Fiction Readers Quotes & Sayings

I'm a compulsive reader of fiction. I fell in love with novels when I was a teenager. My wife Marilyn and I ... our initial friendship began because we are both readers. I've gone to sleep almost every night of my life after having read in a novel for 30 or 40 minutes. I'm a great reader of fiction and much less so of non-fiction. — Irvin D. Yalom

Labels don't mean much to me one way or another
except when they close the minds of potential readers. I'd much rather we do away with genres and simply file everything under fiction. I know it can work
one of my favourite record stores (Waterloo Music in Austin) simply files everything alphabetically and no one seems to have much problem finding what they're looking for. — Charles De Lint

To all my readers. I don't need my daughter's okay to do anything. I was a writer before she was my daughter. The CRANK books were inspired by my desire to keep others from following in her path, but they are FICTION. And seriously, WTF do I need her permission for? Are you effing kidding me? I'm her MOTHER. — Ellen Hopkins

The only way to build a fan base is to have a lot of material out there for readers to find. You can't manufacture a fan base. You create it, one story at a time. — Kristine Kathryn Rusch

Two avenues of approach to these rewards lie open to the ambitious fictioneer. On the one hand, he may throw all intelligible standards of merit to the winds, and devote himself to manufacturing new stories that are frankly bad, trusting to the fact that nine persons out of ten are utterly devoid of esthetic sense and hence unable to tell the bad from the good. And on the other hand, he may take stories, or parts of stories that have been told before, or that, in themselves, are scarcely worth the telling, and so encrust them with the ornaments of wit, of shrewd observation, of human sympathy and of style
in brief, so develop them
that readers of good taste will forget the unsoundness of the material in admiration of the ingenious and workmanlike way in which it is handled. — H.L. Mencken

'Seize the Story' takes readers all the way through the process of writing fiction, from beginning to end. Every element, from dialogue to setting, plotting to character creation, is laid out and illustrated with examples. But the tone of the book is not that of a dry writing manual - it's definitely written for teenagers. — Victoria Hanley

The reader! You, dogged, uninsultable, print-oriented bastard, it's you I'm addressing, who else, from inside this monstrous fiction. You've read me this far, then? Even this far? For what discreditable motive? How is it you don't go to a movie, watch TV, stare at a wall, play tennis with a friend, make amorous advances to the person who comes to your mind when I speak of amorous advances? Can nothing surfeit, saturate you, turn you off? Where's your shame? — John Barth

In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope. — James Gunn

Author's Note
This is not so much an author's note as an author's reminder of what was printed in small type a few pages ago: This book is a work of fiction. I made it up.
Neither novels or their readers benefit from attempts to divine whether any facts hide inside a story. Such efforts attack the very idea that made-up stories can matter, which is sort of the foundational assumption of our species.
I appreciate your cooperation in this matter. — John Green

Do what you love, especially if your sharing the word — Ann Simpson

Everybody else is working to change, persuade, tempt and control them. The best readers come to fiction to be free of all that noise. — Philip Roth

When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing. — Samuel Hynes

The philosopher, who with calm suspicion examines the dreams and omens, the miracles and prodigies, of profane or even of ecclesiastical history, will probably conclude that, if the eyes of the spectators have sometimes been deceived by fraud, the understanding of the readers has much more frequently been insulted by fiction. — Edward Gibbon

Finally I do like best of all stories whose necessity is in the implied recognition that someplace out there there exists an urgency - a chaos - , an insanity, a misrule of some dire sort which can end life as we know it but for the fact that this very story is written, this order found, this style determined, the worst averted, and we are beneficiaries of that order by being readers. — Richard Ford

All writers and their readers should stand up and voice their opposition to financial services companies censoring books. Authors should have the freedom to publish legal fiction, and readers should have the freedom to read what they want. — Mark Coker

I do not allow fan-fiction. The characters are copyrighted. It upsets me terribly to even think about fan-fiction with my characters. I advise my readers to write your own original stories with your own characters. It is absolutely essential that you respect my wishes. — Anne Rice

