Find Movie From Quotes & Sayings

I know why you picked that movie,' he told her. Annie smiled and said, 'It fits our life in a few ways, I guess.' Buster pointed at the screen, which was now blank. 'It shows you that you have to stay vigilant to find a missing person, even when people tell you not to, that it's possible to bring them back from the dead.' Annie shook her head. 'I picked it because it shows that after you bring someone back from the dead, you get to kill them yourself. — Kevin Wilson

What made a movie buff different from others was the amount of freakish details they chose to fill their heads with. The typical movie-goer remembered the big lines, the ones that you could find on the film's shirts and posters. Just a bunch of tag-lines used for promotion. A true movie buff memorized the odd ones that said more about the story's theme or characters. A true buff read up on the movie's history. — Kenya Wright

Every movie I make I find kind of excruciating. I get a lot back from it, but I feel like I'm kind of always working at the edge of my ability. I guess that's what I'm looking for when I go to work. I am trying to become the edge. — Michelle Williams

A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels. — Stephen King

It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated. — Neil Jordan

The sad truth is that, within the public sphere, within the collective consciousness of the general populace, most of the history of Indians in North America has been forgotten, and what we are left with is a series of historical artifacts and, more importantly, a series of entertainments. As a series of artifacts, Native history is somewhat akin to a fossil hunt in which we find a skull in Almo, Idaho, a thigh bone on the Montana plains, a tooth near the site of Powhatan's village in Virginia, and then, assuming that all the parts are from the same animal, we guess at the size and shape of the beast. As a series of entertainments, Native history is an imaginative cobbling together of fears and loathings, romances and reverences, facts and fantasies into a cycle of creative performances, in Technicolor and 3-D, with accompanying soft drinks, candy, and popcorn.
In the end, who really needs the whole of Native history when we can watch the movie? — Thomas King

I would say that it's mainly about the director. It's a hard quality to find, but I always know whether I want to do something or not. The character is important to me, as is getting to work with people that I feel like I can learn from and make a great movie with. — Alden Ehrenreich

My first experience of that was with my first movie which I did in India. And it was so different from other people. I find that "Oh my God." Every time the music is slow I feel that people are going to get up and go out. You get this nervousness. But, to my surprise, people starting singing the song even before it came in. They started singing along a week later, after release, which was very cool. — A.R. Rahman

Then again: from the critic's point of view, one of the truly wonderful things about the Star Wars universe is that the territory is so sprawling and borrows from so many sources that it's possible to find just about anything here, if you look hard enough. For example, the story of the original movie can also be summarized as, A restless young boy chafes at life on the dusty old family farm, until he meets a wizard and is swept away to a wondrous land where he meets some munchkins, a tin man, a cowardly lion and Harrison Ford as the scarecrow. — David Brin

I was a guy back in the Eighties who was one movie away from a huge career, which at that time didn't happen. In the Nineties, I worked a lot, but it was kind of, 'Get out there and dig and find things.' Then I guess 'The Rookie' and 'Far From Heaven' were referred to as my comeback. — Dennis Quaid

Visit Arcata, I really do recommend it. Play the nearly impossible to find original Pac Man at the cafe, explore the HSU campus, see a two-dollar movie, buy a tofu dog from the vendor in Town Square, sleep on the rooftops, and if they ask you what time it is, there's only one correct answer
'4:20'! — CrimethInc.

Many of us spend our early years in unconscious flight from our true purpose, only to run smack into it at last, like a fleeing movie heroine who backs around a corner - we know what comes next - and turns abruptly to find herself face to face with her nemesis, or, more often, her deliverance. — Carey Harrison

I can play songs that I hear from a movie and just play it a few times on the keyboard. I will hit all the notes on the keyboard until I find the right key, and then I will play the rest of the song. — Callan McAuliffe

I would love to do a Black Widow movie. That's perfect, I would love to do that. That character is really interesting: she doesn't have any superpowers; she just has extraordinary skills, and the world that she comes from, being this ex-K.G.B. assassin, I find that really fascinating, yeah. — Neil Marshall

You're the tattooed, chain-smoking, beer-guzzling, train wreck, son of the movie star who's marrying my family-values, ex Marine Senator father. You're a tabloid headline, standing right here in front of me!

