Film History Quotes & Sayings

If everyone knows so much about it, why do they need to make a documentary? — Brigid Pasulka

I think in that context, when a generation of kids is that ignorant of their recent history, it does a good job of showing what the Pistols were standing for. It's current and it's in the air, partly because I think nothing contemporary is as extreme or as strongly stated as what The Sex Pistols were able to do in their time, in the '70s. I think the reason to [make the film] is that their ideas are still alive: the defense of the right to be an individual, and questioning everything you read, and questioning all the information that's bombarded increasingly at you. — Julien Temple

What made a movie buff different from others was the amount of freakish details they chose to fill their heads with. The typical movie-goer remembered the big lines, the ones that you could find on the film's shirts and posters. Just a bunch of tag-lines used for promotion. A true movie buff memorized the odd ones that said more about the story's theme or characters. A true buff read up on the movie's history. — Kenya Wright

And eventually in that house where everyone, even the fugitive hiding in the cellar from his faceless enemies, finds his tongue cleaving dryly to the roof of his mouth, where even the sons of the house have to go into the cornfield with the rickshaw boy to joke about whores and compare the length of their members and whisper furtively about dreams of being film directors (Hanif's dream, which horrifies his dream-invading mother, who believes the cinema to be an extension of the brothel business), where life has been transmuted into grotesquery by the irruption into it of history, eventually in the murkiness of the underworld he cannot help himself, he finds his eyes straying upwards, up along delicate sandals and baggy pajamas and past loose kurta and above the dupatta, the cloth of modesty, until eyes meet eyes, and then — Salman Rushdie

China's official State Administration of Radio, Film, and Television issued a warning and denunciation of time travel in 2011, concerned that such stories interfere with history - "casually — James Gleick

If "piracy means using the creative property of others without their permission- if "if value, then right" is true- then the history of the content industry is a history of piracy. Every important sector of "big media" today- film, records, radio, and cable TV-was born of a kind of piracy so defined. The consistent story is how last generation's pirates join this generation's country club-until now. — Lawrence Lessig

Every film takes on its own life. I find it very interesting to show an audience some part of history that maybe they don't know. — Graham King

Television and film are our libraries now. Our history books. — David Strathairn

Even the most outspoken of the critics must admit that long before we had print and film media to "spread the word," mankind was engaged in all forms of cruel and despicable behavior. To attribute war, killing, and violence to film, TV, and role-play games is to fly in the face of thousands of years of recorded history. — Gary Gygax

We're growing up with a very illiterate bunch of children who have somehow been taught that film is fact when, in fact, it's invention. Hopefully, an historical film will inspire people to go and read about the history but in the end it is a work of fiction and selection. As for the armour itself, no it wasn't particularly comfortable. — Cate Blanchett

Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history. — Ishmael Reed

I am a curious creature and put my finger in as many cakes as I can: history, film, technology, etc. I'm also a freak for urban history, particularly Barcelona, Paris and New York. I know more weird stuff about 19th-century Manhattan than is probably healthy. — Carlos Ruiz Zafon

As the final decade of the millennium dawned, there would be no greater expression of the cultural, economic, and social revolutions to come than fashion. What rock 'n' roll was to the '50s, drugs to the '60s, film to the '70s, and modern art to the '80s, fashion was to the '90s: the fuse, then the filter. — Maureen Callahan

The tragedy of film history is that it is fabricated, falsified, by the very people who make film history. — Louise Brooks

I had become a kind of information magpie, gathering to myself all manner of shiny scraps of fact and hokum and books and art-history and politics and music and film, and developing, too, a certain skill in manipulating and arranging these pitiful shards so that they glittered and caught the light. Fool's gold, or priceless nuggets mined from my singular childhood's rich bohemian seam? I leave it to others to decide. — Salman Rushdie

Some stories, some visions, demand celluloid film and what it can deliver. — Kodak Eastman

History opens up new worlds to film-makers all the time. — Steven Spielberg

Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. — Don DeLillo

It also happens that I don't actually teach about the stuff I make things about. I'm not a film history teacher. In that way, it's also a release. But the ideas that I talk about in the movie are the same I talk about in school. — Thom Andersen

To be honest, the core reason why I became an actor was that I didn't want to go to school. That's where it started. I hated opening my history books and my English books, but then, of course, you grow older. I went to film school in New York, and that's when you really realize that you have to grow up now. It's not child's play anymore. — Ranbir Kapoor

