Fire Like The Song Quotes & Sayings

In pain with you, and yet I could not go. I stayed since nothing better came along. I loved you by default or just for show, My life a whistled flat unechoed song. I groped for notches in our dun abyss, And looked for more in lonely only less. I shunned the path adorned with signs to bliss, And stood the loyal ground of wait or guess. It took the tender you to shift the scene, Bold arsonist beneath our tinder stage! I then in friendly fire to earth careen And from our props and ashes disengage. I begged you long with such a silent ache In fear of, wish for mercy for my sake. What Love Feels Like — David Richo

A cold wind was blowing from the north, and it made the trees rustle like living things. — George R R Martin

There's hidden sweeteness in the stomach's emptiness.
We are lutes, no more no less. If the soundbox is stuffed full of anything, no music.
If the brain and the belly are burning clean
with fasting, every moment a new song comes out of the fire.
The fog clears, and new energy makes you
run up the steps in front of you.
Be emptier and cry like reed instruments cry.
Emptier, write secrets with the reed pen.
When you're full of food and drink, an ugly metal statue sits where your spirit should. When you fast,
good habits gather like friends who want to help.
Fasting is Solomon's ring. Don't give it to some illusion and lose your power,
but even if you have, if you've lost all will and control, they come back when you fast, like soldiers appearing out of the ground, pennants flying above them.
A table descends to your tents, Jesus' table.
Expect to see it, when you fast, this table spread with other food, better than the broth of cabbages. — Rumi

Oh the madness of battle! We fear it, we celebrate it, the poets sing of it, and when it fills the blood like fire it is a real madness. It is joy! All the terror is swept away, a man feels he could live for ever, he sees the enemy retreating, knows he himself is invincible, that even the gods would shrink from his blade and his bloodied shield. And I was still keening that mad song, the battle song of slaughter, the sound that blotted out the screams of dying men and the crying of the wounded. It is fear, of course, that feeds the battle madness, the release of fear into savagery. You win in the shield wall by being more savage than your enemy, by turning his savagery back into fear. — Bernard Cornwell

Yet the laboriously sought musical epiphany rarely compares to the unsought, even unwanted tune whose ambush is violent and sudden: the song the cab driver was tuned to, the song rumbling from the speaker wedged against the fire-escape railing, the song tingling from the transistor on the beach blanket. To locate those songs again can become, with age, something like a religious quest, as suggested by the frequent use of the phrase "Holy Grail" to describe hard-to-find tracks. The collector is haunted by the knowledge that somewhere on the planet an intact chunk of his past still exists, uncorrupted by time or circumstance. — Geoffrey O'Brien

Place me like a seal over your heart, like a seal on your arm; for love is as strong as death, its jealousy unyeilding as the grave. It burns like a blazing fire, like a mighty flame. Song of Solomon 8:6 — Elizabeth Hunter

It seems like songwriting for most songwriters is only one season in their life, a five or ten year period. For me, I don't worry about it, but I know there might come a day when I can't write anymore, or don't have good song ideas or the fire to do it anymore. — Rodney Clawson

derelict. my voice cracked and yolk poured out. wind chimes rigid, no breeze, no song. my wings found hidden in your suitcase. pleas for help mistaken for a swan song. i'm stuffing pages from my journal down my throat as kindling. hoping the smoke will get the taste of you out of my mouth. he looks at me from across the room and all i want is to push him against the wall. ravage. ravage. carnage has never been more vogue. is it still art if it doesn't bring you to your knees? lover, let me prey at your altar. let me bare my fangs in praise. don't i look so pretty in a funeral shroud? i keep time with the click of my creaking bones. dance with me under the milky translucence of a world suffocating. how did you find me? i buried myself beneath the cicadas. is a girl trapped in glass still a prize?
let me get under your skin. i want to know what your fears taste like. i want to consume. — Taylor Rhodes

Summertime, I think, is a collective unconscious. We all remember the notes that made up the song of the ice cream man; we all know what it feels like to brand our thighs on a playground slide that's heated up like a knife in a fire; we all have lain on our backs with our eyes closed and our hearts beating across the surface of our lids, hoping that this day will stretch just a little longer than the last one, when in fact it's all going in the other direction. — Jodi Picoult

When you fell into my life, I was shattered beyond repair. But as the shining angel of redemption, you didn't seem to care. While the tempest swirled around me, you led me to solid ground. You're the purest, deepest love a man like me has ever found. There is a fire that burns within me that only you can ignite. You're the light that fills my soul in the darkest, bleakest night. You're the balm that cures the wound; the lifeline in the storm. You are the song of my heart, the music of my soul. — Katie Ashley

