Flat Out Like A Quotes & Sayings

They steered south. Gordita Beach emerged from the haze, gently flaking away in the salt breezes, the ramshackle town in a spill of weather-beaten colors, like paint chips at some out-of-the-way hardware store, and the hillside up to Dunecrest, which Doc had always thought of, especially after nights of excess, as steep, a grade everybody sooner or later wiped their clutch trying to get up and out of town on, looking from out here strangely flat, hardly there at all. — Thomas Pynchon

He flat out needed Chuck, like a kid with a security blanket. — James Dashner

History had already done the really messy work, when Wintermute found him, sifting him out of all of the war's ripe detritus, gliding into the man's flat gray field of consciousness like a water spider crossing the face of some stagnant pool, — William Gibson

If she came into my shop, I might really get to like her, and then I'd be waiting for her to come in all the time, and then when she did come in I'd be nervous and stupid, and probably end up asking her out for a drink in some cackhanded roundabout way, and either she wouldn't catch my drift, and I'd feel like an idiot, or she'd turn me down flat, and I'd feel like an idiot. — Nick Hornby

There are certain things which are human nature," he asserted with an owl-like look, "which always have been and always will be, which can't be changed."
Amory looked from the small man to the big man helplessly. "Listen to that! That's what makes me discouraged with progress. Listen to that! I can name offhand over one hundred natural phenomena that have been changed by the will of man
a hundred instincts in man that have been wiped out or are now held in check by civilization. What this man here just said has been for thousands of years the last refuge of the associated mutton-heads of the world. It negates the efforts of every scientist, statesman, moralist, reformer, doctor, and philosopher that ever gave his life to humanity's service. It's a flat impeachment of all that's worth while in human nature. Every person over twenty-five years old who makes that statement in cold blood ought to be deprived of the franchise. — F Scott Fitzgerald

You're right,' said the corporal. 'It serves editors like that right. They only stir the people up. Last year when I was still only a lance-corporal I had an editor under me and he called me nothing else but a disaster for the army, but when I taught him unarmed drill and he sweated, he always used to say: "Please respect the human being in me." But I gave him hell for his human being when the order was "flat down" and there were a lot of puddles in the barracks courtyard.
...
As I said, he was always on about his "human being" and nothing else. Once when he was reflecting over a puddle in which he had to plop down when he did his "flat down" I said to him: "When you're always talking about a human being even when you're in the mud remember that man was created out of the dust of the ground and it must have been O.K. for him. — Jaroslav Hasek

Ann put the oven to heat. She washed the lamb under the tap, turning it around to clean the entire leg. Then it was dried with a paper towel, stretched out on the cutting board to be hammered flat, and rubbed with salt and rosemary she took from the kitchen window. She waited for the oven to reach two hundred. The cleaned scent of the meat and the clatter of the water in the skink, the branches of rosemary, the dogs finding each other's ears in the evening, the children being called indoors, servants standing on the road for the Indian bus, and the rising heat of the oven against the remaining heat of the day made her aware of her own happiness. This happiness was like the sea wind when the temperature of the water and the land reversed and everything was free in new darkness. — Imraan Coovadia

If you weren't humping, you were waiting. I remember the monotony. Digging foxholes. Slapping mosquitoes. The sun and the heat and the endless paddies. Even in the deep bush, where you could die any number of ways, the war was nakedly and aggressively boring. But it was a strange boredom. It was boredom with a twist, the kind of boredom that caused stomach disorders. You'd be sitting at the top of a high hill, the flat paddies stretching out below, and the day would be calm and hot and utterly vacant, and you'd feel the boredom dripping inside you like a leaky faucet, except it wasn't water, it was a sort of acid, and with each little droplet you'd feel the stuff eating away at important organs. You'd try to relax. You'd uncurl your fists and let your thoughts go. Well, you'd think, this isn't so bad. And right then you'd hear gunfire behind you and your nuts would fly up into your throat and you'd be squealing pig squeals. That kind of boredom. I — Tim O'Brien

Numbers it is. All music when you come to think. Two multiplied by two divided by half is twice one. Vibrations: chords those are. One plus two plus six is seven. Do anything you like with figures juggling. Always find out this equal to that, symmetry under a cemetery wall. He doesn't see my mourning. Callous: all for his own gut. Musemathematics. And you think you're listening to the etherial. But suppose you said it like: Martha, seven times nine minus x is thirtyfive thousand. Fall quite flat. It's on account of the sounds it is. — James Joyce

So I take it you guys are going to stay inside my flat and not out in the hallway like my father's guards?"
Syn scoffed. "You know that's the most pathetic way to guard someone." In a falsetto he added. "Please protect my life by being outside so that when they come in and kill me you can't hear it." He shook his head. "You want to live right?"
"Absolutely."
"Then we're where you are, bathroom breaks being the only exception-unless you're in public, and then we get to risk additional arrest records."
-Kiara & Syn — Sherrilyn Kenyon

Who else had ever met the business-end of a bolt of lightning in mid-flight, as he had just now, flying blind through a storm, lost a wing, managed to come down still alive even if it is on a wooded mountainside, to cut the contact at the moment of crashing so that he wasn't roasted alive, and crawl out with just a wrenched shoulder and a lot of cuts and bruises? He couldn't bail out because he was flying too low, hoping for a break through the clouds through which to spot something flat enough to come down on; he doesn't like bailing out anyway, hates to throw away a good plane. ("Jane Brown's Body") — Cornell Woolrich

[ ... ]he also had a device which looked rather like a largish electronic calculator. This had about a hundred tiny flat press buttons and a screen about four inches square on which any one of a million "pages" could be summoned at a moment's notice. It looked
insanely complicated, and this was one of the reasons why the snug plastic cover it fitted into had the words
Don't Panic printed on it in large friendly letters. The other reason was that this device was in fact that most
remarkable of all books ever to come out of the great publishing corporations of Ursa Minor - The Hitch Hiker's Guide to the Galaxy. The reason why it was published in the form of a micro sub meson electronic component is that if it were printed in normal book form, an interstellar hitch hiker would require several inconveniently large buildings to carry it around in. — Douglas Adams

