Flesh And The Mirror Quotes & Sayings

One could never know anything except through desire, real desire, which was not the same thing as greed or lust; a pure, painful and primitive desire, a longing for everything that was not in oneself, a torment of the flesh, that carried one beyond the limits of one's mind to other times and other places, and even, if one was lucky, to a place where there was no border between oneself and one's image in the mirror. — Amitav Ghosh

When I'd first loved him, I wanted to take him apart, as a child dismembers a clockwork toy, to comprehend the inscrutable mechanics of its interior.
-flesh and the mirror — Angela Carter

I've never been afraid of ghosts. I live with them daily, after all. When I look in a mirror, my mother's eyes look back at me; my mouth curls with the smile that lured my great-grandfather to the fate that was me. No, how should I fear the touch of those vanished hands, laid on me in love unknowing? How could I be afraid of those that molded my flesh, leaving their remnants to live long past the grave? ... All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our own ghosts; we haunt ourselves. — Diana Gabaldon

She remained in this attitude, clearly inviting him to touch her.

Taking a position of advantage, he rested his right hand on her buttock. He considered a moment then raised his arm and brought his palm upon her, delivering a sharp spank. He felt the acuteness of it on his own skin. He gave her another, watching his hand in the mirror opposite, as it made contact.

The slap caused her to flinch, but her heard her sigh also: the timbre of which was now familiar to him. He paused, allowing the sensation of the sting to sink in before giving her more. She remained folded over for him, eager for more of his burning smacks upon her flesh. The peach of her cheeks rippled each time under the impact of his blows. — Emmanuelle De Maupassant

The immense accretion of flesh which had descended on her in middle life like a flood of lava on a doomed city had changed her from a plump active little woman with a neatly-turned foot and ankle into something as vast and august as a natural phenomenon. She had accepted this submergence as philosohpically as all her other trials, and now, in extreme old age, was rewarded by presenting to her mirror an almost unwrinkled expanse of firm pink and white flesh, in the centre of which the traces of a small face survived as if awaiting excavation. — Edith Wharton

Though I still turn up my coat-collar in a lonely way and am always looking at myself in mirrors, they're only habits and give no clue at all to my character, whatever that is. The most difficult performance in the world is acting naturally isn't it? Everything else is artful. — Angela Carter

The difference between my darkness and your darkness is that I can look at my own badness in the face and accept its existence while you are busy covering your mirror with a white linen sheet. The difference between my sins and your sins is that when I sin I know I'm sinning while you have actually fallen prey to your own fabricated illusions. I am a siren, a mermaid; I know that I am beautiful while basking on the ocean's waves and I know that I can eat flesh and bones at the bottom of the sea. You are a white witch, a wizard; your spells are manipulations and your cauldron from hell yet you wrap yourself in white and wear a silver wig. — C. JoyBell C.

Houses are really bodies. We connect ourselves with walls, roofs, & objects just as we hang on to our livers, skeletons, flesh & bloodstream. I am no beauty, no mirror is necessary to assure me of this absolute fact. Nevertheless I have a death grip on this haggard frame as if it were the limpid body of Venus herself. — Leonora Carrington

Donnelley was lifting his shirt away from the torn flesh in his side. He was cranked around, trying to assess the damage in the muck-spotted mirror. To Vero, he looked like an expressionist painting in which all the objects were the same color of too-vivid red: the shirt, the hands holding the shirt, the belt bassing through pant loops. At the center of it all was the thing that corrupted its surroundings with its own gruesome color - a wound. — Robert Liparulo

We then return our gaze to the mirror-boxed future-towns circling us-the hard drives of our culture, where the human tribe is making flesh its deepest needs and fears; teaching machines to think; accelerating the pace of obsolescence; designing new animals to replace the animals we've erased; value adding; reconstructing the future. — Douglas Coupland

Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. — Jean-Paul Sartre

My bisexuality is part of the expression of the flexibility, the changeability of my spirit that feels essential and precious to the center of my life. My bisexuality is a part of my desire to remain an outsider, to be able to "pass" into polarized worlds, to abandon expectation, to honor the mystery of being. My bisexuality is a celebration of the ever-opening flesh, the expansive, fluid mirror of social discourse. — Michelle T. Clinton

Holy love has a way of consuming some. This is what is meant by the one who said, 'You have ravished our hearts' (Sg. Of Sgs. 4:9). And it makes others bright and overjoyed. In this regard it has been said: 'My heart was full of trust and I was helped, and my flesh has revived' (Ps. 27:7). For when the heart is cheerful, the face beams (cf. Prov. 15:13), and a man flooded with the love of God reveals in his body, as if in a mirror, the splendor of his soul, a glory like that of Moses when he came face to face with God (cf. Ex. 34:29-35). — John Climacus

