Flashheart Famous Quotes & Sayings

My life was a wandering; I never had a homeland. It was a matter of being constantly tossed about, without rest; nowhere and never did I find a home. — Jan Amos Komensky

I've grown environmentally. I'm far more cautious, although I always have been; but more now. And I have grown a lot professionally by working with George Miller. — Brittany Murphy

That's the worst ... or the best ... of real life, Anne. It won't let you be miserable. It keeps on trying to make you comfortable ... and succeeding ... even when you're determined to be unhappy and romantic. — L.M. Montgomery

Why do we start immigration in 1965? Guess whose idea it was? Ted Kennedy. Ted Kennedy, 1965, we needed to reinstitute the immigration laws. It wasn't based in humanity, although that's the way it was sold. It was rooted in registering voters. — Rush Limbaugh

Brooke fussed over the wounded lady as they transferred her to the pallet, going so far as to plant a kiss on her brow to praise her bravery.
"What a kiss," Portia complained. "As if I were a child."
Brooke cupped her face in his hands and kissed her thoroughly. He released her only when Portia's faint growl of protest melted to a pleased sigh. "There, was that better?"
"Quite." Portia's cheeks pinked.
"All right, then. Now be a good little girl, and lie still."
She swatted at him feebly as he and Denny lifted the pallet - Brooke carrying the end at Portia's head, and Denny lifting her feet. — Tessa Dare

Bertrand Russell writes that the painful thing about our time is that those who feel certainty are stupid, and those with any imagination and understanding are filled with doubt and indecision. — Rollo May

We would not dare to conceive the things which are really mere commonplaces of existence. — Arthur Conan Doyle

Melissa had faith in God and Theo had faith in the fertile Boratto testicles. — Darren Shan

I regard my entire orchestra as one large instrument, and I try to play on that instrument to the fullest of its capabilities. My aim is and always has been to mold the music around the man. I've found out that it doesn't matter so much what you have available, but rather what you make of what you do have - finding a good "fit" for every instrumentalist in the group. I study each man in the orchestra and find out what he can do best, and what he would like to do. — Gary Giddins

There is nothing an author today has to guard himself more carefully against than the Saga Habit. The least slackening of vigilance and the thing has gripped him. — P.G. Wodehouse