Fictional Book Quotes & Sayings

12/18/89 Calvin asks Hobbes if he'll help him write a book. Calvin says this book will be like historical fiction. He's writing a fictional autobiography. He tells Hobbes it's the story of his life with a lot of parts completely made up. Hobbes asks why he'd want to make up his whole life. Calvin replies that in his book, he has a flame thrower. — Steve Kurtz

I mentioned early in this book the kind of rereading distinctive of a fan
the Tolkien addict, say, or the devotee of Jane Austen or Trollope or the Harry Potter books. The return to such books is often motivated by a desire to dwell for a time in a self-contained fictional universe, with its own boundaries and its own rules. (It is a moot question whether Austen and Trollope's first readers were drawn to their novels for these reasons, but their readers today often are.) Such rereading is not purely a matter of escapism, even though that is one reason for its attraction: we should note that it's not what readers are escaping from but that they are escaping into that counts most. Most of us do not find fictional worlds appealing because we find our own lives despicable, though censorious people often make that assumption. Auden once wrote that "there must always be ... escape-art, for man needs escape as he needs food and deep sleep." The sleeper does not disdain consciousness. — Alan Jacobs

Truth and Truthfulness is an ambitious work, and its journeys into history give it a breadth unusual in these days of increased academic specialization ... William's book combines real history and fictional constructs to tell a revealing story that makes us reconsider the meaning of familiar concepts. — Julian Baggini

I spent much of my prison time reading. I must have read over 200 large books, mostly fictional stories about the American pioneers, the Vikings, Mafia, etc. As long as I was engrossed in a book, I was not in prison. Reading was my escape. — Frazier Glenn Miller

You just like the idea of me. You like the person I present myself under circumstances that I can control. I choose what I say and how I say things. It's like being attracted to a fictional character in a book. They are scripted and made up. If you think about it, through writings, we all script and make ourselves up. I don't share the person I become when I am upset. I don't show you how I look like when I sleep. I don't tell you about all the times I've made someone cry. All the guilty things I've done and the bad thoughts I've had. — Jiawei Han

Read (or listen to on CD) Atlas Shrugged by Ayn Rand This book is a fictional cautionary tale of what would happen if the most ambitious, innovative thinkers were no longer rewarded for using their minds to help advance society. — Steve Siebold

Stanley forced a smile to his lips at the memory of the onesided romance; it was silly, after all, a stupid childhood crush. Who'd fall in love with a fictional character? That was the kind of thing you laughed about as an adult. Or at least Harriet had thought so. He couldn't quite do it, though. Couldn't quite see it as a joke. It had felt too real, too raw and wild and fierce, for him to
dismiss it even now. It was love, of a sort, stunted and unformed as it was. For a time, it had kept him sane. — Amelia Mangan

I think the character of Superman may be the greatest fictional creation of modern times, and working on the book is for me a sacred trust. I'm just doing my best not to disappoint! — Chris Roberson

I opened the book to the title page, which said the book was "A Fictional Memoir." I had no idea what this meant, except that maybe it was one of the ways that Exley was crazy: maybe when he called his book a fictional memoir, it meant that he couldn't make up his mind, which is one of the things people really mean when they call someone crazy. — Brock Clarke

You taste injustice, even if it's fictional, really taste it,it has a way of doing that. Sometimes, you can never put the shoe on the other foot. We can't go back in time and know what it was like to be a black person then. Even today, when things are supposed to be so much better, not one of you can understand what it's like to be black, to live with the knowledge of what happened to your ancestry and still face injustice. But that book makes us taste it and, reading it, we know how bitter that taste is and we know we don't like it. But that bitter wakes you up, and when you wake up, you open your mind to things in this world, you make yourself think. Then you'll decide you don't like the taste of injustice, not for you and not for anyone, and you'll understand that even though all the battles can't be won, that doesn't mean you won't fight. — Kristen Ashley

A publisher sent him a galley of a novel by a writer he had barely heard of, one that impressed him deeply and seemed to embody all the literary qualities he had called for in his "fictional Futures" essay. The book was Franzen's The Twenty-Seventh City. Set in St. Louis, it mixed postmodernism and traditional storytelling and showed a familiarity its chosen city that Wallace could only marvel it. it decanted a Pynchonesque conspiracy in media-mediated language; it was about word AND the world, realism for an era when there was no real. — D.T. Max