There's no question winter here can take a chunk out of you. Not like the extreme cold of the upper Midwest or the round-the-clock darkness of Alaska might, but rather the opposite. Here, it's a general lack of severity - monotonous flat gray skies and the constant drip-drip of misty rain - that erodes the spirit. — Dylan Tomine

You live more in five minutes on a bike like this going flat out than some people live in a lifetime. — Burt Munro

Between takeoff and landing, we are each in suspended animation, a pause between chapters of our lives. When we stare out the window into the sun's glare, the landscape is only a flat projection with mountain ranges reduced to wrinkles in the continental skin. Oblivious to our passage overhead, other stories are unfolding beneath us. Blackberries ripen in the August sun, a woman packs a suitcase and hesitates at her doorway, a letter is opened and the most surprising photograph slides from between the pages. But we are moving too fast and we are too far away; all the stories escape us, except our own. When I turn away from the window, the stories recede into the two-dimensional map of green and brown below. Like a trout disappearing into the shade of an overhanging bank, leaving you staring at the flat surface of the water and wondering if you saw it at all. — Robin Wall Kimmerer

Broke my femur on a cruise with my wife in Italy. I'd walked back to my cabin after dinner with half a plate of spaghetti when I leaned in to open the door. Turns out it was already open, so I fell flat on my face like something from the Keystone Kops. — Art Donovan

And that fear I'd felt, the disembodying confusion, seemed to be a drug I was now addicted to, because moving through the ordinary world- watching CNN, reading the Times, walking to Sant Ambroeus to have a coffee at the bar- made me feel exhausted, even depressed. Perhaps I was suffering from the same problem as the man who'd sailed around the world and now on land, facing his farmhouse, his wife and kids, understood that the constancy of home stretching out before him like a dry flat field was infinitely more terrifying than any violent squall with thirty-foot swells. — Marisha Pessl

I was having a field day down the Westend; my deep pockets were jingling and full of money nearly every day of the week. My brother's bird, Irene, wanted a fur coat, so I got her one by throwing a brick through the shop window and grabbing the coat off the shop dummy. Once I got to the bed-sit, I put the jacket on and waltzed in to the flat looking like Liberace, the two of them burst out laughing. Irene was like a tramp eating chips.
'Let's try it on, Jimmy, please?'
As she swooned around like Joan Collins with the fur coat on, she had the air of a council estate beauty queen about her. — Stephen Richards

Paris came down the stairs looking incredible. He'd gone with the simple classic look of the tight white T-shirt,
the low-slung jeans that showed off a glimpse of his flat belly, and a black leather jacket. His hair was perfectly mussed, a
calculated look that seemed natural and sexy. At the bottom of the staircase, he turned around slowly, holding his arms out
to his sides. "Well, how do I look?"

Damn. "Like I want to rip your clothes off right this second. You're gonna kill that kid. He's going to explode, and they're going
to have to scrape his remains off the wall."

"Yeesh, I was with you until you got descriptive."

"Can't help it. You make me poetic."

"I thought I made you horny."

"Same damn thing. — Andrea Speed

to shower. We'll see what kind of time I have left after that." "I can clean up, don't worry about it," Mitch said. "I got some sleep." "I need to be doing something now that I'm up," Angela said. After they tidied up, Angela retreated to bed for a while, saving a shower for later. She found sleep easily enough again, but it was still of the haunted variety. Some dreams were like her earlier ones, cruel but not revolting. Others were flat out nightmares. Walking hand-in-hand with him in the park only to have him vanish from right beside her. — C.M. Newman

When I was a kid I used to drink from the tap all the time. I'd run back into the flat all hot and sweaty from playing and didn't even bother putting it in a glass, just turned the tap on and stuck my mouth underneath it. If my mom caught me doing it she used to scold me, but my dad just said that I had to be careful. 'What if a fish jumped out?' he used to say. 'You'd swallow it before you knew it was there.' Dad was always saying stuff like that and it wasn't until I was seventeen that I realised it was because he was stoned all the time. — Ben Aaronovitch

Time is a topological manifold. It is a surface. Events flow across it like water over land and like water flowing over land, when the land is flat, the water becomes reflective and moves slowly. When the landscape becomes disrupted, the water moves faster and chaotic attractors appear and new kinds of activity emerge and out of that new activity, there comes the new states that define the future. — Terence McKenna

I'm not a huge scary movie kind of guy; like, I don't do slasher movies, because I'm really squeamish. But if I had to pick a favorite, it would definitely be 'The Shining' with Jack Nicholson. Not only is that a scary movie, it's just a flat out classic. — Brendan Robinson

Excuse me? Can I trouble you for a second..."
"Oh, hell..." Oliver raised his hand so Langham didn't speak. "Yes, love, carry on."He waited for the female to speak again, wondering what the bloody hell was about come their way.
"It's just that I'm in this flat and I can't get out."
"Um... Are you alive?"
"I have no idea. I just know I'm this flat and every time I think I'm dead, like now, I wake up again."
"Where is this flat?"
"See, that's the thing. Again, I have no idea..."
Oliver looked at Langham and smiled apologetically.
"Fuck it," Langham said. "You put me off my bloody lunch talking about men's cocks being torn off anyway. What's next? Lay it on me. — Sarah Masters

Green chuckled lightly, sticking his tongue out and running the flat of it along the firm bud, already perking up at his touch. Ruxs' hips moved desperately, his moans getting louder. Even if Green wanted to move his head he couldn't. Ruxs kept him immobile, kept him where he wanted him to be. He bit him harder, quickly licking away the sting. "Ahh, yes! Bite it harder. Harder," Ruxs pleaded. His eyes glistened with his desire. Green was in awe at seeing his friend like this. He struggled to get to Ruxs' other nipple, his hair held in a punishing grip. He dragged his tongue along the silky hair between Ruxs' pecs until he got to his right nipple. He wasted no time sucking it hard into his mouth. His fist flew up and down on their cocks, as their abs tightened and veins strained on their large forearms. "Fuck! — A.E. Via

