Final Scene Quotes & Sayings

Edward and I had not had a last grand scene of farewell, nor did I plan one. To speak the word was to make it final. It would be the same as typing the words The End on the last page of a manuscript. So we did not say our goodbyes, and we stayed very close to each other, always touching. Whatever end found us, it would not find us separated. — Stephenie Meyer

I did a production of Macbeth in the 1960s in which I had a swordfight in the final scene. But the blade fell off my sword just as I was stabbing the guy. I ended up having to hammer him to death. — Alan Dale

After my final Breaking Dawn scene, I felt like I could shoot up into the night sky and every pore of my body would shoot light. I felt lighter than I've ever felt in my life. — Kristen Stewart

PLAINVILLE WAS A QUAINT picturesque town. Northern California's version of Andy Griffith's Mayberry. Bucolic enough to provide cinematic contrast for any low-budget stalk-and-slash film. Juxtaposition played just as important a role in still photography as it did in cinematography. Maybe that's why Natalie Jones had picked Plainville for her final descent into darkness. The climactic scene in a comedic tragedy. Cast of one. Audience of one. Curtain closed. — Virna DePaul

The submissive will make it through to that final scene, for the word of God will lead the man and woman of Christ "in a straight and narrow course across that everlasting gulf of misery ... and land their souls ... at the right hand of God in the kingdom, to sit down with Abraham, and Isaac, and with Jacob, and with all our holy fathers" (Helaman 3:30) "who have been ever since the world began ... to go no more out." — Neal A. Maxwell

'The Names' is planned as a nine-part series. I have a kind of road map: I know the final scene of episode nine. But as to exactly how we get there, what detours or horrible accidents we might have to pass through, I like to keep that a little fluid. — Peter Milligan

Soon it began to drizzle for the second time that night. The drops grew heavier and became visible in the headlights of the cars. It was said by some of the police on the scene that God was crying for the girl in the garden. To others, it was only rain. (final lines) — George Pelecanos

Facing the sagging middle when writing a novel, while inevitable, may be
overcome by pre-planning. I divide my collection of proposed scenes into three acts, each scene inciting tension that builds toward the final crisis in Act Three. If by Act Two the emotional river isn't spilling over the banks, I reassess the plot so that once the writing is flowing I don't slide into a dry creek. The central character should be struggling to navigate life well into the end of Act One, even if her fiercest antagonist is only from within. — Patricia Hickman

The reality of the final moment, just before shooting [the scene], is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film. — Stanley Kubrick

And in fact, Soviet films, which flooded the cinemas of all Communist countries in that cruelest of times, were saturated with incredible innocence and chastity. The greatest conflict tat could occur between two Russians was a lovers' misunderstanding: he thought she no longer loved him; she thought he no longer loved her. But in the final scene they would fall into each others' arms, tears of happiness trickling down their cheeks. — Milan Kundera

There are always a few bored audience members at an opera, especially by the time act four comes along. Those particular eyes would be wandering around the hall, searching for something, anything, interesting to watch. Those eyes would land on the little demon downstage right, unless they were distracted.
Right on cue, a large stage lamp broke free of its clamp in the rigging and swung on its cable into the back canvas. [ ... ]
On his way though the lobby minutes later, Artemis was highly amuse to overhear several audience members gushing over the unorthodox direction of the opera's final scene. The exploding lamp, muse one buff, was doubtless a metaphor for Norma's own falling star. But no, argued a second. The lamp was obviously a modernistic interpretation of the burning stake that Norma was about to face.
Or perhaps, thought Artemis as he pushed through the crowd to find a light Sicilian mist falling on his forehead, the exploding lamp was simply an exploding lamp. — Eoin Colfer

In books and movies whenever someone dies there is always an underlying subtext, some kind of grand cosmic lesson to be gleaned from the experience. Popular culture perpetuates the fallacy that whenever someone or something is taken away, someone or something else is always out there waiting in the wings to take its place by the last turn of the page or that final post-credits scene. The reader closes the book with a satisfied smile, the audience leaves the theater filled to the brim with warm fuzzy feelings. But that's entertainment for you, and the world would be a far less wonderful place without their happy endings. However, in the real world what once was, no longer is, and survivors are more often than not left with no other choice but to move on, cosmic lessons learned or not. — Kingfisher Pink