By the light of the hominy fire Sixo straightens. He is through with his song. He laughs. A rippling sound like Sethe's sons
make when they tumble in hay or splash in rainwater. His feet are cooking; the cloth of his trousers smokes. He laughs.
Something is funny. Paul D guesses what it is when Sixo interrupts his laughter to call out, Seven-O! Seven-O! — Toni Morrison

I had a good time that night, too," Michael said, "but I kept thinking, This is forever. This is forever. You will have this good time again and again, a million times over, until it will be like a play in which you and Laura and a few fugitive lives sit around an imaginary fire and talk and sing songs and love each other and sometimes throw imaginary brands at the eyes blinking beyond the circle of imaginary firelight. And then I thought - and this is where I sounded just like a real philosopher - And even when you admit that you know every line in the play and every song that will be sung, even when you know that this evening spent with friends is pleasant and joyful because you remember it as pleasant and joyful and wouldn't change it for the world, even when you know that anything you feel for these good friends has no more reality than a dream faithfully remembered every night for a thousand years - even then it goes on. Even then it has just begun. — Peter S. Beagle

Sometimes I hear Mark laugh, and some days in the car the right song will come on the satellite radio and I'll feel him there tingling like a phantom limb. Like he's sitting there next to me in the dark. But I know that's not so. And I know that when you die there's not even darkness, and I know Mark and me won't meet on some cloud or in some pit of fire. And I guess that's a good thing. I couldn't take those eyes seeing what's become of me, those eyes looking down at my hands and my chewed-up ragged nails. — Jordan Harper

All the carriages filed out in single file but in a fashion that seemed to mean that they were competing against each other. The only sound that could be heard for a while was the pounding of the horses' hooves and the squeal and groan of the wheels against the road. Their hooves kicked up dirt, creating a storm of dust.
Once the miniature storm and the sound of galloping horses subsided, I could only see one last person. He glared up at me and mouthed, "Next time." Christopher dug his boots into Dawn's muscled flank. She reared up and broke into a gallop through the sparse forest, heading for escape. The last trace of them was the particles of floating dust, bright like floating fire. — Erica Sehyun Song

Lying on her side, the warm fire at her feet, Helen's laughter died away as Lucas suddenly went from tuning to playing.
It was like an orchestra in an instrument.
He played with both hands-not one hand picking and the other holding down strings-but with both hands so that it sounded like more than one guitar was playing. Sometimes he hit the strings to make them hum like a harp, and sometimes he hit the body of the guitar like a drum to add bass and keep time. It was the most fascinating thing Helen had ever watched, like Lucas had a dozen voices in his head, all singing the same song, and he'd figured a way to make them come out of ten fingers.
Helen looked at his face and could tell why he loved it. It was like thinking for him, only this was a puzzle that he could share with her as he solved it.
He'd walked into her head when he'd come to her world. And she'd walked into his when she finally heard him play.
It was heaven. — Josephine Angelini

But love, real love, the kind that you fall in, isn't like Corinthians. The "suffereth long" and "is kind" nonsense. It's like the Song of Solomon. It's jealousy and fire and floods. It's everything that consumes." - Lady Fennimore — Julie Anne Long

Cunt again? It was odd how men like Suggs used that word to demean women when it was the only part of a woman they valued. — George R R Martin

Reggie made him feel like he was nine years old and out for dinner with his family at the Ponderosa Steak House and he had run into his French teacher and his mother invited her to dine with him.
Reggie made him feel like he was sitting in a public bathroom stall and someone had come into the bathroom and began singing a song about what a stinky bastard he was while he was in there sweating it out.
Reggie made him feel like someone had taken the red Tonka fire engine he had always wanted and painfully corkscrewed it down the front of his jeans.
Reggie made him feel like the ice cream man had just rolled by and all his dead grandparents were mooning him out the truck window. — Jonathan Goldstein

Love, real love, the kind that you fall in, isn't like Corinthians. The "suffereth long" and "is kind" nonsense. It's like the Song of Solomon. It's jealousy and fire and floods. It's everything that consumes. — Julie Anne Long

Whether you're a history buff or a fantasy fan, Druon's epic will keep you turning pages. This was the original game of thrones. If you like 'A Song of Ice and Fire', you will love 'The Accursed Kings'. — George R R Martin

I run to the high mountains
I pour my heart out to the skies
I sing of the summer song
While the sky above dance in the yellow light.
The cool breeze fools the sun above
Takes a run, wins the mighty fight.
Your light then comes to me with warmth,
A view my heart wants.
Love to me is the song you write.
The tricks you play with the endless sky
And with the icy wind you find a disguise.
You burn me like sun that burns up
In the blue abyss.
With the ink of my emotions
You write a song of Fire and Ice. — Jaishree Garg

Like fire and rain, (fire and rain) you can dirve me insane But i cant stay mad at you for anything, Were venus and mars, (venus and mars) were like diffrents stars, but your the harmony to every song i sing, And i wouldnt change a thing.. — Demi Lovato