At the end of our visit, Fleisher agreed to play something on my piano, a beautiful old 1894 Bechstein concert grand that I had grown up with, my father's piano. Fleisher sat at the piano and carefully, tenderly, stretched each finger in turn, and then, with arms and hands almost flat, he started to play. He played a piano transcription of Bach's "Sheep May Safely Graze," as arranged for piano by Egon Petri. Never in its 112 years, I thought, had this piano been played by such a master-I had the feeling that Fleisher has sized up the piano's character and perhaps its idiosyncrasies within seconds, that he had matched his playing to the instrument, to bring out its greatest potential, its particularity. Fleisher seemed to distill the beauty, drop by drop, like an alchemist, into flowing notes of an almost unbearable beauty-and, after this, there was nothing more to be said. — Oliver Sacks

Even dramatically how you position some person, the depth, the existence is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more. — Ang Lee

All-out. Thaumaturgical. War. And there were of course no alliances, no sides, no deals, no mercy, no cease. The skies twisted, the seas boiled. The scream and whizz of fireballs turned the night into day, but that was all right because the ensuing clouds of black smoke turned the day into night. The landscape rose and fell like a honeymoon duvet, and the very fabric of space itself was tied in multidimensional knots and bashed on a flat stone down by the river of Time. — Terry Pratchett

Bad attitudes are truly like four flat tyres under a sparked vehicle; You say "I want to get a hell out of here" and bad attitudes say, "sorry, we won't allow that shit"! — Israelmore Ayivor

Had his room been facing west he would have noted the sparkling twenty-five-mile vista to the sea which looks almost like the Mediterranean. He would have noted how the streets of L.A. undulate over short hills as though a finger is poking the landscape from underneath. How laid over this crosshatch are streets meandering on the diagonal creating a multitude of ways to get from one place to another by traveling along the hypotenuse. These are the avenues of the tryst which enable Acting Student A to travel the eighteen miles across town to Acting Student B's garage apartment in nine minutes flat after a hot-blooded phone call at midnight. Had he been facing seaward on a balcony overlooking the city the writer might have heard drifting out of a tiny apartment window the optimistic voice of a shower singer imbued with the conviction that this is a place where it is possible to be happy. — Steve Martin

Why are you wailing away? What is the matter with you?"
"I was playing and - " and her lip quivered as she spoke, " - and it was cloudy, and then - " a sniff, " - and then, as I was playing, the sun came out."
I gave her a flat look. "You're crying because the sun came out?"
"Yes," she moped, wiping the tears from her eyes, "the sun came out, and now - " she heaved, " - and now, it's hot! I don't like it when it's hot. Being hot is dumb!"
I immediately absolved her of all previous sins. I slumped over the sill and gave her as much sympathy as my now warm face allowed. "Yes, child, being hot is very dumb indeed. Very well, you have a reason for crying. But then why are you outside?"
"Because it was too hot inside and mommy won't let me have ice cream."
"Well, there is your problem. You must get an air conditioner and a new mother. — Michelle Franklin

The road passed through a curtain of pine forest and came out on a flat, rolling snow field. In this field the sprawled or bunched bodies of Germans lay thick, like some dark shapeless vegetable. — Martha Gellhorn

I went back to the office and sat in my swivel chair and tried to catch up on my foot-dangling. There was a gusty wind blowing in at the windows and the soot from the oil burners of the hotel next door was drown-draughted into the room and rolling across the top of the desk like tumbleweed drifting across a vacant lot. I was thinking about going out to lunch and that life was pretty flat and that it would probably be just as flat if I took a drink and that taking a drink all alone at that time of day wouldn't be any fun anyway. — Raymond Chandler

Paul's One Way Out is a fresh, intelligently arranged, and satisfyingly complete telling of the lengthy (and unlikely) history of the group that almost singlehandedly brought rock up to a level of jazz-like sophistication and virtuosity, introducing it as a medium worthy of the soloist's art. Oral histories can be tricky things: either penetrating, delivering information and backstories that get to the heart of how timeless music was made. Or too often, they lie flat on the page, a random retelling of repeated facts and reheated yarns. I'm happy to say that Paul's is in that first category. — Ashley Kahn

I'm having a permanent out-of-body experience. When it's finally done, I lie flat on my back. Glare up at the greenish, star-pricked night sky. I try not to think about what I must look like, black and bony out here on the bank of this pond. My body is all sharp angles - nothing to hold it together but armored joints and a knobby curved spine. I'm a holy fucking terror, I imagine. A walking weapon. After a while, I dig my elbow joints into the mud and sit up. My body can really move now, no longer hauling rotted bone and flesh but streamlined with these thin limbs made of light titanium. I feel like an obsidian skeleton out here. A devil dancing in the dark. I feel free. — Daniel H. Wilson

After tea, when the door was shut and all was made snug (the nights being cold and misty now), it seemed to me the most delicious retreat that the imagination of man could conceive. To hear the wind getting up out at sea, to know that the fog was creeping over the desolate flat outside, and to look at the fire, and think that there was no house near but this one, and this one a boat, was like enchantment. Little Em'ly had overcome her shyness, and was sitting by my side upon the lowest and least of the lockers, which was just large enough for us two, and just fitted into the chimney corner. — Charles Dickens

I pulled out a half-used Merchant Gourmet packet from behind a dusty colander. Darian took it from me and peered inside, then flinched back like I'd handed him a box of alligator faeces.
"Ahh, it's dead as well, mate."
"They're not dead. They're
porcini mushrooms. They're supposed to be like that."
"I nevva seen a flat mushroom. That ain't right — Alexis Hall

In the seventies I used to work in the bedroom of my flat at a little table. I worked in longhand with a fountain pen. I'd type out a draft, mark up the typescript, type it out again. Once I paid a professional to type a final draft, but I felt I was missing things I would have changed if I had done it myself. In the mid-eighties I was a grateful convert to computers. Word processing is more intimate, more like thinking itself. In retrospect, the typewriter seems a gross mechanical obstruction. I like the provisional nature of unprinted material held in the computer's memory - like an unspoken thought. I like the way sentences or passages can be endlessly reworked, and the way this faithful machine remembers all your little jottings and messages to yourself. Until, of course, it sulks and crashes. — Ian McEwan