That was the next-to-last time I felt any desire. And he was pale and tall (how disgusting tall men are, such a waste of space and flesh, so uncompact). (I am hideous myself now. Discovered in new, M.C., mirror that skin is a jungle of pearly stretch marks all over. Face sags too. Always new awful discoveries. If could only vomit up age like the food I relentlessly wolf.) — Maryse Holder

Even after Shirakawa has left, our point of view remains in the lavatory, and, as a stationary camera, continues to capture the dark mirror. Shirakawa's reflection is still there in the mirror. Shirakawa - or perhaps we should say his image - is looking in this direction from within the mirror. It does not move or change expression. It simply stares straight ahead. Eventually, however, as though giving up, it relaxes, takes a deep breath, and rolls its head. Then it brings its hand to its face and rubs its cheek a few times, as if checking for the touch of flesh. — Haruki Murakami

I continue to marvel at the reluctancy of people to look into the mirror and see all the darkness that's within them: all the deceit, the dishonesty, the insincerity, the lack, the need, the want, the lies ... they would rather look upon the mural of themselves that they've painted on the wall, and stare at that inanimate portrait of beauty, all the while telling themselves that it is the mirror image of them! This is a falsity, this is unreal! It is only when you turn to the unveiled mirror and bravely face your light and your darkness at once, that you will be able to see the true image of you! How can you pull the thorns from your skin if you are too afraid to open your eyes and look at them? You must open your eyes first, look at the thorns where they are piercing your flesh, and only then can you pull them out! — C. JoyBell C.

But the body fails us and the mirror knows, and we no longer insist that the gray hush be carried off its surface by the cloth, for we have run to fat, and wrinkles encircle the eyes and notch the neck where the skin wattles, and the flesh of the arms hangs loose like an overlarge sleeve, veins thicken like ropes and empurple the body as though they had been drawn there by a pen, freckles darken, liver spots appear, the hairah, the hair is exhausted and gray and lusterless, in weary rolls like cornered lint. — William H Gass

In the privacy of my room, armed with a mirror, shaving cream, razor, and bowl of water, I sat on my floor with a towel propped under my bare ass. Leaning back against my bed with my legs wide open as if I were about to give birth, I shaved everything off. My lady parts looked like a barren desert after a massive forest fire. I saw parts of myself that had long vanished beneath pubescent growth.
Suddenly, I felt sexy. There was something about going bare that made me feel sensual and touchable. But that was short lived. I was ill prepared for my skin's reaction to the change. I completely broke out. My pussy flushed as razor bumps shot across my flesh as if I'd had an allergic reaction to my underwear. It took weeks of applying antibiotic ointment to calm my skin. — Maggie Young

Turning off all the lights, I went into the bathroom and closed the door. I stood in the darkness before the mirror, my hand on the light switch. I forced myself to flick it on.
In the flood of light against white tile, the face and shoulders of a strange
a fierce, bald, very dark Negro
glared at me from the glass. He in no way resembled me.
The transformation was total and shocking. I had expected to see myself disguised, but this was something else. I was imprisoned in the flesh of an utter stranger, an unsympathetic one with whom I felt no kinship. All traces of the John Griffin I had been were wiped from existence. — John Howard Griffin

It's easy to get caught up in how our figures look when we stand naked in front of the mirror. But we must remember that we are more than how we look. We are not boobs who happen to have hearts, minds, and souls; rather, we are souls that just happen to have mounds of flesh protruding from our chests. — Lissa Rankin

I reach for the napkin, and as I do I catch sight of my hands. They are knobby and crooked, thin-skinned, and - like my ruined face - covered with liver spots.
My face. I push the porridge aside and open my vanity mirror. I should know better by now, but somehow I still expect to see myself. Instead, I find an Appalachian apple doll, withered and spotty, with dewlaps and bags and long floppy ears. A few strands of white hair spring absurdly from its spotted skull.
I try to brush the hairs flat with my hand and freeze at the sight of my old hand on my old head. I lean close and open my eyes very wide, trying to see beyond the sagging flesh.
It's no good. Even when I look straight into the milky blue eyes, I can't find myself anymore. When did I stop being me? — Sara Gruen

A Hand-Mirror Hold it up sternly - see this it sends back, (who is it? is it you?) Outside fair costume, within ashes and filth, No more a flashing eye, no more a sonorous voice or springy step, Now some slave's eye, voice, hands, step, A drunkard's breath, unwholesome eater's face, venerealee's flesh, Lungs rotting away piecemeal, stomach sour and cankerous, Joints rheumatic, bowels clogged with abomination, Blood circulating dark and poisonous streams, Words babble, hearing and touch callous, No brain, no heart left, no magnetism of sex; Such from one look in this looking-glass ere you go hence, Such a result so soon - and from such a beginning! — Walt Whitman