Libraries are sanctuaries from the world and command centers onto it: here in the quiet rooms are the lives of Crazy Horse and Aung San Suu Kyi, the Hundred Years' War and the Opium Wars and the Dirty War, the ideas of Simone Weil and Lao-Tzu, information on building your sailboat or dissolving your marriage, fictional worlds and books to equip the reader to reenter the real world. They are, ideally, places where nothing happens and where everything that has happened is stored up to be remembered and relived, the place where the world is folded up into boxes of paper. Every book is a door that opens onto another world, which might be the magic that all those children's books were alluding to, and a library is a Milky Way of worlds. — Rebecca Solnit

All the characters in my book are fictional, but every single one of them was inspired by someone I knew and loved who didn't make it out. I wanted to bring them back to life and so, I wrote a book about them. — Sanela Ramic Jurich

This summer-sweet night is only one minute upon one minute upon another
Beautiful cacophony, sugar upon lips, dancing to exhaustion
I thought of you, before this minute upon another minute upon another
Until, numb, my lips fell onto the mouth of another, and I was undone.

~from Golden Tongue: The Poems of Steven Slaughter which is a fictional book in
Ballad: A gathering of faerie — Maggie Stiefvater

I tended to give a book a chance and another chance and another, sometimes seeing it all the way to the end, still hoping for for it turn out different. Maybe I was confused about what you owed a book. What you owed people, for that matter, real or fictional. — Deb Caletti

She needed a break from me. Well, real ones anyway. Fictional men were fine: they knew their place. You could just pick up a book, flick through to the right page, take your fill of your favorite hero and then return them to the shelf. Job done. — Victoria Connelly

I read the paper every day. There are certain subjects that will catch my attention. I have an entire file of articles. Of course I make up the story, especially since most criminals are not very smart and fictional crime must be clever. I have to make sure the story I am telling is interesting and realistic. In this book I went on line and found out the manners of codes. I thought it interesting to use them as a jumping off point. — Sue Grafton

I think TV is a medium where you can be entertained, you can be informed, you can relax and you can escape whenever you want. There's no other media, exception for fictional books, where you can do that. But additional to books you also have the picture, it's not only the text and that's the reason why, in terms of getting to the heart of the people, getting to the emotions of people, TV is the ideal media to get them. There is no other media who can do that. — Gerhard Zeiler

There is a long-standing trend of documented trend of UFO appearances and these appearances have led to a fascinating worldwide yet still unsolved enigma. 'Disclosure: The Future is Now' takes a close non-fictional look at the history of UFO sightings and related areas such as alien abductions.and alleged government conspiracies. Disclosure is also a science fiction story of how events in the future may return to affect the Earth at the present time. 'Release From Stasis' is a fictional sequel to the first book's story. — Graham Clingbine

If people ever look down upon you for crying for fictional characters, you should give them a gentle, pitying look and feel bad for them. If they've never cried for a fictional character, then they've never loved one (and what a joy that is). If they've never cried at a book, a movie, a piece of music, then they've missed one of the great pleasures life has to offer. Just because fiction does not contain things that are real doesn't mean it doesn't contain truth, and we find it through the alchemy of our tears. — Cassandra Clare

One soul at a time, one book at a time, the goal of changing racist actions and behavior as described in my book, FAMILY SECRETS: A JOURNEY OF GOD AND EVIL. — Fran White

Before starting work on this book, we had to ask ourselves a question what is science fiction? Seemingly simple, but in reality the answer was hard to formulate. This is the definition we settled upon:
Science fiction is a member of a group of fictional genres whose narrative drive depends upon events, technologies, societies, etc. that are impossible, unreal, or that are depicted as occurring at some time in the future, the past or in a world of secondary creation. These attributes vary widely in terms of actuality, likelihood, possibility and in the intent with which they are employed by the creator. The fundamental difference between science fiction and the other "fantastical genres" of fantasy and horror is this: the basis for the fiction is one of rationality. The sciences this rationality generates can be speculative, largely erroneous, or even impossible, but explanations are, nevertheless, generated through a materialistic worldview. The supernatural is not invoked. — Stephen Baxter

There are a number of things that I'm trying to get into the books. There's a meta-fictional aspect, if I may use that pretentious word, to writing anything. You're writing in the shadow of all the people that have gone before and, in a way, you're having a dialogue with them. As someone who's read J.R. Tolkien and Robert E. Howard and all the great fantasists before, this is almost my answer to them. — George R R Martin

