Firouzeh Mortazi Tehrani Quotes & Sayings

Assimilated by the deceit of its divine origin, its tenets are reward for obedience, punishment for transgression, both holding good for all time (this world and another). This moral code is a dramatised burlesque of the conceptive faculty, but is never so perfect or simple in that it allows latitude for change in any sense, so becomes dissociated from evolution, etc; and this divorce loses any utility and of necessity for its own preservation and the sympathy desired, evolves contradictions or a complication to give relationship. Transgressing its commandments, dishonesty shows us its iniquity, for our justification; or simultaneously we create an excuse or reason for the sin by a distortion of the moral code, that allows some incongruity. (Usually retaing a few unforgiveable sins- and an unwritten law.) — Austin Osman Spare

I wrote seven Myron Bolitar novels in a row, and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal, and I want him to grow and change. The problem with that is, it makes the series limited, you can't write a series where a guy is always going through some kind of crisis. — Harlan Coben

Moreover, since it is in the nature of tastes to differ, how can a standard erected by one person's taste be used to cast judgement on another's? How, for example, can we pretend that one type of music is superior or inferior to another when comparative judgements merely reflect the taste of the one who makes them? — Roger Scruton

The media insists on taking what someone didn't mean to say as being far closer to the truth than what they did. — Alain De Botton

A harmless life, she called a virtuous life,
A quiet life, which was not life at all ... — Elizabeth Barrett Browning

I only take risks in couture, but I don't take risks in athleticism. — Andre Leon Talley

The writer who cannot sometimes throw away a thought about which another man would have written dissertations, without worry whether or not the reader will find it, will never become a great writer. — Georg C. Lichtenberg

He is capable of turning everything into anything
snow into skin, skin into blossoms, blossoms into sugar, sugar into powder, and powder back into little drifts of snow
for all that matters to him, apparently, is to make things into what they are not, which is doubtless proof that he cannot stand being anywhere for long, wherever he happens to be. — Robert Musil