Overpopulated fiction can be so confusing that readers put the story down. Under-populated novels can seem claustrophobic or boring. You want the right number of characters for your particular work. — Nancy Kress

All true readers have a book, a moment when real life is never going to be able to compete with fiction again. — Kate Morton

My feeling about fiction, regardless of the genre, is that it is meant to be a representation of life. I want my books to give a whole spectrum of experiences to my readers. Not just fear or terror or revulsion, but excitement, laughter, pain, sorrow, desire, etc. — Richard Laymon

Literature differs from life in that life is amorphously full of detail, and rarely directs us toward it, wheras literature teaches us to notice. Literature makes us better noticers of life; we get to practice on life itself; which in turn makes us better readers of detail in literature; which in turn makes us better readers of life. — James Wood

I like to take certain aspects of genre fiction and modify them in my own way. 'Your Republic Is Calling You' follows the form of a spy novel, but it leads readers into a world of Kafkaesque irrationality. — Kim Young-ha

I love smart commercial fiction. Susan Isaacs, for example and the readers who interest me are, in the preponderance, women. I am one of them; I like the books they like. — Beth Gutcheon

Why is it important to look at fiction writing through the lens of emotional experience? Because that's the way readers read. They don't so much read as respond. They do not automatically adopt your outlook and outrage. They formulate their own. You are not the author of what readers feel, just the provocateur of those feelings. You may curate your characters' experiences and put them on display, but the exhibit's meaning is different in thousands of ways for thousands of different museum visitors, your readers. Not — Donald Maass

Women readers kept fiction alive - here was another one. — John Irving

The power of fiction is that it gives us, as readers, the opportunity to move inside another human being, to look out through that person's eyes, hear with her ears, think with his thoughts, feel with her feelings. It is the only form of art which can accomplish that feat so deeply, so completely. And thus it is the perfect bridge for helping us coming to know the other - the other inside as well as outside ourselves. (x) — Marion Dane Bauer

By and large, the kind of science fiction which makes tomorrow's headlines as near as this morning's coffee has enlarged popular awareness of the modern, miraculous world of science we live in. It has helped generations of young people feel at age with a changing world.
But fashions change, old loves return, and now that Sputniks clutter up the sky with new and unfamiliar moons, the readers of science fiction are willing to wait to read tomorrow's headlines. Once again, I think, there is a place, a wish, a need for the wonder and color of the world way out. The world beyond the stars. The world we won't live to see. That is why I wrote The Door Through Space. — Marion Zimmer Bradley

It's their failure, my little Anna, not yours. Men who try to understand the world without the help of children are like men who try to bake bread without the help of yeast. — Gavriel Savit

It is the case that, albeit to a lesser extent, all fictions make their readers live "the impossible", taking them out of themselves, breaking down barriers, and making them share, by identifying with the characters of the illusion, a life that is richer, more intense, or more abject and violent, or simply different from the one that they are confined to by the high-security prison that is real life. Fictions exist because of this fact. Because we have only one life, and our desires and fantasies demand a thousand lives. Because the abyss between what we are and what we would like to be has to be bridged somehow. That was why fictions were born: so that, through living this vicarious, transient, precarious, but also passionate and fascinating life that fiction transports us to, we can incorporate the impossible into the possible and our existence can be both reality and unreality, history and fable, concrete life and marvellous adventure. — Mario Vargas-Llosa

Most readers of historical fiction are content to just get caught up in a good story, and that is what I want to do as an author. I am not concerned with people knowing exactly what I made up and what is real. — Melanie Benjamin

I want to say to the literature teacher who remains wilfully, even boastfully ignorant of a major element of contemporary fiction: you are incompetent to teach or judge your subject. Readers and students who do know the field, meanwhile, have every right to challenge your ignorant prejudice. Rise, undergraduates of the English departments! You have nothing to lose but your A on the midterm! — Ursula K. Le Guin

However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence. — Samuel R. Delany