You don't like me talking to other girls?"
"I don't like you grinning at them."Teagan admitted
"Then tame me with your fine Irish eyes, girl."
"Humph."
"You have nothing to worry about. You've had my heart since ... "
"When?"
"I was just trying to sort it, " Fin said. "It could have been the time you explained how its cockles were related to a shellfish." he paused. "No, it was when you flat refused to kiss me
and me thinking I'd never see you agina, risking my kife to lead the goblins away into the night. It was heroic. And sad."
Teagan punched his arm.
"All right." He smiled. "It was the first time I set eyes on you. My heart stopped beating, and that's a fact."
"I know," Teagan said. "The first time I met you, it made me throw up."
Finn knit his brows. "I'll never get over how romantic you are. It's like you've stepped right out of one of those fairy movies Aiden's making Roisin watch. — Kersten Hamilton

I have your gun" I pulled the Ruger out of my bag and gave it to Ranger. He held the gun flat in his hand and looked at it. "It smells like orange blossoms."
"I washed it and sprayed it with air freshener"
"You washed it?"
"I wore rubber gloves and scrubbed it with my vegetable brush. It was.. icky"
He yanked open the driver's side door, pulled me out of the car, and kissed me. The kiss involved tongue, and a hand on my ass, and made my nipples tingle.
"I can always count on you to brighten my day" Ranger said.
Ranger drove off, and I got back into the Buick.
"That was hot," Lula said. "Imagine what he'd do if you washed his Glock
After Stephanie threw up on Rangers gun. — Janet Evanovich

If Feyre can't be bothered to listen to orders, then I can't be held accountable for the consequences."
"Accountable?" I sputtered, placing my hands flat on the table. "You cornered me in the hall like a wolf with a rabbit!"
Lucien propped an arm on the table and covered his mouth with has hand, his russet eye bright.
"While I might have been not myself, Lucien and I both told you to stay in your room," Tamlin said, so calmly that I wanted to rip out my hair.
I couldn't help it. Didn't even try to fight the red-hot temper that razed my senses. "Faerie pig!" I yelled, and Lucien howled, almost tipping back in his chair. At the sight of Tamlin's growing smile, I left. — Sarah J. Maas

Feeling like what, Cassandra Mortmain? Flat? Depressed? Empty? If so, why, pray?
I thought if I made myself write I should find out what is wrong with me, but I haven't, so far. Unless - could I possibly be jealous of Rose?
I will pause and search my innermost soul ...
I have searched it for a solid five minutes. And I swear I am not jealous of Rose; [..] — Dodie Smith

Love isn't perfect, it isn't always beautiful, and most times it just flat out hurts like hell. But if you're lucky enough to find someone to share in that level of pain with you, then you should count yourself a lucky girl. — Brenna Aubrey

That year I was going to take you up in the Rockies. No more of that. We'll have to choose Old Flat Top because I don't want Violet getting all tired out with a long climb. And I don't want me getting all tired out either. The rest of you are tough enough." Grandfather looked up to see that every Alden was looking at him. The four shining faces answered him. There were four nods. "You do have the strangest ideas, Benny," said Jessie. "What put that into your head?" "Well," said Benny, "I've been reading about that place in school." "About Flat Top?" asked Violet. "Oh, you have, have you?" said Henry. "You chose Flat Top yourself?" "Right," said Benny. "I don't want to climb too much myself. I get lame." Mr. Alden said, "Well, my answer is yes. Old Flat Top is easy enough for all of us, and yet it is interesting all the way up. And we'll all be able to get a good rest on the smooth top." "Just like airplanes landing on an airplane carrier," said Benny. — Gertrude Chandler Warner

Like a car tire, businesses don't usually dissolve because of a blow out, Instead it goes flat due to a slow leak over time. — Anonymous

When kids are unhappy, we don't have to prop them up with frantic praise. It's more helpful to say, "Ugh, you are not happy with the way that bicycle came out. It doesn't look like what you see in your head. It's not easy to draw a bike. It's hard to put something from real life onto a flat piece of paper and get it to look right. — Julie King

Due to Jade's fortresslike manner, which, like any well-built castle, made access challenging, girls found her existence not only threatening but flat-out wrong. Although Bartelby Athletic Center featured the latest advertising campaign of Ms. Sturd's three member Benevolent Body-Image Club (laminated Vogue and Maxim covers above captions, "You Can't Have Thighs Like This and Still Walk" and "All Airbrushing"), Jade would only have to swan by, munching on a Snickers to reveal a disturbing truth: You could have thighs like that and still walk. She emphasized what few wanted to accept, that some people did win Trivial Pursuit: The Deity Looks Edition, and there wasn't a thing you could do about it, except come to terms with the fact that you'd only played Trivial Pursuit: John Doe Genes and come away with three pie pieces. — Marisha Pessl

Who will take care of us out there?" Klaus said, looking out on the flat horizon.
"Nobody," Violet said. "We'll have to take care of ourselves. We'll have to be self-sustaining."
"Like the hot air mobile home," Klaus said, "that could travel and survive all by itself."
"Like me," Sunny said, and abruptly stood up. Violet and Klaus gasped in surprise as their baby sister took her first wobbly steps, and then walked closely beside her, ready to catch her if she fell.
But she didn't fall. Sunny took a few more self-sustaining steps, and then the three Baudelaires stood together, casting long shadows across the horizon in the dying light of the sunset. — Lemony Snicket

All that summer, as I end up in his flat over and over, drinking his wine, having his bad pervy sex, and then lying on the bed, talking about Auden's influence on Morrissey, I feel like we're in a huge, ongoing surreal session of the Post-it Game, in which Rich has stuck a Post-it on my head on which is written either "My girlfriend" or "Not my girlfriend," and I am having to guess which it is with a series of questions that he can only answer yes or no. This whole situation seems like a massive societal problem. Why have we not yet discovered a way to find out if someone's in love with you? Why can't I press a litmus paper to Tony's sweaty brow, when we're fucking, and see if it turns pink for love - or blue for casual fuck? Why is there no information on this? Why has science not attended to this matter? — Caitlin Moran

