Quotes & Sayings About Film Adaptation

Director Gary Ross has created an adaptation that is faithful in both narrative and theme, but he's also brought a rich and powerful vision of Panem, its brutality and excesses, to the film as well. His world building's fantastic, whether it be the Seam or the Capitol. — Suzanne Collins

I'm going to do an adaptation of the Italian film, Bread and Tulips. I really like that film. — Norman Jewison

'To Kill a Mockingbird' appeared to highly favorable reviews and quickly climbed to the top of bestseller lists, where it remained for more than eighty weeks. In 1961, the novel was awarded the Pulitzer Prize. A film adaptation was released in 1962, starring Gregory Peck, and received three Academy Awards. — Charles J. Shields

People see a Macbeth film. They imagine they have seen Macbeth, and don't want to see it again; so when your Mr. Hackett or somebody comes round to act the play, he finds the house empty. That is what has happened to dozens of good plays whose authors have allowed them to be filmed. It shall not happen to mine if I can help it. — George Bernard Shaw

It's a lovely adaptation that honors Lois Lowry's vision and authority ... the film ... illuminates and explores the beauty, danger and pain of our free, creative lives. Plenty to talk about in families and other communities. Go see it. — Mitali Perkins

But this month is all about CITY OF JASMINE which I hope you already have in your hot little hands. My favorite review snippet? KIRKUS REVIEWS said it's "part screwball comedy".
I can't tell you how much time I spent with Carole Lombard and William Powell and Irene Dunne when I was writing it. I adore the 30s comedies for their light-hearted take on relationships and adventure - and the glamorous settings and occasional dash of intrigue only heighten the magic. (Did you know that Nicholas Brisbane from my Lady Julia series was named for THE THIN MAN's Nick Charles? And apologies to Dashiell Hammett, but I fell in love with the film long before I read the book and appreciated how much it had been lightened in the adaptation!) So when you're reading CITY OF JASMINE, give some thought to who you'd like to see playing Evie and Gabriel - I'd love to hear who you'd cast in your own production. — Deanna Raybourn

I could never be a part of an adaptation of a film where there's pressure to not disappoint the immense fan base. In those cases, they often wind up with filmed books on tape, quite uncinematic. Having said that, I'd say all the adaptations I've done are quite faithful to the original. You have to pick and choose which storylines and plot threads, because you don't have the time to kill in the film as they have in novels. All those pages with detours and plots and different storylines. But films add a lot, and you gotta keep it moving. — Alexander Payne

In 1916, Universal Studios released the first filmed adaptation of Jules Verne's novel '20,000 Leagues Under the Sea.' Georges Melies made a film by that name in 1907, but, unlike his earlier adaptations of Verne, Melies' version bears no resemblance to the book. — Kage Baker

Baz [Luhrmann] paid me one of the greatest compliments ever. I don't know him, really, but when I first met him I was congratulating him on ROMEO + JULIET - which I think is a wonderful adaptation - and he said, "Oh, well we couldn't have done it without your RICHARD III, which was an inspiration!" I've never quite checked up on the dates to see whether or if, in fact, we did our film before he did his. — Ian McKellen

When I was twelve, my sixth-grade English class went on a field trip to see Franco Zeffirelli's film adaptation of Shakespeare's Romeo and Juliet. From that moment forward I dreamed that someday I'd meet my own Juliet. I'd marry her and I would love her with the same passion and intensity as Romeo. The fact
that their marriage lasted fewer than three days before they both were dead
didn't seem to affect my fantasy. Even if they had lived, I don't think their
relationship could have survived. Let's face it, being that emotionally aflame, sexually charged, and transcendentally eloquent every single second can really start to grate on a person's nerves. However, if I could find someone to love just a fraction of the way that Montague loved his Capulet, then marrying her would be worth it. — Annabelle Gurwitch

'How do you balance the creative with the biblical?' One could pick up the scripture and read it to oneself and you would be communing directly with that information. As soon as you go into film, as soon as there's a camera, and there's an angle, and there's lighting, and there's editing, you're into the adaptation. — Joseph Fiennes

A stage adaptation of The Giver has been performed in cities and towns across the USA for years. More recently an opera has been composed and performed. And soon there will be a film. Does The Giver have the same effect when it is presented in a different way: It's hard to know. A book, to me is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does. There is no fellow ticket-holder in the next seat. The important thing is that another medium
stage, film, music
doesn't obliterate a book. The movie is here now, on a big screen, with stars and costumes and a score. But the book hasn't gone away. It has simply grown up, grown larger, and begun to glisten in a new way. — Lois Lowry

Up until then, whenever anyone had mentioned the possibility of making a film adaptation, my answer had always been, 'No, I'm not interested.' I believe that each reader creates his own film inside his head, gives faces to the characters, constructs every scene, hears the voices, smells the smells. And that is why, whenever a reader goes to see a film based on a novel that he likes, he leaves feeling disappointed, saying: 'the book is so much better than the film. — Paulo Coelho

So getting that balance between what is honoring scripture and the Word and also acknowledging the fact that by the virtue of putting it on film there's going to be a variation and adaptation, I mean, it's a fine dance and a balance. Our producers and directors have worked so hard to get that right and I'm really proud. I think it's a pretty good job. — Joseph Fiennes

I felt I should also contrast Visconti's treatment of the novella - usually damned by Mann fans (who typically respect Britten's more "faithful" adaptation). The Visconti film does many quite wonderful things, although there are good reasons for the condemnation. — Philip Kitcher

Any adaptation - and I've done three in my career. I did 'Sweeney Todd' and 'Hugo' and 'Coriolanus.' It's important to find what makes it a movie as opposed to just a film presentation of a stage play. — John Logan

The things I have sold to film, I've sold because I was happy to rent out the right to adapt those works. Some things, I haven't sold to film, because I was less interested in having no control over the adaptation. — Warren Ellis

On the rare occasions on which a movie was shown, there was as much suspense in the audience over whether the electricity would hold out to the end of the film as there was in the film itself. — Robert A. Caro

If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think. — Marjane Satrapi

My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point. — Alan Moore

Interestingly, I never thought I'd do an adaptation. I've also been quite against them. I think trying to translate one medium to another is wrong. I never really felt that books fitted into film. Generally people are disappointed, aren't they? — Andrea Arnold