Quotes & Sayings About Flowers In Her Hair

I sought her eye, desirous to read there the intelligence which I could not discern in her face or hear in her conversation; it was merry, rather small; by turns I saw vivacity, vanity, coquetry, look out through its irid, but I watched in vain for a glimpse of soul. I am no Oriental; white necks, carmine lips and cheeks, clusters of bright curls, do not suffice for me without that Promethean spark which will live after the roses and lilies are faded, the burnished hair grown grey. In sunshine, in prosperity, the flowers are very well; but how many wet days are there in life
November seasons of disaster, when a man's hearth and home would be cold indeed, without the clear, cheering gleam of intellect. — Charlotte Bronte

I started my illustrious career with a pitchfork in my hand and saddle soap in my pocket.
Idly he tugged a white blossom from the vine, tucked it into her hair. The gesture flustered her-the easy charm of it-and made her remember they were walking in the moonlight, among the flowers.
Not,she reminded herself, a good idea. — Nora Roberts

What can I give you, Aislinn? Shall I weave flowers into your hair?"
He opened his hand, letting go of her hair. An iris blossom sat in the palm of his hand. "Shall I bring you necklaces of gold? Delicacies mortals can only dream of? I'll do all those things anyway. Don't waste your wish. — Melissa Marr

I showed her my cubicle of commercial artistry, and drew her attention to my latest project. "Oh, that's lovely," she said when I pointed out the drawing of a nymph with flowers in her freshly shampooed hair. "That's really nice." That "nice" remark almost spoiled my day. — Thomas Ligotti

He asked if she sold luminous flowers that he had heard about, flowers which shone in the dark. He wanted them, he said, for a woman who shone in the dark. He could swear that when he took her to the theater and she sat back in the dark in her evening dress, her skin was as luminous as the finest sea shell, with a pale pink glow to it. And he wanted these flowers for her to wear in her hair. Mathilde did not have them. But as soon as the man left she went to look at herself in the mirror. This was the kind of feeling she wanted to inspire. Could she? — Anais Nin

We left behind this small town
But we couldn't leave behind the ghosts
As we headed for the coast, yeah, and you know
There was something in the way she told me
How my hair looked stupid, and
How she couldn't hold her tequila, and
How she was broken and beautiful and
Still standing, and how was I supposed to know
All along we were saving June
Saving June, yeah
She had flowers in her hair and one powerful glare
My modern day Rubik's Cube, she made me feel
Like maybe we could have it all
But you can never have it all
And now I've gone and lost
All these things that they always sang about
All the things that I still dream about
Now I'm counting up the days, counting all the ways
I never said what it means, but it's too late 'cause
June is over and so are we
And I'm the one left, with nothing to save — Hannah Harrington

Oh, London is a man's town, there's power in the air;
And Paris is a woman's town, with flowers in her hair;
And it's sweet to dream in Venice, and it's great to study Rome;
But when it comes to living, there is no place like home. — Henry Van Dyke

It was like I saw your soul in the notes of the music. And it was beautiful." She leaned forward and touched his face lightly, the smooth skin over his hard cheekbone, his hair like feathers against the back of her hand. "I saw rivers, boats like flowers, all the colors of the night sky. — Cassandra Clare

Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's. A girl with long brown curls and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants. — Cassandra Clare

Somone Told me there is a girl out there, with love in her eyes, and flowers in her hair. — Robert Plant

soon as he finished up here, he intended to ride out and pick a big bundle of those purple flowers, tie their stems together with a length of yellow ribbon he'd purchased a month ago because the color had reminded him of Sadie's shining hair, and he'd hand 'em right over in front of everybody tonight when she finished her final song. His heart set up a double beat just thinking about how she'd blush pink and give him her special smile. Then, while she was smiling and feeling appreciative, he'd take her aside and set her straight on how he felt about her and how much her paying attention to the sheriff hurt him. He and Sadie had a relationship years in the making. She'd only known the sheriff a few weeks. She'd pick him over McKane. He just knew it. — Kim Vogel Sawyer

It was a woman's voice, high and sweet, with a strange music in it like none that he had ever heard and a sadness that he thought might break his heart. Bran squinted, to see her better. It was a girl, but smaller than Arya, her skin dappled like a doe's beneath a cloak of leaves. Her eyes were queer
large and liquid, gold and green, slitted like a cat's eyes. No one has eyes like that. Her hair was a tangle of brown and red and gold, autumn colors, with vines and twigs and withered flowers woven through it.
"Who are you?" Meera Reed was asking.
Bran knew. "She's a child. A child of the forest. — George R R Martin

A writer, who was a celebrity in Paris, had entered her shop one day. He was not looking for a hat. He asked if she sold luminous flowers that he had heard about, flowers which shone in the dark. He wanted them, he said, for a woman who shone in the dark. He could swear that when he took her to the theatre and she sat back in the dark loges in her evening dress, her skin was as luminous as the finest of sea shells, with a pale pink glow to it. And he wanted these flowers for her to wear in her hair. — Anais Nin