Just because you have kids doesn't mean to say you need time off. I have a lot of time off anyway. If I'm promoting my book, like, for the next two weeks, I'm flat out. But then I'm off again. And when you've got the next product, it's the same; you just condense it into a couple of weeks. — Katie Price

I didn't say anything. But I could have pointed out that most life-changing says happen without your expecting them. I have spent what seems like half my life expecting the worst. And it never happens. But on the day it does, it will knock me flat on my back anyway. — Nick Hornby

At least I thought it was a wall. It sure felt like one. It was hard. It was flat. It stretched out on either side of me. You know ... wall. — D.J. MacHale

I have a scar on my forehead and the bangs were an attempt to cover that. Life sort of pushed a hair change on me, which has actually been really fun to play with. It does add a little bit of maintenance, but I have a teeny-tiny flat iron that I bought on Amazon for $20 and that has been my lifesaver. Even if all I do to get out the door is flat iron my bangs, I feel like I'm good to go. — Danielle Panabaker

Okay, maybe it wasn't some reason. He was handsome. Like, wow, that's a handsome guy, and then you nudge your friend and get her to take a look as well. That kind of handsome. Though I couldn't see him straight on, he had a nice, strong face, broad nose with a bump on the bridge, and just the right amount of stubble on his cheeks and jaw. His deep-set eyes looked rich brown, his longish, thick hair a shade darker than that and his brows even more so. I couldn't tell how tall he was, he was at least a few inches taller than I was, but his body was fit and lean. His stomach looked washboard flat under his white dress shirt and his forearms that peeked out from the rolled up sleeves were muscular, the same color as wet sand, a beach in the afternoon light. — Karina Halle

I slowed my pace. Years of hauling water, wringing out clothes, scrubbing floors, emptying chamber pots, with no chance of beauty or color or light in my life, stretched before me like a landscape of flat land where, a long way off, the sea is visible but can never be reached. — Tracy Chevalier

Is there any chance the tutor is, you know, gay?" I held my breath, waiting for his answer.

"What, like I hand out a survey?" He laughed when I blinked, worried I'd just offended him. "I'm just messing with ya. I'm pretty sure he doesn't play for my team. Though if he did, he'd be a little out of my league." He sucked in and patted his stomach, which was made somewhat flat by his efforts. "Nothing a couple of weeks at the gym and giving up bread for the weekend wouldn't take care of."

I rolled my eyes. "Shut up."

He sighed. "I love being a guy. Need to lose five pounds? Go without ketchup for a couple of weeks. Problem. Solved."

We shouldered our backpacks and trudged up the stairs. "I really hate you right now. — Tammara Webber

A low, angry growl hit Jatred's ears like a hammer. He turned and saw a massive figure crashing its way through the snow. Although he'd only seen the drawings of the Winter monsters, he knew it was a Garhanan. There was nothing pleasing in the way the creature looked, smelled, or sounded. Even its movements were horrid. A flat nose sat in the middle of the meaty face. The Garhanan's bushy white brows stuck out, shading small beady eyes. Its arms were muscular and swung down past its strong knees. The back, chest, and thighs were colossal too. The beast's whole body was covered in white, sparse, long fur.
"Great," Jatred snarled, his jaws clenching. He tried not to show how much Garhanan scared him. — A.O. Peart

Well, well. Lucinda Hutton. One flexible little gal." He is reclining in his chair again. Both feet are flat on the floor and they point at me like revolvers in a Wild West shootout.

"HR," I clip at him. I'm losing this game and he knows it. Calling HR is virtually like tapping out. He picks up the pencil and presses the sharpened tip against the pad of his thumb. If a human could grin without moving their face, he just did it. — Sally Thorne

Like all our memories, we like to take it out once in a while and lay it flat on the kitchen table, the way my wife does with her sewing patterns, where we line up the shape of our lives against that which we thought it would be by now. — Claire Vaye Watkins

wounded by the son of Venus; and for Mrs Plornish there was no such music at the Opera as the small internal flutterings and chirpings wherein he would discharge himself of these ditties, like a weak, little, broken barrel-organ, ground by a baby. On his 'days out,' those flecks of light in his flat vista of pollard old men,' it was at once Mrs Plornish's delight and sorrow, when he was strong with meat, and had taken his full halfpenny-worth of porter, to say, 'Sing us a song, Father.' Then he would give them Chloe, and if he were in pretty good spirits, Phyllis also - Strephon he had hardly been up to since he went into retirement - and then would Mrs Plornish declare she did — Charles Dickens

Noah sits up, and when I try to duck out of reach, he advances like a tiger and flips me so that I'm lying flat on the bed. He presses his palms onto the comforter on both sides of my head, and his dark eyes bore into mine. My heart pounds wildly and, because I can't help myself, I reach up and touch his face, sliding my fingers over the rough shadow of his jaw.
Noah leans into my touch, and I love that I have that effect on him. I lick my lips, half hoping he kisses me - half wondering what would happen if he did. — Katie McGarry

Usually, Shakespeare gives me goose bumps. The guy knows everything. Like some ancient angel quill-ing out blueprints life. Hiding it in fiction. And usually I love the sound of the words, the way they dance on the page. Today, they fall flat. My attention bobbing in the cosmos. All free brain-space is marinating in gap month fizz. I chew my pen, candy-cane style. The million possibilities ahead make it hard to care about right now. I write my answers slowly, each letter carved in stone not ballpoint. I'm going to explore the world, find my passion, try everything! The fizz shoots up my spine and a smile sprouts. — Jolene Stockman

I mean, when I started out I was billing per hour, like a shrink because you would sit with somebody and work. But most of it, if it's for a live show it's usually a buy-out. A flat fee. — Bruce Vilanch

Suzanne glanced over at her, eyebrow raised. "Is there an anaconda?" she asked, like it had suddenly occurred to her she could be totally wrong.
Tamara should only be so lucky. "No, there's no anaconda, I can promise you that." Not even a garden snake. — Erin McCarthy

