Fingers No Blood Quotes & Sayings

We're not out of the woods yet, people," I said, and grimaced, my eyes cheating toward the trees growing on all sides. "No pun intended. Sloane, were you being serious when you said that most of that was Demi's blood? Because I'm not quite ready to condone beating her to death." "She got a nosebleed," said Sloane, reaching forward and taking my hand in hers. Her fingers left red stains on my skin. "Sure, I had to punch her four or five times to make that happen, but nosebleeds are a normal part of being a traitorous bitch who goes over to the dark side at the first sign of trouble. — Seanan McGuire

She was in love with the Great Sultan of Kad. And this was no crush. It was as real as the sun rising each morning, as the blood in her veins and the curve of the rail under her fingers. She felt the truth in every nerve, every inch of her skin. — Cate Rowan

It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb ... Robb ... please, Ned, please, make it stop, make it stop hurting ... The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. "Mad," someone said, "she's lost her wits," and someone else said, "Make an end," and a hand grabbed her scalp just as she'd done with Jinglebell, and she thought, No, don't, don't cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold. - Catelyn Stark — George R R Martin

Marry me, Rachel.'

'Not yet.'

'Tomorrow, Rachel. Marry me.'

'Maybe tomorrow.'

'There is no common blood between us. Say it,' pleads Zachariah.

'There is no common blood between us,' murmurs Rachel.

'I am not your brother.'

'I know.'

He traces her face with his swollen fingers, across the brow bones and down the zygomatics, and along the jaw from earlobe to chin, sweeping away the brine as he goes.

'I am your Wolff,' he says.

'And I am your Wolff,' she replies.

Let the day begin. — Emma Richler

So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write. — Amy Poehler

You're not like other Wasps."
"Aren't I?" Aagen smiled, but it was a painful smile. "No doubt you've killed my kinsmen by the score."
"A few," Salma allowed.
"Well, next time you shed my kinden's blood, think on this: we are but men, no less nor more than other men, and we strive and feel joy and fail as men have always done. We live in the darkness that is the birthright of us all, that of hurt and ignorance, only sometimes ... sometimes there comes the sun." He let the bowl fall from his fingers to the floor, watching it spin and settle, unbroken. — Adrian Tchaikovsky

My captor grabbed me, digging his gloved fingers into my cheeks. His bloody gloved fingers. "I'm an assassin. I'm whatever the job necessitates."
I could smell the blood; it smelled like old, dirty pennies. "Then you're a whore."
"I'm a mercenary."
"What's the difference?" I spat. "You sell your body for money and you have no morals. — Nenia Campbell

I thought that you would be frozen in awe when you found the sequence, when you heard a bird's song repeating my Morse code, my cry for help, my S.O.S, when you saw the same numbers in the petals of a flower and the structure of a pine cone, when you saw with your own eyes the interconnectedness of all things.
But I was wrong.
You searched for a male god, a creator, an intelligent designer, or you banished the beauty and mystery of the world beneath the cold concrete grave of closed-eye skepticism. The few of you who could still hear my music felt tortured and misunderstood; you reached out for any conspiracy theory large enough to explain your alienated despair, your sense that the Earth was dying and no one cared.
But listen to me -- you are not alone. Run your fingers through the grass and grab it in your fists, feel my pulse echoing through your blood. You. Are. Not. Alone. And I -- I am not dead yet. — Sarah Warden

That moon, which the sky ne'er saw even in dreams, has returned
And brought a fire no water can quench.
See the body' s house, and see my. soul,
This made drunken and that desolate by the cup of his love.
When the host of the tavern became my heart-mate,
My blood turned to wine and my heart to kabab.
When the eye is filled with thought of him, a voice arrives :
W ell done, O flagon, and bravo, wine!
Love's fingers tear up, root and stem,
Every house where sunbeams fall from love.
When my heart saw love's sea, of a sudden
It left me and leaped in, crying, , Find me.'
The face of Shamsi Din, Tabriz's glory, is the sun
In whose track the cloud-like hearts are moving — Rumi

Jon, did you ever wonder why the men of the Night's Watch take no wives and father no children?' Maester Aemon asked.