I am trying to come up with some "adult" reads, but I mostly read young adult fiction (my job), which, by the way is excellent. I will post about some of my favorites that should appeal to adult readers — Megan McCafferty

All readers come to fiction as willing accomplices to your lies. Such is the basic goodwill contract made the moment we pick up a work of fiction. — Steve Almond

Some readers may realize that this story, first published in 1956, has been overtaken by events. In 1965, astronomers discovered that Mercury does not keep one side always to the Sun, but has a period of rotation of about fifty-four days, so that all parts of it are exposed to the sunlight at one time or another.
Well, what can I do except say that I wish astronomers would get things right to begin with?
And I certainly refuse to change the story to suit their whims. — Isaac Asimov

At this point, a few words on this term 'horror' are perhaps called for. Some amateurs of this kind of literature engage in endless hairsplitting disputes, centered around this word and its close companion 'terror', as to which' stories may so be categorized and which may not, and whether or not descriptions such as weird or fantasy or macabre are preferable. The designation 'horror', with its connotations of revulsion, satisfies me no more than it does the purists but I believe that it is the only term which embraces all the stories in this collection and which succinctly suggests to the majority of readers what is in store for them. Horror then, in this instance, covers tales of the Supernatural and of physical terror, of ghosts and necromancy and of inhuman violence and all the dark corners and crevices of human belief and behavior that lie in between. ("An Age In Horror" - introduction) — Michel Parry

Certainly, light fiction exists and encompasses mysteries or second-class romance novels, books that are read on the beach, whose only aim is to entertain. These books are not concerned with style or creativity - instead they are successful because they are repetitive and follow a template that readers enjoy. — Umberto Eco

History buffs expect historical background in historical fiction. Mystery readers expect forensics and police procedure in crime fiction. Westerns - gasp - describe the West. Techno-thriller readers expect to learn something about technology from their fiction. — Edward M. Lerner

Nearly all the writing of our time is likely to disappear in a hundred years. Certainly most readers - and nearly all critics - feel that [Kurt] Vonnegut started to repeat himself, to grow increasingly self-indulgent and meandering, and to sometimes just blather in his later work. But his books up to "Slaughterhouse-Five" do possess a distinctiveness that will insure some kind of permanence, if only in the history of the 1960s and of science fiction. — Michael Dirda

Reasonable readers would have accepted my book about ghouls as a work of fiction, but such readers are rare, and most condemned it as a hoax. Even worse, totally unreasonable readers took it for a scientific treatise. — H.P. Lovecraft

To most readers the word 'fiction' is an utter fraud. They are entirely convinced that each character has an exact counterpart in real life and that any small discrepancy with that counterpart is a simple error on the author's part. Consequently, they are totally at a loss if anything essential is altered. Make Abraham Lincoln a dentist, put the Gettysburg Address on his tongue, and nobody will recognize it. — Louis Auchincloss

In science there is a dictum: don't add an experiment to an experiment. Don't make things unnecessarily complicated. In writing fiction, the more fantastic the tale, the plainer the prose should be. Don't ask your readers to admire your words when you want them to believe your story. — Ben Bova

Here, in short, is the great danger of reading most novels, romances, and works of fiction. The greater part of them give a false or incorrect view of human nature. They paint their model men and women as they ought to be, and not as they really are. The readers of such writings get their minds filled with wrong conceptions of what the world is. Their notions of mankind become visionary and unreal. They are constantly looking for men and women such as they never meet, and expecting what they never find. — J.C. Ryle

Fiction about mining has a long tradition - Emile Zola's 'Germinal' and Upton Sinclair's 'King Coal' come to mind - and most readers will be aware of the industry's harsh conditions. — Floyd Skloot

Curiously, Laura Warholic is one of those novels in which the characters actually read books.You don't often see this in contemporary fiction. People resent polysyllabic words, find it showing off, never look them up, refuse to play. Words are to a writer what paint is to an artist. I am amazed at how readers refuse to enjoy the out-of-the-way fact, the astonishing detail, the original thought. Style is taken as an affront by stupid and lazy people. Just say it, they say. Sure! Should I die or should I live basically sums up Hamlet's "To Be or Not to Be" soliloquy. Why didn't he just say so!? — Alexander Theroux