Like the moon, the novel is a symbol and a necessary reality. Ideally it serves neither gods nor masters. Philosopher's stone, it sublimates, precipitates, and quickens. House of Keys, it opens all our darkest doors. May the Pol Pot Persons of all genders and denominations take heed: to create a fictional world with rigor and passion, to imagine a character of any sex, place, time, or color and make it palpitate and quiver, to catapult it into the deepest forests of our most luminous reveries, is to commit an act of empathy. To write a novel of the imagination is a gesture of tenderness; to enter the body of a book is a fearless act and generous. — Rikki Ducornet

Tonight, I want to curl up with a good book and visit my fictional boyfriends. Now let me tell you, my list is long. I am the equivalent to Hugh Hefner, but instead of bunnies I have this ever-growing list of male characters that have stolen my heart. I — Kat T. Masen

...the experience of reading a novel has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives, long after we have laid the book asie. It is an exercise of make-believe that, like yoga or a religious festival, breaks down barriers of space and time and extends our sympathies, so that we are able to empathise with others lives and sorrows. It teaches compassion, the ability to 'feel with' others. And, like mythology, an important novel is transformative. If we allow it to do so, it can change us forever. — Karen Armstrong

One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out. — Nick Earls

I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it? — George R R Martin

She felt like a fictional character who'd escaped the book in which her creator had carefully and kindly trapped her, taken a pair of scissors to her outline and leaped, free ... — Kate Morton

I've written about domestic violence in my book, Lola Rose and it's a great relief to know that terrified children like Jayni, my fictional heroine can use the special website and find support and comfort. — Jacqueline Wilson

I'm always depressed when a book ends, because those are my friends for however long the book takes to write. Since I spend so many hours with these fictional people, I sometimes see them more than my real friends. And then they're gone, and we'll never be together like that again. — Seanan McGuire

although we move forward through a story, the entire story is already complete - we hold it in our hands. In this sense, fiction, the great life-giver, also kills, not just because people often die in novels and stories but, more important, because, even if they don't die, they have already happened. Fictional form is always a kind of death, in the way that Blanchot described actual life. "Was. We say he is, then suddenly he was, this terrible was." That is the narrator of Thomas Bernhard's novel "The Loser," describing his friend Wertheimer, who has committed suicide. But it might also describe the tense in which we encounter most fictional lives: we say, "She was," not "She is." He left the house, she rubbed her neck, she put down her book and went to sleep. — James Wood

Yet the experience of reading a novel has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives, long after we have laid the book aside. — Karen Armstrong

That's one of the most bewitching things about romance for me, as a reader and writer. Romances harbor hope for the reader. They create a direct emotional experience of certainty and potential to bridge the dark moments and help lead us into the light. No small wonder that romance is the source of all fictional genres and that romance continues to outsell every other form of human literary output. Hope is a magical thing, hard-won and easily snuffed. Anyone can point out ways for us to stay disappointed, compromised, and anxious, but opening anyone's eyes to possibilities helps them dream harder and reach further. Any book that can do that deserves a place on my shelves. — Damon Suede

Once I had opened a book and read its pages, those characters could never be taken away from me. Even if the books were burned, they would still live on in my mind. — Jennifer Wilson

One of the proud joys of the man of letters
if that man of letters is an artist is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world's memory. — Edmond De Goncourt

So. If this was some normal fictional young-adult book, this is the part of the story where after the film, the entire high school would rise to their feet and applaud, and Earl and I would find True Acceptance and begin to Truly Believe in Ourselves and Rachel would somehow miraculously make a recovery, or maybe she would die but we would Always Have Her to Thank for Making Us Discover Our Inner Talent, and Madison would become my girlfriend and I would get to nuzzle her boobs like an affectionate panda cub whenever I wanted.
That is why fiction sucks. None of that happened. Instead, pretty much everything happened that I was afraid of, except worse. — Jesse Andrews

I think the Bible is largely an amazing and beautiful book of fictional stories from which we can glean the most wholesome lessons about how to treat one another decently. — Nick Offerman

I research the role, and if it's a literary character, I read the book, and if it's an historical figure, I research documents and biographies. If it's a fictional character, I work off the script. — Luke Evans

I shake my head. "Not my kind of scene. I'd rather be home with my book boyfriend."
"I'll never get what you book sluts get out of a fictional man ... " He shakes his head.
"Boys in books are better. — Danielle Torella

All the characters in this book are fictional, but they are as real to me as the members of my own family. I had to tell their story because they could not. — Maral Boyadjian