Fiction Themes Quotes & Sayings

Recent global challenges suggest the themes in "The RISING SEDITION" foreshadow fiction becoming reality!! RT — Richard Trevae

I think that one of the compelling themes of fiction is this confrontation between good and evil. — William Styron

There are certain themes of which the interest is all-absorbing, but which are too entirely horrible for the purposes of legitimate fiction. — Edgar Allan Poe

Southern writing is regional: it includes dialect, settings, and cultural traditions from that region. However the themes and story conflicts are universal. My challenge is to write regional fiction without falling into the trap of nostalgia. There are important issues facing the south that I believe should be raised in the stories to make them contemporary, believable, and relevant to today's readers. — Mary Alice Monroe

If you write fiction you are, in a sense, corrupted. There's a tremendous corruptibility for the fiction writer because you're dealing mainly with sex and violence. These remain the basic themes, they're the basic themes of Shakespeare whether you like it or not. — Anthony Burgess

In The Hunger Games, there's something for everyone.
A gripping adventure.
A political commentary.
A love story.
A cautionary tale.
Some call it science fiction, some call it potential reality.
Some say it's for teenagers, some say it's for adults.
The book--and now the film--captures themes and concerns that seem timely.
But its real strength, in the end, is that it's timeless. It speaks to us today, and it will speak--even more powerfully--tomorrow. — Kate Egan

I really am just trying to tell stories. But stories are often grounded in larger events and themes. They don't have to be - there's a big literature of trailer-park, kitchen-table fiction that's just about goings-on in the lives of ordinary people - but my own tastes run toward stories that in addition to being good stories are set against a backdrop that is interesting to read and learn about. — Neal Stephenson

It is defeat that turns bone to flint, gristle to muscle, and makes men invincible. — Henry Ward Beecher

When I write what publishers call 'fantasy' I am writing in what I think is the most important tradition of fiction: starting with Homer and up through Shakespeare and Milton, the most important themes to tackle are those of the mythopoeic domain, tales of the body and mind seen through a temperament and a cosmos divorced from current reality so what is said can be more clear. — Janet Morris

Sci-fi is often a metaphor. I think it's more the themes and questions that science fiction raises rather than the exact predictions that should guide us. — Peter Singer

Unable to explore setting, conflict, characters or themes in their fiction, the mainstreamers wrote more and more eloquently about nothing at all. — Dave Wolverton

To me, the best, if not the only function of imaginative writing, is to lead the human imagination outward, to take it into the vast external cosmos, and away from all that introversion and introspection, that morbidly exaggerated prying into one's own vitals - and the vitals of others - which Robinson Jeffers has so aptly symbolized as "incest." What we need is less "human interest," in the narrow sense of the term - not more. Physiological - and even psychological analysis - can be largely left to the writers of scientific monographs on such themes. Fiction, as I see it, is not the place for that sort of grubbing. — Clark Ashton Smith

I saw a documentary on the Naadam festival that happens in Mongolia during the summer. One of the features of it is a horse race across the plains that all the young men enter - some as young as 12 years old. It's such a spectacular sight. It's incredible to think that this is a tradition that has been going on for centuries. — Caitriona Balfe

Gay life is this object out there that's waiting to be written about. A lot of people think we've exhausted all the themes of gay fiction, but we've just barely touched on them. — Edmund White

The certainty of those with whom we disagree - whether the disagreement concerns who should run the country or who should run the dishwasher - never looks justified to us, and frequently looks odious. As often as not, we regard it as a sign of excessive emotional attachment to an idea, or an indicator of a narrow, fearful, or stubborn frame of mind. By contrast, we experience our own certainty as simply a side-effect of our rightness, justifiable because our cause is just. And, remarkably, despite our generally supple, imaginative, extrapolation-happy minds, we cannot transpose this scene. We cannot imagine, or do not care, that our own certainty, when seen from the outside, must look just as unbecoming and ill-grounded as the certainty we abhor in others. — Kathryn Schulz

There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book. In adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness ... The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. We need stories so much that we're even willing to read bad books to get them, if the good books won't supply them. We all need stories, but children are more frank about it. — Philip Pullman

'Filk' is the folk music of the science fiction and fantasy community - you get parodies, you get traditional music that's had the words slightly modified, and you'll also get just original works that have been written about science fiction and fantasy works, or with science fiction and fantasy themes. — Seanan McGuire

Your desire for vengeance will cause countless deaths, child," she said, pointing a crooked finger at Rhylie. "Innocents will be caught up in your maelstrom, their lives torn apart. People you have never met, and will never know will die beneath your shadow if you do not stop. You tear the galaxy asunder with each step you take towards Vorcia. — Charles Hash

If you read no other work of what's known as "cyberpunk" (which looks at the ever-thinner line between humans and machines), at least read the novel that began it all: William Gibson's Neuromancer, which won every major science fiction award (the Nebula, the Hugo, and the Philip K. Dick award) in 1984, the year it was published. Gibson introduced words (including "cyberpunk" itself), themes, and a dystopic vision of the future that have been liberally reworked in the writings of many other authors. — Nancy Pearl

It is not so difficult a task to plant new truths, as to root out old errors; for there is this paradox in men, they run after that which is new, but are prejudiced in favor of that which is old. — Charles Caleb Colton

Fiction is most effective when its themes are unspoken. An ideal fiction has a kind of thematic ghostliness, whereby the novel marks its meanings most strongly as it passes, as it disappears, rather as on a street snow gets dirtier, more marked, as it disappears. — James Wood

I have an idea and a first line
and that suggests the rest of it. I have little concept of what I'm going to say, or where it's going. I have some idea of how long it's going to be
but not what will happen or what the themes will be. That's the intrigue of doing it
it's a process of discovery. You get to discover what you're going to say and what it's going to mean. — T.C. Boyle

I can hear some of you groaning as you read this section. "Great," you're saying. "I have to put a theme in my book? Themes are only for that 'high literature' stuff that gets taught in universities, not for my nice, entertaining genre fiction. — Libbie Hawker

[T]he incomparable Diana Wynne Jones, one of the finest mythic fiction writers of our age, who left us too early (due to cancer) two days ago. I'm so grateful to her for the extraordinary books she has left behind, which have inspired a whole generation of younger writers. She was writing brilliant YA fantasy before the genre (as we know it now) even existed; she was writing enchanting "wizard school" books long before Harry Potter was a gleam in Rowling's eye; and her knowledge of how to weave mythic/folkloric themes into contemporary fiction was second to no one's. Diana will be terribly missed, but through her magical stories, her light will stay on. — Terri Windling

Themes that are "too large for adult fiction can only be dealt with adequately in a children's book" - Philip Pullman
(Hunt and Lenz, 2001, p. 122 as cited by Hunt, 2005, p. 204) — Philip Pullman

It was difficult to get into my friends' rock bands when I was a teenager. They somehow didn't see the need for an accordion player. That's when I realized that I had to find my own path in life. — Al Yankovic

I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in. — Porochista Khakpour

Family tends to be one of the recurring themes in my fiction. — Sharon Shinn

What I find interesting and heartening, though, is that there does seem to be a shift in the subject matter being written about by women that is doing well in the culture. We're seeing more women writing dystopian fiction, more women writing novels set post-apocalyptic settings, subjects and themes that used to be dominated by men. — Laurie Foos