Yeah? Well, you're the goody-goody, stuck up, boring-ass virgin who's so uptight she can't find anyone to punch her v-card except the manwhore from her school who will screw literally anyone. And then turns out to be the most boring fucking lay I've ever had. — Sabrina Paige

Why would you be my friend? What do you get out of it?"
I consider that question as I sip from the bottle of rum, sitting back down in my chair. "The truth?"
"Please."
"I'm bored," I admit. "I came to the city because of a movie, too. The Godfather. But reality? It's nothing like it is in the movies. Most days we just sit around, waiting for something to happen. It's monotonous. The world, it's all in black and white, but you? You're so many shades of red, woman, and color me curious, but I find myself not so bored with your bullshit around. — J.M. Darhower

The pageant movie I'm obsessed with is 'Miss Congeniality', hands down! I could quote everything from that movie. I love so many scenes, but I always find myself quoting the scene when Sandra Bullock goes, 'I really do just want world peace!' — Olivia Culpo

I think the biggest challenge was being aware of a certain audience that was going to see this film [lone survivor]. There's a big difference from a typical movie, journalists and critics and film goers that go see it find that, that's the general experience you have as a filmmaker. So that just kind of proves my point that there's a really different audience. — Peter Berg

Bread is one thing, a stone is another thing
In Africa they show me a stone and they say there is gold in it.
Gold means much money and buy lots of barrels of flour to bake bread
Now when am hungry i do not eat the stone i must have the bread.
So is this thing true of my soul.
When i find the bread of life 'Jesus'
i do not need anymore the things of the world
they are the stone i cannot eat
but i can eat the bread of life
and this i have for all of the time
This is what john said for Jesus... 'God is a spirit now, Jesus is god the son and this is the bread of life and we eat it and are filled'


From the movie: The Story of Samuel Morris: A Spirit-Filled Life — Samuel Morris

But audio is a component of video, so there's always been that anyway, and although we've never expressed a visual side apart from the Grateful Dead movie, I don't find it that remote, you know what I mean? It's a departure of sorts, but it's like a first cousin. — Jerry Garcia

I picked up my college copy of 'The Great Gatsby' in an attempt to recover from the movie and was interested to find out what I'd underlined. The answer was basically: everything. — Gail Collins

I can never find a movie I want to watch, even though I've got hundreds to choose from. — Rachel Nichols

People are most shocked and most in disbelief that I go to the office every day. I have a job. When I'm not acting on a movie, I go to work, first thing in the morning. I'm at work at 8 o'clock in the morning, and I get home from work at 7 o'clock at night. I treat my job like a job, and I work at it. I think people would probably be most surprised, if I ever calculated up the number of hours I work on an average week and published that. If it was ever documented, I think people would be shocked to find out. — Ashton Kutcher

What's on your mind, doc?" he asked as he flashed his ID at the staff duty sergeant.
"Just wondering why the driver didn't make conversation," she said after a moment, following him down the hallway and trying not to feel like she was rushing to keep up.
"We don't take warm showers together, if that's what you're asking."
Emily laughed quietly. "Was that a line from Heartbreak Ridge?"
"You didn't strike me as a war movie kind of girl." Reza stopped short, studying her. "Are you honestly telling me you've watched that movie?"
Heat crept up her neck. "Before I signed up for the army, I needed to know what I was getting myself in for. I watched every war movie I could find."
Reza simply stared at her, his dark eyes glittering. She was sure he was laughing at her. "You know those were Marines in Heartbreak Ridge, right?"
"Of course."
He cracked the barest grin. She supposed it was better than yelling at her, so there was that. — Jessica Scott

The HR department is like the soldiers in the movie 300, holding the line. They have no power to say 'yes' but enormous power to say 'no.' Their job is to prevent you from moving forward. Find a way to vault past them by getting introductions to people who can say 'yes. — Reid Hoffman

Taking chances is my job; some will connect and some won't, and certain films find their audiences in different ways. I think 'Spotlight' probably is a better movie because of 'The Cobbler.' You learn with every movie you make: you learn from your mistakes, and you learn from your achievements, and I really do have that approach to filmmaking. — Tom McCarthy

Hollywood is the kind of town that likes to make everything larger than life: movie premieres, aging actress' lips, and murders. Actors come from all over the world to find their sliver of fame on the street of L.A. Many stars rise, but many more fall. — Rob Manuel