Then a soft air, a simple melody, rose to the ears of the suddenly hushed court; and for me, it was May Day again, and I was no longer cold, for the sun burned bright and the grass smelled of its sour-sweet bruisings and an old man fashioned a ballad for the Nut-Brown maid, who would ever be true to her lover. I leaned towards the brightness and, in an abandonment of joy and because there was none to see, tore off my henin and let my nut-brown hair fall to my knees. For I would be a child again, for five minutes, and remember the time when men stopped to gaze at me, with my chaplet of flowers crowning that at which they all marvelled, and longed to touch and stroke and possess. — Rosemary Hawley Jarman

Heat in her birds of prey fingertips, smoke of gilded flowers in her aureate gorging hair. — Laura Gentile

When I arrived back at Intro to Basic Art again later that week, I thought for a moment we had a new student who didn't know about the assigned seats. Sitting at my table was a girl in a long flowered dress, very vintage-hippie. She actually was wearing real flowers in her hair, and hardly any make up. I sat down, ready to explain to this poor lost soul that the seat was already taken, when I looked again and realized it was the same girl. I ended up not saying anything at all; I couldn't think of anything that wouldn't be rude or just plain stupid. — J.M. Richards

The autumn comes, a maiden fair In slenderness and grace, With nodding rice-stems in her hair And lilies in her face. In flowers of grasses she is clad; And as she moves along, Birds greet her with their cooing glad Like bracelets' tinkling song. — Kalidasa

She wore flowers in her hair and carried magic secrets in her eyes. She spoke to no one. She spent hours on the riverbank. She smoked cigarettes and had midnight swims ... — Arundhati Roy

Rebecca, always Rebecca. Wherever I walked in Manderley, wherever I sat, even in my thoughts and in my dreams, I met Rebecca. I knew her figure now, the long slim legs, the small and narrow feet. Her shoulders, broader than mine, the capable clever hands. Hands that could steer a boat, could hold a horse. Hands that arranged flowers, made the models of ships, and wrote 'Max from Rebecca' on the fly-leaf of a book. I knew her face too, small and oval, the clear white skin, the cloud of dark hair. I knew the scent she wore, I could guess her laughter and her smile. If I heard it, even among a thousand others, I should recognize her voice. Rebecca, always Rebecca. I should never be rid of Rebecca. — Daphne Du Maurier

And Iseult rose up where she sat apart,
And with her sweet soul deepening her deep eyes
Cast the furs from her and subtle embroideries
That wrapped her from the storming rain and spray,
And shining like all April in one day,
Hair, face, and throat dashed with the straying showers,
She stood the first of all the whole world's flowers,
And laughed on Tristram with her eyes, and said,
"I too have heart then, I was not afraid."
And answering some light courteous word of grace
He saw her clear face lighten on his face
Unwittingly, with unenamoured eyes
For the last time. — Algernon Charles Swinburne

Soft moonlight touches my lips and cheeks,
I feel your soul dance in my heart.
Breeze of the Southern sea blows my hair,
I feel your love touch my flowers of desire,
In my garden roses dance with the kindness of air.
I feel my soul wanting her bliss to share. — Debasish Mridha

I buried her like a pagan. I put deer bones in with her, for her journey; a blanket, for warmth; flowers, cedar fronds, stones from places we'd been, grouse feathers, a tidbit of raw venison hamburger, and a swatch of my own hair. A headstone, a footstone. I planted an aspen tree above the headstone, to give her shade, and to someday provide leaf-music in the breeze. It took a long time before I was worth a damn again. How to measure the eleven years of magic she brought to us? How, now, to say thank you? Too late, as usual, for these sorts of things. — Rick Bass

Miriam - I'll give you any flowers you want!' Rhapsodising over the thousand scents of her body, I exclaimed: 'I'll grow orchids from your hands, roses from your breasts. You can have magnolias in your hair ... !'
'And in my heart?'
'In your womb I'll set a fly-trap! — J.G. Ballard

She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat's. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille. — Cassandra Clare

The birds brought seeds & flowers & bits of brightly colored string & placed them in her hair while she slept so she would remember the wild joy of spring when she finally awoke. — Brian Andreas

With stars in her eyes and veils in her hair, with cyclamen and wild violets - what nonsense was he thinking? She was fifty at least: she had eight children. Stepping through fields of flowers and taking to her breast buds that had broken and lambs that had fallen: with the stars in her eyes and the wind in her hair - He took her bag. — Virginia Woolf

She was beautiful and lithe, with soft skin the color of bread and eyes like green almonds, and she had straight black hair that reached to her shoulders, and an aura of antiquity that could just as well have been Indonesian as Andean. She was dressed with subtle taste: a lynx jacket, a raw silk blouse with very delicate flowers, natural linen trousers, and shoes with a narrow stripe the color of bougainvillea. 'This is the most beautiful woman I've ever seen,' I thought, when I saw her pass by with the stealthy stride of a lioness, while I waited in the check-in line at Charles de Gaulle Airport in Paris for the plane to New York. — Gabriel Garcia Marquez