Nobody's ever made a film in the history of cinema where they weren't expecting some return on their dough. — Johnny Depp

Racism and prejudice exist there [at the National Film Board] like anywhere else. My history at the Board has not been easy. It's been a long walk. — Alanis Obomsawin

All art becomes history as soon as it is made, so it is inevitably part of a tradition. It doesn't matter a toss if it is in paint or in film; it is all art. — Gary Hume

Harrison Ford was pretty content as a carpenter who thought it would be nice to work on TV and ended up being the biggest film star in the history of cinema. — Dirk Benedict

I think whatever art form you're in, whether TV, film or theater, you should know the history of who came before you and how the art form has changed or not changed and to learn from the greats. — Kevin Chamberlin

I collect old first and second World War artifacts and things. I'm a little secret history nerd. I've been lucky enough to do quite a few war movies too so I've taken little things off each film. — Jeremy Irvine

History is contemporary. Your understanding of history confirms what you think of the present. It's not neutral. I would be very surprised if people with a different view of the present, don't take issue with my view of the past. I just hope that people deal with the content of the film. — Ken Loach

The practical value of history is to throw the film of the past through the material projector of the present on to the screen of the future. — B.H. Liddell Hart

Movie SF is, by definition, dumbed down - there have only been three or four SF movies in the history of film that aspire to the complexity of literary SF. — Dan Simmons

There are so many great actors, but I really have a lot of respect for Johnny Depp. I've seen a lot of movies with him in it and, even if it's a film that wasn't as successful as you thought it would be, I've never seen him put in a bad performance. My favorite actors from history have to be Steve McQueen and James Dean. — Ed Speleers

A stage adaptation of The Giver has been performed in cities and towns across the USA for years. More recently an opera has been composed and performed. And soon there will be a film. Does The Giver have the same effect when it is presented in a different way: It's hard to know. A book, to me is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does. There is no fellow ticket-holder in the next seat. The important thing is that another medium
stage, film, music
doesn't obliterate a book. The movie is here now, on a big screen, with stars and costumes and a score. But the book hasn't gone away. It has simply grown up, grown larger, and begun to glisten in a new way. — Lois Lowry

I think I'm the only actor in the history of film who got to slap Sam Jackson on the face and butt and lived to tell about it. — Eugene Levy

I have not seen a film as powerful, surreal, and frightening in at least a decade unprecedented in the history of cinema. — Werner Herzog

Nations need to constantly reaffirm their historical roots to maintain their political ideals. Motion pictures were one of the media used by nations to accommplish this task. The question one must ask is: Did the colonial films made faithfully represent the period in our nation's history? — John P. Harty Jr.

In New York, I get people coming up to me because 'The History Boys' was such a hit on Broadway, and they show the film all the time on cable over there, so people recognise you. — Samuel Barnett

I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form. — George Hickenlooper

Explosive Pandemic-type zombies mostly spread the contagion through wounding or biting humans, and in that way, the increase their numbers. Because they multiply so quickly and explosively, they can destroy all human civilization in a very short time. For this reason, will refer to them as Explosive Pandemic-type zombies.

The person responsible for Explosive Pandemic-type zombies is none other than George A Romero, who created them in 1968 Night of the Living Dead. — Sakazaki Freddie

I am a Scorpio, and playing the seductress appeals to me. There are a lot of women throughout film history, like Marlene Dietrich or Mae West - those are the women I was always attracted to. The bad girls. — Chloe Sevigny

I wonder if we are seeing a return to the object in the science-based museum. Since any visitor can go to a film like Jurassic Park and see dinosaurs reawakened more graphically than any museum could emulate, maybe a museum should be the place to have an encounter with the bony truth. Maybe some children have overdosed on simulations on their computers at home and just want to see something solid
a fact of life. — Richard Fortey

Many people think making a film about history ... about war ... about the Holocaust, it might be heavy, dramatic and traumatic. I don't see things like that ... you can find irony everywhere. It's how I look at life. — Arnon Goldfinger

It's a required part of your film history to know who Woody is. His movies are so wonderful, and not just funny but so insightful about human behavior. — Scarlett Johansson

I went to the University of Toronto to study the history and theory of film, in the back of my mind thinking I'd go to NYU film school and see if I could make a career of it. — Tom Rachman