Jon shrugged. 'No.' He scattered more meat. The fingers of his left hand were slimy with blood and his right throbbed from the weight of the bucket. 'So they will not love' the old man answered 'for love is the bane of honor, the death of duty — George R R Martin

Dark thought started to slip into my mind, despite all my efforts to keep them out. What was the use of anything? We were born, we lived a few years, grew old, and then died. What was the point of it all? All those people in the County and the wide world beyond, living their short little lives before going to the grave. What was it all for? My dad was dead. He'd worked hard all his life, but the journey of his life had had only one destination: the grave. That's where we were all heading. into the grave. Into the soil, to be eaten by worms. Poor Billy Bradley had been the Spook's apprentice before me. He'd had his fingers bitten off by a boggat and had died of shock and loss of blood. And where was he now? In a grave. Not even in a churchyard. He was buried outside because the Church considered him no better than a malevolent witch. That would be my fate too. A grave in unhallowed ground. — Joseph Delaney

Shards of glass slip down the wall and into the sink. IT pulls away from me, puzzled. I reach in and wrap my fingers around a triangle of glass. I hold it to Andy Evans's neck. He freezes. I push just hard enough to raise one drop of blood. He raises his arms over his head. My hand quivers. I want to insert the glass all the way through his throat, I want to hear him scream. I look up. I see the stubble on his chin, a fleck of white in the corner of his mouth. His lips are paralyzed. He cannot speak. That's good enough.
Me: I said no. — Laurie Halse Anderson

One should let one's nails grow for a fortnight. O, how sweet it is to drag brutally from his bed a child with no hair on his upper lip and with wide open eyes, make as if to touch his forehead gently with one's hand and run one's fingers through his beautiful hair. Then suddenly, when he is least expecting it, to dig one's long nails into his soft breast, making sure, though, that one does not kill him; for if he died, one would not later be able to contemplate his agonies. Then one drinks his blood as one licks his wounds; and during this time, which ought to last for eternity, the child weeps. — Comte De Lautreamont

You're Shane, right?'
He inched away from her and managed a quick nod as he twisted the rag he held in his fingers.
'Heidi sad you were willing to teach me how to ride.' Her expression shifted from entertained to confused, as if she was wondering why no one had mentioned he was a can or two shy of a six-pack.
'A horse,' he clarified, then wanted to kick himself. What else but a horse? Did he think she was here to learn to ride his mother's elephant?
One corner of Annabelle's perfect, full mouth twitched. 'A horse would be good. You seem to have several.'
He wanted to remind himself that he was usually fine around women. Smooth even. He was intelligent, funny and could, on occasion, be charming. Just not now, with his blood pumping and his brain doing nothing more than shouting "it's her, it's her" over and over again.
Chemistry, he thought grimly. It could turn the smartest man into a drooling idiot. Here he was, proving the theory true. — Susan Mallery

Echo withdrew into her hair the moment she entwined her fingers with mine. I hadn't touched weed in over a week yet somehow i floated above the ground, my blood ran warm in my veins and i felt high-no, not high ... invicible. — Katie McGarry

If I've learned anything in my life, it's that there is no darkness so absolute that it cannot be dispelled by the faintest of light," she explained.
His face softened as his eyes touched her, and his boot slid forward. "My sweet Fairy." He exhaled on a painful breath. "You can't imagine darkness. You are the only light I've ever known."
His tender words didn't match his pitiless features, but Farah still found hope. "You must believe that my light is more powerful than your darkness. And so let me touch you, instead. And everywhere that my fingers touch your flesh, they will clear away the blood and filth that you see, and will leave behind the light I've always wanted to give to you. — Kerrigan Byrne

Calmly, deliberately, he moved his hands down to her breasts and molded his fingers over them. Jay inhaled sharply, and he said, "Easy, easy," as he stroked the soft mounds.
"Steve, no." But her eyes were closing as warm pleasure built in her, her blood beating slowly and powerfully through her veins. His thumbs rubbed over her nipples and she quivered, her breasts beginning to tighten.
"You're so soft." His voice roughened even more. "God, how I've wanted to touch you. Come here, sweetheart. — Linda Howard

