling, luxury-consumption, and status. — Paul Goodman

Fonts For Sad Quotes By James Thurber

You might as well fall flat on your face as lean over too far backward. — James Thurber

Fonts For Sad Quotes By Salman Rushdie

Looking back at those incidents, he was always appalled by the memory of his passivity, hard though it was to see what else he could have done. He could have refused to pay for the gravy damage to his room, could have refused to change his shoes, could have refused to kneel to supplicate for his B.A. He had preferred to surrender and get the degree. The memory of that surrender made him more stubborn, less willing to compromise, to make an accommodation with injustice, no matter how persuasive the reasons. Injustice would always thereafter conjure up the memory of gravy. Injustice was a brown, lumpy, congealing fluid, and it smelled pungently, tearfully, of onions. — Salman Rushdie