The best readers come to fiction to be free of ... all that isn't fiction. — Philip Roth

I have more freedom when I write fiction, but my memoirs have had a much stronger impact on my readers. Somehow the 'message,' even if I am not even aware that there is one, is conveyed better in this form. — Isabel Allende

Readers," continued Miss Winter, "are fools. They believe all writing is autobiographical. And so it is, but not in the way they think. The writer's life needs time to rot away before it can be used to nourish a work of fiction. It must be allowed to decay. That's why I couldn't have journalists and biographers rummaging around in my past, retrieving bits and pieces of it, preserving it in their words. To write my books, I needed my past left in peace, for time to do its work. — Diane Setterfield

Best-selling horror fiction is indeed necessarily conservative because it must entertain a large number of readers. It's like network television. I'm your local cable access station. — Thomas Ligotti

Let's say I find a lot of current American fiction too overwritten for my tastes, too self-conscious; I like something that's simpler and more direct. The story is what matters to me. I hope to make it seem real to readers, as if it happened just like this - so I don't want fancy descriptions getting in the way. — Ronald Frame

Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave. I never get over being thankful for that - for the courage of my readers. — Barbara Kingsolver

If Fobbit leaves a reader feeling stranded in some bland in-between territory, then I haven't done my job. But having said all that, I didn't consciously write the book with a particular moral intent. I took what I experienced and processed it through the sausage factory of fiction. It's up to readers to interpret what's on the page - as is the case with any novel. — Dave Abrams

AUTHOR'S NOTE TO READERS: TRUTH OR FICTION Everything in this book is true, except for what's not. I thought I'd end this adventure by splitting those hairs. First, two elements gave birth to this story. I came upon each independently, but I knew there had to be a connection and that Sigma would need to investigate. — James Rollins

[I]n adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult readers who do deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship. But stories are vital. Stories never fail us, because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. [Contemporary writers, however,] take up their stories as with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. — Philip Pullman

There are further considerations I might raise. How do you make a book that anyone will read out of lives as quiet as these? What are the things that novelists seize upon and readers expect? Where is the high life, the kinky sex, the death wish? Where are the suburban infidelities, the promiscuities, the convulsive divorces, the alcohol, the drugs, the lost weekends? Where are the hatreds, the political ambitions, the lust for power? Where are speed, noise, ugliness, everything that makes us who we are and makes us recognizable in fiction? — Wallace Stegner

I feel that there is not an endlessly expandable universe of fiction readers. — Jonathan Galassi

That is as true for fiction or non-fiction. The writer has to really know their subject. It is really important to remember that the readers are a lot smarter than the writer. Also, good writing has to do with rewriting. You will never get it right the first time. So you rewrite and rewrite again until you get it right. Until you, and the reader, will be able to visualize what you're writing about. — Michael Scott

Dangerous Visions, which had, almost single-handedly, changed the way readers thought about science fiction. Since Ellison had been at least partially successful — Al Sarrantonio

I have been induced to adopt this course by a desire that my readers should be taught to think as well as to experiment, and thus be qualified at an early part of their study to discriminate between the true and the false, and acquire the facts of the science without being mystified by its fictions. — John Joseph Griffin

For anyone who conceives literature in terms of plurality of perspectives, Finnegans Wake has to be the apogee. For, as we are told, every word in it has three score and ten "toptypsical" meanings - an exaggeration, of course, but an important reminder to readers who like their fiction definite. — Philip Kitcher

One of the many things that surprised me about 'Wool' is how many of its fans don't consider themselves science fiction readers. — Hugh Howey

Through my fiction, I make mainstream readers see the new Americans as complex human beings, not as just 'The Other.' — Bharati Mukherjee