Little brother, I don't mean to be a downer, but we're talking about War here. There's no way to mitigate damages. He won't let us. I was there with twenty-five Chthonians to fight him and he spanked our hides like we were Lemurian slave women. Two of us had our hearts ripped out and shoved down our throats while he laughed, then he licked the blood clean from his fingers and came at the rest of us. (Savitar) — Sherrilyn Kenyon

The man screamed, and screamed behind his mask, and the Bloody-Nine laughed, and twisted the blade. Logen might have pitied him, but Logen was far away and the Bloody-Nine had no more pity in him than the winter. Less even. He stabbed, and cut, and cut, and smiled, and the screams bubbled and died, and he let the corpse drop to the cold stones. His fingers were slick with blood and he wiped it on his clothes, on his arms, on his face - just as it should be. — Joe Abercrombie

I was standing outside myself trying to stop those hangings with ghost fingers ... I am a ghost wanting what every ghost wants-a body-after the Long Time moving through odorless alleys of space where no life is, only the colorless no smell of death ... Nobody can breath and smell it through pink convolutions of gristle laced with crystal snot, time shit and black blood filters of flesh. — William S. Burroughs

You mean that because I have no name I cannot die and that you cannot be held answerable for death even if you kill me?"
"That is about the size of it," said the Sergeant.
I felt so sad and so entirely disappointed that tears came into my eyes and a lump of incommunicable poignancy swelled tragically in my throat. I began to feel intensely every fragment of my equal humanity. The life that was bubbling at the end of my fingers was real and nearly painful in intensity and so was the beauty of my warm face and the loose humanity of my limbs and the racy health of my red rich blood. To leave it all without good reason and to smash the little empire into small fragments was a thing too pitiful even to refuse to think about. — Flann O'Brien

Cole stilled when his feral eyes found her, roaming every inch as though searching for a wound. The doorway framed him like a portal to purgatory, and he stood like an avenging archangel come to wreak a wrath no less than biblical. The swells of his powerful chest heaved against the white of his shirtsleeves now blotched and stained with blood. The blade on his prosthesis was extended past the motionless metal fingers, and blood dripped from it into a thick crimson puddle on the marble floor. — Kerrigan Byrne

He knew he was slipping. Blood was dripping down his arm, through his fingers. He'd faced death before, was no stranger to the sensation of knowing this breath, this one breath, could be the last you drew.
But he'd be damned if it would. Not when his woman was watching him with terrified eyes, calling to him, risking her life to save his. He set his teeth, gave his injured arm his weight. Pain swam sickly in his head, into his gut as he reached up to her.
And her hand gripped his, firm and strong. — J.D. Robb

My hips bristle with totems and talismans, proof that I am not simply a character in a fixed book or film. I am no single narrative. As neither Rebecca de Winter nor Jane Eyre, I am free to revise my story, to reinvent myself, my world, at any given moment. Advancing beside Archer, I am resplendent in my savage finery of seized power. In my service charge the collected blackguards of a dozen tyrants now dispatched to a lesser oblivion. My fingers, stained crimson with the blood of despots, are not the fingers which paged through the paper lives of helpless romantic heroines. No more am I a passive damsel who waits for circumstance to decide her fate; now have I become the scalawag, the swashbuckler, the Heathcliff of my dreams bent on rescuing myself. For now do I embody all the traits I had so hoped to find in Goran. Meaning: No longer am I limited. — Chuck Palahniuk

At first, the woman thought she had snagged her leg on a rock or a piece of floating wood. There was no initial pain, only one violent tug on her right leg. She reached down to touch her foot, treading water with her left leg to keep her head up, feeling in the blackness with her left hand. She could not find her foot. She reached higher on her leg, and then she was overcome by a rush of nausea and dizziness. Her groping fingers had found a nub of bone and tattered flesh. She knew that the warm, pulsing flow over her fingers in the chill water was her own blood. — Peter Benchley