Will!"
He turned at the familiar voice and saw Tessa. There was a small path cut along the side of the hill, lined with unfamiliar white flowers, and she was walking up it, toward him. Her long brown hair blew in the wind - she had taken off her straw bonnet, and held it in one hand, waving it at him and smiling as if she were glad to see him.
His own heart leaped up at the sight of her. "Tess," he called. But she was still such a distance away - she seemed both very near and very far suddenly and at the same time. He could see every detail of her pretty, upturned face, but could not touch her, and so he stood, waiting and desiring, and his heart beat like the wings of seagulls in his chest.
At last she was there, close enough that he could see where the grass and flowers bent beneath the tread of her shoes. He reached out for her - — Cassandra Clare

It felt oily inside her head. There were strings of Xavier Stancliff caught inside of her, holding on and spiderwebbing out as he plotted and waited and thought: this is all the bitch deserves. Swallowing, Sandra pushed herself off the bed. It was late and the room was dark. She could see the bundled lump of Jack beneath his own covers. He'd left the television on and the light flickered down the tiny hall. Shadows danced and Sandra shivered as she left the room.

In another life, she would have told Danny and Jack about the man. Danny would have whispered, "It's alright," and smoothed back her hair from her face and kissed her, lips dry and coarse on her forehead. Then he and Jack would've left while she was sleeping. They would've trampled the flowers and climbed into Xavier Stanliff's window and when Sandra woke up there would have been one less man in the world. — Angele Gougeon

What happened, man? Gerry and Ginsberg are cold, and dead, in the ground. Kesey's stoned, and out of town. We've come to the end of the brotherhood song. The children brandish knives upon each other's throats, and their loaded 45's sit snug in lunch boxes nestled safely between Oreo cookies and a ham sandwich. Where are you now, oh ancient hipsters? Raggedy Beats beat down and broken wheel raggedy wheelchairs down ghostly geriatric wards. Where are you now, oh day-glow dreamers? Have you gotten off the bus and into your Mercedes? Did you get that second mortgage, and bear your fattened little babies? Where is that girl with flowers in her hair? Where is the man with revolution in his veins? We ask ourselves "where did we go wrong?" But there is no we. There is you, and then there is I. You do what you need to survive, And I do what I must to stay alive. We stand here Bleeding, slicing each other's wrists With the icy ridges of hardened jagged hearts, Cassandra's — Bearl Brooks

The creature which stood before me was no bigger than a child, yet I would have sworn she was wood nymph. With pointed ears, translucent skin and a halo of woodland flowers in her silvery hair, the small woman held a strange presence. Besides the creature's obvious beauty, I couldn't draw my gaze away from her magnificent opaque wings. They fluttered in the breeze like the leaves above us. — Freedom Matthews

You've flowers in you hair," she said. Tender amusement, instead of distaste, threaded her voice.

"That's because they're growing out of my head. — Grace Draven

I heard the gunshots. I was worried. Guns don't always mean the one holding them won."
Steven hugged her close. "Do you remember what I said to you the day we were married?"
"You said, 'I will always come back to you.'"
"I always will."
Sleep took them then, and whisked them away to their happiest dreams. Heather dreamed of the spring, a Fresh Earth many years away, and she was surrounded by her grown children and grandchildren. Steven dreamed of summer, and beer kept cold in the deeps of Deadbuck Creek, and his wife dancing in the high grass with flowers in her hair. — Michael Kanuckel

Gaea?" Leo shook his head. "Isn't that Mother Nature? She's supposed to have, like, flowers in her hair and birds singing around her and dear and rabbits doing her laundry."
"Leo, that's Snow White," Piper said. — Rick Riordan

The room held her scent, that elusive fragrance that sometimes reminded him of spring flowers and other times made him think of summer afternoons and ripe peaches. Gracie seemed to be part of all the seasons. The warm glints of autumn shone in her hair, the clear light of winter sun sparkled in those intelligent gray eyes. He had to keep reminding himself that she wasn't a U.S.D.A. prime-cut female because lately he'd had a tendency to forget. It was just . . .

She was so damned cute. — Susan Elizabeth Phillips

(Honor)"You had told me that if you didn't return within a few minutes of ten o'clock, I was to drive away and get as far from Tambour as possible. So, for all you knew, that's what I had done. After nearly dying in that explosion, with a burn on your shoulder, and your hair singed, you could have run in any given direction in order to get away, but you didn't. When you found me on the railroad tracks, you were racing back to the garage. To me."
He didn't say anything, but his jaw tensed.
She smiled and moved closer to him, aligning her body along his. "You don't have to give me flowers, Coburn. You don't even have to hold me." She laid her head on his chest just below his chin. Her hand curved around his neck. "Let me hold you. — Sandra Brown

I look down at the picture in my hand. It's home, the image slightly dog-eared after two years in various grab bags and holdalls. There's the house, white walls covered in the blue flowers she loves, red poppies stretching away in the background. There's my mother, small and fair, hair falling out of its bun as usual, glasses - one of her many eccentricities - perched on her nose. — Amie Kaufman

On the lawn one late summer day, her pale hair tangled because she'd cry if anyone tried to brush it, spinning around and around until she got so dizzy she fell in a pile of bare feet and dandelions and sundress. — Holly Black