My happiness is being able to present my talents for people to see, and I feel like I'm an ambassador of Thai history and Thai culture on film so that people can see Muay Thai. — Tony Jaa

I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing. — Pete Doherty

Popular films are so powerful and compelling that it's often easier to accept their versions of history than the much more complicated true stories. — Melissa Harris-Perry

The secret to the movie business, or any business, is to get a good education in a subject besides film - whether it's history, psychology, economics, or architecture - so you have something to make a movie about. All the skill in the world isn't going to help you unless you have something to say. — George Lucas

Film is the only language I speak, and I have been lucky to be involved in some great stories. You don't want to preach to people, but you want them to think about why things are the way they are, the history that is there as well as the possibilities. — Clark Johnson

I don't try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers. Many filmmakers have made resurgent work, and I was just a little ahead of the time. — Agnes Varda

'How to Survive a Plague' is history-telling at its best. It's a film I'll show my two children, now toddlers, when they are old enough to understand. It's a movie that I cannot forget. — Ira Sachs

Jerry Bruckheimer really is an executive producer, who obviously is the most successful producer in the history of film and television. — Dylan McDermott

Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human. — Nguyen Qui Duc

America today remembers its history through visual imagery. Film, print, and electronic media are very capital intensive, which means that most Americans are consumers, not producers, of the images through which they remember. — Jerry Lembcke

I find that I always also manage to incorporate a simultaneous reflection on cinema history into my films. — Jenni Olson

As I think about anyone or anything
whether history or literature or my father or political organizations or a poem or a film
as I seek to evaluate the potentiality, the life-supportive commitment and possibilities of anyone or any thing, the decisive question is always where is the love? — June Jordan

Music makes me alive in a way that nothing quite does. Good art, good film, good books, good dance. Exhibitions, history. Nature makes me feel alive. Georgia in the rain - that makes me feel alive. Compassion makes me feel alive. Hard fought victories for social rights. — Emily Saliers

I got expelled from high school, and then did my exams from home. I decided, through that experience, that I was going to expediate my plan and didn't go to university. Instead, I went to a community college and studied the theory and history of film with the idea that I wanted to write and direct. — Charlie Hunnam

Ever since ROME, OPEN CITY, I have maintained a conscious, determined endeavor to try to understand the world in which I live, in a spirit of humility and respect for the facts and for history. What as the meaning of ROME, OPEN CITY? We were emerging from the tragedy of the war. We had all taken part in it, for we were all its victims. I sought only to picture the essence of things. I had absolutely no interest in telling a romanticized tale along the usual lives of film drama. The actual facts were each more dramatic than any screen cliche. — Roberto Rossellini

In the middle of Beaches there's a scene from the "Laverne & Shirley" TV show so they see some history of my work in each film. — Garry Marshall

I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances. — Barbara Kruger

The fact that you couldn't see Alfred Hitchcock's first film The Mountain Eagle, or that you couldn't see so many of F.W. Murnau's masterpieces, or that you couldn't see so many of Oscar Micheaux's really intriguing race melodramas, made with fierce independent spirit against all odds in '20s and '30s America. That stuff haunted me. They really did bring to life a sense of 20th Century history: cultural history, pop history, gender politics and race politics, socio economic history, all that stuff. It was bracing and instructive. — Guy Maddin

The dominant problem of pictorial art since the nineteen-fifties is photography, and, by extension, film and video. The basilisk eye of the camera has withered the pride of handworked mediums. Painting survives on a case-by-case basis, its successes amounting to special exemptions from a verdict of history. — Peter Schjeldahl

Time is weird. That much is obvious. Sometimes I think everything happens at once, which is anything but obvious and even weirder. I feel sorry for people who brag about 'living in the moment'; they're like people who come into the cinema after the film has started or people who drink Diet Coke - they're missing out on the best part. I think time is like the dial on a radio. Most people like to settle on a station with a clear signal and no interference. But that doesn't mean you can't listen to two or even three stations at the same time; it doesn't mean synchrony is impossible. Until quite recently, people believed it was impossible for a universe to fit inside two atoms, but it fits. Why dismiss the idea that on time's radio you can listen to the entire history of humanity simultaneously? — Marcelo Figueras

I'm a sponge for historical images of black people and black history on film. — Kara Walker

