Fictional Characters On Writing Quotes & Sayings

It was like discovering that some part of you wasn't yours at all. And it made me wonder what else I couldn't claim. — Sarah Dessen

Look seeker, if you love a character, you give them pain, ruin their lives, make them suffer. Maybe even throw in a heroic death! — Varric Tethras

We may not be worthy to be forgiven, but He is worthy to forgive us. — J.D. Greear

Amanda herself couldn't understand why her writing was so different from her own personality. Her pen seemed to take on a life of its own when she sat before a sheaf of blank parchment paper. She wrote about characters unlike any people she had ever known... sometimes violent, brutal, always passionate; some who came to ruin and some who even triumphed in spite of their own lack of morality. Since she had no actual pattern on which to base these fictional characters, Amanda realized that their feelings, their passions, could only have come from inside herself. — Lisa Kleypas

I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go. — Ann Brashares

Is the writer cruel that makes his characters suffer only to bring them to triumph or tragedy in the end? — Johnny Rich

As a historian, I found myself all too often treating my historical subjects like fictional characters, malleable entities that could be made to do one thing or another, whose motivations could be speculated upon endlessly, and whose missing actions could be reconstructed and approximated based on assessments of prior and later behaviors. It was one of the hazards with working a fragmentary source base. You had little scraps, like puzzle pieces, and you could put them together as best you could. But no matter how faithful you tried to be to the historical record, there would always be that element of guesswork, of imagination, of (if we're being totally honest) fiction. — Lauren Willig

I take writing very seriously. There's a lot of responsibility in putting blood in the veins of fictional characters. — Brooklyn Hudson

The twenty-first chapter gives the novel the quality of genuine fiction, an art founded on the principle that human beings change. There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of the field of the novel and into that of the fable or the allegory. — Anthony Burgess

The world is a stage we walk upon. We are all in a way fictional characters who write ourselves with our beliefs. — Louis Theroux

When you're in love you're living, you matter. — Rita Hayworth

The proverb, "Where there's a will.." sums it up for a writer who had just started in his writing life; for himself, the fictional characters and the audience of his works. It's a trinity of perspectives; one of his struggle, another of the story character which he writes about and the last one of the reader's expectation of his protagonists. — Lucas Michael

Fictions are realities we don't think of, that are happening to people we know nothing about. — Sanhita Baruah

For four days straights, I sit at my typewriter in my bedroom. Twenty of my typed pages, full of slashes and red-circled edits, become thirty-one in thick Strathmore white. — Kathryn Stockett

Plenty of people were writing novels; in fact, if one did a survey in the street, half of Edinburgh was writing a novel, and this meant that there really weren't enough characters to go round. Unless, of course, one wrote about people who were themselves writing novels. And what would the novels that these fictional characters were writing be about? Well, they would be novels about people writing novels. — Alexander McCall Smith

Some very eminent critics writing in the decades immediately after the novel's publication felt that Eliot failed to maintain sufficient critical distance in her depiction of Ladislaw
that she fell in love with her own creation in a way that shows a lack of artistic control and is even unseemly, like a hoary movie director whose lens lingers too long on the young flesh of a favored actress. Lord David Cecil calls Ladislaw 'a schoolgirl's dream, and a vulgar one at that,' while Leslie Stephen complained 'Ladislaw is almost obtrusively a favorite with his creator,' and depreciated him as 'an amiable Bohemian. — Rebecca Mead

There's power in stories, though. That's all history is: the best tales. The ones that last. Might as well be mine. — Varric Tethras

Distinctive facial features of a parent are poor people's paternity test. — Mokokoma Mokhonoana

A good novel, one which entices the author as much as it beckons the reader. — W.J. Raymond

I know how you love endings, so I will write one for you. — Michelle Hodkin

Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off. — John Banville

[W]hen I put Jorge in the library I did not yet know he was the murderer. He acted on his own, so to speak. And it must not be thought that this is an 'idealistic' position, as if I were saying that the characters have an autonomous life and the author, in a kind of trance, makes them behave as they themselves direct him. That kind of nonsense belongs in term papers. The fact is that the characters are obliged to act according to the laws of the world in which they live. In other words, the narrator is the prisoner of his own premises. — Umberto Eco

Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history. — Edward Rutherfurd

A writer often wants to change a reader's perception about the world, which is a political act. But we have to work through character, so helping the reader to feel close to fictional characters is the gate through which we have to usher the reader. — Caryl Phillips

The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue. — Wallace Stegner

And yet, for a writer of fiction, part of the heart remains that of a stranger, for what we are trying to do is to understand those others who are our fictional characters, somehow to gain entrance to their minds and feelings, to respect them for themselves as human individuals, and to portray them as truly as we can. The whole process of fiction is a mysterious one, and a writer, however experienced, remains in some ways a perpetual amateur, or perhaps a perpetual traveller, an explorer of those inner territories, those strange lands of the heart and spirit. — Margaret Laurence

I went to Colby College in Waterville, ME and did picture it when I was writing 'Cum Laude.' So many of the physical details were included, like the loop where people jogged. The story of the chapel is also borrowed from Colby ... but the students and cast of characters are fictional. — Cecily Von Ziegesar

If I wasn't Bob Dylan, I'd probably think that Bob Dylan has a lot of answers myself. — Bob Dylan

Star Wars was a total piece of shit that had spawned billions of dollars in merchandise and sequels and books and games and pajama bottoms. It was an infinite reservoir, it was an endless void. It was responsible for a cornucopia of made up words like Jedi, the Force and lightsaber.

A lightsaber was a sword made of light. A sword was a weapon used to murder people.

A Jedi was a knight who believed in an idea of relative good and performed supernatural feats using the Force. A Jedi used supernatural feats and his lightsaber to murder people with opposing ideas of relative good.

The Force was an ill-explained mystical energy which ran throughout the fictional universe of Star Wars. It was a device which allowed characters to perform supernatural feats whenever a lull was created by poor writing in the screenplay.

As might be imagined, the Force was used with great frequency. — Jarett Kobek

Just because we're fictional characters doesn't mean you can pick us up and move us anywhere you want.
the people of Lake Woebegon — Garrison Keillor

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

I'm a blank canvas that I can paint however I desire. For the first time ever, I get to be the character in my own fantasy land. — E.K. Blair

The characters tell their story - I am merely the tool used to record it — Marti Melville

Why bother with fictional characters and plots when the world was full of more marvelous stories that were true, with characters so fresh, so powerful, so new, that they stepped from into the narratives under their own power? — Doris Kearns Goodwin