Film Distribution Quotes & Sayings
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Top Film Distribution Quotes

I'm very lucky to have worked in the '70s. It's a different industry and distribution is in a state of flux. It's all different platforms, they're doing this video-on-demand thing and also playing the film theatrically. It's funny to me: In the States it's an arthouse movie. — John Landis

Movie distribution may very well have migrated fully to digital form by then, making a huge dent in the need to print film and physically distribute content. — Vint Cerf

When the small independent film, which depends on its artistic appeal rather than wide commercial distribution by an MPAA member, is now denied access, the playing field becomes unfair and uneven. — Norman Jewison

The number of theatres that regularly played art films (defined as foreign language films and English language films produced abroad without American financing) increased from around one hundred in 1950 to close to 700 by the 1960s. Foreign film distribution in the United States was originally handled by dozens of small independent outfits, but when Brigitte Bardot's And God Created...Woman broke box-office records in 1956, Hollywood took over. In search of foreign pictures with commercial ingredients, the majors absorbed the most talented foreign film-makers with offers of total financing and promises of distribution in the lucrative US market. — Tino Balio

Contrastingly to the new model of distribution, we shot Hand of God using the traditional format of film. I myself use very few apps and tend not to engage in social media. I do use Instagram under my production company's name, but that's it. — Marc Forster

All my films have found distribution and prestige in the Japanese market, so I actually feel my films are very well received and seldom misunderstood. — Linda Hoaglund

We are hopefully seeking some kind of distribution - but that's the ultimate goal of any independent film-maker. We are sold-out, from what I was told yesterday. We're going to try to put together another screening because I know there's a lot Jersey Boys fans that are coming. I don't know when, why or how, but we definitely want the opportunity for everyone to see this. — J. Robert Spencer

The studios basically, besides developing some material, their strength is distribution. Distribution in any other business is a cost that you incur. You know, in a trucking business, you eat it. In a film business, distribution is a profit center. — Michael Douglas

I believe that the internet as an open platform for distribution could be a great chance for the diversity of film production. — Agnieszka Holland

If you look at film, distribution is pre-bought. If you've paid for the distribution, you say, 'I have to make sure it's a film that gets enough butts in the seats.' I think that's the problem: It becomes prohibitively expensive, and you can't develop films for a smaller amount of money. — Shane Smith

But the audience is right. They're always, always right. You hear directors complain that the advertising was lousy, the distribution is no good, the date was wrong to open the film. I don't believe that. The audience is never wrong. Never. — William Friedkin

When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film. — Roger Corman

Because audiences all over the world can see an independent film almost anywhere and anytime, these new distribution outlets have opened a door that is revolutionizing the movie-going experience. — Gren Wells

The biggest problem in countries that don't have a tradition in animation or a film industry, is that precisely, that it's not an industrial activity as it is in Hollywood where there are clear production procedures. Because of this we all become snipers making our films any way we can and crossing our fingers to get distribution so people can see them. — Raul Garcia

After film school, I embarked on trying to promote independent films. But after a while, I realized I was breaking my back doing six-day-a-week shoots, 14-hour days, and no guarantee of distribution. — Devin Ratray

Most of the female-directed films, if they got distribution, would have fewer dollars to support the film and play in fewer theaters than the men. Because the female-directed films go to smaller companies. So the gap starts widening. — Catherine Hardwicke

I realised what a powerful position you are in if you own the rights to your film because then you control the distribution and I ended up getting 25 million viewers for McLibel and that's what it's all about for me. — Franny Armstrong

I would tell filmmakers: 'Don't just be seduced by the same old, same old. There are interesting things you can explore that may get your film out there to audiences better than the traditional distribution mechanisms.' — Alex Gibney

I think distribution has become a lot harder. With the whole explosion of digital video, there's just a lot more people making films. Distributors have a lot more choice. I do think there's an audience out there for small films. It's obvious to me what the studios do: they've co-opted independent film. They all have their independent arm. They can afford to crush the competition. — Steve Buscemi

Securing distribution is always a battle. And to get a film released is a pretty special accomplishment. — Matthew Bonifacio

I went to the top of the mountain in television and could do anything I wanted, but I wanted to do an independent film, which results in you paying your own way, fighting like hell to get distribution, and maybe 30 people will see it. That was a good idea. — Joel Surnow

There will always be big companies making big movies. But making film and distribution is changing in front of our eyes. I'm not sure what the future holds for this industry. — Clint Howard

I didn't have anything to do with selecting IFC. I don't have anything to do with distribution, or business, or marketing, but think it's a good choice by Graham, and perfect for London Boulevard. It gets the picture straight into a dialog with the public, and it doesn't set the sights too high. They're very hip at IFC, and they get the film. The cineplex hasn't done film any favors as an art form. — William Monahan

Making a film, I've learned, can be an exhausting process, due to the need for backing, distribution, etc. — Anne Rice