Al Gore has a hit movie called 'An Inconvenient Truth.' I have an inconvenient truth for him: you're still not the president ... This past weekend, Al Gore's movie, 'An Inconvenient Truth,' earned more per screen than any film in the country ... I dare say Gore's movie is the highest grossing PowerPoint presentation in history ... Global warming: Can we live with it? ... It is time we did something, namely resign ourselves to doing nothing [on screen: Follow Congress' Lead] ... For instance, when sea levels rise, we'll just build levees [on screen: Worked for New Orleans] — Stephen Colbert

A vital film that needed to be made at this point in history and has been made magnificently. — James Cromwell

The colonial films of the golden age of Hollywood were a clear proclamation of the Consensus historians' interpretation of the facts. These motion pictures encouraged audiences to believe that our nation could overcome all obstacles to its growth and defend itself against any future foreign aggression. — John P. Harty Jr.

Mark responds to Peter's accusation with an uncharacteristically abrupt burst of anger and tries to throw Peter off the roof. Then Mark immediately apologizes to Peter for trying to kill him, and Peter lets it slide. It's probably the most swiftly forgiven attempted murder in the history of film. — Greg Sestero

You know, this is such a rich time that we've just been involved in, and there's really a job now for historians. Film is still very young. This is the first hundred years of filmmaking. So I think it's important that we have some sense of history and continuity. Especially in film. — Dennis Hopper

We exaggerate the difference between documentary and fiction. I think that on some level a fiction film is also a documentary on the actors. You can't wash away your life's history, which is written on your face, unless you get a facelift. — Pirjo Honkasalo

I am a fan of movies and there is something about watching film that is burned into celluloid for all time that is now a piece of history. You go watch, being a fan of classic films and my children and their children are going to be watching these movies. — Edward Zwick

'Lincoln' is a powerful film. It's one of those epic films that talk about this very specific issue in history of the United States. — Demian Bichir

I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures. — Zoe Kazan

Throughout history in the theater and film people do like sarcastic characters, and they do like curmudgeons - if they're amusing, they do like them despite the fact that they're vitriolic, particularly if they're for the right thing. If you can see that the person is a decent person and is for the right thing, and is not just a nasty person with base motives, but someone who is a decent human but expresses himself. — Woody Allen

The greatest films ever made in our history were cut on film, and I'm tenaciously hanging on to the process. I just love going into an editing room and smelling the photochemistry and seeing my editor wearing mini-strands of film around his neck. — Steven Spielberg

Film is the manipulative medium par excellence. When you think back on the history of film and the 20th century, you see the propaganda that's been made. So there are moral demands on the director to treat the spectators as seriously as he or she takes himself and not to see them merely as victims that can be manipulated to whatever ends they have. — Michael Haneke

The first time I played a killer, in the 1997 film 'Mojo,' I went to my local video shop and got out a video of real executions and a history of the Third Reich. The guy in the shop was giving me a look. I thought this would help, but I don't think it made any difference, and I don't want to see any more executions. — Aidan Gillen

There's going to be no more digital enhancements or digital additions to anything based on any film I direct. I'm not going to do any corrections digitally to even wires that show ... If 1941 comes on Blu-ray I'm not going to go back and take the wires out because the Blu-ray will bring the wires out that are guiding the airplane down Hollywood Blvd. At this point right now I think letting movies exist in the era, with all the flaws and all of the flourishes, is a wonderful way to mark time and mark history. — Steven Spielberg

To me film school was film history because there weren't a lot of books out there that I had access to. — Alfonso Gomez-Rejon

When you see the films of certain young directors, you get the impression that film history begins for them around 1980. — Jacques Rivette

And Twin Peaks, the Film is the craziest film in the history of cinema. I have no idea what happened, I have no idea what I saw, all I know is that I left the theater floating six feet above the ground. — Jacques Rivette

Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will. — Dario Argento

I thought I was okay in my first film, and then I was really, really bad in some films. I really cringe when I see some of my scenes. There's a scene in one film where a dog is biting me; the expressions I have made should be qualified as the most over-acted scene in the history of the cinema. The dog's expressions were more real than mine. — Shahid Kapoor

I did the David Cronenberg film, A History of Violence, with Viggo Mortensen and I played a real sociopath. For the next seven years, I played the psycho-of-the-week. — Greg Bryk

There are [in Hollywood] some endemic problems and some things that happen over and over again. There's the problem of representation of basically anybody but white men. These are things that we talk about a lot in contemporary culture, and it's interesting to me to go look at film history from the perspective of today. — Karina Longworth

My grandfather was Jacques Cousteau, a pioneer of ocean exploration and the co-inventor of scuba diving. Back in the 1940s when he tested out his invention which allowed humans to swim freely in the ocean with a portable air source for the first time in history, very little of the ocean had been explored let alone captured on film. — Philippe Cousteau Jr.