You have terminated me," one of them said in a strange, flat voice. "But I
am one of many."
"Robots!" Iggy breathed, taking Total from Angel.
"One of many, one of many, one of many," the robot Eraser was saying. Now
Nudge saw the red light in its eyes, saw how they were fading and winking out.
"Good!" spat the Gasman, kicking it hard. "Because we like to blow stuff up,
blow stuff up, blow stuff up! — James Patterson

Fifteen minutes later I'm hunched over the steering wheel of a two-seater that looks like something you'd find in your corn flakes packet. The Smart is insanely cute and compact, does about seventy miles to a gallon, and is the ideal second car for nipping about town but I'm not nipping about town. I'm going flat out at maybe a hundred and fifty kilometers per hour on the autobahn while some joker is shooting at me from behind with a cannon that fires Porsches and Mercedes. Meanwhile, I'm stuck driving something that handles like a turbocharged baby buggy. I've got my fog lights on in a vain attempt to deter the other road users from turning me into a hood ornament, but the jet wash every time another executive panzer overtakes me keeps threatening to roll me right over onto my roof. And that's before you factor in the deranged Serbian truck drivers driven mad with joy by exposure to a motorway that hasn't been cluster-bombed and then resurfaced by the lowest bidder. — Charles Stross

I looked up at the ivory towers above us all. Nowhere else equals the feral design of this city. Tall skyscrapers that act as gorges hollowing out between flat cement dancing into narrow alleyways like bottomless pits. Building walls rusted the color of blood. Sometimes when you look down the horizon from afar the city looks wider than it is, like a thin field of magical lights gleaming with the hopes of children and idealists; a light on at midnight in one of the penthouses or the changing hues of the Empire State Building. Most of the time though, the city is covered with a layer of honking cars and greed, sirens and the war cry of solicitors, all full of brambles and impenetrable conscience; garbage, steaming manholes, and heat waves twirling smog and pollution through your lungs like mirages as you walk breathlessly through a boiling desert. — Bruce Crown

He looked incredulous, throwing his hands up in disbelief. "You snuck out of my flat like I was some drunken lay you were ashamed of."
He couldn't have been more wrong. I crossed my arms over my chest, a protective measure, as I shook my head and refused to meet his gaze.
"You want to disabuse me of that notion and tell me exactly why I got out of the shower this morning to find you'd buggered off? — Samantha Young

Seth and Jenny after they've escaped Alexander in Mexico.
Seth: "Here's what we need to do. Find a flat area, like a farm, a little bit out of the way where we can spend a little time." Seth unbuttoned his black fatigues.
Jenny: "Seth, I think we have more urgent things to think about ... "
Seth: "I know." He pushed his pants down to his knees. "I want to show you something.
Jenny: "I've seen it before."
Seth: "Ha ha." Seth tugged back the leg of his boxer shorts to reveal a black band around one thigh with a circular device mounted on it. — J.L. Bryan

This is quite difficult 'cause I have a really flat head, and so it's quite difficult to get a correct angle. And you can't go up from down below as well, 'cause I've got, like, rock solid gelled hair. And so, like, it was odd. I don't know, sometimes I feel like my head is being, like, turned inside out. Like that episode of Ren & Stimpy when he's inside his own belly button. I don't know. — Robert Pattinson

They went back to scooping up breakfast, licking the mess off their fingers. Soon the pile of berry mush was gone and their tongues were dyed a nice midnight blue. Ian seemed in a good mood, sticking his tongue out playfully at his best friend. Eena did likewise, right back at him. She was happy he was smiling, even if his teeth were purple.
(You're too much fun, Eena,) Ian announced in her mind. (I'm really glad we're friends.)
(Me too,) she agreed. (Best friends.)
Ian leaned back on his hands and watched the waves roll in from far off. The swells were building into large, flat-crested waves.
(Angelle never thought like you do. You're creative and kinda crazy. Her thoughts were always more simple and, well ... ..normal.)
(Yeah, well, deadly dragons and evil witches tend to suck all the normal right out of you,) she grumbled.
(I suppose.) — Richelle E. Goodrich

You know the moment when fate plays a cruel joke on you, rips the rug out from beneath your feet and laughs at you after you've fallen flat on your hind end? This was like that moment. — Casey L. Bond

I keep quiet and look out the window. The light is weak and watery-looking, like the sun hast just spilled itself over the horizon and is too lazy to clean itself up. The shadows are as sharp and pointed as needles. I watch three black crows take off simultaneausly from a telephone wire and wish I could take off too, move up, up, up, and watch the ground drop away from me the way it does when you're on an airplane, folding and compressing into itself like an origami figure, until everything is flat and brightly colored - until the world is like a drawing of itself — Lauren Oliver

I feel like a defective model, like I came off the assembly line flat-out fucked and my parents should have taken me back for repairs before the warranty ran out. — Elizabeth Wurtzel

Are you afraid in there?" she said softly, as the men called out for them.
"No," he said. "I'm not afraid. You lock me in. They won't get me."
She closed the door on the little white face, turned the key in the lock. Then she slipped the key into her pocket. The lock was hidden by a pivoting device shaped like a light switch. It was impossible to see the outline of the cupboard in the paneling of the wall. Yes, he'd be safe there. She was sure of it.
The girl murmured his name and laid her palm flat on the wooden panel.
"I'll come back for you later. I promise. — Tatiana De Rosnay

When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out. — Frank Stella

When they arrived at his apartment, Allen's roommate Tim, was lying on the faux black leather sofa in the living room watching an NBA play-off game on their fifty-two inch flat-screen. Owen was barely over five feet tall with a pale complexion, buck teeth, kinky hair, and he wore thick glasses that made his eyes look like they were popping out at you in 3-D; but he was sweet as pie and had a heart of gold. — Monica Mathis-Stowe

He's a steamroller in my life and I like to be laid out flat. I like his hands on my chest, pushing me down whenever my back turns to the span of a bridge. His hands on my thighs, forcing me flat, flat, flat. Yes. Yes, I like that. — Laura A. Lord