You are either a pawn or a player. I am no one's tool. I am no one's pawn. I am a player. In the world of kill or be killed I'm a murderess. I will ripe out your throat with my bare hands and lick the blood from my fingers.-Lilith — Ashley Jeffery

Why me, Trav?"
I had a thing for you since the night of that first fight."
What?"
"It's true. You in that cardigan with blood all over you? You looked absolutely ridiculous,
"Thanks."
"It was when you looked up at me. That was the moment. You had this wide-eyeyed, innocent look ... no pretenses. You didn't look at me like I was Travis Maddox," "you looked at me like I was ... I don't know, a person I guess."
"News flash, Trav. You are a person."
No, before you came, Shepley was the only one that treated me like anyone else. You didn't get all awkward, or flirt, or run your fingers through your hair. You saw me."
"I was a complete bitch to you, Travis."
He kissed my neck. "That's what sealed the deal."
"I hope this gets old soon. I don't see myself ever getting tired of you."
"Promise?" he asked — Jamie McGuire

Crowds have one expression, cruel and fixed. You let yourself be trapped by a look. You let yourself be carried off and shut away in a place of silence. There your eyes may be ripped out, your tongue cut off, and your fingers hammered until the little bones splinter. The walls are splashed with thick clots of blood. Words are the worst kind of dog, they drag us along despite ourselves to somewhere we didn't want to go, they obsess us, they don't let us have a moment's rest, a moment's rest.

But before that? Before that is another place altogether. Memory blanks things out methodically. It has several floors, sealed off from one another and there is no passage joining them. One of them is hell. When you fall in, at the very instant you lose your footing, you forget everything, even what light is like. But once you are back in the world you retain only a faint memory of being shut up. It resonates like the dull echo of pain. — Marie Desplechin

Shocked and disconcerted, she pulled away. His hand fell from her arm. Breathing unevenly, she sat in a rigid, upright position and stared straight ahead. She could feel the blood rush to her cheeks.
His fiercely male presence filled the house, just as it had last night.
And he was no longer entirely indifferent to her.
"Now you have interested me," murmured Khalil.
"I have no idea what you are talking" - she could barely squeeze enough air out of her lungs to get the words out - "about."
He chuckled, and the husky sound was even more dangerous than that from the night before. It shivered along her exposed nerve endings with as much sensuality as if he had trailed his fingers along her bare skin. "I think I might like it when you lie," he said. "It makes my truthsense feel so superior. — Thea Harrison

Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an action
is through. That is all Plot ever should be. It is human desire let
run, running, and reaching a goal. It cannot be mechanical. It can
only be dynamic. So, stand aside, forget targets, let the characters, your fingers, body, blood, and heart do. — Ray Bradbury

Dizziness?"
"No."
"Nausea? Vomiting? Diarrhea?"
"No, no, and yuck," I said. "Dr. G, can I please be excused?"
"Not yet. How many fingers am I holding up?"
"Eleven."
"Amelie."
I scowled. ( ... ) "Sir, I'm fine. Just let me go to class. Please?"
Gunderman unhooked the blood pressure cuff from my arm and looked at me like I'd asked to borrow his credit card. "Young the lady, the fact you want to go to class gives me definite cause for concern. — Cecily White

Judd's fists were so tight, he was in danger of fracturing his own bones. He understood why Brenna had needed to talk to Dorian. He even understood that the leopard saw Brenna as a young sister, not a potential lover. None of that made any difference. Judd wanted to be the one she turned to when in need.
Ice picks of pain shoved through his skull, dissonance so vicious it nearly shut down his consciousness. The countdown was getting inexorably closer to the end. Uncurling his fingers with sheer force of will, he watched the blood rush back in. Last night had made it clear that he'd already crossed too many lines, broken too many rules. Soon, it would be too late to draw back.
"Thank you, Dorian."
No, he would not pull back. Brenna was his. His to pleasure. And his to comfort ... — Nalini Singh

Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned.
"Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please."
Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine.
The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing.
I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room. — Sarah J. Maas