Fiomobile Quotes & Sayings

The reality is that the founding fathers were land speculators. The fact was that you couldn't vote in this country if you did not own land, and that was basically you had to be a white man who owned land. Now how did they get that land? They basically had to steal it from someone, and that would be probably the Indians. And so most of the initial founding fathers were, while they may have had some really nice ideas about democracy, they had a lot of issues with people of color. They had a lot of issues with people who held things that they coveted. — Winona LaDuke

We don't praise God to feel good, but to do good. — Rick Warren

Some people confuse intensity for passion and challenge for attraction. — Donna Lynn Hope

Live snakes?' said one of the scribes. 'You mean-'
'Yeah,' said Locke. 'They've got scales, they slither around - snakes. Keep up. — Scott Lynch

One of the advantages of
of this
is that dying men are allowed complete and brutal candor. — Bill Willingham

I have a fan-base that apparently like you know, people ... it's not that they look up to but you have certain figures that, you know, you'd like to be more like and people really love Bella and I do too but I'm not her ... I don't think anybody expects me to try to just for the rest of my career appease an audience that once liked "Twilight", you know what I mean? — Kristen Stewart

I'd like to see twenty-one links completed when I return. Threats on your well-being are poor excuses for missing homework!

He drew a happy face after that - two dots and a curving line - and signed his name. — Charlie N. Holmberg

As the young husband and wife lay in each other's arms, each contemplating past, present, and future, Clint recognized the music as the adagietto from Gustav Mahler's fifth symphony. It was one of the most famous movements in the entire symphonic repertoire, but it was also one of the most debated. Mahler ostensibly composed the adagietto as a love song to his wife, Alma, but when played at the much slower tempo preferred by many conductors, the music instead evokes a feeling of profound melancholy. After almost eighty years, musicologists and aficionados still couldn't agree whether the music was supposed to be happy or sad, whether it was an expression of intense love and devotion or of unmitigated despair. Clint was struck by the irony that this music would be playing at this moment in his life, and his mouth curled into an ambivalent smile. Was he happy? Was he sad? Would he ever again be certain? — William T. Prince