Smoke hung heavy in the air. Will's eyes stung. His throat.
His nose. And the crackling. God, the crackling fire was like the devil laughing.
Vera was in that house.
Mikey gripped his arm. "Hold on, Will - "
Will lunged forward. "Vera - "
"Whoa, Will." Mikey's grip tightened. "Stop."
"The hell I will. Vera - "
"Billy?" One of the cops approached him. Said a bunch of
words. Helped Mikey hold Will back.
Vera was in that house.
Vera, her trusty wooden body, her frets, her new strings. Vera,
who'd had his back everywhere from Pickleberry Springs to
Nashville to New York to LA, from seedy bars to stadiums.
Vera, who'd helped him write his first song. His last song.
Every song in between. — Jamie Farrell

Here is the soundless cypress on the lawn:
It listens, listens. Taller trees beyond
Listen. The moon at the unruffled pond
Stares. And you sing, you sing.
That star-enchanted song falls through the air
From lawn to lawn down terraces of sound,
Darts in white arrows on the shadowed ground;
And all the night you sing.
My dreams are flowers to which you are a bee
As all night long I listen, and my brain
Receives your song, then loses it again
In moonlight on the lawn.
Now is your voice a marble high and white,
Then like a mist on fields of paradise,
Now is a raging fire, then is like ice,
Then breaks, and it is dawn. — Harold Monro

Song

This is the love I bring,
Absolute and nothing:
A tree but with no roots,
A cloud heavy with fruit,
A wide stone stair
That leads nowhere
But to empty sky,
Ambiguous majesty.

This is the love I bear:
It is light as air,
Yet weighs like an earth;
It is water flowing,
Yet adamant as fire.
It is coming from going.
It is dying and growing.

A love so rare and hard
It cuts a diamond word
Upon the windowpane,
"Never, never again,
Never upon my breast,"
Having no time to bring,
Having no place to rest,
Absolute and nothing. — May Sarton

Stand like a beaten anvil, when thy dream
Is laid upon thee, golden from the fire.
Flinch not, though heavily through that furnace-gleam
The black forge-hammers fall on thy desire.

Demoniac giants round thee seem to loom.
'Tis but the world-smiths heaving to and fro.
Stand like a beaten anvil. Take the doom
Their ponderous weapons deal thee, blow on blow.

Needful to truth as dew-fall to the flower
Is this wild wrath and this implacable scorn.
For every pang, new beauty, and new power,
Burning blood-red shall on thy heart be born.

Stand like a beaten anvil. Let earth's wrong
Beat on that iron and ring back in song. — Alfred Noyes

After she had gone through most of the songs she knew, she sang an old one that she said she had written herself. I'd love to cook a stew for you But I have no pot. I'd love to knit a scarf for you But I have no wool. I'd love to write a poem for you But I have no pen. "It's called 'I Have Nothing,'" Midori announced. It was a truly terrible song, both words and music. I listened to this musical mess with thoughts of how the house would blow apart in the explosion if the gas station caught fire. Tired of singing, Midori put her guitar down and slumped against my shoulder like a cat in the sun. "How did you like my song?" she asked. I answered cautiously, "It was unique and original and very expressive of your personality." "Thanks," she said. "The theme is that I have nothing." "Yeah, I kinda thought so. — Haruki Murakami

['Fire and Rain'] is sort of almost uncomfortably close. Almost confessional. The reason I could write a song like that at that point, and probably couldn't now, is that I didn't have any sense that anyone would hear it. I started writing the song while I was in London ... and I was totally unknown ... So I assumed that they would never be heard. I could just write or say anything I wanted. Now I'm very aware, and I have to deal with my stage fright and my anxiety about people examining or judging it. The idea that people will pass judgment on it is not a useful thought. — James Taylor

I want a love like Johnny and June
Rings of fire burnin' with you
I wanna walk the line, walk the line
Til' the end of time
I wanna love, love ya that much
Cash it on it give it all up
And baby when your gone I wanna go too
Like Johnny and June — Heidi Newfield

Ghosts can haunt damned near anything. I have heard them in the breathy voice of a song and seen them between the covers of a book. They have hidden in trees so that their faces peer out of the bark, and hovered beneath the silver surface of water. They disguise themselves as cracks in concrete or come calling in a delirium of fever. On summer days they keep pace like the shadow of our shadow. They lurk in the breath of young girls who give us our first kiss. I've seen men who were haunted to the point of madness by things that never were and things that should have been. I've seen ghosts in the lines on a woman's face and heard them in the jangling of keys. The ghosts in fire freeze and the ghosts in ice burn. Some died long ago; some were never born. Some ride the blood in my veins until it reaches my brain. Sometimes I even mistake myself for one. Sometimes I am one. — Damien Echols