While it's romantic fiction and bares all of its hallmarks, I ultimately want all women to see a part of themselves in Lia. We all dream of a knight galloping in on a white horse, and my book will compel readers to weight up how much of life is fate, and how much of our destiny we create for ourselves. — Timea Tokes

In Land of Milk and Money, Anthony Barcellos mines rich family history to create a full-blooded tale that readers will find insightful, rewarding, and entertaining. — John Lescroart

The publication of Doctor Zhivago in the West in 1957 and the award of the Nobel Prize in Literature to Boris Pasternak the following year triggered one of the greatest cultural storms of the Cold War. Because of the enduring appeal of the novel, and the 1965 David Lean film based on it, Doctor Zhivago remains a landmark piece of fiction. Yet few readers know the trials of its birth and how the novel galvanized a world largely divided between the competing ideologies of two superpowers. — Peter Finn

Good characters in fiction are the very devil. Not only because most authors have too little material to make them of, but because we as readers have a strong subconscious wish to find them incredible. — C.S. Lewis

How are you supposed to know what to read next? This is the question that keeps us up at night, so at Day One our mission is to feed an audience of literature-hungry, time-constrained readers like you with a weekly lineup of talented authors, poets, and artists that we believe you will love. And if we can identify some of the next generation of literary stars, and cultivate an appreciation for transformative poetry and fiction, then frankly we will sleep better at night. — Carmen Johnson

While researching my first book, I discovered so many fascinating tidbits that I wanted to share them with readers to remind them that while the book was fiction, the situations were based on historical realities - some of which were pretty hard to believe. — Julie Klassen

Which is probably one of the reasons those of us who love contemporary fiction love it as we do. We're alone with it. It arrives without references, without credentials we can trust. Givers of prizes (not to mention critics) do the best they can, but they may - they probably will - be scoffed at by their children's children. We, the living readers, whether or not we're members of juries, decide, all on our own, if we suspect ourselves to be in the presence of greatness. We're compelled to let future generations make the more final decisions, which will, in all likelihood, seem to them so clear as to produce a sense of bafflement over what was valued by their ancestors; what was garlanded and paraded, what carried to the temple on the shoulders of the wise. — Michael Cunningham

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

Every time I write a new novel about something sombre and sobering and terrible I think, 'oh Lord, they're not going to want to go here'. But they do. Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave. — Barbara Kingsolver

Fantasy stories will always be popular, as there are always readers who are willing to escape, freely, to the worlds that the authors create, and spend time with the characters we give life to. — Jason Ellis

It is not so much as to say that something has occured; but to describe the very essence of the occurance. One must take hold of his readers and pull them into his world ... the world that he has penned, with the utmost care and attentiveness.
And then, when the readers are fully submerged in this magnificently crafted place of wonder; they will see, and touch, and smell, and feel all the elements of the author's imagination. — Jason W. Blair

In general, I write for ages 12 and up - although I've received emails from readers between the ages of seven and seventy. My books are science fiction. — Marie Lu

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

Paranormal fiction offers authors - and readers - the chance to answer the question, 'What if?' All the different ways that question can be answered make for extremely entertaining reading. — Jeaniene Frost

Young readers have to be entertained. No child reads fiction because they think it's going to make them a better person. — Mark Haddon

Fiction supplies the only philosophy that may readers know; it establishes their ethical, social, and material standards; it confirms them in their prejudices or opens their minds to a wider world. — Dorothea Brande

Life might be stranger than fiction, but fiction allows many writers to more accurately portray life to their readers. — Jaime Buckley

It may be that the most avid readers of new fiction in America today are film producers, an indication of the trouble were in. — E.L. Doctorow

I realize that, to many readers, Hard Fantasy may seem to be a contradiction in terms. Fantasy, according to most generally recognized definitions, differs from both 'real world' fiction and 'science fiction' in that magic or magical creatures are active elements. — Jane Lindskold

Writers and readers are still trying to work out unresolved problems between men and women, and that is why millions of women around the world are hooked on romantic fiction. So am I. — Charlotte Lamb