Cinema is a mixed form. L'Avventura has characters, it has social context, and these things are not trivial. Its plot is the disappearance of a disappearance. Possibly the most frightening plot imaginable. Forgetting the dead, whom all of history tells us we must remember. But what makes movies themselves, rather than novels or plays, is something else. What is it if not the film medium itself? The purity of the visual, which lies in the silence of the stilled image. The freeze frame. The deeply, deeply silent image. Like death. The image in itself in its silent purity reaches
it reaches!
for the purity of death. — Frank Lentricchia

This is history written in lightning. — Woodrow Wilson

Without that discovery of the "moving photo," the world today would not be what it is: the new technology has become, primo, the principal agent of stupidity (incomparably more powerful than the bad literature of old: advertisements, television series); and secundo, the agent of worldwide indiscretion (cameras secretly filming political adversaries in compromising situations, immortalizing the pain of a half-naked woman laid out on a stretcher after a street bombing). It is true that film as art does also exist, but its significance is far more limited than that of film as technology, and its history is certainly shorter than that of any other art. — Milan Kundera

Film photography will always be superior to digital - because no matter how many lasers and instant buttons and HD pixels you've got, a human being can take a photograph with much more integrity and meaning than one a built-in robot took. — Rebecca McNutt

I just lucked into this weird, little obscure cameoesque film career. I just love being a part of film history. — Flea

I was born in Rome on March 11, 1923. Because of my age, I've become a piece of this country's history, but it's also true that a certain strand of Italy's film history has passed though me. — Giovanna Cau

Oftentimes she wondered what had happened to super 8. Sure, it made perfect sense that nobody wanted the hassle of spending money on a three-minute cartridge of film and threading it through a projector, but though digital cameras were convenient and cheap, Mandy didn't care. Super 8 had integrity, it wasn't just nostalgia, it was art, it was history, it was a little recording medium that somehow possessed the power to evoke lost memories, to turn back time, and there was something dazzling about waiting excitedly for a reel of film to come back in its yellow and red Kodak envelope, eating buttered popcorn while the projector paraded life's best moments, and capturing something beautiful in only three minutes. — Rebecca McNutt

I think the whole DVD craze has provided opportunities for material that, for those interested in it, explains the whole history and background in getting a film made, which is great. — Steven Bauer

The only genre of movie that I could see making that doesn't have anything magical or otherworldly about it would be a war film. I'm very interested in history, and a war film could be something that would lure me in. — Neill Blomkamp

You give your film away to the audience once it's done. I never look at my films after the premier. The film needs to start its own history. — Pirjo Honkasalo

Elizabeth Taylor is, in my opinion, the greatest actress in film history. She instinctively understands the camera and its nonverbal intimacies. Opening her violet eyes, she takes us into the liquid realm of emotion, which she inhabits by Pisces intuition. Richard Burton said that Taylor showed him how to act for the camera. Economy and understatement are essential. At her best, Elizabeth Taylor simply is. An electric, erotic charge vibrates the space between her face and the lens. It is an extra-sensory, pagan phenomenon. — Camille Paglia

Telluride has an incredible history and reputation, and I've long known of it as a unique entity that makes a place for writers - one more aspect of this exceptional film festival in the Colorado Alps. — Rachel Kushner

To be in something as iconic as a Dracula film, and to be playing Jessica van Helsing, who would have been Dracula's choice for a bride, through history and beyond the grave, was a thrill. — Joanna Lumley

I went back to Dallas for a little while to finish my short film 'Rusty Forkblade.' It was not the instant success I thought it was going to be. There's a false narrative that if you make a short film right after senior year, you'll be plucked out to make a feature length film, and the rest is history. I didn't do that. — Evan Daugherty

We [Americans] have a historical trauma when it comes to the past relationships when it comes to Native Americans and the history of how America was created. With this film, it's nice to see that the trauma is presented from a white male that was in the Civil War and that trauma affects him in a way that still exists. — Adam Beach