Folksong Quotes & Sayings
Enjoy reading and share 17 famous quotes about Folksong with everyone.
Top Folksong Quotes

I would rather love you and live a miserable life than live a wonderful life without your love. — Debasish Mridha

Transformations
All night he ran, his body air,
But that was in another year.
Lately the answered shape of his laughter,
The shape of his smallest word, is fire.
He who is a fierce young crier
Of poems will be as tranquil as water,
Keeping, in sunset glow, the pure
Image of limitless desire;
Then enter earth and come to be,
Inch by inch, geography. — Stanley Kunitz

Beatles was 20th-century folksong in the framework of capitalism; they couldn't do anything different if they wanted to communicate within that framework. — Yoko Ono

It looks as though it hurt."
"It did."
"Did you cry?"
His fists clenched involuntarily at his sides. "Yes!"
Jenny walked back around to face him, pointed chin lifted and slanted eyes wide and bright. "So did I," she said softly. "Every day since they took ye away. — Diana Gabaldon

The craving for colour is a natural necessity just as for water and fire. Colour is a raw material indispensable to life. At every era of his existence and his history, the human being has associated colour with his joys, his actions and his pleasures. — Fernand Leger

There [is] a feeling of recognition, as of meeting an old friend, which comes to us all in the face of great artistic experiences. I had the same experience when I first heard an English folksong, when I first saw Michelangelo's Day and Night, when I suddenly came upon Stonehenge or had my first sight of New York City - the intuition that I had been there already. — Ralph Vaughan Williams

Over the years, online, we've laid down a huge amount of information and data, and we irrigate it with networks and connectivity, and it's been worked and tilled by unpaid workers and governments. — David McCandless

The bourgeoisie cannot exist without constantly revolutionizing the instruments of production, and thereby the relations of production, and with them the whole relations of society. Conservation of the old modes of production in unaltered forms, was, on the contrary, the first condition of existence for all earlier industrial classes. Constant revolutionizing of production, uninterrupted disturbance of all social conditions, everlasting uncertainty and agitation, distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices and opinions, are swept away; all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life and his relations with his kind. — Karl Marx

Maybe I'm old-fashioned, but I have to write everything down. — Cate Blanchett

If you don't brand yourself, other people will.
And I can guarantee you that they won't brand you in the way that you want to be branded. — Catherine Kaputa

What a strange narrowness of mind now is that, to think the things we have not known are better than the things we have known. — Samuel Johnson

I was 16 when I got a scholarship to study classical composition at a conservatory. By that time I had already listened to Scottish folksong with my mother, sung in church choirs, and had sung solo with Benjamin Britten conducting. — Jack Bruce

Running from your fear can be more painful than facing it, for better or worse. — Chuck Norris

Gentle Mother, font of mercy,
save our sons from war, we pray,
stay the swords and stay the arrows,
let them know a better day,
Gentle Mother, strength of women,
help our daughters through this fray,
soothe the wrath and tame the fury,
teach us all a kinder way. — George R R Martin

the glory of the next world that will never wear out, while the good things of this world will vanish. — John Bunyan

The thirteen-year-old boy's cheeks were flushed with the wine that his father, half as a joke, had forced upon him. He burrowed into the silken quilts and let his head fall back on the pillow, his breath warm and heavy. The tracery of blue veins under his close-cropped hair throbbed around his earlobes, and the skin was so extraordinarily transparent that one could almost see the fragile mechanism inside. Even in the half-light of the room, his lips were red. And the sounds of breathing that came from this boy, who looked as though he had never experienced anguish, seemed to be the mocking echo of a sad folksong. — Yukio Mishima