In the final scene of Power, the Supreme Court justices appear as a striking abstraction: Nine scowling masks line up in a row on top of a giant podium. Chief Justice Charles Evans Hughes speaks the majority opinion: 'Water power, the right to convert it into electric energy, and the electric energy thus produced constitute property belonging to the United States. — Susan Quinn

But alas, the most terrifying aspect of the whole fascist episode is the dark fact that most of its poisons are generated not by evil men or evil peoples, but by quite ordinary men in search of an answer to the baffling problems that beset every society. Nothing could have been further from the minds of most of them than the final brutish and obscene result. The gangster comes upon the stage only when the scene has been made ready for him by his blundering precursors. — John T. Flynn

In the love scene's final shot, Johnny gets out of bed and walks bare-assed to the bathroom. Tommy thought long and hard about his decision to show his ass. "I need to do it," he told me. "I have to show my ass or this movie won't sell. — Greg Sestero

The tickling narrative, unlike the sexual narrative, has no climax.
Is the tickling scene, at its most reassuring, not a unique representation of desire and, at its most unsettling, a paradigm of the perverse contract?
Does it not highlight, this delightful game, the impossibility of satisfaction and of reunion, with its continual reenactment of the irresistible attraction and the inevitable repulsion of the object, in which the final satisfaction is frustration? — Adam Phillips

I do an opening, and then I go up to the high balcony in the back and watch the bulk of the play, but then I have to leave my seat about seven to 10 minutes before the end of that final big scene ... and it's a bummer. — Will Oldham

Then, there on the screen I saw Montgomery Clift and Elizabeth Taylor. An American Tragedy, a film I'd seen at least twice, not that it was all that great, but still it was very good, especially the final scene, which was unreeling at this particular moment: Clift and Taylor standing together, separated by the bars of a prison cell, a death cell, for Clift is only hours away from execution. Clift, already a poetic ghost inside his grey death-clothes, and Taylor, nineteen and ravishing, sublimely fresh as lilac after rain. — Truman Capote

No fair maiden should die alone" he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?"
She snatched her hand back. 'How about the story of the idiotic prince who won't leave the assassin alone?"
"Oh! I love that story! It has such a happy ending too- why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely- it's worth reading through all of their ceaseless banter! — Sarah J. Maas

Captain Ahab was a man possessed with an obsessional drive to pursue the white whale which had harmed him - which had torn his leg out - to the ends of the Earth, no matter what happened. In the final scene of the novel, Captain Ahab is being borne out to sea, wrapped around the white whale with the rope of his own harpoon and going obviously to his death. It was a scene of almost suicidal finality. — Edward Said

The pyromaniacs of the Third Reich were now playing their final scene on the stage of the world: they who had set the world aflame were now perishing in their own fires. — Miklos Nyiszli

The chief reason warfare is still with us is neither a secret death-wish of the human species, nor an irrepressible instinct of aggression, nor, finally and more plausibly, the serious economic and social dangers inherent in disarmament, but the simple fact that no substitute for this final arbiter in international affairs has yet appeared on the political scene. — Hannah Arendt

At a quarter to twelve on that Friday, Patty Jefferson died. In the final moments, Jefferson's sister Martha Carr had to help the grieving husband from his wife's bedside.13 He was, his daughter recalled, "in a state of insensibility" when Mrs. Carr "with great difficulty, got him into the library, where he fainted" - and not for a brief moment. Jefferson "remained so long insensible that they feared he would never revive." When he did come to, he was incoherent with grief, and perhaps surrendered to rage. There is a hint that he lost all control in the calamity of Patty's death. According to his daughter Patsy, "The scene that followed I did not witness" - presumably "the scene" unfolded in the library when he revived - "but the violence of his emotion, when, almost by stealth, I entered his room by night, to this day I dare not describe to myself."14 (Patsy was writing half a century later.) A — Jon Meacham