He held out the written pass. "This is what they want us to be," he said. "They want us to be nothing but a bill of sale and a letter explaining where we is and instructions for where we go and what we do. They want us empty. They want us flat as paper. They want to be able to carry our souls in their hands, and read them out loud in court. All the time, they're on the exploration of themselves, going on the inner journey into their own breast. But us, they want there to be nothing inside of. They want us to be writ on. They want us to be a surface. Look at me, I'm mahogany."
I protested, "A man is known by his deeds."
"Oh, that's sure," said Bono. "Just like a house is known by its deeds. The deeds say who owns it, who sold it, and who'll be buying a new one when it gets knocked down. — M T Anderson

Miranda!"
"What?" She batted him with her pillow.
"Hoyden! Are you drunk?"
"I don't think so. I'm not sure. They never gave us wine at Yardley. I feel happy."
"Happy?" He grabbed a corner of the pillow as she whacked him again with it. "Stop it!"
"You're too serious, Winterley!" She reached for another pillow. "I will beat you until you smile!"
He ducked out of his chair with a rakish grin as she swung at him, then tackled her flat on the soft bed, both of them laughing.
"You are ... impossible," he chided with a gentle sigh as he braced his elbows on either side of her head. He traced her cheekbones with the pads of his thumbs.
"Difficult, but not impossible." She wrapped her arms around him, relishing the weight of him atop her, the smoothness of his bare chest against her bodice. "It all depends on who's trying."
"That sounded distinctly like an invitation," he murmured. — Gaelen Foley

Words like passion and ecstasy, we learn them but they stay flat on the page. Sometimes we try to turn them over, find out what's on the other side, and everyone has a story to tell os a woman or a brothel or an opium night or a war. We fear it. We fear passion and laugh at too much love and those who love too much. — Jeanette Winterson

The 5th Marine Division had suffered such severs casualties, they were able to bring our entire Division back to Hawaii in only 5 or 6 ships. We docked in Hilo and boarded a single train normally used to haul sugar cane to mill. These were open flat cars, the weather was beautiful, the scenery fantastic. As our train gets underway the Marines break out their Jap flags captured on Iwo Jima. There were hundreds of Jap flags flying from on end of the train to the other. This was a beautiful sight. The victors had returned home. I've never felt so proud to be a part of anything like this before in my life. There were no spectators, no one watching us, no crowd, no cheering, no band, only the remainder of a proud 5th Marine Division returning home. For some reason I preferred it this way, no one could understand our feelings at this time. — George Nations

Esperanza leaned around the side of the truck. As they rounded a curve, it appeared as if the mountains pulled away from each other, like a curtain opening on stage, revealing the San Joaquin Valley beyond. Flat and spacious, it spread out like a blanket of patchwork fields. Esperanza could see no end to the plots of yellow, brown, and shades of green. The road finally leveled out on the valley floor, and she gazed back at the mountains from where they'd come. They looked like monstrous lions' paws resting at the edge of ridge. — Pam Munoz Ryan

There was a special Nolan idea about the coffee. It was their one great luxury. Mama made a big potful each morning and reheated it for dinner and supper and it got stronger as the day wore on. It was an awful lot of water and very little coffee but mama put a lump of chicory in it which made it taste strong and bitter. Each one was allowed three cups a day with milk. Other times you could help yourself to a cup of black coffee anytime you felt like it. Sometimes when you had nothing at all and it was raining and you were alone in the flat, it was wonderful to know that you could have something even though it was only a cup of black and bitter coffee.
Neeley and Francie loved coffee but seldom drank it. Today, as usual, Neeley let his coffee stand black and ate his condensed milk spread on bread. He sipped a little of the black coffee for the sake of formality. Mama poured out Francie's coffee and put the milk in it even though she knew that the child wouldn't drink it. — Betty Smith

The Stones This is the city where men are mended. I lie on a great anvil. The flat blue sky-circle Flew off like the hat of a doll When I fell out of the light. I entered The stomach of indifference, the wordless cupboard. The mother of pestles diminished me. I became a still pebble. The stones of the belly were peaceable, The head-stone quiet, jostled by nothing. — Sylvia Plath

Life was meant to be lived full measure, flat out, pedal to the metal. Don't live the rest of your life like a Porsche that never leaves the garage because somebody's afraid to scratch it. — J. Michael Straczynski

This is true: if there was one thing my father taught me, it's that endings never work out the way you want them to--that they're terrible, and this one is no different. They're like the last drops of wine, the final puffs of a cigarette. They're Sunday nights, or the last afternoon of summer. They're flat tires and wet pairs of socks and cold dinners. They're the sort of thing that--no matter the effort, no matter the discipline--no one can get right. — Grant Ginder

I remembered the taste of good Italian coffee in my London flat, brewed at the expense of time and a good deal of mess, compared to the sort that came out of machines in the office at the press of a button. I remembered walking to art school, through the windy winter, over hills and heaths: how much gladder I was to reach the rich warmth and to toast my hands on a radiator, than if I had gone by car. I remembered the nickels my father gave me as a child for being good: how much more I valued them than I would a dollar bill given all at once for no reason. Of course God as the ultimate parent could give happiness for the asking, just as my father could have given a handful of dollar bills, but at the age of five would I have known its value, or would it have looked to me just like a wad of grubby green paper? — Sumangali Morhall

A man and his young son crouched in the woods just before sunset, out where Palm Beach County meets the Everglades. Their eyes focused on the train tracks a few yards away, a tight bend just past the clearing where Pratt & Whitney tests its jet engines. A shiny new Lincoln penny sat on one of the rails. "Why are we doing this, Daddy?" "To get a flat penny." "What for?" "Because it's fun!" A train whistle blew in the distance. "Here she comes! Get down!" The pair crouched and waited, the train growing closer. It was in sight before they knew it, nothing but a blur as it entered the bend and hit the penny. There was a harsh grinding of metal. The father and son watched in astonishment as The Silver Stingray jumped the tracks and twenty cars jackknifed down the embankment toward the swamp. "Daddy? Did we do that?" "How'd you like some ice cream? — Tim Dorsey