Butler's novel 'Kindred' may be the book most widely read by readers outside science fiction; it has been assigned as a text in classrooms and has sold steadily since its publication in 1979. — Karen Joy Fowler

Sylvia Day delivers readers to a fantasy world as unique as it is erotic! Ms. Day is an up-and-coming talent in the world of erotic fiction. [on Pleasures of the Night ] — Toni Blake

The people who built the space program - both Soviet and U.S. - were readers of science fiction. — Gregory Benford

To write a novel is to dream while awake, then express the dream to the reader in an absorbing way. The road leading from the writer's inner world to the readers' is paved with prose. — Alan Joshua

Chinese readers are buying books in translation, particularly non-fiction about China, in large numbers. — Evan Osnos

Science fiction is a literature that belongs to all humankind. It portrays events of interest to all of humanity, and thus science fiction should be the literary genre most accessible to readers of different nations. Science fiction often describes a day when humanity will form a harmonious whole, and I believe the arrival of such a day need not wait for the appearance of extraterrestrials. — Liu Cixin

You asked if I thought my fiction had changed anything in the culture and the answer is no. Sure, there's been some scandal, but people are scandalized all the time; it's a way of life for them. It doesn't mean a thing. If you ask if I want my fiction to change anything in the culture, the answer is still no. What I want is to possess my readers while they are reading my book
if I can, to possess them in ways that other writers don't. Then let them return, just as they were, to a world where everybody else is working to change, persuade, tempt, and control them. The best readers come to fiction to be free of all that noise, to have set loose in them the consciousness that's otherwise conditioned and hemmed in by all that isn't fiction. This is something that every child, smitten by books, understands immediately, though it's not at all a childish idea about the importance of reading. — Philip Roth

I write for those who desire, not publication at any cost, but publication one can be proud of
serious, honest fiction, the kind of novel that readers will find they enjoy reading more than once, the kind of fiction likely to survive. — John Gardner

I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted. — Denise Mina

As readers, we are seldom interested in the fine sentiments of a lesson learnt; we seldom care about the good manners of morals. Repentance puts an end to conversation; forgiveness becomes the stuff of moralistic tracts. Revenge - bloodthirsty, justice-hungry revenge - is the very essence of romance, lying at the heart of much of the best fiction. — Alberto Manguel

For years, we in publishing have been hearing from Catholic readers that they really yearn for Catholic fiction. — Regina Doman

Novelists congratulate themselves on their creation of this kind of "character" or that kind of "character," and readers pretend to talk knowingly about "character," but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don't know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying. — Soseki Natsume

Fiction has the incredible power to put readers into the lives and minds of characters whose backgrounds and natures are nothing like theirs, and create an empathy and understanding that readers can take into the real world. — Cheryl B. Klein

The built-in form is a window frame. You can use this genre [crime fiction] to go where you want to go, and explore what you want to explore. In some ways it gives you a lot of freedom because you have a framework readers are looking for. — Michael Connelly

Writing historical fiction has many common traits with writing sci-fi or fantasy books. The past is another country - a very different world - and historical readers want to see, smell and touch what it was like living there. — Sara Sheridan

Popular escapist fiction enchants adult readers without challenging them to be educated for critical consciousness. — Bell Hooks

One of the questions writers bump up against in their work, whether they know it or not, is about lying. Because fiction is a form of deceit, and one's abilities are measured by how convincingly one can persuade readers that these events really happened. — Damon Galgut

I'm such a huge fan of fan fiction, to me it's a great way for readers to become writers. It's like putting the training wheels on for writing. — Hugh Howey

You believe that the kind of story you want to tell might be best received by the science fiction and fantasy audience. I hope you're right, because in many ways this is the best audience in the world to write for. They're open-minded and intelligent. They want to think as well as feel, understand as well as dream. Above all, they want to be led into places that no one has ever visited before. It's a privilege to tell stories to these readers, and an honour when they applaud the tale you tell. — Orson Scott Card