Pain, too, comes from depths that cannot be revealed. We do not know whether those depths are in ourselves or elsewhere, in a graveyard, in a scarcely dug grave, only recently inhabited by withered flesh. This truth, which is banal enough, unravels time and the face, holds up a mirror to me in which I cannot see myself without being overcome by a profound sadness that undermines one's whole being. The mirror has become the route through which my body reaches that state, in which it is crushed into the ground, digs a temporary grave, and allows itself to be drawn by the living roots that swarm beneath the stones. It is flattened beneath the weight of that immense sadness which few people have the privilege of knowing. So I avoid mirrors. — Tahar Ben Jelloun

The mirror is the mother dew, the book of desiccated twilights, echo become flesh. — Federico Garcia Lorca

Thy word remaineth for ever, which word now appeareth unto us in the riddle of the clouds, and through the mirror of the heavens, not as it is because that even we, though the well beloved of thy Son, yet it hath not yet appeared what we shall be. He looked through the lattice of our flesh and he spake us fair, yea, he set us on fire, and we hasten on his scent. But when he shall appear, then shall we be like him, for we shall see him as he is. As he is, Lord, will our sight be, though the time be not yet. — Augustine Of Hippo

Our masks, always in peril of smearing or cracking,
In need of continuous check in the mirror or silverware,
Keep us in thrall to ourselves, concerned with our surfaces.
[ ... ]
So primp, preen, prink, pluck, and prize your flesh,
All posturings! All ravishment! All sensibility!
Meanwhile, have you used your mind today? — Carolyn Kizer

Throughout my life I have seen, without one exception, narrow-shouldered men performing innumerable idiotic acts, brustalising their fellows, and corrupted souls by every means. They call the motive for their actions: fame. Seeing these exhibitions I've longed to laugh, with the rest, but that strange imitation was impossible. Taking a penknife with a sharp-edged blade, I slit the flesh at the points joining the lips. For an instant I believed my aim was achieved. I saw in a mirror the mouth ruined at my own will! An error! Besides, the blood gushing freely from the two wounds prevented my distinguishing whether this really was the grin of others. But after some moments of comparison I saw quite clearly that my smile did not resemble that of humans: the fact is, I was not laughing. — Comte De Lautreamont

He said that war had destroyed the country and that men believe the cure for war is war as the curandero prescribes the serpent's flesh for its bite. He spoke of his campaigns in the deserts of Mexico and he told them of horses killed under him and he said that the souls of horses mirror the souls of men more closely than men suppose and that horses also love war. Men say they only learn this but he said that no creature can learn that which his heart has no shape to hold. His own father said that no man who has not gone to war horseback can ever truly understand the horse and he said that he supposed he wished that this were not so but that it was so. — Cormac McCarthy

Try telling the boy who's just had his girlfriend's name
cut into his arm that there's slippage between the signifier
and the signified. Or better yet explain to the girl
who watched in the mirror as the tattoo artist stitched
the word for her father's name (on earth as in heaven)
across her back that words aren't made of flesh and blood,
that they don't bite the skin. Language is the animal
we've trained to pick up the scent of meaning. It's why
when the boy hears his father yelling at the door
he sends the dog that he's kept hungry, that he's kicked,
then loved, to attack the man, to show him that every word
has a consequence, that language, when used right, hurts. — Todd Davis

I myself, from the very beginning, Seemed to myself like someone's dream or delirium Or a reflection in someone else's mirror, Without flesh, without meaning, without a name. Already I knew the list of crimes That I was destined to commit. — Anna Akhmatova

Lambhood and tigerishness may be found in either gender, and in the same individual at different times. — Margaret Atwood

Ars Poetica

To gaze at the river made of time and water
And recall that time itself is another river,
To know we cease to be, just like the river,
And that our faces pass away, just like the water.

To feel that waking is another sleep
That dreams it does not sleep and that death,
Which our flesh dreads, is that very death
Of every night, which we call sleep.

To see in the day or in the year a symbol
Of mankind's days and of his years,
To transform the outrage of the years
Into a music, a rumor and a symbol,

To see in death a sleep, and in the sunset
A sad gold, of such is Poetry
Immortal and a pauper. For Poetry
Returns like the dawn and the sunset.

At times in the afternoons a face
Looks at us from the depths of a mirror;
Art must be like that mirror
That reveals to us this face of ours. — Jorge Luis Borges