I'm standing by the cereal, reaching for a box of Honey Nut Cheerios, when I feel my chest clenching but not unclenching. It clenches tighter and tighter, like someone has wrapped a corset around it. My palms are wet. My head is compressing, growing and shrinking at the same time. I can hear my breathing, and it's so amplified that, to my own ears, I sound like Darth Vader. A woman at the end of the aisle is frozen as she watches me. She looks scared...My breathing is getting louder, and I cover my ears to block it out. And that's when the ceiling starts to spin and the air disappears and my lungs won't stop working and I can't breathe at all. I drop everything and run away from the cart and all that food until I'm out the door. I stand in the parking lot, bent over at the waist, breathing in the fresh night air, and then I lie flat on the ground, as if this will open my lungs wider and make them work again, only the breath won't come. — Jennifer Niven

Anyway, what do women grab when they're nervous and sitting at their desks? Do they slip their hands inside their panties? What a distracting thought. Just the word panty is distracting. I love that word; it implies so much. I love how women look in panties, how they're flat in the front. I'm thirty-five, but sometimes it's still this beautiful amazing shock to me that women don't have penises. They just have this lovely little mound of hair and then this tucked away glorious hole. Hole. Wait. Hole sounds vulgar. Is passageway better? Pretty envelope? Georgia O'Keeffe flower? Pussy? Pussy is good. I like the word pussy. Tucked away beautiful pussy. I wish I could put my face in one right now and sing out, I love you! — Jonathan Ames

A sampler of England's hottest 'chefs' would include a mostly hairless young blond lad named Jamie Oliver, who is referred to as the Naked Chef. As best as I can comprehend, he's a really rich guy who pretends he scoots around on a Vespa, hangs out in some East End cold-water flat, and cooks green curry for his 'mates'. He's a TV chef, so few actually eat his food. I've never seen him naked. I believe the 'Naked' refers to his 'simple, straightforward, unadorned' food; though I gather that a great number of matronly housewives would like to believe otherwise. Every time I watch his show, I want to go back in time and bully him at school. — Anthony Bourdain

He pulled the truck onto the shoulder of the road and parked, cell phone tight in one hand, his eyes on the landscape before him. From here he could see the foothills rippling out like a blanket from the ragged edge of the mountains. They spread in loose folds until becoming the flat expanse of prairie that crossed all the way to the Great Lakes. July's bounty was a brash flare of colour: wind combed through golden tracts of wheat and sun-bright canola so brilliant he had to squint.
The truck was balanced along the edge of an invisible wall which blocked Waterton from the rest of the world. He hadn't thought about how very real that barrier was; now that his phone was reconnected, it felt like a physical presence. He wasn't quite sure what he'd find on the other side. — Danika Stone

That cactus went right through my eye. It left my eye flat. They took me to a doctor, and he said, 'We'll have to take the eye out.' ... I fought like a tiger. I said, 'No! Leave the eye alone. I am sure it will grow back.' The doctor said, 'You're too young to know.' ... But in a year's time that fluid came back, and that eye is just as good as the other one today. — Bernard Jensen

Western Red Cedar bark and cones are distinct. The foliage is not coniferous ... the tree has flat intricate fronds that branch out like lace. It droops down, hanging fingers from each branch. In certain lights, it looks like a tree made of ferns. — Ned Hayes

Leaning against my car after changing the oil,
I hold my black hands out and stare into them
as if they were the faces of my children looking
at the winter moon and thinking of the snow
that will erase everything before they wake.
In the garage, my wife comes behind me
and slides her hands beneath my soiled shirt.
Pressing her face between my shoulder blades,
she mumbles something, and soon we are laughing,
wrestling like children among piles of old rags,
towels that unravel endlessly, torn sheets,
work shirts from twenty years ago when I stood
in the door of a machine shop, grease blackened,
and Kansas lay before me blazing with new snow,
a future of flat land, white skies, and sunlight.
After making love, we lie on the abandoned
mattress and stare at our pale winter bodies
sprawling in the half-light. She touches her belly,
the scar of our last child, and the black prints
of my hand along her hips and thighs. — B.H. Fairchild

His nose was his most distinctive feature: curved like a scimitar at the top but bent flat at the tip, and with the bone of the bridge cut like a diamond
in short, a nose out of a folktale, the sort of sizable, convoluted, intricately turned nose that, for many centuries, confronted though they have been by every imaginable hardship, the Jews have never stopped making. — Philip Roth

So many careers came and went through me:
salamander finder, crawfish annoyer, flat-stone creek skipper, cedar chest smeller, railroad car counter, tin can stomper, milkweed blower, mulberry picker, snowball smoother, paper bag popper, steel rail walker, box turtle toucher, dark-sky watcher, best part saver. They didn't last long, these careers of mine, but flashed into and out of existence like mayflies. But while they employed me, I gave them an honest minute's work and was paid in the satisfactions of curiosity met and a job well done. — Jerry Spinelli

The whole island was exactly what a kid growing up in some trailer park
say some dump like Tecumseh Lake, Georgia
would dream about. This kid would turn out all the lights in the trailer while her mom was at work. She'd lie down flat on her back, on the matted-down orange shag carpet in the living room. The carpet smelling like somebody stepped in a dog pile. The orange melted black in spots from cigarette burns. The ceiling was water-stained. she'd fold her arms across her chest, and she could picture life in this kind of place. It would be that time
late at night
when your ears reach out for any sound. When you can see more with your eyes closed than open. The fish skeleton. From the first time she held a crayon, that's what she'd draw. — Chuck Palahniuk

Ivan Fyodorovich had long been feeling an intense hatred for him, before he even thought about him, and suddenly he became aware of him. He at once felt an irresistible desire to bring his fist down on the little peasant. Just at that moment they came abreast of each other, and the little peasant, staggering badly, suddenly lurched full force into Ivan. The latter furiously shoved him away. The little peasant flew back and crashed like a log against the frozen ground, let out just one painful groan: "O-oh!" and was still. Ivan stepped up to him. He lay flat on his back, quite motionless, unconscious. "He'll freeze!" Ivan thought, and strode off again to Smerdyakov. — Fyodor Dostoyevsky