Do you dislike your role in the story, your place in the shadow? What complaints do you have that the hobbits could not have heaved at Tolkien? You have been born into a narrative, you have been given freedom. Act, and act well until you reach your final scene. — N.D. Wilson

That was a very different emotion and I felt Dido's words would be good and I had a template with my voice in it. Then, when he heard it, he wanted both our voices together in it and that's the scene when he sees the boy and then he gets charged to go on that final cutting effort. — A.R. Rahman

Another form of bargaining, which many people do, and she did too, is to replay the final painful moments over and over in her head as if by doing so she could eventually create a different outcome.
It is natural to replay in your mind the details. Deep in your heart you know what is true. Your mouth speaks the words, "My cat has died," but you still don't really want to believe it. You go over and over and over it in your mind. Your heart replays the scene for you for the express purpose of teaching you to accept what has happened. While your heart tries to "rewire" your mind to accept it, your mind keeps looking for a different answer. It doesn't like the truth. Like anything else, when you hear it enough, you finally accept that it is true. — Kate McGahan

I think I realized very early on that you can spend a lot of time constructing a really perfect scene in final draft and just end up throwing it away because you didn't figure out that mathematics of the story first. — Brit Marling

A great discipline comes with knowing that everyone's very focused. I've never shot a scene thinking, I wonder if this will make it. Every scene I shoot, I know that it's going to make it into the final cut. — Jeremy Bolt

I could be accused of glamourising crime, the favorite question on all journalists' lips whenever they ask about anyone writing about such things. The answer to that must be an emphatic 'Yes'. We've come to expect our icons of the criminal world to be larger than life, better than anyone else at foiling the final capture scene. We all love a good thriller .... — Stephen Richards

I now realize what Dorothy means in the final scene from The Wizard of Oz, when she says that if you have to look beyond your front door for your heart's desire, perhapsit was never there to begin with. Maybe, like Dorothy, I should embrace the love right in front of me and not search for some elusive dream that never mattered in the first place. — Jodee Blanco

Do you know who W.H. Auden was, Mr. Iscariot? W.H. Auden was a poet who once said, "God may reduce you on Judgement Day to tears of shame reciting by heart the poems you would have written had your life been good" ... She was my poem, Mr. Iscariot. Her and the kids. But mostly her. You cashed in for silver, Mr. Iscariot. But me? Me ... I threw away gold. That's a fact. That's a natural fact. — Stephen Adly Guirgis

I became aware of applause. It seemed natural. I had been living in the world of romantic comedy and this was the final scene. But it was real. The entire University Club dining room had been watching. I decided to complete the story according to tradition and kissed Rosie. — Graeme Simsion

It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to do my best to get right. — Ian McDiarmid

Once a person has taken their life, in the inner realms, the suicide will repeat automatically the feelings of despair and fear which preceded his self murder, and go through the act and the death struggle time after time with ghastly persistence ... They remain conscious - often entangled in the final scene of the earth life for a very long time, unaware that they have lost the physical body. — Annie Besant

Ever see a skinny guy on a cold day? You know they tremble like Chihuahuas. Then you see a fat guy in a tank top - nine degrees, he's sweatin'. Look at 'Titanic,' remember the boat goes into the icy cold waters? Little skinny Leonardo: dead. Final scene, Kathy Bates on a rowboat, coat open, eating a hotdog. — Greg Fitzsimmons

It might be, too - doubtless it was so, although she hid the secret from herself, and grew pale whenever it struggled out of her heart, like a serpent from its hole - it might be that another feeling kept her within the scene and pathway that had been so fatal. There dwelt, there trode, the feet of one with whom she deemed herself connected in a union that, unrecognised on earth, would bring them together before the bar of final judgment, and make that their marriage-altar, for a joint futurity of endless retribution. — Nathaniel Hawthorne