Great men speak secrets about themselves with nods and gestures, walking away from jokes about women rather than condemn the jokester; if with a woman, the turning of their head during a nude scene in a movie speaking volumes about their character without ever saying a word. It is a language foreign to women, but those that take the time to learn it find themselves knowing more about their man than by any other means. — Lee Goff

But before, not so long ago - my own rose from prom still OK on the mirror, dried but not a corpse - you were just Ed Slaterton, jocky hero, handsome in the student newspaper and star of a million strands of gossip. Now Annette was a person to me, standing right there, and not just an oh-my-God-have-you-heard, and I tried to put it together in my head, the print and the negative, the boyfriend and the celebrity shadow, like Theodora Sire sat next to me in history, borrowing pencils, but was still a movie star above my bed. Because as you came out of the dark to me, you were the boy I was kissing and wanted to kiss more, back to find me at a party like anybody might do, but you were Ed Slaterton too, and not the cad you are now, but just Ed Slaterton, co-captain, with a beer in your hand and Jillian Beach on your arm. — Daniel Handler

Let us say in the pocket of one of my old coats I find a movie ticket from many years ago. Once I see the ticket, not only do I remember that I saw this movie, but also scenes from this movie, which I think I have entirely forgotten, come back to me. Objects have this power, and I like it. — Orhan Pamuk

Even from a really young age I was a huge movie buff - five, six, seven, eight. Just loved movies, but in a more in-depth way than most kids that loved movies at that time. I'd find a filmmaker or something and want to see all his movies. — Danny Strong

When I see an old movie, like from the '40s or '50s or '60s, the people look so calm. They don't have smartphones, they're not looking at computer screens, they're taking their time. They'll sit in a chair and just stare off into space. I think some day we'll find our way back to that garden of Eden. — Rudy Rucker

The specific influences on villains to me is, I love the villains who are really hyper-smart. When at the end of the movie you find out what they were about, and it makes absolutely perfect sense from their point of view. — John Lasseter

Why would everyone - in both the movie business and the audience - want to avoid the label "marriage"? Marriage was presumably everybody's business. People were either born into one, born outside of one, living in one, living outside of one, trying to woo someone into one, divorced from one, trying to get divorced from one, reading about one, dreaming about one, or just observing one from afar. For most people, it would be the central event - the biggest decision - of their lives. Marriage was the poor man's trip to Paris and the shopgirl's final goal. At the very least, it was a common touchstone. Unlike a fantasy film or a sci-fi adventure, a marriage story didn't have to be explained or defined. Unlike a western or a gangster plot, it didn't have to find a connection to bring a jolt of emotional recognition to an audience. Marriage was out there, free to be used and presented to people who knew what the deal was. — Jeanine Basinger

She considered him further and decided he could definitely pass for a pirate. No, she thought, correcting herself. More like a sea captain, a younger version of the captain from that old movie where the pretty woman rents an old sea captain's house only to find the place haunted by the sea captain himself.
She let out a heavy breath. Man, she loved that movie. — Madison Thorne Grey

Every now and then we find ourselves living through moments that make no sense at all. It's almost as if some omnipotent film editor has snipped us out of our familiar everyday movie and spliced us into something completely random, from a different time and genre and even from a foreign country and partially animated, because suddenly you look around you and the language is unknown and nothing that happens has any relationship to what you think of as reality. This — Jeff Lindsay

I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along. — George Martin

The movie, (X-Men: Days of Future Past), illustrates a spiritual journey that involves going back in time. The Purpose of the journey is to find the core grievance and let it be healed. When the grievance is healed in Forgiveness, all future scenarios of conflict and destruction are also healed. It is not that they have been prevented in time; it is that we have come to the realization that there was no time in which they could have existed. In the Happy Dream, everything is resolved. It becomes harmonious and then disappears.
Wolverine is the agent strong enough to go back through time and ignite the mission of forgiveness. We can think of ourselves this way as well. We can imagine that our future self, or our higher Self, is orchestrating this whole thing for our awakening. We are just perceiving it in time, where we perceive ourselves to be. There is great love and compassion coming from the higher Self, the future self. — David Hoffmeister

Well, I know a guy, he's from far far away
He's a songwriter, he got something to say
He says, "People in this city are too busy to hang out
This town's so spread out, no one would hear you if you shout"
Everyone's got a script to sell and someplace else they want to be
There's always a lock that would open if you could just find the key"
(It Ain't Easy Being Green) — Shannon McNally